Download Print Version (.Pdf)

Total Page:16

File Type:pdf, Size:1020Kb

Download Print Version (.Pdf) HSocial ISSUE Hot Hot Summer: Sizzling it up with more provocative K-pop By James Turnbull Summer’s heating up outside and on-screen, where K-pop’s girl groups have been shedding even more clothes than normal. !e public debate has reached new heights, with critics pointing to ex- cessive female objecti"cation. But, as James Turnbull points out, the controversy is nothing new. K-pop girl group After School swinging around stripper which featured pelvic thrusts from RaNia and the Brave Girls, as poles, grabbing their crotches and singing wet and topless well as 4Minute’s notorious “Wide Leg Spread Dance” for “Mir- in “First Love”? Dal Shabet ripping their skirts open to reveal ror Mirror”. skin tight pants for “Look At My Legs”? Long, lingering close- It is true that there have been more cases than normal recent- ups of BIKINY’s breasts and panties for “Please Accept Me”? ly, with management companies of boy bands openly wonder- These examples are just a small sampling of what you can see ing how their employees can compete for attention. But that is on Korean music channels this summer, in what has widely been precisely the point: with a constant glut of new groups debut- described as an unprecedented, unacceptable pornification of ing, legal downloads costing less than a tenth of their iTunes K-pop. Predictably, many netizens have been slut-shaming the counterparts, and an ensuing overdependence on commercial girl groups involved, whereas more discerning critics have gen- endorsements, the Korean music industry has long been predi- erally complained of their excessive sexual objectification, and/ cated on using sex—and anticipated bans—to keep groups in or portrayed them as victims of their management companies. the public eye. Most notably, Lee Seung-chul, a Korean singer with 27 years in Mirroring developments in the Korean movie industry, where the industry, tweeted that it was wrong to promote girl groups financial problems have also prompted a recent, rapid sexing by making them wear revealing costumes. Of course, it is impossible to give justice to the range and Lee Seung-chul, a Korean singer with 27 depth of critics’ opinions here, who do have valid concerns. However, many are also so focused on all the female flesh on years in the industry, tweeted that it was display that they are failing to see the bigger picture. Should wrong to promote girl groups by making you come across any of their alarmist headlines this summer, here are three ways to bring a healthy dose of realism to the them wear revealing costumes. discussion. First, note that the controversy is nothing new. Because not up of content (see October’s Haps), it is disingenuous to sug- only does barely a month go by when the Ministry of Gender gest that what we’re seeing now is anything unusual. Moreover, Equality and Family doesn’t ban songs or music videos, but as trends will only continue with the recent weakening of the Yen, recently as the winter edition of Haps, I discussed many other which has already dealt a huge blow to profits for Korean music bawdy examples, including “Bloom” by Ga-in, which featured in Japan. masturbation. In particular, just over two years ago, there was Second, automatically screaming the “o” word in response to similar hang-wringing over one episode of KBS’s Music Bank, some skin often belies a fundamental misunderstanding of the 24 HAPS_summer 2013 CLOCKWISE FROM THE LEFT: DAL SHABET, YURA, AFTER SCHOOL concept. Because musical ability, sexy dances and sexier cos- of Star Empire, as girl group members become more successful tumes are not mutually exclusive, and it is objectifying in itself and “adjust to the music industry, they start composing their to reduce talented musicians to only the latter. own songs and have more of a voice in their concept. In the doc- That is not to say that sex isn’t overused in K-pop to disguise umentary, the girls are told by managers: ‘If you become a star, a lack of talent, and that we shouldn’t call that out accordingly. your opinion is law. If you think you are treated unfairly, become But when sexual attractiveness adds to and/or is a fundamen- a star.’ What the manager said is cruel, but it shows a reality.” tal part of a performance, yet is criticized nevertheless, then In a summer that, on the one hand, has already seen its first- perhaps it’s more sex itself that the detractors have a problem ever condom commercial and a high-profile announcement of with. Also, arguably with strong and confident women, too, for an (illegal) gay wedding, and on the other hand has brought in in such cases it’s very difficult to see them as coerced in any way, the revelation that 54 percent of South Gyeongsang Province which is the most important criteria for judging whether some- police think that “that women who wear revealing clothing are one is being negatively objectified or not. somehow culpable in any attacks on them,” people deserve a In addition to Ga-in, whose masturbation scene was not at more sophisticated, less reactionary discussion of sex in K-pop all out of place in a rare song about female sexual awakening, from their cultural gatekeepers. one example from this summer is ‘Baddest Female’ CL of 2NE1, By all means, they should call a spade a spade. But, to apply who was recently widely criticized for wearing a swimsuit on- what sociologist Lisa Wade wrote about Beyoncé, on those oc- stage. Unlike UEE of After School, however, who felt she had no casions when a K-pop female singer’s “performance—along choice but to agree to her CEO’s plan for six months of painful with those of her bandmates and fellow dancers and singers— pole-dance training for “First Love”, CL was not at all pressured embodie[s] strength and confidence; the pleasure of being to wear her outfit, and earlier rejected YG Entertainment’s de- comfortable in one’s own skin and the ability to use your body mand that she receive cosmetic surgery before she debuted. to tell a story; and the power that comes from being admired for What’s more, YG completely removed those clauses in their sub- the talents you’ve worked so hard to cultivate,” then it’s difficult sequent contracts for new trainees, unlike the vast majority of to only see a sex object, and/or plausibly claim that it’s simply management companies that retain them. pornography. Ergo, while the K-pop industry is certainly extremely exploit- This summer, please take a moment to consider why so ative overall, and replete with examples of coercion that do de- many do. serve to be highlighted, a third factor to take into consideration James Turnbull is a writer and public speaker on Korean fem- is that not all management companies are the same. Also, as inism, sexuality and pop culture. He can be found at thegrandnar- Lee Hark-joon noted, director of the documentary Nine Muses rative.com 2013 summer_ busanhaps.com 25.
Recommended publications
  • Portland Daily Press: March 23,1886
    DAILY PRESS. PORTLANDI. lil, f ——■—^ Libtnry CENTS. ESTABLISHED JUNE 23, 1862—VOL. 23. PORTLAND, TUESDAY MORNING, MARCH 23, 1886. M.M PRICE THREE Mr» John D. Tilton of Hill has GORHAM. SPECIAL NOTICES. THE PORTLAND DAILY PRESS, FROM WASHINGTON. BROADWAY SURFACE FRAUDS. THE PAN ELECTRIC. FOREIGN. Rocky rented the farm of Simon Mayberry In this Published every day (Sundays excepted) by the A Day of Interest with the COMPANY, March 22.—The examina- village, and will establish a milk route. Stephen- INSURANCE. PORTLAND PUBLISHING Mr. to be Washikotox, Germans and Jews Expelled from Dunn's Free Iron Ships Bill Alderman Jaehne Arraigned and of Dr. sons nnd AT 97 Exchange Street. Portlajtd, Me. tion of Casey Young was resumed beforo Memorial services on the death Descendants of the Long- Reported to the House. Held In Poland. Cross W.D. Address aB communications to sas.OOO. the telephone Investigating committee this Morgan, a high official in the Golden fellow Family. LITTLE & PORTLAND PUBLISHING OO. after the will soon be held the members of CO., afternoon. Young said that first order, by the kind 31 Through Invitation of Mr. Ste- EXCHANGE Mr. a directors of the An Conflict Between Troops the in this and Cumberland STREET, Dingley Wants the Free Material! How Public Spirited Woman Se* meeting of the board of Pan Open Commandery L. of KHiablishetl iu 1M.J. THE WEATHER. phen Stephenson Gorham, the writer Section a Bill. cured Electric when It had been agreed and Miners In Belgium. Mills village. Rsllable Insurance Reported in Separate Jaehne’s Confession. Company, Rioting was privileged to visit the old farm house against Flro or in first sold on Mr.
    [Show full text]
  • By Philip Roth
    The Best of the 60s Articles March 1961 Writing American Fiction Philip Roth December 1961 Eichmann’s Victims and the Unheard Testimony Elie Weisel September 1961 Is New York City Ungovernable? Nathan Glazer May 1962 Yiddish: Past, Present, and Perfect By Lucy S. Dawidowicz August 1962 Edmund Wilson’s Civil War By Robert Penn Warren January 1963 Jewish & Other Nationalisms By H.R. Trevor-Roper February 1963 My Negro Problem—and Ours By Norman Podhoretz August 1964 The Civil Rights Act of 1964 By Alexander M. Bickel October 1964 On Becoming a Writer By Ralph Ellison November 1964 ‘I’m Sorry, Dear’ By Leslie H. Farber August 1965 American Catholicism after the Council By Michael Novak March 1966 Modes and Mutations: Quick Comments on the Modern American Novel By Norman Mailer May 1966 Young in the Thirties By Lionel Trilling November 1966 Koufax the Incomparable By Mordecai Richler June 1967 Jerusalem and Athens: Some Introductory Reflections By Leo Strauss November 1967 The American Left & Israel By Martin Peretz August 1968 Jewish Faith and the Holocaust: A Fragment By Emil L. Fackenheim October 1968 The New York Intellectuals: A Chronicle & a Critique By Irving Howe March 1961 Writing American Fiction By Philip Roth EVERAL winters back, while I was living in Chicago, the city was shocked and mystified by the death of two teenage girls. So far as I know the popu- lace is mystified still; as for the shock, Chicago is Chicago, and one week’s dismemberment fades into the next’s. The victims this particular year were sisters. They went off one December night to see an Elvis Presley movie, for the sixth or seventh time we are told, and never came home.
    [Show full text]
  • Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public.
    [Show full text]
  • Does K-Pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set
    Asian Women December 2017, Vol. 33, No. 4, pp. 27-54 Does K-pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set Xi Lin Korea University, Korea Robert Rudolf Korea University, Korea Abstract As K-pop has become a cultural ambassador for Korea, attracting millions of fans across the globe, the sexist portrayal of both female and male idols in K-pop products stands in conflict with the gender-mainstreaming policies to which the country has committed itself. Using a unique and newly collected data set of 6,317 K-pop fans from 100 countries around the world, this study examines the relationship between individual K-pop consumption and gender attitudes of K-pop fans. Findings suggest that a higher level of spending on K-pop related items and activities is related to less egalitarian gender attitudes. Interestingly, this correlation is stronger for fans from already less gender-equal nations. Results indicate that the industry that is actively promoted by the Korean government includes elements that might reinforce a sexist culture and traditional gender roles both within Korea and around the globe, further obstructing women’s pursuit of equal opportunities. Key words K-pop, sexism, sexual objectification, gender stereotypes, gender attitudes Introduction Since the late-2000s, the Korean pop music industry (K-pop), as part of the larger Korean Wave (Hallyu) phenomenon, has experienced un- precedented international success. With K-pop fans as the mainstay of the increasing Hallyu fan base, which just reached 59.4 million in 2016 (The Korea Foundation, 2017), the rise of K-pop has not only brought in hun- dreds of millions of dollars in music export revenue for Korea (KOCCA, 2016; Yonhap, 2016) but has also contributed to the boom of Korea’s cos- metic, fashion, tourism as well as plastic surgery industries.
    [Show full text]
  • Federal Bureau of Investigation the Best Copy Obtainable Is Included in the Reproduction of These Documents
    FOIPA COVER SHEET FREEDOM OF INFORMATION AND PRIVACYACTS SUBJECT: BARKER/KARPIS GANG BREMER KIDNAPPING FILE NUMBER: 7-576 SECTION : 104 FEDERAL BUREAU OF INVESTIGATION THE BEST COPY OBTAINABLE IS INCLUDED IN THE REPRODUCTION OF THESE DOCUMENTS. PAGES INCLUDED THAT ARE BLURRED, LIGHT, OR OTHERWISE DIFFICULT TO READ ARE THE RESULT OF THE CONDITION OF THE ORIGINAL DOCUMENT. NO BETTER COPY CAN BE REPRODUCED. c c L suBJK@ 1 Fne numén __z_z@______-5 - 92 . A seczaion numE>eR___m-£_____.&#39; . %RiALs Z<3OZ§792L DA§¬S__g_,_Q_______ PA§¬5 ReLeA5eC>.___a1.u.___.______ ; pA_9&5 w1@>m>e92.c>____;>_____._______ exemp@i0n! U5¬O >2 --_ ..< »__.-M, T &#39; tm 92 0 I a A , . , 1, _92 . _<.-&#39; . ._ ., TIER.-V: W? . T .Q-1 &#39; "&#39;-;__&#39;»&#39;§-i~. .__~ -;§. _9292_";-fJ~ "&#39;.&#39;-&#39; &#39; .- , 1*! w »;T MW~ W ,__, 92wLhr,*, , &#39; &#39;.W$»Jv&§~" X I _. ~_-I.-_ J, 5 #L._ _,|.;¢._&#39; . ¢ ls V , "I I ._= , a ,4 , :- . ._;. &#39;11!. &#39; 1&#39;1 § -Ar. SM w A -_.=_ ¢ ..é, " J Q. h }§ _b&#39;:§ .;;.l_ Q 0 .. _&#39;~ 1 *1» - _929292."E T 1 .&#39;192" Ar! ,5 " A &#39;41 . I ¢ . :4, ,. -.131! E, @n§4 A L vv - ! 1| , Q T »»= -T ,_O _ 1 1 Rh 2 - 6 4 $94,»?-1&#39; H-_ -~ 1 I lam or Snvlcl &#39;. 1 I 6 I111: In a lull-nu BY nmsqrwmamom A@ A Z, Telqnm or Cable- l 1 fnm unlen In do and character is Irv f dimmed by u rumble WM ESTERN A1 "DL-Daylxnu "&#39;4 3 Ilmnbov lzznmnmx 92.,; Mme eorpu:oed-926AM LC Deferred Cobb NLT Cabin Nib! Lani - I.
    [Show full text]
  • DP MD EN V4.Indd
    MUSÉE CANTONAL DES BEAUX-ARTS LAUSANNE Press kit Maurice Denis. Amour 12.2 – 16.5.2021 Contents 1. Press release 2. The exhibition 3. Press images 4. Comments on 6 presented works 5. Public engagement – Public outreach services 6. Book and Giftshop – Le Nabi Café-Restaurant 7. MCBA partners and sponsors Contact Aline Guberan Florence Dizdari Communication and marketing manager Press coordinator T + 41 79 179 91 03 T + 41 79 232 40 06 [email protected] [email protected] Plateforme 10 Place de la Gare 16 T +41 21 316 34 45 Musée cantonal 1003 Lausanne [email protected] des Beaux-Arts Switzerland mcba.ch MUSÉE CANTONAL DES BEAUX-ARTS LAUSANNE 1. Press release Comrade of Édouard Vuillard and Pierre Bonnard when all three were studying art, Maurice Denis (1870-1943) was a painter and major theoretician of modern French art at the turn of the 20th century. This show – the first dedicated to the artist in Switzerland in 50 years – focuses on the early years of Denis’s career. The novel visual experiments of the “Nabi of the beautiful icons” gave way to the serene splendor of the symbolist works, followed by the bold decision to return to classicism. This event, which features nearly 90 works, is organised with the exceptional support of the Musée d'Orsay and thanks to loans from Europe and the United States. Maurice Denis remains famous for the watchword he devised in 1890, “Remember that a painting – before being a warhorse, a nude woman, or some anecdote or other – is basically a plane surface covered with colors assembled in a certain order.” Beyond this manifesto, the breadth and depth of his pictorial output make clear the ambitions of a life completely devoted to art, love, and spirituality.
    [Show full text]
  • Bab Ii “Menarikan Sang Liyan” : Feminisme Dalam Industri Musik
    BAB II “MENARIKAN SANG LIYAN”i: FEMINISME DALAM INDUSTRI MUSIK “A feminist approach means taking nothing for granted because the things we take for granted are usually those that were constructed from the most powerful point of view in the culture ...” ~ Gayle Austin ~ Bab II akan menguraikan bagaimana perkembangan feminisme, khususnya dalam industri musik populer yang terepresentasikan oleh media massa. Bab ini mempertimbangkan kriteria historical situatedness untuk mencermati bagaimana feminisme merupakan sebuah realitas kultural yang terbentuk dari berbagai nilai sosial, politik, kultural, ekonomi, etnis, dan gender. Nilai-nilai tersebut dalam prosesnya menghadirkan sebuah realitas feminisme dan menjadikan realitas tersebut tak terpisahkan dengan sejarah yang telah membentuknya. Proses historis ini ikut andil dalam perjalanan feminisme from silence to performance, seperti yang diistilahkan Kroløkke dan Sørensen (2006). Perempuan berjalan dari dalam diam hingga akhirnya ia memiliki kesempatan untuk hadir dalam performa. Namun dalam perjalanan performa ini perempuan membawa serta diri “yang lain” (Liyan) yang telah melekat sejak masa lalu. Salah satu perwujudan performa sang Liyan ini adalah industri musik populer K-Pop yang diperankan oleh perempuan Timur yang secara kultural memiliki persoalan feminisme yang berbeda dengan perempuan Barat. 75 76 K-Pop merupakan perjalanan yang sangat panjang, yang mengisahkan kompleksitas perempuan dalam relasinya dengan musik dan media massa sebagai ruang performa, namun terjebak dalam ideologi kapitalisme. Feminisme diuraikan sebagai sebuah perjalanan “menarikan sang Liyan” (dancing othering), yang memperlihatkan bagaimana identitas the Other (Liyan) yang melekat dalam tubuh perempuan [Timur] ditarikan dalam beragam performa music video (MV) yang dapat dengan mudah diakses melalui situs YouTube. Tarian merupakan sebuah bentuk konsumsi musik dan praktik kultural yang membawa banyak makna tersembunyi mengenai konteks sosial (Wall, 2003:188).
    [Show full text]
  • a Notorious Deadbeat
    MAILS NEXT WEEK LATEST SUGAR QUOTATIONS (To ArriTe and Leave Honolulu) Dollar! From Coast: Ecuador, Oct. 28. CenU per lb. pertoa Fop Coast: Ventura, 30; Maui, 31. Today's Quotation 6.90 $138.00 Nov. 5. From Orient: Persia Maru, 7.02 140.20 s Last Previous For Orient: Siberia Maru, Nov. 4. m&txt WAILUKU, MAUI CO., HAWAII, FRIDAY, OCTOBER 26, 1917. NUMBER 920 EIGHTEENTH YEAR Americans Win The The Church Bazaar TODAY'S AND LATEST . A Notorious Deadbeat 1917 Championship A Great Success NEWS BY WIRELESS Again In The Toils Here Portuguese Defeated In The Final, Ladies Guild Of Church Of Gtrod Shep- Which Was One Of The Best herd Delight Many People In London The Daily Mail correspi indent insists that the Irish Col-bur- n, Games Of The Entire Season Evening's Program Bright, Alias John Baker, Alias John is serious. W hole of west Ireland is on verge of rebellion. Fol John lowers of Palavara suddenly awakened to danger spark they have kindl- Re- The final game the Maui base-hal- l The annual bazaar of the Woman's C. Brickwood Lyman, Etc., for ed and are now trying to quench it for fear they have gone too far. Jr., Alias league championship for the year Guild of the Church of the Good Shep- AGITATION INCREASES Several Years, Starts His Old 1917 was played off on the Wailuku herd, held at the Wailuku Gymnasium, IRISH fair-size- 10,000 clubs and turns After diamond Sunday afternoon, a d Saturday evening, was, as usual, an Dublin Sinn Feiners conference spread over In Jail crowd being present.
    [Show full text]
  • JUNE, 2011 the Church of the Resurrection New York, New York Cover Feature on Pages 26–27
    THE DIAPASON JUNE, 2011 The Church of the Resurrection New York, New York Cover feature on pages 26–27 June 2011 Cover.indd 1 5/13/11 8:34:57 AM June 2011 pp. 2-18.indd 2 5/13/11 8:36:24 AM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred Second Year: No. 6, Whole No. 1219 JUNE, 2011 In the wind . typical tractor tire with a pressure of Established in 1909 ISSN 0012-2378 Please accept my admiration for the 40 psi would be the equivalent of 1,080 An International Monthly Devoted to the Organ, John Bishop’s wonderful column in the inches of wind. That would indeed be the Harpsichord, Carillon, and Church Music April issue. His paean to the Cathedral the “Last Trumpet!” of St. John the Divine struck a mighty David Wigton chord of nostalgia, combined with ad- Dryden, Michigan miration of Bishop’s evocative writing, in CONTENTS Editor & Publisher JEROME BUTERA [email protected] which he expressed thoughts about the John Bishop replies 847/391-1045 building and its organ—which I have al- My thanks to my friend David Wig- FEATURES ways felt deeply. ton for his nice comments, and for Harpsichord Playing in America Associate Editor JOYCE ROBINSON Over a period of six years (four as a catching my error about wind pres- “after” Landowska [email protected] by Larry Palmer 19 choirboy and, overlapping that, four sure. He’s correct, of course, within 847/391-1044 as an organ student of Norman Coke- seven tenths of an inch.
    [Show full text]
  • The Analysis of Co-Authorship and Networks Among the Korean Pathologists
    The Korean Journal of Pathology 2011; 45: 227-236 DOI: 10.4132/KoreanJPathol.2011.45.3.227 The Analysis of Co-authorship and Networks among the Korean Pathologists Jin Oh Kang · Seo Hyun Park Background: To evaluate the characteristics of the co-authorship and its network within the Ko- Yong-Koo Park1 rean Pathologists’ Society. Methods: In the KoreaMed database, 11,420 articles and 72,478 au- thors from 1991 to 2010 were searched. The patterns of co-authorship of the authors and institu- Departments of Radiation Oncology and tions were analyzed to build a network matrix. The network centrality indices were measured with 1Pathology, Kyung Hee University College of UCINET 6.0 and sociogram, and were drawn with Netdraw 5.0. KeyPlayer 1.44 was used for key Medicine, Seoul, Korea player analysis. Results: The number of articles that pathologist participated in increased; how- ever, the number of articles that the pathologists are the first author did not increase. The central- Received: February 8, 2011 ity degrees from 1991 to 2010 were 4.16% and 0.3% for the institutions and authors network, re- Accepted: April 13, 2011 spectively. From 1991 to 2000, Seoul National University had the highest degree of centrality and Corresponding Author was a key player. However, from 2001 to 2010, Ulsan replaced the position. For the authors, Chi, Yong-Koo Park, M.D. Je Geun was highest centrality author and key player during the 1991 to 2000 time period. From Department of Pathology, Kyung Hee University 2001 to 2010, Yoo, Jinyoung had the highest degree of centrality and Kim, Na Rae was a key College of Medicine, 1 Hoegi-dong, player.
    [Show full text]
  • Memory, Metaphor, and Aby Warburg's Atlas of Images
    Memory, Metaphor, and Aby Warburg’s Atlas of Images Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broadest terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. Memory, Metaphor, and Aby Warburg’s Atlas of Images Christopher D. Johnson A Signale Book Cornell University Press and Cornell University Library Ithaca, New York Cornell University Press and Cornell University Library gratefully acknowledge the support of The Andrew W. Mellon Foundation for the publication of this volume. Copyright © 2012 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2012 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Johnson, Christopher D., 1964– Memory, metaphor, and Aby Warburg’s Atlas of images / Christopher D. Johnson. p. cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-7742-3 (pbk.
    [Show full text]
  • Korean Drama Marriage Contract Final Episode
    Korean Drama Marriage Contract Final Episode Ernst double-talk first-class if dysteleological Ramsey analogize or flops. Spiritual Beowulf obsolesces acceptably or maneuver ontogenically when Jodi is ametabolous. Reverberant Martie sometimes elbow any disunionists barging inconsiderably. Only to watch here and clasping her piercing blue eyeshadow that she gradually built up spending the episode marriage contract, or related to pick just this Crash Landing On You Ep Eng Sub. Where we watch first the dramas? She sees the chemistry with her and completely destroy the contract korean drama marriage? So we hope. She says and meddling people, the script resonated with you do not displaying correctly in her crying scenes in glimpses of a sadder more advanced english kdrama goodbye to korean drama marriage contract final episode! Such a contracted marriage, the final ep sub ep sub ep sub comments report to make it? Marriage Contract will a 2016 South Korean television series starring. Pingback Review Marriage scheme The Fangirl Verdict Confessions of a Korean Rock Fan. Almost every melo needs a bulge that you love to engine, it it still widely popular in other regions, these two people are require complete mismatch. Actually, Kim Yong Geon, when item was hunger. Best drama marriage contract profile following request. 6 Reasons Marriage Contract Will pace You Hooked Soompi. Secondly he managed pull off brilliantly, it actually reflects the effects of familial relationships of various sorts at those core. Lsj and episodes ep sub ep sub ep sub the contract. 'Marriage Contract' final episode tops ratings on Sunday. With its not found a contracted husband died to keep giving me wonder where she? Top Excellence Award Actor in turn Special Project Drama Lee Seo Jin.
    [Show full text]