CHAPTERONE STRUCTURE of the Education INDUSTRY
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Wysing Arts Centre
WYSING ARTS CENTRE RAVIOLI ME AWAY THE VIEW FROM BEHIND THE FUTURISTIC ROSE TRELLIS An opera and exhibition by artist-musicians, Ravioli Me Away 10 February to 14 April Wysing Arts Centre 5.30–7.30pm, 9 February, performance premiere 8–10pm launch of exhibition and party with DJs Complimentary tickets and travel from London for press available The View From Behind The Futuristic Rose Trellis is an ambitious new immersive exhibition and live work by Ravioli Me Away (Sian Dorrer, Rosie Ridgway and Alice Theobald). The exhibition, which will transform Wysing’s gallery in its entirety, will act as a set for the performance and will include new sculptural works and costumes alongside a three-screen video installation. The live work, described by the artists as an opera, features sixteen new multi-genre musical compositions across three acts. The artists have located the work within a gallery setting to enable a closer interaction with audience members who will also be able to engage with costumes and objects. The View From Behind The Futuristic Rose Trellis is a colourful, virtuous comi-tragic take on greed, freedom, individual and collective aspiration and the cycle of life, taking the audience through a multidimensional journey as ‘the trapped soul of humanity’ searches for a body that can give it meaning. To accompany the exhibition and performance, a limited-edition vinyl record of the soundtrack, with an accompanying songbook, will be released on the Wysing Polyphonic record label. “We are thrilled to be launching Wysing’s 30th anniversary programme with this ambitious exhibition and live production. -
Spring 2014 | Volume 5 | Issue 1
The Churchillian Spring 2014 | Volume 5 | Issue 1 The Magazine of the National Churchill Museum CHURCHILL, ZIONISM AND THE MIDDLE EAST Winston Churchill and Palestine A Jewish National Home, 1922 Sir Winston's Plea for Tolerance Churchill and Ben-Gurion SPECIAL FEATURE: Full coverage of the 2014 Churchill Weekend and the Enid and R. Crosby Kemper Lectureship The Real Churchill • From the Archives Museum Educational and Public Programming Board of Governors of the Association of Churchill Fellows FROM THE Jean-Paul Montupet MESSAGE EXECUTIVE DIRECTOR Chairman & Senior Fellow St. Louis, Missouri A.V. L. Brokaw, III Warm greetings from the campus of St. Louis, Missouri Westminster College. As I write, we are Robert L. DeFer still recovering from a wonderful Churchill th Weekend. Tis weekend, marking the 68 Earle H. Harbison, Jr. St. Louis, Missouri anniversary of Churchill’s visit here and his William C. Ives Sinews of Peace address, was a special one for Chapel Hill, North Carolina several reasons. Firstly, because of the threat R. Crosby Kemper, III of bad weather which, while unpleasant, Kansas City, Missouri never realized the forecast’s dismal potential Barbara D. Lewington and because of the presence of members of St. Louis, Missouri the Churchill family, Randolph, Catherine St. Louis, Missouri and Jennie Churchill for a frst ever visit. William R. Piper Tis, in tandem with a wonderful Enid St. Louis, Missouri PHOTO BY DAK DILLON and R. Crosby Kemper Lecture delivered by Paul Reid, defed the weather and entertained a bumper crowd of St. Louis, Missouri Churchillians at both dinner, in the Museum, and at a special ‘ask the experts’ brunch. -
The Manchester Observer: Biography of a Radical Newspaper
Article The Manchester Observer: biography of a radical newspaper Poole, Robert Available at http://clok.uclan.ac.uk/28037/ Poole, Robert ORCID: 0000-0001-9613-6401 (2019) The Manchester Observer: biography of a radical newspaper. Bulletin of the John Rylands Library, 95 (1). pp. 31-123. ISSN 2054-9318 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.7227/BJRL.95.1.3 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk i i i i The Manchester Observer: Biography of a Radical Newspaper ROBERT POOLE, UNIVERSITY OF CENTRAL LANCASHIRE Abstract The newly digitised Manchester Observer (1818–22) was England’s leading rad- ical newspaper at the time of the Peterloo meeting of August 1819, in which it played a central role. For a time it enjoyed the highest circulation of any provincial newspaper, holding a position comparable to that of the Chartist Northern Star twenty years later and pioneering dual publication in Manchester and London. -
Warm up 2019 Features 75+ Artists Including Freddie
WARM UP 2019 FEATURES 75+ ARTISTS INCLUDING FREDDIE GIBBS & MADLIB, SHO MADJOZI, MARTINEZ BROTHERS, SMINO, ANNIE MAC, MALL GRAB, THE MARÍAS, FUEGO, SANTI, AND MANY MORE EVERY SATURDAY IN JULY AND AUGUST LONG ISLAND CITY, New York, June 27, 2019—MoMA PS1’s pioneering outdoor music series Warm Up returns on July 6, presenting the best in live and electronic music every Saturday in July and August. Known for its innovative and ambitious program, Warm Up celebrates a wide range of artists across genres: both emerging and established, local and global. This year’s program welcomes more than 75 artists, including Fuego, Sho Madjozi, The Marías, Kelly Lee Owens, Smino, Eris Drew, The Martinez Brothers, Michael Brun, FLOORPLAN, and Mall Grab, as well as an opening day headlining set by collaborators Freddie Gibbs and Madlib, the first U.S. performance by Nigerian artist Santi, and a rare U.S. appearance by legendary BBC DJ Annie Mac. The current lineup follows below, and additional artists will be added throughout the summer. Advance tickets are now available for all dates. Now in its 22nd season, Warm Up is one of the longest running music programs housed within a museum. As an integral part of MoMA PS1’s curatorial program, Warm Up seeks to elevate innovative, underrepresented voices and connect fans with music’s most important artists. The program’s alumni include contemporary creators Solange, Black Dice, Cardi B, Jamie XX, Lizzo, Skepta, Thom Yorke, Four Tet, and A- Trak as well as legendary DJs including Derrick May, DJ Premier, and Ritchie Hawtin. -
University Microfilms. a XER0K Company, Ann Arbor, Michigan
72-11430 BRADEN, James Allen, 1941- THE LIBERALS AS A THIRD PARTY IN BRITISH POLITICS, 1926-1931: A STUDY IN POLITICAL COMMUNICATION. The Ohio State University, Ph.D., 1971 History, modern University Microfilms. A XER0K Company, Ann Arbor, Michigan (^Copyright by James Allen Braden 1971 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE LIBERALS AS A THIRD PARTY IN BRITISH POLITICS 1926-1931: A STUDY IN POLITICAL COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James Allen Braden, B. S., M. A. * + * * The Ohio State University 1971 Approved by ment of History PLEASE NOTE: Some Pages haveIndistinct print. Filmed asreceived. UNIVERSITY MICROFILMS Sir, in Cambria are we born, and gentlemen: Further to boast were neither true nor modest, Unless I add we are honest. Belarius in Cymbeline. Act V, sc. v. PREFACE In 1927 Lloyd George became the recognized leader of the Liberal party with the stated aim of making it over into a viable third party. Time and again he averred that the Liberal mission was to hold the balance— as had Parnell's Irish Nationalists— between the two major parties in Parlia ment. Thus viewed in these terms the Liberal revival of the late 1920's must be accounted a success for at no time did the Liberals expect to supplant the Labour party as the party of the left. The subtitle reads: "A Study in Political Communi cation " because communications theory provided the starting point for this study. But communications theory is not im posed in any arbitrary fashion, for Lloyd George and his fol lowers were obsessed with exploiting modern methods of commu nications. -
Redefining Radio Art in the Light of New Media Technology Through
Title Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Type Thesis URL http://ualresearchonline.arts.ac.uk/8748/ Date 2015 Citation Hall, Margaret A. (2015) Radio After Radio: Redefining radio art in the light of new media technology through expanded practice. PhD thesis, University of the Arts London. Creators Hall, Margaret A. Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author 1 Margaret Ann Hall Radio After Radio: Redefining radio art in the light of new media technology through expanded practice Thesis for PhD degree awarded by the University of the Arts London June 2015 2 Abstract I have been working in the field of radio art, and through creative practice have been considering how the convergence of new media technologies has redefined radio art, addressing the ways in which this has extended the boundaries of the art form. This practice- based research explores the rich history of radio as an artistic medium and the relationship between the artist and technology, emphasising the role of the artist as a mediator between broadcast institutions and a listening public. It considers how radio art might be defined in relation to sound art, music and media art, mapping its shifting parameters in the digital era and prompting a consideration of how radio appears to be moving from a dispersed „live‟ event to one consumed „on demand‟ by a segmented audience across multiple platforms. -
The Manchester Observer: Biography of a Radical Newspaper
i i i i The Manchester Observer: Biography of a Radical Newspaper ROBERT POOLE, UNIVERSITY OF CENTRAL LANCASHIRE Abstract The newly digitised Manchester Observer (1818–22) was England’s leading rad- ical newspaper at the time of the Peterloo meeting of August 1819, in which it played a central role. For a time it enjoyed the highest circulation of any provincial newspaper, holding a position comparable to that of the Chartist Northern Star twenty years later and pioneering dual publication in Manchester and London. Its columns provide insights into Manchester’s notoriously secretive local government and policing and into the labour and radical movements of its turbulent times. Rich materials in the Home Oce papers in the National Archives reveal much about the relationship between radicals in London and in the provinces, and show how local magistrates conspired with government to hound the radical press in the north as prosecutions in London ran into trouble. This article also sheds new light on the founding of the Manchester Guardian, which endured as the Observer’s successor more by avoiding its disasters than by following its example. Despite the imprisonment of four of its main editors and proprietors the Manchester Observer battled on for ve years before sinking in calmer water for lack of news. Keywords: Peterloo; press; newspapers; radicalism; Manchester; Guardian London has been called the strong hold of the liberty of the press; but Manchester is assuredly the centre and strong hold of the Parliamentary Reformers. (Manchester Observer, 1 September 1821) Early in 2017 the John Rylands Library accepted into its collections two bound volumes: the only complete set of the Manchester Observer (1818–22), the radical predecessor of the more famous Manchester Guardian. -
Copyright at Common Law in 1774
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenCommons at University of Connecticut University of Connecticut OpenCommons@UConn Connecticut Law Review School of Law 2014 Copyright at Common Law in 1774 H. Tomas Gomez-Arostegui Follow this and additional works at: https://opencommons.uconn.edu/law_review Recommended Citation Gomez-Arostegui, H. Tomas, "Copyright at Common Law in 1774" (2014). Connecticut Law Review. 263. https://opencommons.uconn.edu/law_review/263 CONNECTICUT LAW REVIEW VOLUME 47 NOVEMBER 2014 NUMBER 1 Article Copyright at Common Law in 1774 H. TOMÁS GÓMEZ-AROSTEGUI As we approach Congress’s upcoming reexamination of copyright law, participants are amassing ammunition for the battle to come over the proper scope of copyright. One item that both sides have turned to is the original purpose of copyright, as reflected in a pair of cases decided in Great Britain in the late 18th century—the birthplace of Anglo-American copyright. The salient issue is whether copyright was a natural or customary right, protected at common law, or a privilege created solely by statute. These differing viewpoints set the default basis of the right. Whereas the former suggests the principal purpose was to protect authors, the latter indicates that copyright should principally benefit the public. The orthodox reading of these two cases is that copyright existed as a common-law right inherent in authors. In recent years, however, revisionist work has challenged that reading. Relying in part on the discrepancies of 18th-century law reporting, scholars have argued that the natural-rights and customary views were rejected. -
Who Pays SX Q3 2019.Xlsx
Who Pays SoundExchange: Q3 2019 Entity Name License Type AMBIANCERADIO.COM BES Aura Multimedia Corporation BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX Music BES F45 Training Incorporated BES GRAYV.COM BES Imagesound Limited BES INSTOREAUDIONETWORK.COM BES IO BUSINESS MUSIC BES It's Never 2 Late BES Jukeboxy BES MANAGEDMEDIA.COM BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES Music Choice BES Music Maestro BES Music Performance Rights Agency, Inc. BES MUZAK.COM BES NEXTUNE.COM BES Play More Music International BES Private Label Radio BES Qsic BES RETAIL ENTERTAINMENT DESIGN BES Rfc Media - Bes BES Rise Radio BES Rockbot, Inc. BES Sirius XM Radio, Inc BES SOUND-MACHINE.COM BES Startle International Inc. BES Stingray Business BES Stingray Music USA BES STUDIOSTREAM.COM BES Thales Inflyt Experience BES UMIXMEDIA.COM BES Vibenomics, Inc. BES Sirius XM Radio, Inc CABSAT Stingray Music USA CABSAT Music Choice PES MUZAK.COM PES Sirius XM Radio, Inc Satellite Radio #1 Gospel Hip Hop Webcasting 102.7 FM KPGZ-lp Webcasting 411OUT LLC Webcasting 630 Inc Webcasting A-1 Communications Webcasting ACCURADIO.COM Webcasting Ad Astra Radio Webcasting AD VENTURE MARKETING DBA TOWN TALK RADIO Webcasting Adams Radio Group Webcasting ADDICTEDTORADIO.COM Webcasting africana55radio.com Webcasting AGM Bakersfield Webcasting Agm California - San Luis Obispo Webcasting AGM Nevada, LLC Webcasting Agm Santa Maria, L.P. Webcasting Aloha Station Trust Webcasting Alpha Media - Alaska Webcasting Alpha Media - Amarillo Webcasting -
Newspapersinmicroform.Pdf (4.978Mb)
------~~--------~-- - 1 UNIVERSITY OF TORONTO LIBRARY REFERENCE DESK Newspapers in microform fourth edition Z co~piled by 1994 6945 Iqbal Wagle U57 1994 se REF DESK ------- ~--------------- 11 11 11 11 11 11· NEWSPAPERS IN MICROFORM\ III ! : 11 - 11 ~ • Microtext Library • University of Toronto Toronto, Canada 1994 • • • •I' j 11 Introduction 11 It This is a revised list ofnewspapers in microform available in the Microtext Library and the Chen Yu Tung East Asian Library in the John P. Robarts Research Library. The titles are arranged alphabetically by country, then by province or state (if applicable) and by city. Two major collections of particular significance to this guide are 11 Early English Newspapers and Newspapers from the Russian Revolution Era. Unlike the majority of newspapers 11 listed here, none of the titles in either set can be accessed through the University of Toronto's online catalogue. Early English Newspapers is a collection of seventeenth and eighteenth century periodical literature. It 11 includes the British Library's Burney Collection of Early English Newspapers as well as the holdings of Oxford University's BodVean Library. Missing issues from these two collections, and some additional titles are supplied 11 from other important collections, such as the Yale University Library. The collection is an important source for contemporary history, literature, drama, and philosophy. In addition to newspapers, it includes broadsides, periodicals, and Charles Burney's manuscripts. Newspapers from the Russian Revolutionary Era is principally based on the holdings at Columbia University's Herbert Lehman Library. This collection covers almost every facet of the Revolution, and includes papers relating to the Revolution which were printed in other countries. -
Re-Wiring the Future of Electro
566 DJMAG.COM ACID EVANGELIST MR C ON LIFE & THE UNIVERSE SOUTH AFRICAN HOUSE IS LIVING & BREATHING DANCE MUSIC! DJMAG.COM SPREADING LIKE WILDFIRE! SCENE & HEARD: SASHA SET TO STORM THE RONI SIZE BARBICAN ON ‘BROWN PAPER BAG’ HOW HAVE DJ MIX COMPS LAYING IT * MUSIC STAYED DOWN: MCs RELEVANT? RECORDING * CLUBS THEIR OWN ART * TECHNOLOGY TECHNOLOGY SPECIAL DREAMS: CALIBRE & * CRAIG RICHARDS No. 566 February 2017 February Helena Hauff Re-Wiring The Future Of Electro No.566 February 2017 £4.95 £4.95 WAZE & ODYSSEY, BISHI, JOSH WINK, KIM ANN FOXMAN, THE ADVENT, OVERLOOK, PLUS: JUSTIN ROBERTSON, FRANCIS INFERNO ORCHESTRA, BEST OF BRITISH AWARDS… Untitled-1 1 13/12/2016 14:20 CONTENTS Cover shot: TANYA CHALKIN 027 HAUFF MUSIC ALL NIGHT LONG! Already renowned for her eclecticism and slamming sets, Helena Hauff is without a doubt the most exciting new talent in dance music. DJ Mag flys out to Germany to meet the analogue aficionado in the flesh... FEATURES 032 CHASING RAINBOWS 032 CHASING RAINBOWS DJ Mag heads to South Africa to explore the rapidly expanding electronic scene... 041 THE ACID EVANGELIST Musician, actor and activist, after 30 years at the core of dance music, Mr C has quite the story to tell... 055 LAYING IT DOWN 047 ESSENTIAL MIXES In a world of podcasts and free content, how do mix compilations stay relevant? 055 LAYING IT DOWN We catch up with d&b’s top vocalists to find out how they’re changing the game... 060 FUTURE SOUND OF SASHA The legendary Sasha is back with a vengeance, so we sat down for a chat.. -
Inmarsat Group Limited Annual Report 2014
INMARSAT GROUP LIMITED ANNUAL FINANCIAL INFORMATION DISCLOSURE FOR THE YEAR ENDED 31 DECEMBER 2014 CONTENTS Page CHAIRMAN’S REVIEW .............................................................................................................................. 1 CHIEF EXECUTIVE’S REVIEW ................................................................................................................. 3 2014 FINANCIAL REVIEW ........................................................................................................................ 18 BOARD OF DIRECTORS .......................................................................................................................... 26 GLOSSARY OF TERMS ............................................................................................................................ 29 CAUTIONARY STATEMENT REGARDING FORWARD-LOOKING STATEMENTS ............................... 32 APPENDIX A – 2014 CONSOLIDATED FINANCIAL STATEMENTS OF INMARSAT GROUP LIMITED CHAIRMAN’S REVIEW OVERVIEW Inmarsat continues to build on our strengths as a trusted provider of mobile satellite services to customers who have ‘mission critical’ connectivity needs, where terrestrial wireless networks are not present, or are challenged. The niche, which we have served now for 35 years, continues to grow as connections in our world become more and more essential for our business and personal lives. Despite the challenges presented by government spending cutbacks by some of our biggest governmental customers, we have been able to