K-Pop Performance
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Current Status and Competitiveness of K-Pop Korean Wave on the Southeast Asia
Current status and competitiveness of K-pop Korean Wave on the Southeast Asia Quoc Trung Pham1, Jong Won Yun2 1 HCMC University of Technology (VNU-HCM), Vietnam 2 Changwon National University, Korea 2020 K-WCEB International Symposium (“Building Business Relationships between World Chinese Entrepreneurs and Korea”) 13-14/11/2020 - Online Conference - Changwon National University Studio Contents 1. Introduction 2. Current status of K-pop on the Southeast Asia 3. Competitiveness of Korean wave in Vietnam 4. Future trends & Suggestion 5. Conclusion 1. Introduction In digital society, entertainment and creative industry becomes one of the most important sectors of any country. Since 2000s, the Korean Wave or K-pop evolved into a global phenomenon, carried by the Internet and entertainment technologies. The Korean wave has spread the influence of aspects of Korean culture including fashion, music, TV programs, cosmetics, games, cuisine, web-toon and beauty. K-pop or Korean wave could be used as a strategy of Korea to improve its national brand and to support cultural products exportation. Some challenges for K-pop development in the future include: The competition with J-pop, Western music and other cultural trends The impact of Covid-19 pandemic A change in policy of South Korea Government toward the Indochina Peninsula A need to review the current status and the competitiveness of K-pop in the Southeast Asia region A suitable policy to raise the impact of Korean wave in this region and to support the further development of Korean and regional economy. 2. Current status of K-pop on the ASEAN (1) Top 5 countries spending most time for K-pop idols in 2020 include: 1/ Indonesia, 2/ Thailand, 3/ Vietnam, 4/ Malaysia, 5/ Brazil (Yan.vn, 2020) Singapore There is a thriving K-pop fan-base in Singapore, where idol groups, such as 2NE1, BTS, Girls' Generation, Got7 and Exo, often hold concert tour dates. -
Construction of Hong-Dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics
Universität Bielefeld Fakultät für Soziologie Construction of Hong-dae Cultural District : Cultural Place, Cultural Policy and Cultural Politics Dissertation Zur Erlangung eines Doktorgrades der Philosophie an der Fakultät für Soziologie der Universität Bielefeld Mihye Cho 1. Gutachterin: Prof. Dr. Joanna Pfaff-Czarnecka 2. Gutachter: Prof. Dr. Jörg Bergmann Bielefeld Juli 2007 ii Contents Chapter 1 Introduction 1 1.1 Research Questions 4 1.2 Theoretical and Analytical Concepts of Research 9 1.3 Research Strategies 13 1.3.1 Research Phase 13 1.3.2 Data Collection Methods 14 1.3.3 Data Analysis 19 1.4 Structure of Research 22 Chapter 2 ‘Hong-dae Culture’ and Ambiguous Meanings of ‘the Cultural’ 23 2.1 Hong-dae Scene as Hong-dae Culture 25 2.2 Top 5 Sites as Representation of Hong-dae Culture 36 2.2.1 Site 1: Dance Clubs 37 2.2.2 Site 2: Live Clubs 47 2.2.3 Site 3: Street Hawkers 52 2.2.4 Site 4: Streets of Style 57 2.2.5 Site 5: Cafés and Restaurants 61 2.2.6 Creation of Hong-dae Culture through Discourse and Performance 65 2.3 Dualistic Approach of Authorities towards Hong-dae Culture 67 2.4 Concluding Remarks 75 Chapter 3 ‘Cultural District’ as a Transitional Cultural Policy in Paradigm Shift 76 3.1 Dispute over Cultural District in Hong-dae area 77 3.2 A Paradigm Shift in Korean Cultural Policy: from Preserving Culture to 79 Creating ‘the Cultural’ 3.3 Cultural District as a Transitional Cultural Policy 88 3.3.1 Terms and Objectives of Cultural District 88 3.3.2 Problematic Issues of Cultural District 93 3.4 Concluding Remarks 96 Chapter -
Portland Daily Press: March 23,1886
DAILY PRESS. PORTLANDI. lil, f ——■—^ Libtnry CENTS. ESTABLISHED JUNE 23, 1862—VOL. 23. PORTLAND, TUESDAY MORNING, MARCH 23, 1886. M.M PRICE THREE Mr» John D. Tilton of Hill has GORHAM. SPECIAL NOTICES. THE PORTLAND DAILY PRESS, FROM WASHINGTON. BROADWAY SURFACE FRAUDS. THE PAN ELECTRIC. FOREIGN. Rocky rented the farm of Simon Mayberry In this Published every day (Sundays excepted) by the A Day of Interest with the COMPANY, March 22.—The examina- village, and will establish a milk route. Stephen- INSURANCE. PORTLAND PUBLISHING Mr. to be Washikotox, Germans and Jews Expelled from Dunn's Free Iron Ships Bill Alderman Jaehne Arraigned and of Dr. sons nnd AT 97 Exchange Street. Portlajtd, Me. tion of Casey Young was resumed beforo Memorial services on the death Descendants of the Long- Reported to the House. Held In Poland. Cross W.D. Address aB communications to sas.OOO. the telephone Investigating committee this Morgan, a high official in the Golden fellow Family. LITTLE & PORTLAND PUBLISHING OO. after the will soon be held the members of CO., afternoon. Young said that first order, by the kind 31 Through Invitation of Mr. Ste- EXCHANGE Mr. a directors of the An Conflict Between Troops the in this and Cumberland STREET, Dingley Wants the Free Material! How Public Spirited Woman Se* meeting of the board of Pan Open Commandery L. of KHiablishetl iu 1M.J. THE WEATHER. phen Stephenson Gorham, the writer Section a Bill. cured Electric when It had been agreed and Miners In Belgium. Mills village. Rsllable Insurance Reported in Separate Jaehne’s Confession. Company, Rioting was privileged to visit the old farm house against Flro or in first sold on Mr. -
By Philip Roth
The Best of the 60s Articles March 1961 Writing American Fiction Philip Roth December 1961 Eichmann’s Victims and the Unheard Testimony Elie Weisel September 1961 Is New York City Ungovernable? Nathan Glazer May 1962 Yiddish: Past, Present, and Perfect By Lucy S. Dawidowicz August 1962 Edmund Wilson’s Civil War By Robert Penn Warren January 1963 Jewish & Other Nationalisms By H.R. Trevor-Roper February 1963 My Negro Problem—and Ours By Norman Podhoretz August 1964 The Civil Rights Act of 1964 By Alexander M. Bickel October 1964 On Becoming a Writer By Ralph Ellison November 1964 ‘I’m Sorry, Dear’ By Leslie H. Farber August 1965 American Catholicism after the Council By Michael Novak March 1966 Modes and Mutations: Quick Comments on the Modern American Novel By Norman Mailer May 1966 Young in the Thirties By Lionel Trilling November 1966 Koufax the Incomparable By Mordecai Richler June 1967 Jerusalem and Athens: Some Introductory Reflections By Leo Strauss November 1967 The American Left & Israel By Martin Peretz August 1968 Jewish Faith and the Holocaust: A Fragment By Emil L. Fackenheim October 1968 The New York Intellectuals: A Chronicle & a Critique By Irving Howe March 1961 Writing American Fiction By Philip Roth EVERAL winters back, while I was living in Chicago, the city was shocked and mystified by the death of two teenage girls. So far as I know the popu- lace is mystified still; as for the shock, Chicago is Chicago, and one week’s dismemberment fades into the next’s. The victims this particular year were sisters. They went off one December night to see an Elvis Presley movie, for the sixth or seventh time we are told, and never came home. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Does K-Pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set
Asian Women December 2017, Vol. 33, No. 4, pp. 27-54 Does K-pop Reinforce Gender Inequalities? Empirical Evidence from a New Data Set Xi Lin Korea University, Korea Robert Rudolf Korea University, Korea Abstract As K-pop has become a cultural ambassador for Korea, attracting millions of fans across the globe, the sexist portrayal of both female and male idols in K-pop products stands in conflict with the gender-mainstreaming policies to which the country has committed itself. Using a unique and newly collected data set of 6,317 K-pop fans from 100 countries around the world, this study examines the relationship between individual K-pop consumption and gender attitudes of K-pop fans. Findings suggest that a higher level of spending on K-pop related items and activities is related to less egalitarian gender attitudes. Interestingly, this correlation is stronger for fans from already less gender-equal nations. Results indicate that the industry that is actively promoted by the Korean government includes elements that might reinforce a sexist culture and traditional gender roles both within Korea and around the globe, further obstructing women’s pursuit of equal opportunities. Key words K-pop, sexism, sexual objectification, gender stereotypes, gender attitudes Introduction Since the late-2000s, the Korean pop music industry (K-pop), as part of the larger Korean Wave (Hallyu) phenomenon, has experienced un- precedented international success. With K-pop fans as the mainstay of the increasing Hallyu fan base, which just reached 59.4 million in 2016 (The Korea Foundation, 2017), the rise of K-pop has not only brought in hun- dreds of millions of dollars in music export revenue for Korea (KOCCA, 2016; Yonhap, 2016) but has also contributed to the boom of Korea’s cos- metic, fashion, tourism as well as plastic surgery industries. -
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HSocial ISSUE Hot Hot Summer: Sizzling it up with more provocative K-pop By James Turnbull Summer’s heating up outside and on-screen, where K-pop’s girl groups have been shedding even more clothes than normal. !e public debate has reached new heights, with critics pointing to ex- cessive female objecti"cation. But, as James Turnbull points out, the controversy is nothing new. K-pop girl group After School swinging around stripper which featured pelvic thrusts from RaNia and the Brave Girls, as poles, grabbing their crotches and singing wet and topless well as 4Minute’s notorious “Wide Leg Spread Dance” for “Mir- in “First Love”? Dal Shabet ripping their skirts open to reveal ror Mirror”. skin tight pants for “Look At My Legs”? Long, lingering close- It is true that there have been more cases than normal recent- ups of BIKINY’s breasts and panties for “Please Accept Me”? ly, with management companies of boy bands openly wonder- These examples are just a small sampling of what you can see ing how their employees can compete for attention. But that is on Korean music channels this summer, in what has widely been precisely the point: with a constant glut of new groups debut- described as an unprecedented, unacceptable pornification of ing, legal downloads costing less than a tenth of their iTunes K-pop. Predictably, many netizens have been slut-shaming the counterparts, and an ensuing overdependence on commercial girl groups involved, whereas more discerning critics have gen- endorsements, the Korean music industry has long been predi- erally complained of their excessive sexual objectification, and/ cated on using sex—and anticipated bans—to keep groups in or portrayed them as victims of their management companies. -
Lincos: Design of a Language for Cosmic Intercourse
LINCOS DESIGN OF A LANGUAGE FOR COSMIC INTERCOURSE PART I Dr. HANS FREUDENTHAL Profemor of Mathematics University of Utrecht 1960 NORTH -HOLLAND PUB LI SHING COMPANY AMSTERDAM INTRODUCTION 0 01. Scientists, artists and artisans tend to develop a terminology of their own. They use common language as a vernacular that will be enriched, impoverished. and modified in order to serve special purposes. The trans- formation may affect not only the vocabulary but also the syntax of the vernacular, though essential syntactical modifications are rather unusual. It is certain, though far from generally admitted, that the meaning of a linguistic term should be determined by its contexts, it is a matter of fact that there cannot be any reasonably uniform opinion about the meaning of a word, if people cannot agree about the truth of the majority of contexts in which the word occurs. It is a common historical feature of many sciences, that their first representatives tried to create a terminology before the stock of known facts was large enough to provide a sufficiently large context for the elements of that terminology. Even now this is a serious drawback for philosophy and the arts. When people do not under- stand each other, this is usually said to be because ‘they speak different languages’. This may be correct as long as “understanding” means a mere linguistic phenomenon. If understanding means intelligence, one may posit the inverse thesis with at least as much justification: People speak different languages because they do not understand each other. (Note that the word language has here a rather unusual meaning.) As long as there is no reasonable agreement about facts and terminology among those who work in a given field, it seems wise to stick as closely as possible to the vernacular, and not to create any new term until it has become possible to define it in a satisfactory way by a sufficiently rich context. -
Teaser Memorandum
Teaser Memorandum The First Half of 2017 Investment Opportunities In Korea Table of Contents Important Notice ………………………………… 1 Key Summary ………………………………… 2 Expected Method of Investment Promotion …………………………… 3 Business Plan ………………………………… 4 Business Introduct ………………………………… 5 License ………………………………… 11 Capacity ………………………………… 12 Market ………………………………… 13 Financial Figures ………………………………… 14 Key Summary Private & Confidential Investment Highlights RBW is a K-POP (Hallyu) contents production company founded by producer/songwriter Kim Do Hoon, Kim Jin Woo, and Hwang Sung Jin, who have produced numerous K-POP artists such as CNBLUE, Whee-sung, Park Shin Hye, GEEKS, 4MINUTE etc. Based on the “RBW Artist Incubating System’, the company researches and provides various K-POP related products such as OEM Artist & Music Production (Domestic/Overseas), Exclusive Artist Production (MAMAMOO, Basick, Yangpa etc.), Overseas Broadcasting Program Planning & Production (New concept music game show/Format name: RE:BIRTH), and K-POP Educational Training Program. With its business ability, RBW is currently making a collaboration with various domestic and overseas companies, including POSCO, NHN, Human Resources Development Service of Korea, Ministry of Labor & Employment, and KOTRA. • Business with RBW’s Unique Artist Incubating •Affiliation Relationship with International Key Factors System Companies Description • With analyzing the artists’ potentials and market trend, every stage for training and debuting artists (casting, training, producing, and album production) is efficiently processed under this system. Pictures Company Profiles Category Description Establishment Date 2013. 8. 26 Revenue 12 Billion Won (12 Million $) (2016) Website www.rbbridge.com Current Shareholder C.E.O. Kim Jin Woo 29.2%, C.E.O. Kim Do Hoon 29.2%, Institutional Investment 31.7%, Executives and Staff Composition 5.6%, Etc. -
Postmaster and the Merton Record 2019
Postmaster & The Merton Record 2019 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 www.merton.ox.ac.uk Contents College News Edited by Timothy Foot (2011), Claire Spence-Parsons, Dr Duncan From the Acting Warden......................................................................4 Barker and Philippa Logan. JCR News .................................................................................................6 Front cover image MCR News ...............................................................................................8 St Alban’s Quad from the JCR, during the Merton Merton Sport ........................................................................................10 Society Garden Party 2019. Photograph by John Cairns. Hockey, Rugby, Tennis, Men’s Rowing, Women’s Rowing, Athletics, Cricket, Sports Overview, Blues & Haigh Awards Additional images (unless credited) 4: Ian Wallman Clubs & Societies ................................................................................22 8, 33: Valerian Chen (2016) Halsbury Society, History Society, Roger Bacon Society, 10, 13, 36, 37, 40, 86, 95, 116: John Cairns (www. Neave Society, Christian Union, Bodley Club, Mathematics Society, johncairns.co.uk) Tinbergen Society 12: Callum Schafer (Mansfield, 2017) 14, 15: Maria Salaru (St Antony’s, 2011) Interdisciplinary Groups ....................................................................32 16, 22, 23, 24, 80: Joseph Rhee (2018) Ockham Lectures, History of the Book Group 28, 32, 99, 103, 104, 108, 109: Timothy Foot -
Playing on Gender in Korea's 21St Century Traditional Performing Arts
ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ SsingSsing DanceDance: Playing on Gender in Korea’s 21st Century Traditional Performing Arts Jocelyn Clark, Pai Chai University To cite this article: Jocelyn Clark. 2019. “SsingSsing DanceDance: Playing on Gender in Korea’s 21st Century Traditional Performing Arts.” Culture and Empathy 2(2): 116-130. DOI: 10.32860/26356619/2019/2.2.0005 To link to this article: https://doi.org/10.32860/26356619/2019/2.2.0005. Published online: 30 Jun 2019. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 2, No. 2, pp. 116-130 https://doi.org/10.32860/26356619/2019/2.2.0005 SsingSsing DanceDance: Playing on Gender in Korea’s 21st Century Traditional Performing Arts Jocelyn Clark, Pai Chai University Abstract Gender identity would seem to be more settled in the world of traditional Korean music and dance than in any other corner of the world of performing arts. Classical gagok songs are divided into ARTICLE HISTORY female and male repertoires, and women and men both dress in the Received March 23, 2019 gendered costumes of the Joseon Dynasty (hanbok) as they perform Revised May 18, 2019 Accepted May 25, 2019 ultimate expressions of Korean moral rectitude—the story of the faithful wife, the filial daughter, the benevolent brother, the loyal minister. But a closer look reveals that gender roles in the old forms are not quite so fixed. This is particularly true, and increasingly so, KEYWORDS in Korea’s traditional folk genres. -
Pembentukan Identitas Diri Pada Kpopers the Building
Motiva : Jurnal Psikologi 2021, Vol 4, No 1, 18-31 PEMBENTUKAN IDENTITAS DIRI PADA KPOPERS THE BUILDING OF SELF-IDENTITY ON KPOPERS Arif Rahman Hakim(1), Ardhini Mardhiyah(2), Dika Muhammad Irham(3), Nahla Nurkholifah(4), Zulmi Ramdani(5), Andi Amri(6) Fakultas Psikologi UIN Sunan Gunung Djati Bandung(1,2,3,4,5) Sekolah Pascasarjana Universitas Pancasila(6) Email korespondensi: [email protected] Abstrak: Identitas diri merupakan suatu hal yang sangat fundamental dalam diri individu dan seringkali mengalami krisis dalam pembentukannya. Identitas dapat dibentuk dan dipengaruhi oleh budaya yang melekat dalam diri seseorang, kelompok, atau organisasi. Saat ini, informasi dari berbagai budaya dapat dengan mudah terserap dan mempengaruhi pembentukan identitas diri. Salah satunya adalah fenomena “Korean Wave (Hallyu)”, yaitu suatu fenomena dari pesatnya perkembangan budaya Korea. Tujuan dari penelitian ini yaitu untuk melihat bagaimana pembentukan identitas diri individu penggemar KPOP. Penelitian ini menggunakan pendekatan kualitatif dengan metode fenomenologi. Pengambilan sampel menggunakan teknik purposive sampling, subjek dalam penelitian ini adalah remaja penggemar KPOP berusia 12-21 tahun, yang memiliki bias atau idola KPOP secara spesifik, pernah membeli barang-barang yang berkaitan dengan KPOP dan mengikuti perkembangan dunia KPOP. Teknik pengumpulan data dalam penelitian ini menggunakan instrumen wawancara. Hasil penelitian menunjukan bahwa pembentukan identitas diri dipengaruhi oleh faktor lingkungan sosial, kelompok acuan dan tokoh idola. Pembentukan ini didasari oleh aspek eksplorasi terhadap kpop dan komitmen dari identitasnya sebagai kpopers. Dalam proses pembentukannya seluruh subjek telah mencapai tahap identifikasi, meski sebelumnya seorang subjek mengalami tahap krisis identitas dan seorang lainnya mengalami tahap difusi. Hasil menunjukkan motivasi yang menyebabkan perubahan identitasnya menjadi seorang kpopers dan perubahan motivasi hidup adalah motivasi intrinsik dan ekstrinsik.