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Feedtime and Rachael Leahcar Rise to the Top Spots in the Community Radio Charts
Feedtime and Rachael Leahcar Rise To The Top Spots in The Community Radio Charts By Kate Marning Published April 26th, 2017 www.themusicnetwork.com/news/feedtime-and-rachel-leahcar-rise-to-the-top-spots-in- the-community-radio-charts Amrap Metro and Amrap Regional Charts provide insight into what’s gaining airplay and attention on community radio. The charts show the top ten tracks ordered for airplay by community broadcasters through the Amrap's AirIt music distribution service. This week feedtime move up into the top spot in the Amrap Metro Chart, with Rachael Leahcar rising up to #1 in the Amrap Regional Chart. Sydney-based trio feedtime have taken out #1 in the Amrap Metro Chart with Any Good Thing. Feedtime's latest album Gas, their first release in over 20 years, was PBS FM Melbourne's Feature Record of the Week. Any Good Thing features in Tone Deaf's 'The 7 Best Aussie Songs You Haven't Heard' with PBS FM Melbourne's Music Director Cam Durnsford'. Check out the article here. The post-punk charting track has received airplay support from 6HFM, Radio Goolarri and Harvey Community Radio in WA, OCR FM, 3WAY FM and 96.5 Inner FM in VIC, 5 Triple Z, Three D Radio, PBA FM and Three D Radio in SA as well as 2SEA, Yass FM, Nim FM, 2EAR FM, FBi Radio and Radio Skid Row in NSW. Rachael Leahcar has earned #1 in the Amrap Regional Chart with What They Don't Tell You. Watch the official video teaser for the pop-country track as featured viaAmrap pages, on station websites including Voice of the Avon FM in WA, Fraser Coast FM in QLD, PBA FM in SA, 3WAY FM and 979fm Community radio in VIC, as well as Northside Radio and Valley FM in NSW . -
Wysing Arts Centre
WYSING ARTS CENTRE RAVIOLI ME AWAY THE VIEW FROM BEHIND THE FUTURISTIC ROSE TRELLIS An opera and exhibition by artist-musicians, Ravioli Me Away 10 February to 14 April Wysing Arts Centre 5.30–7.30pm, 9 February, performance premiere 8–10pm launch of exhibition and party with DJs Complimentary tickets and travel from London for press available The View From Behind The Futuristic Rose Trellis is an ambitious new immersive exhibition and live work by Ravioli Me Away (Sian Dorrer, Rosie Ridgway and Alice Theobald). The exhibition, which will transform Wysing’s gallery in its entirety, will act as a set for the performance and will include new sculptural works and costumes alongside a three-screen video installation. The live work, described by the artists as an opera, features sixteen new multi-genre musical compositions across three acts. The artists have located the work within a gallery setting to enable a closer interaction with audience members who will also be able to engage with costumes and objects. The View From Behind The Futuristic Rose Trellis is a colourful, virtuous comi-tragic take on greed, freedom, individual and collective aspiration and the cycle of life, taking the audience through a multidimensional journey as ‘the trapped soul of humanity’ searches for a body that can give it meaning. To accompany the exhibition and performance, a limited-edition vinyl record of the soundtrack, with an accompanying songbook, will be released on the Wysing Polyphonic record label. “We are thrilled to be launching Wysing’s 30th anniversary programme with this ambitious exhibition and live production. -
Nord Stage 2 EX English User Manual V2.X Edition B.Pdf
User Manual Nord Stage 2 EX 88 Nord Stage 2 EX HP76 Nord Stage 2 EX Compact OS Version 2.x Part No. 50444 Copyright Clavia DMI AB Print Edition: B The lightning flash with the arrowhead symbol within CAUTION - ATTENTION an equilateral triangle is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated voltage within the products en- DO NOT OPEN closure that may be of sufficient magnitude to constitute RISQUE DE SHOCK ELECTRIQUE a risk of electric shock to persons. NE PAS OUVRIR Le symbole éclair avec le point de flèche à l´intérieur d´un triangle équilatéral est utilisé pour alerter l´utilisateur de la presence à l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK suffisante pour constituer un risque d`éléctrocution. DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE literature accompanying the product. PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER. Le point d´exclamation à l´intérieur d´un triangle équilatéral est CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE. employé pour alerter l´utilisateur de la présence d´instructions AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION, importantes pour le fonctionnement et l´entretien (service) dans le N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET. -
Benny Sings - City Pop 22 February 2019
Benny Sings - City Pop 22 February 2019 “For more than 10 years, fans have been drawn to Dutch singer-songwriter Benny Sings' ability to layer R&B, jazz and pop over hip-hop foundations.” — NPR Music Benny Sings will release City Pop, his sixth album and first for Stones Throw in February 2019. With his signing to Stones Throw, he joins the label’s roster of artists — such as Jerry Paper and Mild High Club — in making music at the intersection of jazz, AOR, R&B and soul. On City Pop, he delivers real-life observations and insights on love, holding together soft rock-inspired songwriting and jazz instrumentation with his leading piano and distinctive vocal. The album was inspired by and written in cities all over the world, including New York, LA, Tokyo, Paris and Benny’s hometown of Amsterdam. Benny Sings debuted in 2003 with Champagne People. Since then he has performed for NPR’s Tiny Desk (their only Dutch guest to date); toured the world with Mayer Hawthorne, and collaborated with the likes of Anderson .Paak, GoldLink, and Mndsgn. In 2017 he co-wrote and featured on Rex Orange County’s megahit “Loving Is Easy”, a collaboration that arose from mutual admiration: "Benny has always been a massive inspiration for me and my music,” says the BBC Sound of 2018 breakout star, “In my opinion he’s one of the most underrated producers and artists going.” Like the 2015 album Studio, City Pop celebrates collaboration, with Hawthorne, Cornelius, Sukima switch (the “Japanese Steely Dan”), Mocky and Faberyayo among the featured artists. -
Instruments Included in Sampletank 4
Instruments included in SampleTank 4 6,000 instruments. Including: Over 100 GB of samples. 70 GB of all-new SampleTank 4 samples. SampleTank 33Instruments GB of legacy SampleTank 3 samples (the full SampleTank 3 legacy product). All versions of SampleTank 4 include the full SampleTank 4 engine ACOUSTIC PIANOS (123) ACOUSTICSampleTank PIANOS 4 New Instruments (20) 123 BASSBad Stories 224 BRASSC7 Grand Cinematic 1 247 CHROMATICC7 Grand Close Mic - Natural 92 ACOUSTICC7 Grand DRUMS Close Mic - Natural SE 303 ELECTRONICC7 Grand DRUMS Close Mic Sharp 282 C7 Grand Delicate ELECTRIC PIANOS 204 C7 Grand Digi Piano Shine ETHNIC 206 C7 Grand Digi Piano ACOUSTIC GUITARS 101 C7 Grand House Piano ELECTRIC GUITARS 331 C7 Grand Pop Piano 1 LOOPS 423 C7 Grand Pop Piano 2 ORGANSC7 Grand Rock Piano 233 PERCUSSIONC7 Grand Tremolo Piano 77 SOUNDDelay FX Grand Delicate 16 STRINGSLFO Piano 375 SYNTHLoft BASIC Piano 106 Modern Piano SYNTH BASIC VARIATIONS 246 Ode to Robert SYNTH ARPEGGIO 34 Radio Piano SYNTH BASS 482 Very Old Friend SYNTH FX 63 SampleTank 3 Instruments (65) SYNTH LEAD 385 Grand Piano 1 SYNTH PAD 420 Grand Piano 1 Classical SYNTH PLUCK 29 Grand Piano 1 Mono Pop SYNTH SWEEP 16 VOICES 240 WOODWINDS 1 189 1 Instruments included in SampleTank 4 SampleTank Instruments ACOUSTIC PIANOS (123) SampleTank 4 New Instruments (20) Bad Stories C7 Grand Cinematic 1 C7 Grand Close Mic - Natural C7 Grand Close Mic - Natural SE C7 Grand Close Mic Sharp C7 Grand Delicate C7 Grand Digi Piano Shine C7 Grand Digi Piano C7 Grand House Piano C7 Grand Pop Piano 1 C7 -
FM ~110Bpm Steely Dan
FM ~110bpm Steely Dan Intro: |-----------------|------|-Bass-Lick-------|-Guitar Lick-------|-9-9-9---9-9-9-9-|--9-|-9----9----||-7/9--------------| |-2-3-2-3-2-3-2-3-|------|-----|-----------|-------------------|-8-8-8---8-8-8-8-|-10-|-8h10-8h10-||-----11----9-11p9-| |-2-4-2-4-2-4-2-4-|-%-x4-|-----|-----------|---------7-5-------|-9-9-9---9-9-9-9-|--9-|-9----9----||--------11--------| |-----------------|-%----|-----|-----------|-------7-------5-7-|-----------------|----|-----------||------------------| |-----------------|------|---0-|-2-2-----0-|---7h9-------------|-----------------|----|-----------||------------------| |-"A-D"-----------|------|-2---|-----2-0---|-------------------|-----------------|----|-"A7Lick"--||-dawn-------------| E5 F#5 G5 E5 A7Lick |---------||-----0-0-0-0-2-| Give us some funked up Muzak Cmaj7 Bm7 Am7 G F#7 B7 |---------||-0-3-----------| |---------||-Vocal Start---| she treats you The girls don't seem to care tonight |---------|| nice (A7Lick) Emaj13 G#7#5 C#m11 F#13 |-2--4/5--|| As long as the mood is right |-0--2/3--|| |-E---------------------| F#m7 A7 |-------3h5p3---3-3h5---| |---2/4-------4---------| No static at all (no static at all) E5 F#5 G5 E5 "A7Lick" |-----------------------| D/E C7 Worry the bot- tle mama it's grape-fruit |-----------------------| F M E5 F#5 G5 E5 "A7Lick" |-nice------------------| |---------------|---3--| Wine. |-1-------1-1---|---3--| E5 F#5 G5 E5 F#5 G5 |-----------------|----| |-3-------3-3---|---2--| |-2-------2-2---|---1--| Kick off your high heeled sneakers |-----3h5p3-------|----| -
Suite Sounds
Suite Sounds Glasgow-based DJ, producer and jazz guru, Rebecca Vasmant is the brains behind Era Suite, a new party night at Sub Club bringing jazz, Afrobeat, Latin, funk and electronica to the dance floor Interview: Claire Francis ebecca Vasmant has long been known in come and play in a club/dancefloor environment, RGlasgow’s club scene for her fusing of jazz hopefully bringing people from both the jazz influences and modern electronic sounds. She scene and the electronic scene together. cemented her place in the city’s scene with her Made In Glasgow and Know The Way parties, and Can you tell us about Sub Club’s history as a her regular spot on BBC Radio Scotland’s The Jazz jazz venue and how this fits in with the Era House saw her present some of the best contem- Suite nights? porary jazz to a wide audience. Now, she’s taking Sub Club has an amazing history with jazz. Before the genre in all of its iterations to the Sub Club in Sub Club was booking the likes of Bonobo and new night Era Suite, combining selections from Gilles Peterson, it was previously called Lucifers. her collection with live slots from jazz musi- Before that, the club operated as the Jamaica cians and bands. We caught up with Vasmant to Inn, serving chicken in a basket to patrons – a talk about her love of the genre, the genesis of cheeky little way to allow it to stay open longer the new night and her highlights from the past 12 than other bars! But back in the 1950s and 60s, months. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: Iii
Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Christy Elizabeth Newman This dissertation is submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in Communication Studies at Murdoch University 1997 Repeat-The-Beat: i Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. ____________________ Christy Elizabeth Newman Repeat-The-Beat: ii Copyright License Permission to copy all or part of this thesis for study and research purposes is hereby granted. 1. Signed Christy Elizabeth Newman Date: November 3, 1997 2. Title of Thesis:Repeat-the-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: iii Abstract This thesis examines a particular cultural object: dance music magazines. It explores the co-imbrication of the magazines with dance music and considers how a reconfiguration of the field of genre theory can help to dismantle the generic separations of ‘textual’ and ‘industrial’ approaches to cultural objects. The main argument of the thesis is as follows. The magazine industries produce an object of cultural exchange which is made commercially viable through a narrowing of its target audiences. These audiences arise in the space created by the dance music industries’ negotiation of an imagined contest between 'underground' authenticity and 'mainstream' productivity. In turn, dance music magazines produce a powerfully exclusive space for the communication networks of the dance music genre by capitalising on the desire to stabilise genre and therefore taking up generic instability as a positive youth marketing strategy. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Flow Motion FM Synthesizer
Flow Motion FM Synthesizer User Guide Contents Introduction ............................................................................................................................................... 3 Quick Start ................................................................................................................................................ 4 Interface .................................................................................................................................................... 9 Flow Screen ..................................................................................................................................................................... 9 Motion Screen ................................................................................................................................................................ 10 General Controls ............................................................................................................................................................ 11 Managing Presets ................................................................................................................................... 12 Controls .................................................................................................................................................. 13 Flow Screen ................................................................................................................................................................... 13 Oscillator -
Warm up 2019 Features 75+ Artists Including Freddie
WARM UP 2019 FEATURES 75+ ARTISTS INCLUDING FREDDIE GIBBS & MADLIB, SHO MADJOZI, MARTINEZ BROTHERS, SMINO, ANNIE MAC, MALL GRAB, THE MARÍAS, FUEGO, SANTI, AND MANY MORE EVERY SATURDAY IN JULY AND AUGUST LONG ISLAND CITY, New York, June 27, 2019—MoMA PS1’s pioneering outdoor music series Warm Up returns on July 6, presenting the best in live and electronic music every Saturday in July and August. Known for its innovative and ambitious program, Warm Up celebrates a wide range of artists across genres: both emerging and established, local and global. This year’s program welcomes more than 75 artists, including Fuego, Sho Madjozi, The Marías, Kelly Lee Owens, Smino, Eris Drew, The Martinez Brothers, Michael Brun, FLOORPLAN, and Mall Grab, as well as an opening day headlining set by collaborators Freddie Gibbs and Madlib, the first U.S. performance by Nigerian artist Santi, and a rare U.S. appearance by legendary BBC DJ Annie Mac. The current lineup follows below, and additional artists will be added throughout the summer. Advance tickets are now available for all dates. Now in its 22nd season, Warm Up is one of the longest running music programs housed within a museum. As an integral part of MoMA PS1’s curatorial program, Warm Up seeks to elevate innovative, underrepresented voices and connect fans with music’s most important artists. The program’s alumni include contemporary creators Solange, Black Dice, Cardi B, Jamie XX, Lizzo, Skepta, Thom Yorke, Four Tet, and A- Trak as well as legendary DJs including Derrick May, DJ Premier, and Ritchie Hawtin.