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Portland Daily Press: March 23,1886
DAILY PRESS. PORTLANDI. lil, f ——■—^ Libtnry CENTS. ESTABLISHED JUNE 23, 1862—VOL. 23. PORTLAND, TUESDAY MORNING, MARCH 23, 1886. M.M PRICE THREE Mr» John D. Tilton of Hill has GORHAM. SPECIAL NOTICES. THE PORTLAND DAILY PRESS, FROM WASHINGTON. BROADWAY SURFACE FRAUDS. THE PAN ELECTRIC. FOREIGN. Rocky rented the farm of Simon Mayberry In this Published every day (Sundays excepted) by the A Day of Interest with the COMPANY, March 22.—The examina- village, and will establish a milk route. Stephen- INSURANCE. PORTLAND PUBLISHING Mr. to be Washikotox, Germans and Jews Expelled from Dunn's Free Iron Ships Bill Alderman Jaehne Arraigned and of Dr. sons nnd AT 97 Exchange Street. Portlajtd, Me. tion of Casey Young was resumed beforo Memorial services on the death Descendants of the Long- Reported to the House. Held In Poland. Cross W.D. Address aB communications to sas.OOO. the telephone Investigating committee this Morgan, a high official in the Golden fellow Family. LITTLE & PORTLAND PUBLISHING OO. after the will soon be held the members of CO., afternoon. Young said that first order, by the kind 31 Through Invitation of Mr. Ste- EXCHANGE Mr. a directors of the An Conflict Between Troops the in this and Cumberland STREET, Dingley Wants the Free Material! How Public Spirited Woman Se* meeting of the board of Pan Open Commandery L. of KHiablishetl iu 1M.J. THE WEATHER. phen Stephenson Gorham, the writer Section a Bill. cured Electric when It had been agreed and Miners In Belgium. Mills village. Rsllable Insurance Reported in Separate Jaehne’s Confession. Company, Rioting was privileged to visit the old farm house against Flro or in first sold on Mr. -
By Philip Roth
The Best of the 60s Articles March 1961 Writing American Fiction Philip Roth December 1961 Eichmann’s Victims and the Unheard Testimony Elie Weisel September 1961 Is New York City Ungovernable? Nathan Glazer May 1962 Yiddish: Past, Present, and Perfect By Lucy S. Dawidowicz August 1962 Edmund Wilson’s Civil War By Robert Penn Warren January 1963 Jewish & Other Nationalisms By H.R. Trevor-Roper February 1963 My Negro Problem—and Ours By Norman Podhoretz August 1964 The Civil Rights Act of 1964 By Alexander M. Bickel October 1964 On Becoming a Writer By Ralph Ellison November 1964 ‘I’m Sorry, Dear’ By Leslie H. Farber August 1965 American Catholicism after the Council By Michael Novak March 1966 Modes and Mutations: Quick Comments on the Modern American Novel By Norman Mailer May 1966 Young in the Thirties By Lionel Trilling November 1966 Koufax the Incomparable By Mordecai Richler June 1967 Jerusalem and Athens: Some Introductory Reflections By Leo Strauss November 1967 The American Left & Israel By Martin Peretz August 1968 Jewish Faith and the Holocaust: A Fragment By Emil L. Fackenheim October 1968 The New York Intellectuals: A Chronicle & a Critique By Irving Howe March 1961 Writing American Fiction By Philip Roth EVERAL winters back, while I was living in Chicago, the city was shocked and mystified by the death of two teenage girls. So far as I know the popu- lace is mystified still; as for the shock, Chicago is Chicago, and one week’s dismemberment fades into the next’s. The victims this particular year were sisters. They went off one December night to see an Elvis Presley movie, for the sixth or seventh time we are told, and never came home. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Does K-Pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set
Asian Women December 2017, Vol. 33, No. 4, pp. 27-54 Does K-pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set Xi Lin Korea University, Korea Robert Rudolf Korea University, Korea Abstract As K-pop has become a cultural ambassador for Korea, attracting millions of fans across the globe, the sexist portrayal of both female and male idols in K-pop products stands in conflict with the gender-mainstreaming policies to which the country has committed itself. Using a unique and newly collected data set of 6,317 K-pop fans from 100 countries around the world, this study examines the relationship between individual K-pop consumption and gender attitudes of K-pop fans. Findings suggest that a higher level of spending on K-pop related items and activities is related to less egalitarian gender attitudes. Interestingly, this correlation is stronger for fans from already less gender-equal nations. Results indicate that the industry that is actively promoted by the Korean government includes elements that might reinforce a sexist culture and traditional gender roles both within Korea and around the globe, further obstructing women’s pursuit of equal opportunities. Key words K-pop, sexism, sexual objectification, gender stereotypes, gender attitudes Introduction Since the late-2000s, the Korean pop music industry (K-pop), as part of the larger Korean Wave (Hallyu) phenomenon, has experienced un- precedented international success. With K-pop fans as the mainstay of the increasing Hallyu fan base, which just reached 59.4 million in 2016 (The Korea Foundation, 2017), the rise of K-pop has not only brought in hun- dreds of millions of dollars in music export revenue for Korea (KOCCA, 2016; Yonhap, 2016) but has also contributed to the boom of Korea’s cos- metic, fashion, tourism as well as plastic surgery industries. -
Federal Bureau of Investigation the Best Copy Obtainable Is Included in the Reproduction of These Documents
FOIPA COVER SHEET FREEDOM OF INFORMATION AND PRIVACYACTS SUBJECT: BARKER/KARPIS GANG BREMER KIDNAPPING FILE NUMBER: 7-576 SECTION : 104 FEDERAL BUREAU OF INVESTIGATION THE BEST COPY OBTAINABLE IS INCLUDED IN THE REPRODUCTION OF THESE DOCUMENTS. PAGES INCLUDED THAT ARE BLURRED, LIGHT, OR OTHERWISE DIFFICULT TO READ ARE THE RESULT OF THE CONDITION OF THE ORIGINAL DOCUMENT. NO BETTER COPY CAN BE REPRODUCED. c c L suBJK@ 1 Fne numén __z_z@______-5 - 92 . A seczaion numE>eR___m-£_____.' . %RiALs Z<3OZ§792L DA§¬S__g_,_Q_______ PA§¬5 ReLeA5eC>.___a1.u.___.______ ; pA_9&5 w1@>m>e92.c>____;>_____._______ exemp@i0n! U5¬O >2 --_ ..< »__.-M, T ' tm 92 0 I a A , . , 1, _92 . _<.-' . ._ ., TIER.-V: W? . T .Q-1 ' "'-;__'»'§-i~. .__~ -;§. _9292_";-fJ~ "'.'-' ' .- , 1*! w »;T MW~ W ,__, 92wLhr,*, , ' '.W$»Jv&§~" X I _. ~_-I.-_ J, 5 #L._ _,|.;¢._' . ¢ ls V , "I I ._= , a ,4 , :- . ._;. '11!. ' 1'1 § -Ar. SM w A -_.=_ ¢ ..é, " J Q. h }§ _b':§ .;;.l_ Q 0 .. _'~ 1 *1» - _929292."E T 1 .'192" Ar! ,5 " A '41 . I ¢ . :4, ,. -.131! E, @n§4 A L vv - ! 1| , Q T »»= -T ,_O _ 1 1 Rh 2 - 6 4 $94,»?-1' H-_ -~ 1 I lam or Snvlcl '. 1 I 6 I111: In a lull-nu BY nmsqrwmamom A@ A Z, Telqnm or Cable- l 1 fnm unlen In do and character is Irv f dimmed by u rumble WM ESTERN A1 "DL-Daylxnu "'4 3 Ilmnbov lzznmnmx 92.,; Mme eorpu:oed-926AM LC Deferred Cobb NLT Cabin Nib! Lani - I. -
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MUSÉE CANTONAL DES BEAUX-ARTS LAUSANNE Press kit Maurice Denis. Amour 12.2 – 16.5.2021 Contents 1. Press release 2. The exhibition 3. Press images 4. Comments on 6 presented works 5. Public engagement – Public outreach services 6. Book and Giftshop – Le Nabi Café-Restaurant 7. MCBA partners and sponsors Contact Aline Guberan Florence Dizdari Communication and marketing manager Press coordinator T + 41 79 179 91 03 T + 41 79 232 40 06 [email protected] [email protected] Plateforme 10 Place de la Gare 16 T +41 21 316 34 45 Musée cantonal 1003 Lausanne [email protected] des Beaux-Arts Switzerland mcba.ch MUSÉE CANTONAL DES BEAUX-ARTS LAUSANNE 1. Press release Comrade of Édouard Vuillard and Pierre Bonnard when all three were studying art, Maurice Denis (1870-1943) was a painter and major theoretician of modern French art at the turn of the 20th century. This show – the first dedicated to the artist in Switzerland in 50 years – focuses on the early years of Denis’s career. The novel visual experiments of the “Nabi of the beautiful icons” gave way to the serene splendor of the symbolist works, followed by the bold decision to return to classicism. This event, which features nearly 90 works, is organised with the exceptional support of the Musée d'Orsay and thanks to loans from Europe and the United States. Maurice Denis remains famous for the watchword he devised in 1890, “Remember that a painting – before being a warhorse, a nude woman, or some anecdote or other – is basically a plane surface covered with colors assembled in a certain order.” Beyond this manifesto, the breadth and depth of his pictorial output make clear the ambitions of a life completely devoted to art, love, and spirituality. -
Bab Ii “Menarikan Sang Liyan” : Feminisme Dalam Industri Musik
BAB II “MENARIKAN SANG LIYAN”i: FEMINISME DALAM INDUSTRI MUSIK “A feminist approach means taking nothing for granted because the things we take for granted are usually those that were constructed from the most powerful point of view in the culture ...” ~ Gayle Austin ~ Bab II akan menguraikan bagaimana perkembangan feminisme, khususnya dalam industri musik populer yang terepresentasikan oleh media massa. Bab ini mempertimbangkan kriteria historical situatedness untuk mencermati bagaimana feminisme merupakan sebuah realitas kultural yang terbentuk dari berbagai nilai sosial, politik, kultural, ekonomi, etnis, dan gender. Nilai-nilai tersebut dalam prosesnya menghadirkan sebuah realitas feminisme dan menjadikan realitas tersebut tak terpisahkan dengan sejarah yang telah membentuknya. Proses historis ini ikut andil dalam perjalanan feminisme from silence to performance, seperti yang diistilahkan Kroløkke dan Sørensen (2006). Perempuan berjalan dari dalam diam hingga akhirnya ia memiliki kesempatan untuk hadir dalam performa. Namun dalam perjalanan performa ini perempuan membawa serta diri “yang lain” (Liyan) yang telah melekat sejak masa lalu. Salah satu perwujudan performa sang Liyan ini adalah industri musik populer K-Pop yang diperankan oleh perempuan Timur yang secara kultural memiliki persoalan feminisme yang berbeda dengan perempuan Barat. 75 76 K-Pop merupakan perjalanan yang sangat panjang, yang mengisahkan kompleksitas perempuan dalam relasinya dengan musik dan media massa sebagai ruang performa, namun terjebak dalam ideologi kapitalisme. Feminisme diuraikan sebagai sebuah perjalanan “menarikan sang Liyan” (dancing othering), yang memperlihatkan bagaimana identitas the Other (Liyan) yang melekat dalam tubuh perempuan [Timur] ditarikan dalam beragam performa music video (MV) yang dapat dengan mudah diakses melalui situs YouTube. Tarian merupakan sebuah bentuk konsumsi musik dan praktik kultural yang membawa banyak makna tersembunyi mengenai konteks sosial (Wall, 2003:188). -
a Notorious Deadbeat
MAILS NEXT WEEK LATEST SUGAR QUOTATIONS (To ArriTe and Leave Honolulu) Dollar! From Coast: Ecuador, Oct. 28. CenU per lb. pertoa Fop Coast: Ventura, 30; Maui, 31. Today's Quotation 6.90 $138.00 Nov. 5. From Orient: Persia Maru, 7.02 140.20 s Last Previous For Orient: Siberia Maru, Nov. 4. m&txt WAILUKU, MAUI CO., HAWAII, FRIDAY, OCTOBER 26, 1917. NUMBER 920 EIGHTEENTH YEAR Americans Win The The Church Bazaar TODAY'S AND LATEST . A Notorious Deadbeat 1917 Championship A Great Success NEWS BY WIRELESS Again In The Toils Here Portuguese Defeated In The Final, Ladies Guild Of Church Of Gtrod Shep- Which Was One Of The Best herd Delight Many People In London The Daily Mail correspi indent insists that the Irish Col-bur- n, Games Of The Entire Season Evening's Program Bright, Alias John Baker, Alias John is serious. W hole of west Ireland is on verge of rebellion. Fol John lowers of Palavara suddenly awakened to danger spark they have kindl- Re- The final game the Maui base-hal- l The annual bazaar of the Woman's C. Brickwood Lyman, Etc., for ed and are now trying to quench it for fear they have gone too far. Jr., Alias league championship for the year Guild of the Church of the Good Shep- AGITATION INCREASES Several Years, Starts His Old 1917 was played off on the Wailuku herd, held at the Wailuku Gymnasium, IRISH fair-size- 10,000 clubs and turns After diamond Sunday afternoon, a d Saturday evening, was, as usual, an Dublin Sinn Feiners conference spread over In Jail crowd being present. -
JUNE, 2011 the Church of the Resurrection New York, New York Cover Feature on Pages 26–27
THE DIAPASON JUNE, 2011 The Church of the Resurrection New York, New York Cover feature on pages 26–27 June 2011 Cover.indd 1 5/13/11 8:34:57 AM June 2011 pp. 2-18.indd 2 5/13/11 8:36:24 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred Second Year: No. 6, Whole No. 1219 JUNE, 2011 In the wind . typical tractor tire with a pressure of Established in 1909 ISSN 0012-2378 Please accept my admiration for the 40 psi would be the equivalent of 1,080 An International Monthly Devoted to the Organ, John Bishop’s wonderful column in the inches of wind. That would indeed be the Harpsichord, Carillon, and Church Music April issue. His paean to the Cathedral the “Last Trumpet!” of St. John the Divine struck a mighty David Wigton chord of nostalgia, combined with ad- Dryden, Michigan miration of Bishop’s evocative writing, in CONTENTS Editor & Publisher JEROME BUTERA [email protected] which he expressed thoughts about the John Bishop replies 847/391-1045 building and its organ—which I have al- My thanks to my friend David Wig- FEATURES ways felt deeply. ton for his nice comments, and for Harpsichord Playing in America Associate Editor JOYCE ROBINSON Over a period of six years (four as a catching my error about wind pres- “after” Landowska [email protected] by Larry Palmer 19 choirboy and, overlapping that, four sure. He’s correct, of course, within 847/391-1044 as an organ student of Norman Coke- seven tenths of an inch. -
The Analysis of Co-Authorship and Networks Among the Korean Pathologists
The Korean Journal of Pathology 2011; 45: 227-236 DOI: 10.4132/KoreanJPathol.2011.45.3.227 The Analysis of Co-authorship and Networks among the Korean Pathologists Jin Oh Kang · Seo Hyun Park Background: To evaluate the characteristics of the co-authorship and its network within the Ko- Yong-Koo Park1 rean Pathologists’ Society. Methods: In the KoreaMed database, 11,420 articles and 72,478 au- thors from 1991 to 2010 were searched. The patterns of co-authorship of the authors and institu- Departments of Radiation Oncology and tions were analyzed to build a network matrix. The network centrality indices were measured with 1Pathology, Kyung Hee University College of UCINET 6.0 and sociogram, and were drawn with Netdraw 5.0. KeyPlayer 1.44 was used for key Medicine, Seoul, Korea player analysis. Results: The number of articles that pathologist participated in increased; how- ever, the number of articles that the pathologists are the first author did not increase. The central- Received: February 8, 2011 ity degrees from 1991 to 2010 were 4.16% and 0.3% for the institutions and authors network, re- Accepted: April 13, 2011 spectively. From 1991 to 2000, Seoul National University had the highest degree of centrality and Corresponding Author was a key player. However, from 2001 to 2010, Ulsan replaced the position. For the authors, Chi, Yong-Koo Park, M.D. Je Geun was highest centrality author and key player during the 1991 to 2000 time period. From Department of Pathology, Kyung Hee University 2001 to 2010, Yoo, Jinyoung had the highest degree of centrality and Kim, Na Rae was a key College of Medicine, 1 Hoegi-dong, player. -
Memory, Metaphor, and Aby Warburg's Atlas of Images
Memory, Metaphor, and Aby Warburg’s Atlas of Images Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broadest terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. Memory, Metaphor, and Aby Warburg’s Atlas of Images Christopher D. Johnson A Signale Book Cornell University Press and Cornell University Library Ithaca, New York Cornell University Press and Cornell University Library gratefully acknowledge the support of The Andrew W. Mellon Foundation for the publication of this volume. Copyright © 2012 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2012 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Johnson, Christopher D., 1964– Memory, metaphor, and Aby Warburg’s Atlas of images / Christopher D. Johnson. p. cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-7742-3 (pbk. -
Korean Drama Marriage Contract Final Episode
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