1\ND DESC£~J [)F\NTS

Total Page:16

File Type:pdf, Size:1020Kb

1\ND DESC£~J [)F\NTS f\ ~lC ES TOR. S 1\ND DESC£~J [)f\NTS OF ROBERT BRO'vVN OF 1'vl f\ DJ S O j\J 1 -J 7 00r, ...., ..j O_;r, ~ 0 > ·.,................................................................. '---ru=:,F-····· ·••· -------·-····---- ~---·····-···--· -----------·=e _J··•·•·--••--·--··••·······--····••·····••• ........ ,.................... .......... •.... I;-.-------- This Genealogy gives the Ancestors and ~11 the Descen­ dants, both male and female lines, of Robert Brown, who was born 1n Blandford, Mass., in 1768 and set~led in Nelson, Madison County, New York with his wife t Elizabeth Campbell. .Both were of Scotch-Irish descent. The Descendants, over 600 in number include in addition to· Browns, the names of Alton, Carpenter, Ingalls, Ford, Reynolds, Smith, Spaulding, Sturtevant., and many others , Leon R. Brown Rochester, N. Y. 1 9 3 4 . T ABIJE OF COtfTENTS I History of the Family Name Brown. Page 2 II Ancestors of Robert Brown. 3 III Robert Brov,n and his wife El1.zab·eth Campbell. " 5 IV Descendants of Robert Brown, Second Generation. 1' 7 ,, V Third Generation 9 VI Fourth Generation. 14 VII Fifth Generation. " 24 VIII Sixth Generation. " 38 IX Revolutionary Line of Descendants of William Brown. " X Ancestry of Rebecca Howland., and William Brown. " 41 XI Chart of Relationships. " 42 XII Ind~x of Persons. 1t 43 EXPLANATION OF NUMBERING AND ARRANGEMENT For convenience and as a mea.ns of identification each descen­ dant in this genealogy so far as possible ha.s been given a number starting with Robert Brown who is number 1. Ch:tldren have been numbered consecutively in order of birth· and they appear in this same order throughou~ the book. Since in each life sketch, pa.rents names are always given with their proper number in brackets it is possible to go forward or backward with ease f'rom generat:ton to generation. A star or asterisk(*) placed before the name of a child of a couple indicates that more informa.tion about this person will be found in its proper numerical order on some later page in the book. Robert Brown of whom this genealogy treats is number 1. His children have numbers 2 to 10, the third generatjon 11 to 39, the fourth generaation 40 to 142, the fifth from 143 to 343, and the sixth 344 to 570. Places, dates and addresses ha.ve been given where ever known. The author wishes to thank those descendants who so kindly co­ operated in sending the data that made this record possible. He has corresponded with nearly a hundred persons ar1d has letters and writter1 records to substanciate all the data published herewith re­ garding the descendants of Robert Brown. In many cases the same data has been ~eceived from widely different sources~ To discover the identity of Robert Brown himself and trace his ancestors has required years of research but the satisfaction afforded in piecing together this puzzle, and the many friendships formed, have fully cwmpensated the authcr for his eff~rt. He trusts this record will be welcomed by des.cendants. All data has been carefully checked and recheeked agalnst originals. The author had difficulty in making out some of the written records sent to him and will appreciate it if ariyone discovering errors in spelling or data will notify him so corrections can be made in librar·y copies. I HISTORY OF THE FAMILY NP.ME ''BROWN" 2 The origin of the surname "Brown" was English. I' At the period when the growth of the population de­ manded something more than a given name to distin­ guish one 'individual from another, there were many dark-complexioned persons who were known as "John . le Brun", or "Wymore le Broune ", and these word.s came to distinguish their children as well as themselves, though many of the children may have been blonds. Thus the name "Brown" means brown. The name has many orthographic peculiarities. Browning was the son of Brown; Brownell was the mighty Brown; Brownlee the Brown who lived in a pasture; Brownlow, the Brown who lived on a hill. Varlous forms a.re: Boown, Bown, Bra.um, Brouun, Brow:r;i.e., Borwnn, Brune, Brune, Brownson, Bronson, Broune, Brunnell and . Burnett. The name Brown is of frequent oecurrance in early New.England records. One hundred and twenty­ severi Browns emigrated to America before 1700. over thirteen hundred, a regiment by themselves, served in the Revolution from Massachusetts alone. According to the Herald1 s College, England, the Browns have . been grante~ one hundred fifty-six coats-of-arms. The name has been borne in the United States by men \ ., of mark in law,. politics., business .and letters •. 2a DESCENDANTS OF WILLIAM BROWN OF BLANDFORD MASS ./ Agnes b 1728 m 1754* John Beard William b 1731 m 1757-See chart page 2b for d.esc- Nancy King enda.nts ·1n.cluding ROBERT the subject of this record. Martha b about 1733 m (John b 1759* 1753* John Robeson--<:James b 1761* ~artha b ----* Jean b about 1735 m 1758* John Davis .• William Brown Soloman b 1738 m 1759*--See chart page 2c for' his b 1702 in Jane Anderson descendants. ✓Hannah. Ireland m /James b 1760 Orvilla Martha Miller Robert (probably) ~ · m 1797* Roswell;__ ni Settled in 1790 census of Orilla Phelps/· M.-Osbo~ Blandford Blandford Daniel Almon m 1.:840 \ ) Janette A.Cami-on** J_a.mes (probably) Lewis James m-E. b -about 1740 William m 1784-* Waterman -; m --- Canfield Nicholas~- Smith-:Sally..-~ary, Elizabet·h b: a.bout L · .Luoy, Fanµ.ie, BenJamin,Wm. 1742 m 1768* Thome,s m Ma.rgaret--Phil~nd:a*, Isa.rel Canfield- Polly* William* Clara* r·srael Canfield m Louise l , Mitchell, had Naomi _Parish ~lizabeth m 1790·* Isaac Cannont* The above outline was prepa.r.ed 1935 by. Leon .R Brown .after a study of all available data including_ original town l'eeord·s, histories, deeds, wills, etc. as well as traditions a.nd d~ta. that wa.s ha.nded down in different branches of 'b.he family. After hitving visited the cemeta.ries and the sites or the old Brown homestea.ds in Blandford the compiler believes that all the Browns in Bland­ ford before 1800 were of the same f8.mily and has arranged the a.bove e.s the probable setup although there is as yet no positive proof that any except William a.nd Soloman were children of William Brown the !migrant. Naomi Parish in 1903 when ''very old" said that her f.ather' s name wa,s Israel Ce~field Brown. She remembered her uncles a.nd aunts correctly but sa.id her grandfather's name was William- This is contrary to other records and it ls thought she refered to her great grandfather. Some of Je,mes I record is taken from her letters and the remainder from the Twinsburg Ohio ·cent­ enial records. Items with a (*') are from the Blandford town rec­ ords. {**) see Cannon Genealogy for descendants of these. The children of Roswell Brown were Harriet Anderson, Hen­ rietta Adams, Isadore Richards and Jomes. The children of Jo.mes Brown born 1806 and his wife Emeline Waterman were Cornelia Rileyr Betsey 1840-1841, Almon .J b-0rn 1846 of Twinsburg, o. (has a son James H born 1877), and Carlton 1855-1856. CHART OF DESCENDANTS OF WILLIAM BR OWN JR · _,,.Roscoe m I..au ra Ham i t ton /. /Eleanor m Of ivtr Hubert Lovina 1787-1821- m I Ripl~y Horace Jerre 8od~r¼ha see 1 ' ·- Jabe~ m Richards fa~ily Record Henrietta m--:tmory ~ibbJ "\,Oan iel "'-Jerre Almon m lst~'Sarah lb 2 He I en Gibb ,...Char I es· Grace J877-9 /<James, Lovina ddison Effie 1880-1 -1 Andrew b I78~ a . ( Ii 1-1 ard /Mary l 850-4 licward I 883 Trypnenia Shepherd-;_. Henry, Jane I Samuel lalter b 1885 litli~m Brown b 1760 Nancy b 17,3 m Marti~ "-.John, Bradley IFrank b IS53 - rank b 1886 m Hannah Lucas - Phelps- Ge~,NoNtan, 1~1Jane,Rowland Howard 1857-~ ./Edith b 1885 {Amer. Rev.) i Eteanott b · 17,5 m 1· Fr-aneis m - Fred II Tayf()r--f Komer b 1887 Eli Bodurtha---•-- Catherine Gipbs~John of Utica I Ethel b 1889 Sarah 1798-1855 I William 1827-27 I Dwight b 189I Hannah m Ralph Clarie lyd ia m farrar--.. --------Howard'54 \'liola b 1,00 ·Jane b 1802 unm "'Sa~ah m H_Smith-lJ/EJfen Fl~ra • Hecox~hn b 1882 Elmina m Wm Davis . HGward Nellie m lNellie b 1883 Phi I ena b 1808 m I/Henry b r840 m Ida Capen-(Jda ,$,.ace 1886-7 'John Ripley b 1809 Helen Perkins--✓Henry b 1873 l.{?oy - -#Yli 111 am I> 1787 Sarah b 1831 m IHe I en b 187 4 /Mary b L862 f Andrew b 178, . Rev lrn Adams Ernest b l87~j Henry b 1a,6 'Margaret m Ansel l l ibb-ie tn L Nob~...:!f.red ~- '.Al ice b ,a,, Kimbal I John b 1849 m ·"Jay b 7875ot Cortland tf.Y. Martha b 1762 m Elmena m Alvin Worden ', M\rtha Lf()yd.:... ... -.J Phifena b 1888 Oaniel Lucas-...- Caroli~~ m John Patrick "ohn b 1890 Amanda III John Freeman-200 descendants See Ete-:.nor Freeman iel m Charlotte Courtrite .., ' Arch ibi{,~ unm • ., . Eleanor rit Stephen Van de Blatrcon ··ftlllam ' Oynth ia b-"~7,7 m Duncan lapharn of Madison d·).Samuel · Jane 17~5-1s36 m Yli II iam b 17~7 m Nancy Beard Saybrook Ohiq Nancy 1831-7 Wi I I i a111 tucas--.. - Samuel 1798-1802 ····'George ta32 '-" i If iam b t833 Caz enov ia N Y Robert b 1800 m Ann Crandallj Charles l83)-3b · Lucy b 1803 at Saybrook l James b 1834 l'f=rank b 1843 d 1847 I ILL I AM BROWN Robert b 176a See Samue! b IS-04 - Samuel IAnn b 1838 I Henry b 1845 1731-1808 record of 600 Roxanna b 1806 m Levert Ham- Lucy b 1842 J Sarah b 1847 m descendants Lovaderb 1608 ilton ~annah b 1841 Emma b 184, NANCY KING m Eliza 1fa~ner- -- Cazenovia N.Y.---------...1.S,i II iamb 1853 of Jane tal 0-18 ll /f ra d Chicago 18~~ .
Recommended publications
  • Wysing Arts Centre
    WYSING ARTS CENTRE RAVIOLI ME AWAY THE VIEW FROM BEHIND THE FUTURISTIC ROSE TRELLIS An opera and exhibition by artist-musicians, Ravioli Me Away 10 February to 14 April Wysing Arts Centre 5.30–7.30pm, 9 February, performance premiere 8–10pm launch of exhibition and party with DJs Complimentary tickets and travel from London for press available The View From Behind The Futuristic Rose Trellis is an ambitious new immersive exhibition and live work by Ravioli Me Away (Sian Dorrer, Rosie Ridgway and Alice Theobald). The exhibition, which will transform Wysing’s gallery in its entirety, will act as a set for the performance and will include new sculptural works and costumes alongside a three-screen video installation. The live work, described by the artists as an opera, features sixteen new multi-genre musical compositions across three acts. The artists have located the work within a gallery setting to enable a closer interaction with audience members who will also be able to engage with costumes and objects. The View From Behind The Futuristic Rose Trellis is a colourful, virtuous comi-tragic take on greed, freedom, individual and collective aspiration and the cycle of life, taking the audience through a multidimensional journey as ‘the trapped soul of humanity’ searches for a body that can give it meaning. To accompany the exhibition and performance, a limited-edition vinyl record of the soundtrack, with an accompanying songbook, will be released on the Wysing Polyphonic record label. “We are thrilled to be launching Wysing’s 30th anniversary programme with this ambitious exhibition and live production.
    [Show full text]
  • Warm up 2019 Features 75+ Artists Including Freddie
    WARM UP 2019 FEATURES 75+ ARTISTS INCLUDING FREDDIE GIBBS & MADLIB, SHO MADJOZI, MARTINEZ BROTHERS, SMINO, ANNIE MAC, MALL GRAB, THE MARÍAS, FUEGO, SANTI, AND MANY MORE EVERY SATURDAY IN JULY AND AUGUST LONG ISLAND CITY, New York, June 27, 2019—MoMA PS1’s pioneering outdoor music series Warm Up returns on July 6, presenting the best in live and electronic music every Saturday in July and August. Known for its innovative and ambitious program, Warm Up celebrates a wide range of artists across genres: both emerging and established, local and global. This year’s program welcomes more than 75 artists, including Fuego, Sho Madjozi, The Marías, Kelly Lee Owens, Smino, Eris Drew, The Martinez Brothers, Michael Brun, FLOORPLAN, and Mall Grab, as well as an opening day headlining set by collaborators Freddie Gibbs and Madlib, the first U.S. performance by Nigerian artist Santi, and a rare U.S. appearance by legendary BBC DJ Annie Mac. The current lineup follows below, and additional artists will be added throughout the summer. Advance tickets are now available for all dates. Now in its 22nd season, Warm Up is one of the longest running music programs housed within a museum. As an integral part of MoMA PS1’s curatorial program, Warm Up seeks to elevate innovative, underrepresented voices and connect fans with music’s most important artists. The program’s alumni include contemporary creators Solange, Black Dice, Cardi B, Jamie XX, Lizzo, Skepta, Thom Yorke, Four Tet, and A- Trak as well as legendary DJs including Derrick May, DJ Premier, and Ritchie Hawtin.
    [Show full text]
  • Redefining Radio Art in the Light of New Media Technology Through
    Title Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Type Thesis URL http://ualresearchonline.arts.ac.uk/8748/ Date 2015 Citation Hall, Margaret A. (2015) Radio After Radio: Redefining radio art in the light of new media technology through expanded practice. PhD thesis, University of the Arts London. Creators Hall, Margaret A. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author 1 Margaret Ann Hall Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Thesis for PhD degree awarded by the University of the Arts London June 2015 2 Abstract I have been working in the field of radio art, and through creative practice have been considering how the convergence of new media technologies has redefined radio art, addressing the ways in which this has extended the boundaries of the art form. This practice- based research explores the rich history of radio as an artistic medium and the relationship between the artist and technology, emphasising the role of the artist as a mediator between broadcast institutions and a listening public. It considers how radio art might be defined in relation to sound art, music and media art, mapping its shifting parameters in the digital era and prompting a consideration of how radio appears to be moving from a dispersed „live‟ event to one consumed „on demand‟ by a segmented audience across multiple platforms.
    [Show full text]
  • Who Pays SX Q3 2019.Xlsx
    Who Pays SoundExchange: Q3 2019 Entity Name License Type AMBIANCERADIO.COM BES Aura Multimedia Corporation BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX Music BES F45 Training Incorporated BES GRAYV.COM BES Imagesound Limited BES INSTOREAUDIONETWORK.COM BES IO BUSINESS MUSIC BES It's Never 2 Late BES Jukeboxy BES MANAGEDMEDIA.COM BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES Music Choice BES Music Maestro BES Music Performance Rights Agency, Inc. BES MUZAK.COM BES NEXTUNE.COM BES Play More Music International BES Private Label Radio BES Qsic BES RETAIL ENTERTAINMENT DESIGN BES Rfc Media - Bes BES Rise Radio BES Rockbot, Inc. BES Sirius XM Radio, Inc BES SOUND-MACHINE.COM BES Startle International Inc. BES Stingray Business BES Stingray Music USA BES STUDIOSTREAM.COM BES Thales Inflyt Experience BES UMIXMEDIA.COM BES Vibenomics, Inc. BES Sirius XM Radio, Inc CABSAT Stingray Music USA CABSAT Music Choice PES MUZAK.COM PES Sirius XM Radio, Inc Satellite Radio #1 Gospel Hip Hop Webcasting 102.7 FM KPGZ-lp Webcasting 411OUT LLC Webcasting 630 Inc Webcasting A-1 Communications Webcasting ACCURADIO.COM Webcasting Ad Astra Radio Webcasting AD VENTURE MARKETING DBA TOWN TALK RADIO Webcasting Adams Radio Group Webcasting ADDICTEDTORADIO.COM Webcasting africana55radio.com Webcasting AGM Bakersfield Webcasting Agm California - San Luis Obispo Webcasting AGM Nevada, LLC Webcasting Agm Santa Maria, L.P. Webcasting Aloha Station Trust Webcasting Alpha Media - Alaska Webcasting Alpha Media - Amarillo Webcasting
    [Show full text]
  • CHAPTERONE STRUCTURE of the Education INDUSTRY
    CHAPTERONE STRUCTURE OF THE Education INDUSTRY Pearson Case study 1.1 This chapter will cover: ON 2 February 2011 News CorporationCorfrom and Apple The development of print media Computer launched a collabcollaborative venture. Rupert Business structures of print Murdoch, the foremostost mmedia mogul of the late media companies 20th century, and Steve Jobs, boss of the coolest An overview of regulatory and tech company onn the planet, mounted the stage at legal frameworks governing print media companies New York’s Guggenheimugge museum to announce The Daily , an iPaiPad-only news app. Current problems facing print permission media Reactionon varvaried from ‘It could easily become a best Journalism training and friend to cocommuters, airline travelers, even people education out for a stroll’ (Tim Molloy in The Wrap 1 ), through ‘WhileWhhileprior the initial results are impressive enough to justifyjustif the hype, they fall short of what Steve Jobs has calcalled “redefi ning the news experience”’ (Paul Burkey for McPheters & Co2 ), to ‘ The Daily represents a complete failure of imagination’ (Shane(Sha Richmond in the Daily Telegraph 3 ). Clearly, whwhateverhtwithout The Daily was, it was neither the saviour of the newspaperaper inindustry nor the future of what had been print journalism (not that anyonenyon was making those exact claims). This was unfortunate as by Februaryebruary 2011 print journalism generally and the newspaper industry in particuparticular desperately needed both a saviour and a secure future. TThe reasons for such desperation were easy to fi nd. Anyone looking at ththe fi rst page of a research paper published in 2008 by the Organisation distributionfor Economic Co-operation and Development (OECD) – a body whose mission it is to promote policies that will improve the economic and social for well-being of people around the world – would have found the following: After very profi table years, newspaper publishers in most OECD not countries face declining advertising revenues, titles and circulation.
    [Show full text]
  • Re-Wiring the Future of Electro
    566 DJMAG.COM ACID EVANGELIST MR C ON LIFE & THE UNIVERSE SOUTH AFRICAN HOUSE IS LIVING & BREATHING DANCE MUSIC! DJMAG.COM SPREADING LIKE WILDFIRE! SCENE & HEARD: SASHA SET TO STORM THE RONI SIZE BARBICAN ON ‘BROWN PAPER BAG’ HOW HAVE DJ MIX COMPS LAYING IT * MUSIC STAYED DOWN: MCs RELEVANT? RECORDING * CLUBS THEIR OWN ART * TECHNOLOGY TECHNOLOGY SPECIAL DREAMS: CALIBRE & * CRAIG RICHARDS No. 566 February 2017 February Helena Hauff Re-Wiring The Future Of Electro No.566 February 2017 £4.95 £4.95 WAZE & ODYSSEY, BISHI, JOSH WINK, KIM ANN FOXMAN, THE ADVENT, OVERLOOK, PLUS: JUSTIN ROBERTSON, FRANCIS INFERNO ORCHESTRA, BEST OF BRITISH AWARDS… Untitled-1 1 13/12/2016 14:20 CONTENTS Cover shot: TANYA CHALKIN 027 HAUFF MUSIC ALL NIGHT LONG! Already renowned for her eclecticism and slamming sets, Helena Hauff is without a doubt the most exciting new talent in dance music. DJ Mag flys out to Germany to meet the analogue aficionado in the flesh... FEATURES 032 CHASING RAINBOWS 032 CHASING RAINBOWS DJ Mag heads to South Africa to explore the rapidly expanding electronic scene... 041 THE ACID EVANGELIST Musician, actor and activist, after 30 years at the core of dance music, Mr C has quite the story to tell... 055 LAYING IT DOWN 047 ESSENTIAL MIXES In a world of podcasts and free content, how do mix compilations stay relevant? 055 LAYING IT DOWN We catch up with d&b’s top vocalists to find out how they’re changing the game... 060 FUTURE SOUND OF SASHA The legendary Sasha is back with a vengeance, so we sat down for a chat..
    [Show full text]
  • Inmarsat Group Limited Annual Report 2014
    INMARSAT GROUP LIMITED ANNUAL FINANCIAL INFORMATION DISCLOSURE FOR THE YEAR ENDED 31 DECEMBER 2014 CONTENTS Page CHAIRMAN’S REVIEW .............................................................................................................................. 1 CHIEF EXECUTIVE’S REVIEW ................................................................................................................. 3 2014 FINANCIAL REVIEW ........................................................................................................................ 18 BOARD OF DIRECTORS .......................................................................................................................... 26 GLOSSARY OF TERMS ............................................................................................................................ 29 CAUTIONARY STATEMENT REGARDING FORWARD-LOOKING STATEMENTS ............................... 32 APPENDIX A – 2014 CONSOLIDATED FINANCIAL STATEMENTS OF INMARSAT GROUP LIMITED CHAIRMAN’S REVIEW OVERVIEW Inmarsat continues to build on our strengths as a trusted provider of mobile satellite services to customers who have ‘mission critical’ connectivity needs, where terrestrial wireless networks are not present, or are challenged. The niche, which we have served now for 35 years, continues to grow as connections in our world become more and more essential for our business and personal lives. Despite the challenges presented by government spending cutbacks by some of our biggest governmental customers, we have been able to
    [Show full text]
  • Sounding Out: a Rapid Analysis of Young People & Radio in the UK
    Sounding Out: A Rapid Analysis of Young People & Radio in the UK A Report for the British Council Author: Dr. Matthew Linfoot University of Westminster March, 2018 About this paper The British Council commissioned University of Westminster/ MusicTank to provide insight into UK-wide radio, with a particular emphasis on youth-run and youth- curated content and audiences. The analysis of the research identifies key trends in recent years, and seeks to explain the interconnected networks that operate through various tiers of the radio and audio industry. The aim is to uncover further understanding of the ecosystems, including key people, technologies and value chains, in order to support long-term planning and programming by the British Council in Southern Africa and the UK. Academic lead and report author: Dr. Matthew Linfoot University of Westminster Project Management: Jonathan Robinson MusicTank Copyright © 2018, British Council The copyright in this publication is held by the British Council. This material may not be copied or reproduced wholly or in part for any purpose (commercial or otherwise) except for permitted fair dealing under the Copyright, Designs, and Patents Act 1988, without the prior written permission of the British Council. The researchers have used reasonable endeavours to identify the proprietors of third-party intellectual property included in this work. The author would be grateful for notification of any material whose ownership has been misidentified herein, so that errors and omissions as to attribution may be corrected in future editions. 2 Table of Contents Executive Summary ................................................................................................. 4 Key Findings ............................................................................................................. 6 Context and Methodology ....................................................................................... 8 1.0 Analysis of Current Industry Data .................................................................
    [Show full text]
  • Royal Musical Association 56Th Annual Conference
    Royal Musical Association 56th Annual Conference Goldsmiths, University of London 8–10th September 2020 2 CONTENTS Programme Committee 4 Conference Team 4 Welcome from the President 5 RMA Council Election Results 5 About the RMA 6 RMA Council 7 Future RMA Events 8 Call for Proposals: RMA Annual Conference 2021 9 RMA Chapters and Study Groups 9 Joining the RMA 10 Conference Information Conference Team Programme Welcome and Acknowledgements 11 Conference Code of Conduct 11 Conference Programme 13 Overview 14 Day View 15 Sessions at a Glance: Tuesday 8 September 18 Sessions at a Glance: Wednesday 9 September 20 Sessions at a Glance: Thursday 10 September 22 The Le Huray Lecture: Marie Thompson 26 The Dent Medal Lecture: Gundula Kreuzer 28 Music Studies in the Round: Issues for the Discipline 30 1. Roundtable: High Tides: Changing Currents in Musical Higher Education 30 2. Roundtable: Location of Musical Knowledge 32 3. Bent Notes: A Year of Queer Podcasting for Musicology 33 Composition Workshop 34 Content Available Throughout the Conference 40 1. Sonic Art Listening List and A/V Playlist 40 2. Ethnographic and Documentary Film 50 3. Virtual Bookstand 54 Social Events 54 1. Quiz: ‘The Perfect Score!’ 54 2. Discussion of Early Career Pathways 54 3. Discussion of Equality, Diversity and Inclusion in the Profession 54 Sonic Scope Journal 55 Conference Abstracts 57 Abstracts: Tuesday 8 September 58 Abstracts: Wednesday 9 September 79 Abstracts: Thursday 10 September 98 3 PROGRAMME COMMITTEE Co-Convenors Dr Lauren Redhead (Goldsmiths, University
    [Show full text]
  • View the Sales Catalogue
    PF PLATFORM FOUNDATION Generation Y Generation PLATFORM FOUNDATION Generation Y 10 - 28 JUNE 2019 AIMÉE PARROTT • ALICE BROWNE • ANTHONY BANKS • ANTOINE LANGENIEUX-VILLARD • BEA BONAFINI • BRUCE INGRAM • CATHERINE PARSONAGE • DANIEL DAVIES • DANNY AUGUSTINE • DECLAN JENKINS • DICKON DRURY • ELIZA HOPEWELL • FRANCE-LISE MCGURN • GINA SODEN • HANNAH LEES • HANNAH QUINLAN & ROSIE HASTINGS • HENRY HUSSEY • LAUREN KEELEY • LEWIS HAMMOND • MARIE JACOTEY • MATT AGER • MAX WADE • MAY HANDS • REBECCA ACKROYD • SARAH MAPLE • SCARLETT BOWMAN • SEBASTIAN JEFFORD • TOM POPE • VIVIEN ZHANG • YONATAN VINITSKY Supported by 10 Hanover Street | London W1S 1YQ +44 (0)20 3778 0938 | www.platformfoundation.org Platform Foundation Forward AN INTRODUCTION BY KATE BRYAN Platform Foundation is a non-profit organisa- Our exhibiting platform aims to make artists’ The Soho House Art Collection numbers over I hope you enjoy getting to know these art- tion dedicated to promoting the practice of work accessible to the wider public from our 5000 artworks on display permanently across ists and their work. Generation Y is a valuable emerging artists in the UK. We support talent- base in Mayfair, the historical heart of London’s our sites in 8 countries, making it one of the snapshot into London’s young art scene in ed individuals through an annual programme of art scene. Visitors can not only discover new largest and most respected collections of its 2019, and possibly will one day serve as a nice curated exhibitions, mentoring workshops and talents but also buy the artworks on display. kind. We pride ourselves on the relationships reminder of how some of the most established public talks. Each purchase will support our community we have developed with artists, at both contemporary artists of the future started out.
    [Show full text]
  • The Ungoverned Long Biographies Mixes
    Wysing Polyphonic: The Ungoverned Long Biographies Mixes: Christelle Oyiri aka CRYSTALLMESS is a Paris-based multidisciplinary artist. She also goes by the moniker CRYSTALLMESS when she operates as a composer and DJ and released music on experimental electronic music labels such as PAN or Country Music in 2019, and self-released her EP Mere Noises in 2018. “The mix INTROLUDO is built around Interludes and Intros - sonic interstices that often allow musicians to be their most vulnerable and reveal the psyche behind their project.” Her work highlights the intersection between forgotten mythologies, memory and alienation. Whether she explores black french music erasure with her film and performance Collective Amnesia : In Memory of Logobi (2018), reflects on the idea of progress and linearity of time with Necessary Evil (2019) or dives into her own family history and indulges in sonic hauntology with Kiss & Tell (2020), music always occupies a place of choice in her work. During a residency at Wysing in August 2020 she will be working on her new sonic piece Poison Paradise 0, demystifying the supposed heavenly nature of the French Caribbean life. mobilegirl is a Munich-born-and-raised and Berlin-based DJ and producer. Her endeavours are best described as a constant stretch of the comfortable and the finding of a new comfort therein. Reflecting a general personal stance, as well as a result of her upbringing, mobilegirl's inspirations draw from a broad pool that makes her rather difficult to categorize. Being quite uninhibited but thoughtful in her selection, her style behind the decks is focused on a highly energetic dancefloor but allows for emotionality, for softer moments but also attention-demanding breaks.
    [Show full text]
  • Aitken Alexander Associates Limited
    AITKEN ALEXANDER ASSOCIATES LIMITED Speaker/Presenter/Factual TV list If you would like more information about any of the authors listed here please contact Steph Adam [email protected] Tel: 020 3589 6884 Amelia Abraham Subjects – LGBTQ politics, feminism Twitter | Instagram Amelia Abraham (b. 1991) is a journalist from London. Having worked as a commissioning editor at VICE and Refinery29, she is now an editor at Dazed. As a freelance writer, she has regularly contributed to the Guardian, the Observer, the Independent, the Sunday Times, the New Statesman, ES Magazine, VICE, i-D magazine, Vogue, Dazed and others. As well as feminist issues, human rights issues, news, health and arts & culture, Amelia’s main writing interest is LGBTQ identity politics, and she has hosted documentaries, film screenings, performances and panel discussions around this topic. Her first book, Queer Intentions, will be published by Picador in May 2019. Philip Ball Subjects – science, music, art Website | Twitter Philip Ball is a freelance science writer. He worked at Nature for over 20 years, first as an editor for physical sciences (for which his brief extended from biochemistry to quantum physics and materials science) and then as a Consultant Editor. His writings on science for the popular press have covered topical issues ranging from cosmology to the future of molecular biology. Philip is the author of many popular books on science, including works on the nature of water, pattern formation in the natural world, colour in art, the science of social and political philosophy, the cognition of music, and physics in Nazi Germany.
    [Show full text]