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Introducion to Duplicate
INTRODUCTION to DUPLICATE INTRODUCTION TO DUPLICATE BRIDGE This book is not about how to bid, declare or defend a hand of bridge. It assumes you know how to do that or are learning how to do those things elsewhere. It is your guide to playing Duplicate Bridge, which is how organized, competitive bridge is played all over the World. It explains all the Laws of Duplicate and the process of entering into Club games or Tournaments, the Convention Card, the protocols and rules of player conduct; the paraphernalia and terminology of duplicate. In short, it’s about the context in which duplicate bridge is played. To become an accomplished duplicate player, you will need to know everything in this book. But you can start playing duplicate immediately after you read Chapter I and skim through the other Chapters. © ACBL Unit 533, Palm Springs, Ca © ACBL Unit 533, 2018 Pg 1 INTRODUCTION to DUPLICATE This book belongs to Phone Email I joined the ACBL on ____/____ /____ by going to www.ACBL.com and signing up. My ACBL number is __________________ © ACBL Unit 533, 2018 Pg 2 INTRODUCTION to DUPLICATE Not a word of this book is about how to bid, play or defend a bridge hand. It assumes you have some bridge skills and an interest in enlarging your bridge experience by joining the world of organized bridge competition. It’s called Duplicate Bridge. It’s the difference between a casual Saturday morning round of golf or set of tennis and playing in your Club or State championships. As in golf or tennis, your skills will be tested in competition with others more or less skilled than you; this book is about the settings in which duplicate happens. -
Things You Might Like to Know About Duplicate Bridge
♠♥♦♣ THINGS YOU MIGHT LIKE TO KNOW ABOUT DUPLICATE BRIDGE Prepared by MayHem Published by the UNIT 241 Board of Directors ♠♥♦♣ Welcome to Duplicate Bridge and the ACBL This booklet has been designed to serve as a reference tool for miscellaneous information about duplicate bridge and its governing organization, the ACBL. It is intended for the newer or less than seasoned duplicate bridge players. Most of these things that follow, while not perfectly obvious to new players, are old hat to experienced tournaments players. Table of Contents Part 1. Expected In-behavior (or things you need to know).........................3 Part 2. Alerts and Announcements (learn to live with them....we have!)................................................4 Part 3. Types of Regular Events a. Stratified Games (Pairs and Teams)..............................................12 b. IMP Pairs (Pairs)...........................................................................13 c. Bracketed KO’s (Teams)...............................................................15 d. Swiss Teams and BAM Teams (Teams).......................................16 e. Continuous Pairs (Side Games)......................................................17 f. Strategy: IMPs vs Matchpoints......................................................18 Part 4. Special ACBL-Wide Events (they cost more!)................................20 Part 5. Glossary of Terms (from the ACBL website)..................................25 Part 6. FAQ (with answers hopefully).........................................................40 Copyright © 2004 MayHem 2 Part 1. Expected In-Behavior Just as all kinds of competitive-type endeavors have their expected in- behavior, so does duplicate bridge. One important thing to keep in mind is that this is a competitive adventure.....as opposed to the social outing that you may be used to at your rubber bridge games. Now that is not to say that you can=t be sociable at the duplicate table. Of course you can.....and should.....just don=t carry it to extreme by talking during the auction or play. -
Many Loves Ofdobie Gillis, Hawaiian Eye, 77 Sunset Strip, Wagon Train, Ben Casey, My Mother the Car, and Perry Mason
BARBARA BAIN Born in Chicago on September 13th, Barbara Bain graduated from the University of Illinois with a Bachelor’s Degree in Sociology before relocating to New York City. Once there, Bain found gainful employment as a high fashion model and explored her life-long love of dance by studying with Martha Graham, master of American modern dance. Further exploring her interest in the arts, Bain began her acting training in the private class of the most famous and respected of all acting teachers, Lee Strasberg. After a successful audition, she accepted an invitation to become a member of his legendary The Actors Studio. Bain toured with the road company of Paddy Chayefsky's Middle of the Night, a tour which landed her in Los Angeles, and not long thereafter Bain found work on some of the most popular television shows of the day. She appeared opposite Larry Hagman in United Artists' Harbormaster and with Darrin McGavin in the popular Mike Hammer series. Perhaps her first real big break came, however, when she was cast in the recurring role of Karen Wells, love interest of David Janssen, in the seminal private-eye series, Richard Diamond, Private Detective. Bain continued to work steadily, appearing in numerous television series: Tightrope, The Law and Mr. Jones, Straightaway and Adventures in Paradise. She also had the opportunity to flex her comedy skills in one of the most memorable episodes of the classic The Dick Van Dyke Show, created by Carl Reiner. In the episode "Will You Two Be My Wife," Bain turned in a hilarious performance as "Dorie-doo," a blonde bombshell with whom Van Dyke must break-up in order to marry the ever-perky Mary Tyler Moore. -
Issue 7: Bridgehands Newsletter the Street Smart Bridge Player August-September 2006
Issue 7: BridgeHands Newsletter The Street Smart Bridge Player August-September 2006 Dear Bridge Friends, How aware are you of what’s really going on at the Bridge table? Do you consider yourself “street smart?” There is a saying that goes, “There are three types of people – those that are the movers and shakers that make things happen, those that are close to the action that help things happen and learn as they go, and finally those that are entirely clueless about what happened at all !” How about you? Hopefully history teaches us lessons at the table and in life. This issue will begin exploring the attributes of the street smart Bridge player. The results from the Chicago Summer 2006 NABC tourney are in, and BridgeHands has posted the tourney results, bulletins, and appeals. As always, most of the appeals deal with hesitations, changes in tempo, and unauthorized information. The remaining Laws rulings often provide interesting insights into the minds of the director and the appeals committee. How close is close when it comes to a played card from declarer’s hand? How about when it’s a change of call in the dummy from “ruff” to “overruff?” And what about when a Grand Life Master faces her 6 remaining cards, begins to describe the claim, retracts the faced cards and wants to continue play? Sometimes the interpretation of the Laws can work in strange and wondrous ways! BridgeHandshas joined the “Web 2.0” crowd, adding multimedia audio and an interactive blog (that’s short for a weblog) to our site. -
Part Because of the Selection of Davis Presnell As Homecoming Queen
Student Life and Culture Archives Daily Illini front page headline, Nov. 6, 1951. The Chicago Defender named the University of Illinois to its 1951 Honor Roll in part because of the selection of Davis Presnell as Homecoming queen. The Tulane student newspaper wrote: “We like to think of Ms. Davis as a symbol of what intelligent Americans can do when they cast aside their hates and prejudices and begin to 1950s think rationally and sanely about what our Constitution means when it says: ‘All men are created equal.’” Clarice Davis Presnell, ’52, won election as the first African-American Homecoming queen in Big Ten history. A Chicago native, Presnell attended the Navy Pier branch of the University before coming to Clarice Davis Presnell in 1951 Homecoming program 1951 Homecoming Urbana-Champaign. Nominated by her sorority program cover Alpha Kappa Alpha, she triumphed over seven opponents to secure the “Miss Illinois” title in what was then the largest vote for Homecoming queen in CUI history. After graduating, Presnell taught school Presnell and residents of Lincoln for a time and then turned to the stage, performing Avenue Residence (from 1952 Illio). at Chicago’s Gaslight Club as “Lesa Davies,” a She is in the fourth row, the first person on the left. Presnell’s singer-dancer-ice skater extraordinaire. She gave sorority Alpha Kappa Alpha didn’t up her show business career when she married the have a house in 1951-52 so she lived psychiatrist Walter Madison Presnell in 1957. She, in the Lincoln Avenue Residence, which had opened in 1949. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
C:\My Documents\Adobe
American Contract Bridge League Presents Beached in Long Beach Appeals at the 2003 Summer NABC Plus cases from the 2003 Open and Women’s USBC Edited by Rich Colker ACBL Appeals Administrator Assistant Editor Linda Trent ACBL Appeals Manager CONTENTS Foreword ..................................................... iii The Expert Panel ................................................ v Cases from Long Beach Tempo (Cases 1-11) .......................................... 1 Unauthorized Information (Cases 12-20) ......................... 38 Misinformation (Cases 19-31).................................. 60 Other (Cases 32-37) ........................................ 107 Cases from U.S. Open and Women’s Bridge Championships (Cases 38-40) . 122 Closing Remarks From the Expert Panelists ......................... 138 Closing Remarks From the Editor ................................. 141 Advice for Advancing Players.................................... 143 NABC Appeals Committee ...................................... 144 Abbreviations used in this casebook: AI Authorized Information AWMW Appeal Without Merit Warning BIT Break in Tempo CoC Conditions of Contest CC Convention Card LA Logical Alternative MP Masterpoints MI Misinformation PP Procedural Penalty UI Unauthorized Information i ii FOREWORD We continue our presentation of appeals from NABC tournaments. As always our goal is to inform, provide constructive criticism and stimulate change (that is hopefully for the better) in a way that is instructive and entertaining. At NABCs, appeals from non-NABC+ -
Morocco Quits Libya Treaty Over Criticism
MANCHESTER CONNECTICUT SPORTS MCC gears up Murray Gold gets Carter kills Sox; for another year 25-year sentence lead is cut to ZV2 |MIQ0 3 ... page 11 anrhratrrManchester — A City ol Village Charm linnlh ^ ^ 25 Cents A Claims Morocco quits get tough Libya treaty U scrutiny over criticism Insurance crisis R ABAT, Morocco (AP) — King endangers town Hassan’s meeting July 22-23 in Hassan II said in a letter released Ifrane with Israeli Prime Minister G Friday that he was abrogating a Shimon Peres. By George Loyng 1984 treaty of union with Libya ■'The terms of the Syrian-Libyan Herald Reporter ■ because of Col. Moammar Gadha- communique, published ... at the fi’s criticism of a meeting last end of the visit of (Syrian) When a Glastonbury couple month between Hassan and Israeli President Hafez el-Assad to Libya, notified the town of Manchester Prime Minister Shimon Peres. do not allow our country to earlier this month that they Hassan said in the letter written continue on the path of the union of intended to sue over injuries their Thursday to Gadhafi that the states instituted with your coun teenage son suffered while using a criticism contained in a joint try,” Hassan said in the letter. rope swing at the Buckingham Libyan-Syrian statement issued Hassan became the only Arab Reservoir, it made some officials the day before had reached "the head of state outside Egypt to meet angry. threshold of the intolerable." publicly with the head of the The boy, Matthew Lawrence, He said it was not possible to Jewish nation. -
Friendly Bridge Book, January 2020 Edition
Beginning Bridge Lessons By Ed Kinlaw and Linda MacCleave Richmond Bridge Association Richmond, Virginia Copyright © 2003 First printing September 2003 Revised second printing February 2004 Revised third printing May 2004 Revised fourth printing September 2004 Revised fifth printing February 2005 Revised sixth printing September 2005 Revised seventh printing February 2006 Revised eighth printing August 2006 Revised ninth printing March 2007 Tenth printing September 2007 Revised eleventh printing January 2008 Revised twelfth printing August 2008 Revised thirteenth printing February 2009 Fourteenth printing July 2009 Revised fifteenth printing February 2010 Sixteenth printing August 2010 Revised seventeenth printing January 2011 Revised eighteenth printing August 2011 Revised nineteenth printing March 2012 Revised twentieth printing April 2012 Twenty-first printing August 2012 Revised Twenty-fifth printing January 2014 Revised 26th printing August 2014 Revised 27th printing February 2015 28th printing August 2015 29th printing February 2016 30th printing July 2016 31st printing January 2017 32nd printing September 2017 33rd printing February 2018 34th printing August 2018 35th printing February 2019 36th printing August 2019 37th revised printing February 2020 2 Table of Contents Lesson 1: Mechanics of a Hand in Duplicate Bridge 5 Lesson 2: How to Open and How to Respond to One-level Suit 12 Lesson 3: Rebids by Opening Bidder and Responder 17 Lesson 4: Overcalls 24 Lesson 5: Takeout Doubles 27 Lesson 6: Responding to No-Trump Opening—Stayman -
Lincos: Design of a Language for Cosmic Intercourse
LINCOS DESIGN OF A LANGUAGE FOR COSMIC INTERCOURSE PART I Dr. HANS FREUDENTHAL Profemor of Mathematics University of Utrecht 1960 NORTH -HOLLAND PUB LI SHING COMPANY AMSTERDAM INTRODUCTION 0 01. Scientists, artists and artisans tend to develop a terminology of their own. They use common language as a vernacular that will be enriched, impoverished. and modified in order to serve special purposes. The trans- formation may affect not only the vocabulary but also the syntax of the vernacular, though essential syntactical modifications are rather unusual. It is certain, though far from generally admitted, that the meaning of a linguistic term should be determined by its contexts, it is a matter of fact that there cannot be any reasonably uniform opinion about the meaning of a word, if people cannot agree about the truth of the majority of contexts in which the word occurs. It is a common historical feature of many sciences, that their first representatives tried to create a terminology before the stock of known facts was large enough to provide a sufficiently large context for the elements of that terminology. Even now this is a serious drawback for philosophy and the arts. When people do not under- stand each other, this is usually said to be because ‘they speak different languages’. This may be correct as long as “understanding” means a mere linguistic phenomenon. If understanding means intelligence, one may posit the inverse thesis with at least as much justification: People speak different languages because they do not understand each other. (Note that the word language has here a rather unusual meaning.) As long as there is no reasonable agreement about facts and terminology among those who work in a given field, it seems wise to stick as closely as possible to the vernacular, and not to create any new term until it has become possible to define it in a satisfactory way by a sufficiently rich context. -
Postmaster and the Merton Record 2019
Postmaster & The Merton Record 2019 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 www.merton.ox.ac.uk Contents College News Edited by Timothy Foot (2011), Claire Spence-Parsons, Dr Duncan From the Acting Warden......................................................................4 Barker and Philippa Logan. JCR News .................................................................................................6 Front cover image MCR News ...............................................................................................8 St Alban’s Quad from the JCR, during the Merton Merton Sport ........................................................................................10 Society Garden Party 2019. Photograph by John Cairns. Hockey, Rugby, Tennis, Men’s Rowing, Women’s Rowing, Athletics, Cricket, Sports Overview, Blues & Haigh Awards Additional images (unless credited) 4: Ian Wallman Clubs & Societies ................................................................................22 8, 33: Valerian Chen (2016) Halsbury Society, History Society, Roger Bacon Society, 10, 13, 36, 37, 40, 86, 95, 116: John Cairns (www. Neave Society, Christian Union, Bodley Club, Mathematics Society, johncairns.co.uk) Tinbergen Society 12: Callum Schafer (Mansfield, 2017) 14, 15: Maria Salaru (St Antony’s, 2011) Interdisciplinary Groups ....................................................................32 16, 22, 23, 24, 80: Joseph Rhee (2018) Ockham Lectures, History of the Book Group 28, 32, 99, 103, 104, 108, 109: Timothy Foot -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries.