Instruments Included in Sampletank 4
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Nord Stage 2 EX English User Manual V2.X Edition B.Pdf
User Manual Nord Stage 2 EX 88 Nord Stage 2 EX HP76 Nord Stage 2 EX Compact OS Version 2.x Part No. 50444 Copyright Clavia DMI AB Print Edition: B The lightning flash with the arrowhead symbol within CAUTION - ATTENTION an equilateral triangle is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated voltage within the products en- DO NOT OPEN closure that may be of sufficient magnitude to constitute RISQUE DE SHOCK ELECTRIQUE a risk of electric shock to persons. NE PAS OUVRIR Le symbole éclair avec le point de flèche à l´intérieur d´un triangle équilatéral est utilisé pour alerter l´utilisateur de la presence à l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK suffisante pour constituer un risque d`éléctrocution. DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE literature accompanying the product. PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER. Le point d´exclamation à l´intérieur d´un triangle équilatéral est CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE. employé pour alerter l´utilisateur de la présence d´instructions AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION, importantes pour le fonctionnement et l´entretien (service) dans le N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET. -
FM ~110Bpm Steely Dan
FM ~110bpm Steely Dan Intro: |-----------------|------|-Bass-Lick-------|-Guitar Lick-------|-9-9-9---9-9-9-9-|--9-|-9----9----||-7/9--------------| |-2-3-2-3-2-3-2-3-|------|-----|-----------|-------------------|-8-8-8---8-8-8-8-|-10-|-8h10-8h10-||-----11----9-11p9-| |-2-4-2-4-2-4-2-4-|-%-x4-|-----|-----------|---------7-5-------|-9-9-9---9-9-9-9-|--9-|-9----9----||--------11--------| |-----------------|-%----|-----|-----------|-------7-------5-7-|-----------------|----|-----------||------------------| |-----------------|------|---0-|-2-2-----0-|---7h9-------------|-----------------|----|-----------||------------------| |-"A-D"-----------|------|-2---|-----2-0---|-------------------|-----------------|----|-"A7Lick"--||-dawn-------------| E5 F#5 G5 E5 A7Lick |---------||-----0-0-0-0-2-| Give us some funked up Muzak Cmaj7 Bm7 Am7 G F#7 B7 |---------||-0-3-----------| |---------||-Vocal Start---| she treats you The girls don't seem to care tonight |---------|| nice (A7Lick) Emaj13 G#7#5 C#m11 F#13 |-2--4/5--|| As long as the mood is right |-0--2/3--|| |-E---------------------| F#m7 A7 |-------3h5p3---3-3h5---| |---2/4-------4---------| No static at all (no static at all) E5 F#5 G5 E5 "A7Lick" |-----------------------| D/E C7 Worry the bot- tle mama it's grape-fruit |-----------------------| F M E5 F#5 G5 E5 "A7Lick" |-nice------------------| |---------------|---3--| Wine. |-1-------1-1---|---3--| E5 F#5 G5 E5 F#5 G5 |-----------------|----| |-3-------3-3---|---2--| |-2-------2-2---|---1--| Kick off your high heeled sneakers |-----3h5p3-------|----| -
Guide to the Howard B. Waltz Papers, 1930-1999
Guide to the Howard B. Waltz papers, 1930-1999 American Music Research Center, Music Library, University of Colorado, Boulder Guide to the Howard B. Waltz papers, 1930-1999 Descriptive Summary Title: Howard B. Waltz papers Date(s) 1930-1999 ID COU-AMRC-93 Creator: Waltz, Howard Extent: 4 linear ft. (3 boxes) Repository The American Music Research Center Boulder, Colorado Location Housed in American Music Research Center. Scope and Content Collection consists of awards, articles, clippings of performances 1930-1999, piano pedagogy, sheet music and songbooks, student recital programs 1941-1979, reel-to- reel tapes of performances, and original compositions. Administrative Information Arrangement of compositions Arranged by genre. Access Collection is open for research. Publication Rights Copyright is not held by the American Music Research Center. Requests to publish materials should be directed to the copyright holder. Acquisition history Donated by Waltz' niece, Jane Grissmer (copyright holder), Kensington, MD Preferred Citation [Identification of item], Howard B. Waltz papers, American Music Research Center, University of Colorado, Boulder. - Page 2 - Guide to the Howard B. Waltz papers, 1930-1999 Index Terms Access points related to this collection Names: Waltz, Howard Organizations: American Music Research Center Subjects: Waltz, Howard -- Archives University of Colorado, Boulder. College of Music -- Faculty Pianists -- United States -- Biography -- Sources Biography of Howard B. Waltz Howard Bryant Waltz was born on March 29, 1913, in Arcadia, Indiana, the son of Peter D. Waltz and Ora Bryant. He was the youngest of five children. Mr. Waltz grew up in a small Midwestern town in the twenties that he has said was idyllic and timeless. -
The Waterloo Organ Company
The Waterloo Organ Company The manufacture of Waterloo Cabinet Organs began in 1861, with a very small plant that developed into one of the largest and best equipped organ factories in the United States. It is still very easy to purchase a Waterloo Pump Organ on eBay or Craigslist. A disastrous fire on May 27, 1881, destroyed the manufacturing plant on the east side of Virginia Street.1 Then Alexander C. Reed and Malcolm Love, his nephew, purchased the Waterloo Organ Manufacturing Company and renamed it as Malcolm Love and Co. In 1888, the company was incorporated as the Waterloo Organ Company, with Alexander C. Reed serving as president.2 The Waterloo Organ Company decided in 1889 to manufacture pianos as well as organs. They engaged a skilled piano builder by the name of Seebald Mennig, who drew up the scale (the interior plan of the piano, including the length of the strings, the method of putting in the sounding board, etc.) for the Malcolm Love Piano. Benjamin B. Knight had purchased the first piano that was manufactured. Knight’s son William D. Knight later donated this piano to the Waterloo Library and Historical Society where it is still on display in its Terwilliger Museum.3 At the World’s Columbian Exhibition in Chicago in 1893, the Waterloo Organ Company had a booth where it displayed its Malcolm Love Piano. This piano received an award for its fine quality of tone and good workmanship, equal to the award of any piano exhibited. An official ribbon was given, a copy of which was attached to the back of each Malcolm Love Piano as long as they were thereafter manufactured in Waterloo. -
Journal of the American Theatre Organ Society
ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2009 ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 2 IntroducingInntroducing thethe 7KHDWUH3LSH2UJDQµ'XHW¶7KHDWUH3LSH22UJDQµ''XHW¶ AtAt last . there’stherre’’ss a complete,complete, ready-to-play,readyy-to-playy,, MIDI Theatre PipePipe OrganOrgan unit which can tratransformansform yyourour instrument into a 24 rank three manual ttheatre oorgan.rgan. ‘Duet’‘Duet’ also providprovidesdes an efeffectivefffective way too add 24 ranks of ‘ensemble’ too existingexisting virtual andd commercial TOs,TTOOs, Keyboards andand MIDI ppreparedrepared PiPipepe OrOrgans!gans! 6SHFL¿FDWLRQV6SHFL¿FDWLRQV E 24 ranksranks,, 32’32’ throughthrough 1’1’ . plusplus an alternatealternate second VoxVox HHumanaumana ranrankk anandd an aalternatelternate thithirdrd TibiaTibiia rankrank One registersreegisters and saves the organ’sorgan’s 2082 voices, couplerscouplers and E 1111 TunedTuned PercussionPercusssion voicesvoices (Chryso.,(Chryso., Xylophone,Xylopphone, VibesVibes etc)etc) trems to pistons through unique divisional/selectdivisiional/select system.system. E 1111 TrapsTraps (Kick(Kick Drum,Drrum, RepeatingRepeating Snare,Snare, CymbalsCymmbals etc)etc) E 8 ToysTTooys (Bells, Whistles,Whistles, Birds,Birds, AoogaAooga etc.etc. onon rightright pistons)pistons) MIDI Con, E 10 memory bbanksankss ooff 10 generagenerall regregisterableisterablee memory pistonspistons :YBOARD Des1gnuf & b111lr111 U with LED indicators.indicators. (Comes(Comes programmedprogrammed -
Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments
MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 3 May/June, 2014 65th Annual Meeting October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida "Our Backyard Museum" - The Jancko Collection Step back in time as you tour "Our Backyard Museum", the collection of Joel and Pam Jancko. Joel and Pam Jancko started their collection in the early 1990’s with only one building to house a couple of vehicles. This collection has grown through the years with additional buildings to encompass displays of an old town, a war room, a saloon, a soda fountain, a game room, a log cabin, a service station, a bicycle display, a fire station, a cinema, a street scene, a farm scene, a street clock, a steam engine, and even a fort. The Museum complex contains artifacts from the Civil War to WW1 and features many innovations from this time. Of most interest to our MBSI group will be the Music Room with a wide variety of instruments, including an Imhof & Mukle, a Seeburg H, a Wurlitzer CX, a Double Mills Violano, a Cremona K, a Weber Unika, an Encore Banjo, a Model B Harp, a Bruder band organ, a Limonaire band organ, a Bruder monkey organ, an American Photo Player and a classic Mortier, as well as a variety of cylinder and disc music boxes, organettes and phonographs. Making its debut at this meeting will be their newly acquired and installed 3 manual/11 rank Wurlitzer Opus 1616 theatre organ (model 235SP), expanded to 22 ranks. -
Flow Motion FM Synthesizer
Flow Motion FM Synthesizer User Guide Contents Introduction ............................................................................................................................................... 3 Quick Start ................................................................................................................................................ 4 Interface .................................................................................................................................................... 9 Flow Screen ..................................................................................................................................................................... 9 Motion Screen ................................................................................................................................................................ 10 General Controls ............................................................................................................................................................ 11 Managing Presets ................................................................................................................................... 12 Controls .................................................................................................................................................. 13 Flow Screen ................................................................................................................................................................... 13 Oscillator -
The Amazing Tale of Gibson
presents The Amazing Tale of Gibson TSO Education Concert Featuring the story The Amazing Tale of Gibson written by Jennifer Compton©2015 Wednesday 19 October 2016 Federation Concert Hall, 11:30am Teacher Resource Booklet Prepared by Sharee Bahr, Carolyn Cross and Di O’Toole CONTENTS Page The Tasmanian Symphony Orchestra 2 The Amazing Tale of Gibson 8 Teaching Ideas A What’s an Orchestra 12 B Emotion in Music 14 C Texture in Music 20 D Patterns from the Program 34 E Cross-Curricular Possibilities 38 1 TASMANIAN SYMPHONY ORCHESTRA What is a Symphony Orchestra? An orchestra is a group of musicians that play together on various instruments. In a symphony orchestra the instruments are divided into families: woodwind, brass, percussion and string. The word ‘symphony’ comes from a Greek word meaning ‘sounding together’. The Tasmanian Symphony Orchestra Established in 1948 and declared a Tasmanian Icon in 1998, the TSO gives more than 70 concerts annually including seasons in Hobart and Launceston, and appearances in Tasmanian regional centres. In addition to its core activity of giving subscription concerts, the TSO endeavours to broaden its imprint by forging links with other arts organisations. Recent partnerships have included collaborations with the Museum of Old and New Art (MONA), the Australian Ballet, the Australian National Academy of Music, Terrapin Puppet Theatre, Festival of Voices and Kickstart Arts. Julia Lezhneva with the Tasmanian Symphony Orchestra, a collaboration with Hobart Baroque, was awarded Best Individual Classical Performance at the 2014 Helpmann Awards. Over the years, international touring has taken the orchestra to North and South America, Greece, Israel, South Korea, China, Indonesia and Japan. -
Mechanical Miracles: Automata in Ancient Greek Religion
Mechanical Miracles: Automata in Ancient Greek Religion Tatiana Bur A thesis submitted in fulfillment of the requirements for the degree of Master of Philosophy Faculty of Arts, University of Sydney Supervisor: Professor Eric Csapo March, 2016 Statement of Originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Tatiana Bur, March 2016. Table of Contents ACKNOWLEDGMENTS ....................................................................................................... 1 A NOTE TO THE READER ................................................................................................... 2 INTRODUCTION ................................................................................................................ 3 PART I: THINKING ABOUT AUTOMATION .......................................................................... 9 CHAPTER 1/ ELIMINATING THE BLOCAGE: ANCIENT AUTOMATA IN MODERN SCHOLARSHIP ................. 10 CHAPTER 2/ INVENTING AUTOMATION: AUTOMATA IN THE ANCIENT GREEK IMAGINATION ................. 24 PART II: AUTOMATA IN CONTEXT ................................................................................... 59 CHAPTER 3/ PROCESSIONAL AUTOMATA ................................................................................ -
Steely Dan & the Doobie Brothers Announce Co
STEELY DAN & THE DOOBIE BROTHERS ANNOUNCE CO-HEADLINE NORTH AMERICAN SUMMER TOUR Citi Presale Begins January 10; General On Sale Starts January 12 at LiveNation.com Los Angeles, CA (January 8, 2018) –Steely Dan and The Doobie Brothers announced today their co-headline North American 2018 summer tour kicking off May 10 in Charlotte, NC and wrapping July 14 in Bethel, NY. Promoted by Live Nation, the legendary bands will travel to 30+ cities across the U.S. and Canada including Los Angeles, Chicago, Houston, Nashville, and Toronto. Tickets for the tour go on sale to the general public beginning Friday, January 12 at 8am local time in most cities on Live Nation.com. Please see below for full tour itinerary and details. Citi® is the official presale credit card for the Steely Dan and The Doobie Brothers tour. As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Wednesday, January 10 at 10am local time until Thursday, January 11 at 10pm local time through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Founded in 1972, Steely Dan has sold more than 40 million albums worldwide and helped define the soundtrack of the ‘70s with hits such as “Reelin’ in the Years,” “Rikki Don’t Lose That Number,” “F.M.,” “Peg,” “Hey Nineteen,” “Deacon Blues,” and “Babylon Sisters,” from their seven platinum albums issued between 1972 and 1980 – including 1977’s sold-out tours (that continue through today). In 2000 they released the multi-Grammy winning (including “Album of the Year”) Two Against Nature, and released the acclaimed follow- up Everything Must Go in 2003. -
Vox Continental Voice Name List
Voice Name List Table of Contents VARIATION. 2 ORGAN . 2 CX-3......................................................................................................................................................................2 VOX.......................................................................................................................................................................2 COMPACT...........................................................................................................................................................2 E.PIANO. 2 TINE ......................................................................................................................................................................2 REED.....................................................................................................................................................................2 FM .........................................................................................................................................................................2 PIANO . 2 GRAND ................................................................................................................................................................2 UPRIGHT .............................................................................................................................................................2 E. GRAND............................................................................................................................................................2 -
Neg(Oti)Ating Fusion: Steely Dan's Generic Irony by Ethan Krajewski A
Neg(oti)ating Fusion: Steely Dan’s Generic Irony by Ethan Krajewski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2018 © 2018 Ethan Patrick Krajewski To my parents for music and language Acknowledgements My biggest thanks go to my advisor, Professor Julian Levinson, as a teacher, mentor, and friend, for helping me think, talk, write, and (most importantly, I think) laugh about seventies rock music. You’ve helped make this project fun in all of its rigor and relaxed despite all of the stress that it’s caused. I’d also like to thank Professor Gillian White for leading our cohort toward discipline, and for keeping us all grounded. Also for her spirited conversations and anecdotes, which proved invaluable in the early stages of my thinking. I wouldn’t be here writing this if it weren’t for Professor Supriya Nair, who pushed me to apply for the program and helped me develop the intellectual curiosity that led to this project. The same goes for Gina Brandolino, who I count among my most important teachers and role models. To the cohort: thank you for all of your help over the course of the year. You’re all so smart, and so kind, and I wish you all nothing but the best. To Ashley: if you aren’t the best non-professional line editor at large in the world, then you’re at least second or third. I mean it sincerely when I say that this project would be infinitely worse without your guidance.