JUNE, 2011 the Church of the Resurrection New York, New York Cover Feature on Pages 26–27

Total Page:16

File Type:pdf, Size:1020Kb

JUNE, 2011 the Church of the Resurrection New York, New York Cover Feature on Pages 26–27 THE DIAPASON JUNE, 2011 The Church of the Resurrection New York, New York Cover feature on pages 26–27 June 2011 Cover.indd 1 5/13/11 8:34:57 AM June 2011 pp. 2-18.indd 2 5/13/11 8:36:24 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred Second Year: No. 6, Whole No. 1219 JUNE, 2011 In the wind . typical tractor tire with a pressure of Established in 1909 ISSN 0012-2378 Please accept my admiration for the 40 psi would be the equivalent of 1,080 An International Monthly Devoted to the Organ, John Bishop’s wonderful column in the inches of wind. That would indeed be the Harpsichord, Carillon, and Church Music April issue. His paean to the Cathedral the “Last Trumpet!” of St. John the Divine struck a mighty David Wigton chord of nostalgia, combined with ad- Dryden, Michigan miration of Bishop’s evocative writing, in CONTENTS Editor & Publisher JEROME BUTERA [email protected] which he expressed thoughts about the John Bishop replies 847/391-1045 building and its organ—which I have al- My thanks to my friend David Wig- FEATURES ways felt deeply. ton for his nice comments, and for Harpsichord Playing in America Associate Editor JOYCE ROBINSON Over a period of six years (four as a catching my error about wind pres- “after” Landowska [email protected] by Larry Palmer 19 choirboy and, overlapping that, four sure. He’s correct, of course, within 847/391-1044 as an organ student of Norman Coke- seven tenths of an inch. I checked Two organs in Cairo—a history of renovation Contributing Editors LARRY PALMER Jephcott) I was in the cathedral almost with friend and colleague Harley Pilt- by the Ktesibios Foundation daily. In order to gain admittance to the ingsrud to get the accurate “skinny” by Bill Halsey 22 Harpsichord circular staircase leading to the organ on the subject. Many readers will re- The Pipe Organ in African-American Worship: JAMES MCCRAY of St. James’ Chapel, I found myself call that Harley is responsible for the Symposium at the University of Michigan Choral Music in possession of a huge key ring, which useful influential publication of the by Sylvia Wall 24 admitted me to every nook and cranny Organ Historical Society, “The Aging BRIAN SWAGER Carillon of the place. Being a naughty teenager, of Organ Leather,” which he co-wrote NEWS & DEPARTMENTS I made use of this privilege, visiting all with Jean Tancous of the University Editor’s Notebook 3 JOHN BISHOP the places John Bishop describes so viv- of Cincinnati. He is retired from the Letters to the Editor 3 In the wind . idly. (One day I got out on the roof of St. National Institute for Occupational Here & There 3, 4, 6, 8, 9, 10 James’ Chapel and found that I could Safety and Health (NIOSH), where he GAVIN BLACK make the entire circuit of the roofs of worked on high-tech ventilation proj- Appointments 8 On Teaching Nunc Dimittis 9 the eight apsidal chapels by climbing ects. He’s a great asset to the pipe or- Carillon News by Brian Swager 10 up and down the rain gutters [more like gan community, sharing his expertise Reviewers John L. Speller canals—empty, of course], which con- on air handling, air flow, and issues of In the wind . by John Bishop 10 John M. Bullard nected each chapel’s roof to the walls of pressure, moisture, and ventilation to On Teaching by Gavin Black 13 James M. Reed Charles Huddleston Heaton the apse.) the benefit of churches that own large Jay Zoller It was a great pleasure to meet John and complicated organs. I asked him REVIEWS Bishop a few weeks ago at the Church of to refresh my numbers for conversion Music for Voices and Organ 14 David Herman Charlie Steele the Resurrection; and I just had to write of wind-pressure measurement from Book Reviews 15 how very much it meant to me to read water-column-inches to pounds-per- New Recordings 15 his expressions of admiration for that square-inch. Here’s his response: THE DIAPASON (ISSN 0012-2378) is published monthly New Organ Music 16 by Scranton Gillette Communications, Inc., 3030 W. Salt wonderful place and that wonderful or- “The density of water is 62.4 lb/cu- Creek Lane, Suite 201, Arlington Heights, IL 60005-5025. gan, which I share completely. bic foot, or 0.036 lb/cubic inch. A water NEW ORGANS 25 Phone 847/391-1045. Fax 847/390-0408. Telex: 206041 MSG RLY. E-mail: <[email protected]>. Charles Dodsley Walker column one inch high would produce a SUMMER CARRILON CALENDAR 28 Subscriptions: 1 yr. $35; 2 yr. $55; 3 yr. $70 (Unit- New York City force of 0.036 psi. One psi would be a CALENDAR 30 ed States and U.S. Possessions). Foreign subscrip- water column 27.7 inches high.” tions: 1 yr. $45; 2 yr. $65; 3 yr. $85. Single copies $6 Like most of your readers, I very So Mr. Wigton’s comments are well ORGAN RECITALS 33 (U.S.A.); $8 (foreign). Back issues over one year old are available only much enjoy John Bishop’s “In the taken, and I offer my thanks to him and CLASSIFIED ADVERTISING 34 from The Organ Historical Society, Inc., P.O. Box 26811, Wind” column. In his article on the to Harley Piltingsrud. And I hope I nev- Richmond, VA 23261, which can supply information on availabilities and prices. John the Divine organ, however, his er have to deal with an organ trumpet Cover: The Organ Clearing House, Charles- Periodical postage paid at Rochelle, IL and additional description of the “party horn” needs stop on 1,100 inches of pressure. mailing offi ces. POSTMASTER: Send address changes town, Massachusetts; The Church of the to THE DIAPASON, 3030 W. Salt Creek Lane, Suite 201, some clarifi cation. Since one psi equals John Bishop Resurrection, New York, New York 26 Arlington Heights, IL 60005-5025. 27 inches or so of wind pressure, a Routine items for publication must be received six weeks in advance of the month of issue. For advertising copy, the closing date is the 1st. Prospective contribu- www.TheDiapason.com tors of articles should request a style sheet. Unsolicited reviews cannot be accepted. This journal is indexed in the The Music Index, an- notated in Music Article Guide, and abstracted in RILM Here & There Send subscriptions, inquiries, and ad- Abstracts. dress changes to THE DIAPASON, Copyright ©2011. Printed in the U.S.A. 3030 W. Salt Creek Lane, Suite 201, THE DIAPASON accepts no responsibility or liability Arlington Heights, IL 60005. for the validity of information supplied by contributors, vendors, advertisers or advertising agencies. No portion of the contents of this issue may be reproduced in any form without the specifi c written permission of the Editor, except that libraries are authorized to make photocopies of the material contained herein for the purpose of course reserve reading at the rate of one copy for every fi fteen students. Such copies may be reused for other courses or for the same course offered subsequently. Editor’s Notebook In this issue example, the calendar on our website Among the offerings in this issue of contains nearly 300 listings, ranging from The Diapason is Larry Palmer’s refl ec- the present date through several months tion on the legacy and infl uence of Wan- ahead. To access the web calendar, visit da Landowska on harpsichord playing in our website <www.TheDiapason.com> America. Bill Halsey recounts the resto- and at the top of the page, click on ration of two organs in Cairo, Egypt, and “Events Calendar.” Then you can click Sylvia Wall reports on the symposium on any individual listing for more de- on the pipe organ in African-Ameri- tailed information. can worship, held at the University of It is also the best way of submitting Michigan. In his monthly column, John events for our calendar, print and web. Bishop muses on the physical and philo- From that same page, simply click on sophical aspects of wind in pipe organs, “submit an event,” and fi ll in as much along with his experience of Easter at St. information as possible. The listing can Thomas Church Fifth Avenue in New appear on our website the same day, (front) Christopher Ganza, Julie Huang, Filippa Duke, Justin Murphy-Mancini; York City. Gavin Black begins a column and will also be in our print journal if (back) Ben Blasingame, Frederick Hohman, Michelle Rae Martin-Atwood, Kola on memorization in performance, but received before the deadline. Each print Owolabi, and Adam Pajan departs from his usual pedagogical dis- issue’s calendar runs from the 15th of cussion to celebrate the 100th birthday the month through the end of the next The fi nals of the 2011 Arthur Pois- Other contestants were Ben Blas- of harpsichordist Ralph Kirkpatrick. month: the calendar in this June issue ter Scholarship Competition were ingame, a student of David Higgs at All this is in addition to our regular runs June 15 through July 31; the dead- held April 9 at St. Paul’s Episcopal Ca- Eastman School of Music; Christopher departments of news, reviews, new line was May 1. thedral in Syracuse, New York. First Ganza, a student of John Schwandt at organs, international calendar, organ If you need help submitting an event, place award went to Adam Pajan, a the University of Oklahoma; Filippa recital programs, and classifi ed adver- or have a question, contact associate DMA student of John Schwandt at the Duke, a student of Michael Bauer at the tising.
Recommended publications
  • Lutheran Summer Music 2000
    Lutheran Summer Music 2000 Faculty Artist Recital Karen Becker cello Seth Beckman piano Joseph Bognar harpsichord James Hogg viola Timothy Schorr piano Kerry Walters soprano University Theater Valparaiso University Center for the Arts Valparaiso, Indiana Monday, July 3, 8:00 p.m. Program Sonata in A Major Luigi Boccherini I. Adagio (1743-1805) II. Allegro Karen Becker, cello Timothy Schorr, piano La convalescente Frangois Couperin (1668-1733) Sonata (1991) Edwin McLean Brisé Joseph Bognar, harpsichord Ellen Taaffe Zwilich (b. 1939) Seth Beckman, piano He’s Got the Whole World in His Hands Margaret Bonds (1913-1972) Steal Away to Heaven traditional arr. Mark Hayes (b. 1953) Ride On, King Jesus _ traditional arr. Hall Johnson (1888-1970) Kerry Walters, soprano Timothy Schorr, piano The Stars and Stripes Forever! John Philip Sousa (1854-1932) James Hogg, viola Seth Beckman, piano * eK KK KOK *K Karen Becker is an active soloist and chamber musician, having performed throughout the United States as well as in Europe and Puerto Rico. In September she will tour Mexico performing works of American composers. She received her Doctor of Musical Arts degree from the University of Texas at Austin and is currently Assistant Professor of Cello at the University of Nebraska-Lincoln. Seth Beckman has received numerous honors and awards, both as a soloist and chamber musician, and has appeared in recital throughout the United States and Europe. He-is Associate Professor of Piano and Chair of the Music Department at Bemidji State University. Joseph Bognar received his Bachelor of Music degree from Valparaiso University. He was awarded the Doctor of Musical Arts degree in piano accompanying and vocal coaching fromthe University of Illinois.
    [Show full text]
  • The Fox Van Den
    Of Reynaert the Fox Text and Facing Translation of the Middle Dutch Beast Epic Van den vos Reynaerde Edited by André Bouwman and Bart Besamusca amsterdam university press Of Reynaert the Fox Of Reynaert the Fox Text and Facing Translation of the Middle Dutch Beast Epic Van den vos Reynaerde Edited with an introduction, notes and glossary by André Bouwman and Bart Besamusca Translated by Th ea Summerfi eld Includes a chapter on Middle Dutch by Matt hias Hüning and Ulrike Vogl Th e production of this book was made possible by Hendrik Muller’s Vaderlandsch Fonds en NLPVF (Foundation for the Production and Translation of Dutch Literature) Cover: Kok Korpershoek, Amsterdam, the Netherlands Front cover: detail from Chester Beatt y Library, Dublin, Ms. 61 (psalterium, Flanders, s. XIII-2, border decoration f. 61r: Reynaert and Cuwaert cf. ll. 144-48). © Chester Beatt y Library. Back cover: fox. © Jochum Kole, Heerenveen, the Netherlands Lay-out: V3Services, Baarn, the Netherlands ISBN 978 90 8964 024 6 E-ISBN 978 90 4850 233 2 NUR 113 © Besamusca, Bouwman, Summerfi eld/Amsterdam University Press, 2009 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitt ed, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the writt en permission of both the copyright owner and the author of the book. Table of contents Acknowledgements 7 Introduction 9 1. Literary tradition 9 2. Th e author 14 3. Th e text 17 3.1 Th e prologue 17 3.2 Th e plot 18 3.3 Words and deeds 19 3.4 Literary space 23 3.5 Justice and its perversion 24 4.
    [Show full text]
  • Portland Daily Press: March 23,1886
    DAILY PRESS. PORTLANDI. lil, f ——■—^ Libtnry CENTS. ESTABLISHED JUNE 23, 1862—VOL. 23. PORTLAND, TUESDAY MORNING, MARCH 23, 1886. M.M PRICE THREE Mr» John D. Tilton of Hill has GORHAM. SPECIAL NOTICES. THE PORTLAND DAILY PRESS, FROM WASHINGTON. BROADWAY SURFACE FRAUDS. THE PAN ELECTRIC. FOREIGN. Rocky rented the farm of Simon Mayberry In this Published every day (Sundays excepted) by the A Day of Interest with the COMPANY, March 22.—The examina- village, and will establish a milk route. Stephen- INSURANCE. PORTLAND PUBLISHING Mr. to be Washikotox, Germans and Jews Expelled from Dunn's Free Iron Ships Bill Alderman Jaehne Arraigned and of Dr. sons nnd AT 97 Exchange Street. Portlajtd, Me. tion of Casey Young was resumed beforo Memorial services on the death Descendants of the Long- Reported to the House. Held In Poland. Cross W.D. Address aB communications to sas.OOO. the telephone Investigating committee this Morgan, a high official in the Golden fellow Family. LITTLE & PORTLAND PUBLISHING OO. after the will soon be held the members of CO., afternoon. Young said that first order, by the kind 31 Through Invitation of Mr. Ste- EXCHANGE Mr. a directors of the An Conflict Between Troops the in this and Cumberland STREET, Dingley Wants the Free Material! How Public Spirited Woman Se* meeting of the board of Pan Open Commandery L. of KHiablishetl iu 1M.J. THE WEATHER. phen Stephenson Gorham, the writer Section a Bill. cured Electric when It had been agreed and Miners In Belgium. Mills village. Rsllable Insurance Reported in Separate Jaehne’s Confession. Company, Rioting was privileged to visit the old farm house against Flro or in first sold on Mr.
    [Show full text]
  • By Philip Roth
    The Best of the 60s Articles March 1961 Writing American Fiction Philip Roth December 1961 Eichmann’s Victims and the Unheard Testimony Elie Weisel September 1961 Is New York City Ungovernable? Nathan Glazer May 1962 Yiddish: Past, Present, and Perfect By Lucy S. Dawidowicz August 1962 Edmund Wilson’s Civil War By Robert Penn Warren January 1963 Jewish & Other Nationalisms By H.R. Trevor-Roper February 1963 My Negro Problem—and Ours By Norman Podhoretz August 1964 The Civil Rights Act of 1964 By Alexander M. Bickel October 1964 On Becoming a Writer By Ralph Ellison November 1964 ‘I’m Sorry, Dear’ By Leslie H. Farber August 1965 American Catholicism after the Council By Michael Novak March 1966 Modes and Mutations: Quick Comments on the Modern American Novel By Norman Mailer May 1966 Young in the Thirties By Lionel Trilling November 1966 Koufax the Incomparable By Mordecai Richler June 1967 Jerusalem and Athens: Some Introductory Reflections By Leo Strauss November 1967 The American Left & Israel By Martin Peretz August 1968 Jewish Faith and the Holocaust: A Fragment By Emil L. Fackenheim October 1968 The New York Intellectuals: A Chronicle & a Critique By Irving Howe March 1961 Writing American Fiction By Philip Roth EVERAL winters back, while I was living in Chicago, the city was shocked and mystified by the death of two teenage girls. So far as I know the popu- lace is mystified still; as for the shock, Chicago is Chicago, and one week’s dismemberment fades into the next’s. The victims this particular year were sisters. They went off one December night to see an Elvis Presley movie, for the sixth or seventh time we are told, and never came home.
    [Show full text]
  • Instruments Included in Sampletank 4
    Instruments included in SampleTank 4 6,000 instruments. Including: Over 100 GB of samples. 70 GB of all-new SampleTank 4 samples. SampleTank 33Instruments GB of legacy SampleTank 3 samples (the full SampleTank 3 legacy product). All versions of SampleTank 4 include the full SampleTank 4 engine ACOUSTIC PIANOS (123) ACOUSTICSampleTank PIANOS 4 New Instruments (20) 123 BASSBad Stories 224 BRASSC7 Grand Cinematic 1 247 CHROMATICC7 Grand Close Mic - Natural 92 ACOUSTICC7 Grand DRUMS Close Mic - Natural SE 303 ELECTRONICC7 Grand DRUMS Close Mic Sharp 282 C7 Grand Delicate ELECTRIC PIANOS 204 C7 Grand Digi Piano Shine ETHNIC 206 C7 Grand Digi Piano ACOUSTIC GUITARS 101 C7 Grand House Piano ELECTRIC GUITARS 331 C7 Grand Pop Piano 1 LOOPS 423 C7 Grand Pop Piano 2 ORGANSC7 Grand Rock Piano 233 PERCUSSIONC7 Grand Tremolo Piano 77 SOUNDDelay FX Grand Delicate 16 STRINGSLFO Piano 375 SYNTHLoft BASIC Piano 106 Modern Piano SYNTH BASIC VARIATIONS 246 Ode to Robert SYNTH ARPEGGIO 34 Radio Piano SYNTH BASS 482 Very Old Friend SYNTH FX 63 SampleTank 3 Instruments (65) SYNTH LEAD 385 Grand Piano 1 SYNTH PAD 420 Grand Piano 1 Classical SYNTH PLUCK 29 Grand Piano 1 Mono Pop SYNTH SWEEP 16 VOICES 240 WOODWINDS 1 189 1 Instruments included in SampleTank 4 SampleTank Instruments ACOUSTIC PIANOS (123) SampleTank 4 New Instruments (20) Bad Stories C7 Grand Cinematic 1 C7 Grand Close Mic - Natural C7 Grand Close Mic - Natural SE C7 Grand Close Mic Sharp C7 Grand Delicate C7 Grand Digi Piano Shine C7 Grand Digi Piano C7 Grand House Piano C7 Grand Pop Piano 1 C7
    [Show full text]
  • History of the Cathedral Organ
    History of the Cathedral Organ The first worship service was held at the Cathedral of the Incarnation on Trinity Sunday, 1911. At this time, only the undercroft was completed, and the building was designated the “pro-cathedral”, meaning the building was designated to someday be the Cathedral. No records can be found of what instrument was used between 1911 and 1931, when the upper church was finally completed. Neither can any record be found of the instrument used in our sanctuary between 1931 and 1941. In 1941, the original Cathedral organ was purchased from the Möller Organ Company of Hagerstown. The instrument at the time had a total of fourteen ranks of pipes and chimes. The purchase price was $5,825, for Möller Opus 7042 (about $91,000 in 2014 dollars). Completion of the organ, envisioned to be 43 ranks, was planned as soon as funds were available. In 1960, the Cathedral received a bequest by Ella Jarrett and Mary Helen Ziegler for additions to the organ. A contract was given to the Aeolian-Skinner Organ Company of Boston for the additions (Opus 1386). Six additional ranks were added to the swell organ and seven ranks were added to the choir organ. The cost of this work was $15,200 (about $119,000 in 2014 dollars). A proposal to add an additional 11 ranks to the great organ and five ranks to the pedal organ was rejected by the Chapter as too costly. The cost of these additions at the time was $17,550. By 1971, the organ was in need of an overhaul.
    [Show full text]
  • Cleveland POPS Brings in the New Year with Melinda Doolittle at Severance Hall (Dec
    Cleveland POPS brings in the New Year with Melinda Doolittle at Severance Hall (Dec. 31) by Mario Buchanan, Special to ClevelandClassical.com ​ On December 31 the Cleveland Pops Orchestra, under the direction of Carl Topilow, performed their annual New Year’s Eve concert at Severance Hall. Above the partygoers’ heads in the Grand Foyer were two nets filled with blue and white balloons waiting to welcome the new year, and attendees were required to grab a party horn from the table for the concert. In the auditorium, “2017” was spelled out with balloons above the stage. Clearly, this was going to be a night to remember. As Topilow came on stage, the lights dimmed and all that could be seen were stand lights and the first three digits of ‘2017’ lit up. The concert started with two famous “crowd-warming” tunes: the opening of Richard Strauss’ Thus Sprach Zarathustra, ​ ​ which segued into “O Fortuna” from Carl Orff’s Carmina Burana — a rather interesting ​ ​ way to start the evening. Then Melinda Doolittle, the guest vocalist for the occasion, greeted the audience, wearing a gorgeous, elegant dress and immediately stunning the crowd with her beautiful, wide-ranging voice. By her own admission, Doolittle was tone deaf as a child, but determined to prove herself, she eventually earned a bachelor’s in music. She became famous while competing on American Idol, where Simon Cowell called her his ​ ​ “personal favorite.” Since then, Doolittle has performed all over the nation. The vocalist described her song selections as being like her personality: “romance and sass.” She sang some old, romantic classics, including Don’t Get Around Much ​ Anymore, Home from “The Wiz”, and Over the Rainbow.
    [Show full text]
  • Guide to the Howard B. Waltz Papers, 1930-1999
    Guide to the Howard B. Waltz papers, 1930-1999 American Music Research Center, Music Library, University of Colorado, Boulder Guide to the Howard B. Waltz papers, 1930-1999 Descriptive Summary Title: Howard B. Waltz papers Date(s) 1930-1999 ID COU-AMRC-93 Creator: Waltz, Howard Extent: 4 linear ft. (3 boxes) Repository The American Music Research Center Boulder, Colorado Location Housed in American Music Research Center. Scope and Content Collection consists of awards, articles, clippings of performances 1930-1999, piano pedagogy, sheet music and songbooks, student recital programs 1941-1979, reel-to- reel tapes of performances, and original compositions. Administrative Information Arrangement of compositions Arranged by genre. Access Collection is open for research. Publication Rights Copyright is not held by the American Music Research Center. Requests to publish materials should be directed to the copyright holder. Acquisition history Donated by Waltz' niece, Jane Grissmer (copyright holder), Kensington, MD Preferred Citation [Identification of item], Howard B. Waltz papers, American Music Research Center, University of Colorado, Boulder. - Page 2 - Guide to the Howard B. Waltz papers, 1930-1999 Index Terms Access points related to this collection Names: Waltz, Howard Organizations: American Music Research Center Subjects: Waltz, Howard -- Archives University of Colorado, Boulder. College of Music -- Faculty Pianists -- United States -- Biography -- Sources Biography of Howard B. Waltz Howard Bryant Waltz was born on March 29, 1913, in Arcadia, Indiana, the son of Peter D. Waltz and Ora Bryant. He was the youngest of five children. Mr. Waltz grew up in a small Midwestern town in the twenties that he has said was idyllic and timeless.
    [Show full text]
  • Does K-Pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set
    Asian Women December 2017, Vol. 33, No. 4, pp. 27-54 Does K-pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set Xi Lin Korea University, Korea Robert Rudolf Korea University, Korea Abstract As K-pop has become a cultural ambassador for Korea, attracting millions of fans across the globe, the sexist portrayal of both female and male idols in K-pop products stands in conflict with the gender-mainstreaming policies to which the country has committed itself. Using a unique and newly collected data set of 6,317 K-pop fans from 100 countries around the world, this study examines the relationship between individual K-pop consumption and gender attitudes of K-pop fans. Findings suggest that a higher level of spending on K-pop related items and activities is related to less egalitarian gender attitudes. Interestingly, this correlation is stronger for fans from already less gender-equal nations. Results indicate that the industry that is actively promoted by the Korean government includes elements that might reinforce a sexist culture and traditional gender roles both within Korea and around the globe, further obstructing women’s pursuit of equal opportunities. Key words K-pop, sexism, sexual objectification, gender stereotypes, gender attitudes Introduction Since the late-2000s, the Korean pop music industry (K-pop), as part of the larger Korean Wave (Hallyu) phenomenon, has experienced un- precedented international success. With K-pop fans as the mainstay of the increasing Hallyu fan base, which just reached 59.4 million in 2016 (The Korea Foundation, 2017), the rise of K-pop has not only brought in hun- dreds of millions of dollars in music export revenue for Korea (KOCCA, 2016; Yonhap, 2016) but has also contributed to the boom of Korea’s cos- metic, fashion, tourism as well as plastic surgery industries.
    [Show full text]
  • Living the Dream Antwerp’S Adventurer Marc Sluszny
    WHERE NEWS & BUSINESS MEET GLAMOUR & GOOD TI MES #16 /MarcH 2010 Living the dream Antwerp’s Adventurer Marc sluszny pArIs FAsHIOn WEEK renzo rosso and vivienne westwood MARRAKeCH ‘red City’, red carpet, fantasy hotel COMPETItIONS Alexandre de paris and davidrose EDITORIAL Perchance to dream ‘Living the dream’ – it’s a concept Morocco’s finest hotel, Sofitel Marrakech. that may seem singularly at odds And, can a country ‘live the dream’? Well, Emma Portier Davis takes a look at how Belgium is making a with the dark, cold days of the comeback on the world stage, big-time, following its new year’s beginning, but we at much-heralded near-demise of not so long ago. Together disagree, and we want to share what we’ve learned about In a new column, Sensual Secrets, Kimberley Lovato making your dream life a reality. takes a look at the trials and triumphs of seduction, and, in Eat Together, discusses her soon-to-be released culinary travel book, Walnut Wine & Truffle hen it comes to living Groves, about the Dordogne region of France, with dangerously and ‘who dares our co-editor Colin Moors. Colin also casts a cold eye wins’, there are few who know over two of the latest ‘dream’ gadgets, in Must- more about living on the edge Haves. than Antwerp-born commodities-trader, author and adventurer Marc W As usual, there are interviews galore – Michael Gaio Sluszny. In his own words: “I want to taste all the speaks with fashion giants Andrea cannelloni and dreams and big adventures of this world – that Jeremy Hackett, and Federico Grandesso chats to would be something extraordinary to accomplish Reinze Rosso and Vivienne Westwood.
    [Show full text]
  • Download Print Version (.Pdf)
    HSocial ISSUE Hot Hot Summer: Sizzling it up with more provocative K-pop By James Turnbull Summer’s heating up outside and on-screen, where K-pop’s girl groups have been shedding even more clothes than normal. !e public debate has reached new heights, with critics pointing to ex- cessive female objecti"cation. But, as James Turnbull points out, the controversy is nothing new. K-pop girl group After School swinging around stripper which featured pelvic thrusts from RaNia and the Brave Girls, as poles, grabbing their crotches and singing wet and topless well as 4Minute’s notorious “Wide Leg Spread Dance” for “Mir- in “First Love”? Dal Shabet ripping their skirts open to reveal ror Mirror”. skin tight pants for “Look At My Legs”? Long, lingering close- It is true that there have been more cases than normal recent- ups of BIKINY’s breasts and panties for “Please Accept Me”? ly, with management companies of boy bands openly wonder- These examples are just a small sampling of what you can see ing how their employees can compete for attention. But that is on Korean music channels this summer, in what has widely been precisely the point: with a constant glut of new groups debut- described as an unprecedented, unacceptable pornification of ing, legal downloads costing less than a tenth of their iTunes K-pop. Predictably, many netizens have been slut-shaming the counterparts, and an ensuing overdependence on commercial girl groups involved, whereas more discerning critics have gen- endorsements, the Korean music industry has long been predi- erally complained of their excessive sexual objectification, and/ cated on using sex—and anticipated bans—to keep groups in or portrayed them as victims of their management companies.
    [Show full text]
  • The Waterloo Organ Company
    The Waterloo Organ Company The manufacture of Waterloo Cabinet Organs began in 1861, with a very small plant that developed into one of the largest and best equipped organ factories in the United States. It is still very easy to purchase a Waterloo Pump Organ on eBay or Craigslist. A disastrous fire on May 27, 1881, destroyed the manufacturing plant on the east side of Virginia Street.1 Then Alexander C. Reed and Malcolm Love, his nephew, purchased the Waterloo Organ Manufacturing Company and renamed it as Malcolm Love and Co. In 1888, the company was incorporated as the Waterloo Organ Company, with Alexander C. Reed serving as president.2 The Waterloo Organ Company decided in 1889 to manufacture pianos as well as organs. They engaged a skilled piano builder by the name of Seebald Mennig, who drew up the scale (the interior plan of the piano, including the length of the strings, the method of putting in the sounding board, etc.) for the Malcolm Love Piano. Benjamin B. Knight had purchased the first piano that was manufactured. Knight’s son William D. Knight later donated this piano to the Waterloo Library and Historical Society where it is still on display in its Terwilliger Museum.3 At the World’s Columbian Exhibition in Chicago in 1893, the Waterloo Organ Company had a booth where it displayed its Malcolm Love Piano. This piano received an award for its fine quality of tone and good workmanship, equal to the award of any piano exhibited. An official ribbon was given, a copy of which was attached to the back of each Malcolm Love Piano as long as they were thereafter manufactured in Waterloo.
    [Show full text]