Museums Awarded for High Standards in Collections Care and Management
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Tuarascáil Bhliantúil Annual Report 2014
TUARASCÁIL BHLIANTÚIL ANNUAL REPORT 2014 COMHAIRLE CONTAE LÚ LOUTH COUNTY COUNCIL COUNCIL COAT OF ARMS The Arms of the County, as granted by the Chief Herald to the Council in 1976, are derived as follows:- “Vert a besant charged with a Dexter Hand aversant coupled at the wrist proper” This is the description of the lower part of the shield which is coloured green (vert) and on which is imposed a heraldic expression of the Dextera Dei or Right Hand of God from Muireadach’s Cross at Monasterboice. As on the latter, the armorial design shows the hand against a circular background or nimbus. This section of the Arms represents in particular the rural (or County Health District) part of the County. Chief Sable, two ancient ships, sails set argent The top part of the Arms is black in colour commemorating Muirthemne, the old Irish name of the sea off the County Louth Coast, and which translated into English means the “darkness of the sea”. The ships are inspired by the Coat of Arms of the Borough of Drogheda, which includes a ship anchored at a quayside. Each ship can be taken to represent respectively the Borough of Drogheda and the Urban District of Dundalk, both areas comprised within the administrative County. The ships are also representational of the fact that the County has always been a great centre of trade and commerce. The Crest The Crest incorporates a sword, the symbol of administration, surrounded by ears of barley. This design at once illustrates the nature of the Coat of Arms as a symbol of a civic administration, and the importance of agriculture in the life of the County. -
Exhibition Making – Library Collections Schedule
IMA FORUMS: EXHIBITION MAKING – LIBRARY COLLECTIONS National Library of Ireland. 7 December 2016 #irishmuseums SCHEDULE 09:30 – 09:45 Registration – National Library of Ireland Seminar Room 09:45 – 10:00 Welcome: Dr Sandra Collins, Director, National Library of Ireland 10:00 – 10:45 Dr Jill Unkel, Curator of Western Collections, Chester Beatty Library Round peg in a square hole, or fitting a collection into an exhibition Dr Orla Fitzpatrick, National Museum of Ireland Off the Shelf: maximising the potential of library collections within the museum 10:45 – 11:15 Tea / Coffee Break 11:15 – 12:30 Andrew Moore, Library Assistant, National Gallery of Ireland Rare auction catalogues in the National Gallery of Ireland Mark Reynolds, Archivist GAA Museum The GAA Museum’s library and archive collections. Jennifer Greiner Risking the Work of Angels: the loan and exhibition of iconic manuscripts 12:30 – 13:30 Lunch (at own leisure) 13:30 – 14:45 Evelyn Flanagan, Special Collections Librarian, University College Dublin (UCD) Creating Exhibitions in Special Collections UCD Library Brian Crowley, Curator, The Pearse Museum 'Knowing I loved my books': Exhibiting Shakespeare at the Pearse Museum Nicola Ralston, Assistant Keeper, Education and Outreach Department, National Library of Ireland Evolving through Evaluation: Learning lessons at the National Library of Ireland 14:45 – 15:00 Open session and Final Comments IMA FORUMS: EXHIBITION MAKING – LIBRARY COLLECTIONS National Library of Ireland. 7 December 2016 SPEAKER BIOGRAPHIES AND PRESENTATION ABSTRACTS Dr Orla Fitzpatrick, National Museum of Ireland Off the Shelf: maximising the potential of library collections within the museum This paper will explore the role of library collections within a large national cultural institution. -
The Donegal District Lunatic Asylum
‘A WORLD APART’ – The Donegal District Lunatic Asylum Number of Registrar Name Where Chargable This exhibition curated by the Donegal County Museum and the Archives Service, Donegal County Council in association with the HSE was inspired by the ending of the provision of residential mental health services at the St. Conal’s Hospital site. The hospital has been an integral part of Letterkenny and County Donegal for 154 years. Often shrouded by mythology and stigma, the asylum fulfilled a necessary role in society but one that is currently undergoing radical change.This exhibition, by putting into context the earliest history of mental health services in Donegal hopes to raise public awareness of mental health. The exhibition is organised in conjunction with Little John Nee’s artist’s residency in An Grianan Theatre and his performance of “The Mental”. This project is supported by PEACE III Programme managed for the Special EU Programmes Body by Donegal County Council. Timeline This Timeline covers the period of the reforms in the mental health laws. 1745 - Dean Jonathan Swift: 1907 - Eugenics Education Society: On his death he left money for the building of Saint Patrick’s This Society was established to promote population control Hospital (opened 1757), the first in Ireland to measures on undesirable genetic traits, including mental treat mental health patients. defects. 1774 - An Act for Regulating Private Madhouses: 1908 Report by Royal Commission This act ruled that there should be inspections of asylums once on Care of Feeble-Minded a year at least, but unfortunately, this only covered London. 1913 Mental Deficiency Act: 1800 - Pressure for reform is growing: This Act established the Board of Control to replace the Lunacy This is sparked off by the terrible conditions in London’s Commission. -
OPW Heritage Trade Catalogue 2021-2022 Dublin
heritage ireland Ireland’s National Heritage in the care of the 0ffice 2019 of public works Admission Charges Apply in 2022 Trade Catalogue 2021-2022 Dublin Ireland’s Ancient East Ireland’s Hidden Heartlands Wild Atlantic Way group trade information 1. groups and trade … explore more ¬ Specific language audio-visual films in some sites for pre-booked tours Bring your group to visit an historic place for a great day out. ¬ If you are a public group or in the travel trade and have ¬ Access to OPW Tour Operator Voucher Scheme (TOVS). customers for group travel, FIT or MICE our staff are Payment by monthly invoice. delighted to present memorable experiences at over 70 Email us at [email protected] historic attractions.* * Minimum numbers may vary at sites due to COVID–19 restrictions as at April 2021. ¬ Our guides excel in customer service and storytelling * Some sites may not be fully accessible or closed due to COVID–19 that enthrals and engrosses the visitor, while offering restrictions as at April 2021. a unique insight into the extraordinary legacy of Ireland’s iconic heritage. 3. plan your itinerary ¬ Join our mailing list for more information on heritageireland.ie ¬ For inspiration about passage tombs, historic castles, ¬ Contact each site directly for booking – details in Groups / Christian sites and historic houses and gardens throughout Trade Catalogue Ireland. * Due to COVID–19 restrictions some sites may not be open. ¬ From brunch to banquets – find out about catering facilities at sites, events and more … 2. group visit benefits ¬ Wild Atlantic Way ¬ Group Rate – up to 20% off normal adult admission rate. -
Museum Quarter
NAVAN ROAD DRUMCONDRA NEPHIN ROAD DALYMOUNT PARK CLONLIFFE ROAD 14 PHOENIX PARK & JONES ROAD EAST WALL ROAD CROKE GAA DART NORTH CIRCULAR ROAD PARK MUSEUM MUSEUM QUARTER LEINSTER AVE DORSET STREET BELVEDERE RD U RUSSELL ST PP E R G A R D NORTH CIRCULAR ROAD IN E R S NORTH STRAND ROAD STONEY RD T NO VENUE PG MOUNTJOY PORTLAND ROW D MIDDLE GARDINERSQUARE ST A 2 20 O 1 3 Walls Gallery 16 R FREDERICK ST NORTH SUMMERHILL T 2 Áras an Uachtaráin 16 S GRANGE GORMAN LWR GORMAN GRANGE 8 E 3 Brown Bag Films 16 W NORTH GT GEORGES ST 4 Damn Fine Print 16 EAST WALL ROAD LUAS RUTLAND CALEDON CT 5 The Darkroom 17 JAMES JOYCE STREET PARNELL SQ. EAST DART CHURCHST MARY’S ROAD RD 6 Dr Steevens’ Hospital (HSE) 17 16 OXMANTOWN ROAD LOWER GARDINER ST MORNING STAR AVE SEAN MACDERMOTT ST DORSET STREET PARNELL STREET SEVILLE PLACE 7 The elbowroom 17 PARNELL SQ. WEST HALLIDAY RD 13 PARNELL HENRIETTA ST MARLBOROUGH ST MANOR STREET 19 GRANGE GORMAN LWR SQUARE 8 Grangegorman Development 17 T DOMINICK ST LWR S 1 Agency CONNOLLY H C PROVOST ROW STATION KILLAN RD 9 The Greek Orthodox Community of 18 R FOLEY ST EAST ROAD U K LUAS H IN Ireland 7 G C ’S MANOR PLACE I MORNING STAR AVE STAR MORNING N INFIRMARY ROAD BOLTON ST N 10 IMMA (Irish Museum of Modern Art) 18 S CATHEDRAL ST S 4 5 T 14 O’CONNELL ST UPPER SHERRIF ST 11 Irish Railway Record Society (IRRS) 18 CHESTERFIELD AVENUE CAVALRY ROW BRUNSWICK ST. -
Sustainable Management of Tourist Attractions in Ireland: the Development of a Generic Sustainable Management Checklist
SUSTAINABLE MANAGEMENT OF TOURIST ATTRACTIONS IN IRELAND: THE DEVELOPMENT OF A GENERIC SUSTAINABLE MANAGEMENT CHECKLIST By Caroline Gildea Supervised by Dr. James Hanrahan A dissertation submitted to the School of Business and Humanities, Institute of Technology, Sligo in fulfilment of the requirements of a Master of Arts (Research) June 2012 1 Declaration Declaration of ownership: I declare that this thesis is all my own work and that all sources used have been acknowledged. Signed: Date: 2 Abstract This thesis centres on the analysis of the sustainable management of visitor attractions in Ireland and the development of a tool to aid attraction managers to becoming sustainable tourism businesses. Attractions can be the focal point of a destination and it is important that they are sustainably managed to maintain future business. Fáilte Ireland has written an overview of the attractions sector in Ireland and discussed how they would drive best practice in the sector. However, there have still not been any sustainable management guidelines from Fáilte Ireland for tourist attractions in Ireland. The principal aims of this research was to assess tourism attractions in terms of water, energy, waste/recycling, monitoring, training, transportation, biodiversity, social/cultural sustainable management and economic sustainable management. A sustainable management checklist was then developed to aid attraction managers to sustainability within their attractions, thus saving money and the environment. Findings from this research concluded that tourism attractions in Ireland are not sustainably managed and there are no guidelines, training or funding in place to support these attraction managers in the transition to sustainability. Managers of attractions are not aware or knowledgeable enough in the area of sustainability. -
National Museum of Ireland Annual Report 2014
Annual Report 2014 final NATIONAL MUSEUM OF IRELAND ANNUAL REPORT 2014 Annual Report 2014 Final CONTENTS Message from the Chairman of the Board of the National Museum of Ireland ………….. Introduction from the Director of the National Museum of Ireland……………………… Collections Art and Industry…………………………………………………………………………... Irish Antiquities…………………………………………………………………………… Irish Folklife…………………………………………………………………………......... Natural History……………………………………………………………………………. Conservation…………………………………………………………………………........ Registration……………………………………………………………………………….. Exhibitions National Museum of Ireland – County Life………………………………………………. National Museum of Ireland – Archaeology……………………………………………… National Museum of Ireland – Decorative Arts and History…………………………….. Services Education and Outreach…………………………………………………………….......... Marketing and PR……………………………………………………………………........ Photography………………………………………………………………………………. Design…………………………………………………………………………………...... Facilities (Accommodation and Security)………………………………………………… 2 Annual Report 2014 Final Administration Financial Management………………………………………………………………......... Human Resource Management…………………………………………………………… Information Communications Technology (ICT) …………………………………........... Publications by Museum Staff…………………………………………………................. Board of the National Museum of Ireland…………………………………………........... Staff Directory…………………………………………………………………………….. 3 Annual Report 2014 Final MESSAGE FROM THE CHAIRMAN, BOARD OF THE NATIONAL MUSEUM OF IRELAND The year 2014 proved challenging in terms of the National -
Frances Lambe Ireland B. 1961 Education Selected Collections
“Oval forms occur in the natural world and are found in cells, pollen grains, seeds, eggs and skulls. These have structures that have evolved to contain matter and provide protection. My hollow sculpted forms explore the theme of containment. Constructed walls form a ‘taut membrane’, which is pierced and made permeable. Intricacy of surface detail is counterbalanced by Duo, 2016 the simplicity of the ovoid form.” Ceramic stoneware, 17 H x 40 W x 27 D cm Frances Lambe Ireland b. 1961 Frances Lambe studied at the National College of Art and Design in Dublin. She works with a variety of different clays from terracotta through to white stoneware and porcelain. Frances usually leaves her work unglazed except for the occasional application of oxides. A hallmark of her work is the delicate finish, she pays particular attention to ensure that surface texture unites with form. Her source of inspiration is the natural world, in particular the sea. Her ceramic forms describe an underwater world, the sphere, the oval and undulating forms are recurring themes. Their purity of form recalls stones that have been polished by the movement of water and sand. Frances’ work is in public and private collections including the National Museum of Ireland, the Department of Foreign Affairs of Ireland, the Office of Public Works, and the National Museum of Northern Ireland. Frances Lambe works from her studio in Co. Louth, Ireland. Education 1979 ‐ 83 Diploma in Art Education, National College of Art and Design, Dublin 1983 ‐ 84 Principles of Teaching Art, National -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 689 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Anthony Sheehy, Mike at the Hunt Museum, OUR READERS Steve Whitfield, Stevie Winder, Ann in Galway, Many thanks to the travellers who used the anonymous farmer who pointed the way to the last edition and wrote to us with help- Knockgraffon Motte and all the truly delightful ful hints, useful advice and interesting people I met on the road who brought sunshine anecdotes: to the wettest of Irish days. Thanks also, as A Andrzej Januszewski, Annelise Bak C Chris always, to Daisy, Tim and Emma. Keegan, Colin Saunderson, Courtney Shucker D Denis O’Sullivan J Jack Clancy, Jacob Catherine Le Nevez Harris, Jane Barrett, Joe O’Brien, John Devitt, Sláinte first and foremost to Julian, and to Joyce Taylor, Juliette Tirard-Collet K Karen all of the locals, fellow travellers and tourism Boss, Katrin Riegelnegg L Laura Teece, Lavin professionals en route for insights, information Graviss, Luc Tétreault M Marguerite Harber, and great craic. -
The Life and Works of Beatrice Elvery, 1881-1920
Nationalism, Motherhood, and Activism: The Life and Works of Beatrice Elvery, 1881-1920 Melissa S. Bowen A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May 2015 Copyright By Melissa S. Bowen 2015 Acknowledgments I am incredibly grateful for the encouragement and support of Cal State Bakersfield’s History Department faculty, who as a group worked closely with me in preparing me for this fruitful endeavor. I am most grateful to my advisor, Cliona Murphy, whose positive enthusiasm, never- ending generosity, and infinite wisdom on Irish History made this project worthwhile and enjoyable. I would not have been able to put as much primary research into this project as I did without the generous scholarship awarded to me by Cal State Bakersfield’s GRASP office, which allowed me to travel to Ireland and study Beatrice Elvery’s work first hand. I am also grateful to the scholars and professionals who helped me with my research such as Dr. Stephanie Rains, Dr. Nicola Gordon Bowe, and Rector John Tanner. Lastly, my research would not nearly have been as extensive if it were not for my hosts while in Ireland, Brian Murphy, Miriam O’Brien, and Angela Lawlor, who all welcomed me into their homes, filled me with delicious Irish food, and guided me throughout the country during my entire trip. List of Illustrations Sheppard, Oliver. 1908. Roisin Dua. St. Stephen's Green, Dublin. 2 Orpen, R.C. 1908. 1909 Seal. The Royal Institute of the Architects of Ireland, Dublin. -
By Kind Permission of the OPW, Members of the Irish Georgian
Derrynane House National Historic Park Gallarus Castle & Oratory Ionad an Bhlascaoid Mhoir The Blasket Centre Listowel Castle Ross Castle Co. Kildare Castletown (Celbridge) Maynooth Castle Co. Kilkenny Dunmore Cave By kind permission of the OPW, members of Jerpoint Abbey the Irish Georgian Society, on producing their St. Mary’s Church, current, valid IGS membership or Patron or Gowran IGS Inc. Sponsorship or Patron cards and, if Co. Laois Emo Court required, an additional piece of Heywood Gardens identification, will be entitled to free access Co. Leitrim Parke’s Castle to the following OPW heritage sites. Co. Limerick Adare Castle Desmond Hall Co. Carlow Altamont Gardens (Banqueting Hall) Co. Clare Dromore Wood Co. Longford Corlea Trackway Visitor Ennis Friary Centre Scattery Island Centre Co. Louth Battle of the Boyne Co. Cork Barryscourt Castle Oldbridge Estate Charles Fort Old Mellifont Abbey Desmond Castle (French Co. Mayo Céide Fields Prison) Co. Meath Brú na Boinne Visitor Doneraile Wildlife Park Centre (Newgrange and Foto Arboretum and Knowth) Gardens Hill of Tara IInacullin (Garinish Island) Loughcrew Co. Donegal Donegal Castle Trim Castle Glebe House and Gallery Co. Offaly Clonmacnoise Newmills Corn and Flax Co. Roscommon Boyle Abbey Mills Co. Sligo Carrowmore Megalithic Co. Dublin Casino, Marino, Dublin 3 Cemetery Kilmainham Gaol Sligo Abbey Lusk Heritage Centre Co. Tipperary Cahir Castle National Botanic Gardens Famine Workhouse 1848 Pearse Museum, St. Ormond Castle Enda’s Park Rock of Cashel Phoenix Park Visitor Roscrea Heritage Centre Centre (Ashtown Castle) (Roscrea Castle & Damer Rathfarnham Castle House) St. Audoen’s Church Swiss Cottage St. Mary’s Abbey, Dublin The Main Guard Patrick Pearse’s Cottage Co.Waterford Dungarvan Castle Co. -
Biography Anthony Haughey Is an Artist and Lecturer in the Dublin Institute of Technology Where He Supervises Practice-Based Phd’S
Anthony Haughey | Biography Anthony Haughey is an artist and lecturer in the Dublin Institute of Technology where he supervises practice-based PhD’s. He was Senior Research Fellow (2005-8) at the Interface Centre for Research in Art, Technologies and Design in Belfast School of Art, where he completed a PhD in 2009. His artworks and research have been widely exhibited and published nationally and internationally, including, ‘An Act of Hospitality can only be Poetic’, Highlanes Gallery, Drogheda, ‘UNresolved’, video installation, Athens Biennial, ‘The Politics of Images’, Belo Horizonte, Brazil (2017) and ‘Proclamation’ (2016), which toured widely internationally throughout 2016 where he premiered his new video ‘Manifesto’, which was acquired for the permanent collection of The Arts Council / An Chomhairle Ealaíon. Other recent exhibitions include, ‘Uncovering History’, Kunsthaus Graz, ‘Excavation’, Limerick City Gallery, ‘Making History’ and Colombo Art Biennale (2014) as well as a major British Council exhibition ‘Homelands’, touring South Asia. His artworks and scholarly writing has been published in more than eighty publications and his artworks are represented in many important national and international public and private collections. Recent chapter contributions and journal articles include, ‘Imaging the Unimaginable: Returning to the scene of a crime’, Život Umjetnosti art journal, Zagreb, ‘A Landscape of Crisis: Photographing Post Celtic Tiger Ghost Estates’, Canadian Journal of Irish Studies (2017) and ‘Imagining Irish Suburbia’ (Palgrave 2017). He is an editorial advisor for the Routledge journal, ‘Photographies’, a board member of Fire Station Artist Studios, and a member of the Arts Council Acquisitions Committee. He was recipient of Create ‘Arts and Cultural Diversity Award’ (2014) and was lead curator for a major 1916 Commemorative exhibition, ‘Beyond the Pale: The art of revolution’, Highlanes Gallery Drogheda.