Many Loves Ofdobie Gillis, Hawaiian Eye, 77 Sunset Strip, Wagon Train, Ben Casey, My Mother the Car, and Perry Mason
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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Part Because of the Selection of Davis Presnell As Homecoming Queen
Student Life and Culture Archives Daily Illini front page headline, Nov. 6, 1951. The Chicago Defender named the University of Illinois to its 1951 Honor Roll in part because of the selection of Davis Presnell as Homecoming queen. The Tulane student newspaper wrote: “We like to think of Ms. Davis as a symbol of what intelligent Americans can do when they cast aside their hates and prejudices and begin to 1950s think rationally and sanely about what our Constitution means when it says: ‘All men are created equal.’” Clarice Davis Presnell, ’52, won election as the first African-American Homecoming queen in Big Ten history. A Chicago native, Presnell attended the Navy Pier branch of the University before coming to Clarice Davis Presnell in 1951 Homecoming program 1951 Homecoming Urbana-Champaign. Nominated by her sorority program cover Alpha Kappa Alpha, she triumphed over seven opponents to secure the “Miss Illinois” title in what was then the largest vote for Homecoming queen in CUI history. After graduating, Presnell taught school Presnell and residents of Lincoln for a time and then turned to the stage, performing Avenue Residence (from 1952 Illio). at Chicago’s Gaslight Club as “Lesa Davies,” a She is in the fourth row, the first person on the left. Presnell’s singer-dancer-ice skater extraordinaire. She gave sorority Alpha Kappa Alpha didn’t up her show business career when she married the have a house in 1951-52 so she lived psychiatrist Walter Madison Presnell in 1957. She, in the Lincoln Avenue Residence, which had opened in 1949. -
Buck Henry, Who Helped Create ʻget Smartʼ and Adapt ʻthe Graduate,ʼ Dies at 89 an Unassuming Screenwriter and Actor, Mr
1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times https://nyti.ms/2N7atsQ Buck Henry, Who Helped Create ʻGet Smartʼ and Adapt ʻThe Graduate,ʼ Dies at 89 An unassuming screenwriter and actor, Mr. Henry thought up quirky characters with Mel Brooks and inhabited many more on “Saturday Night Live.” By Bruce Weber Published Jan. 9, 2020 Updated Jan. 10, 2020 Buck Henry, a writer and actor who exerted an often overlooked but potent influence on television and movie comedy — creating the loopy prime-time spy spoof “Get Smart” with Mel Brooks, writing the script for Mike Nichols’s landmark social satire “The Graduate” and teaming up with John Belushi in the famous samurai sketches on “Saturday Night Live” — died on Wednesday in Los Angeles. He was 89. His wife, Irene Ramp, said his death, at Cedars-Sinai Medical Center, was caused by a heart attack. John Belushi, left, and Mr. Henry in the 1978 “Saturday Night Live” sketch “Samurai Optometrist.” Fred Hermansky/NBCUniversal via Getty Images As a personality and a performer, Mr. Henry had a mild and unassuming aspect that was usually in contrast with the pungently satirical or broadly slapstick material he appeared in — and often wrote. Others in the room always seemed to make more noise. https://www.nytimes.com/2020/01/09/movies/buck-henry-dead.html 1/6 1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times Indeed, for almost 50 years he was a Zelig-like figure in American comedy, a ubiquitous if underrecognized presence not only in grand successes but also in grand failures. -
Frons Launches Soap Sensation
et al.: SU Variety II SPECIAL 'GOIN' HOLLYWOOD' EDITION II NEWSPAPER Second Class P.O. Entry Supplement to Syracuse University Magazine CURTIS: IN MINIS Role Credits! "War" Series Is All-Time Screen Dream Syracuse- We couldn't pos sibly get 'em all, but in these 8 By RENEE LEVY series "Winds of War," based on to air in late spring and the entire pages find another 40-plus SU Hollywood- The longest. The Herman Wouk 's epic World War II package will air in Europe next year. alumni getting billboards on most demanding. The hardest. The novels, "War and Remembrance" Curtis, exec producer, director the boulevard. In our research, most expensive. That's the story was shot in 757 locations in 10 and co-scribe of the teleplay, spent we discovered a staggering net behind Dan Curtis 'SO's block countries, using more than 44,000 two years filming and a year and a work of Syracusans in the busi buster miniseries " War and Re actors and extras and nearly 800 half editing "War and Remem ness-producers, directors, membrance," which aired the first sets. The production- the longest brance," a project he originally actors, editors, and more! We 18 of its 30 hours in November on in television history--cost an es considered undoable-particular soon realized that all of them ABC-TV. timated $ 105 million to make. The ly because of the naval battles and would not fit, and to those left A sequel to Curtis's 1983 maxi- concluding 12 hours are expected the depiction of the Holocaust. -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
Morocco Quits Libya Treaty Over Criticism
MANCHESTER CONNECTICUT SPORTS MCC gears up Murray Gold gets Carter kills Sox; for another year 25-year sentence lead is cut to ZV2 |MIQ0 3 ... page 11 anrhratrrManchester — A City ol Village Charm linnlh ^ ^ 25 Cents A Claims Morocco quits get tough Libya treaty U scrutiny over criticism Insurance crisis R ABAT, Morocco (AP) — King endangers town Hassan’s meeting July 22-23 in Hassan II said in a letter released Ifrane with Israeli Prime Minister G Friday that he was abrogating a Shimon Peres. By George Loyng 1984 treaty of union with Libya ■'The terms of the Syrian-Libyan Herald Reporter ■ because of Col. Moammar Gadha- communique, published ... at the fi’s criticism of a meeting last end of the visit of (Syrian) When a Glastonbury couple month between Hassan and Israeli President Hafez el-Assad to Libya, notified the town of Manchester Prime Minister Shimon Peres. do not allow our country to earlier this month that they Hassan said in the letter written continue on the path of the union of intended to sue over injuries their Thursday to Gadhafi that the states instituted with your coun teenage son suffered while using a criticism contained in a joint try,” Hassan said in the letter. rope swing at the Buckingham Libyan-Syrian statement issued Hassan became the only Arab Reservoir, it made some officials the day before had reached "the head of state outside Egypt to meet angry. threshold of the intolerable." publicly with the head of the The boy, Matthew Lawrence, He said it was not possible to Jewish nation. -
"The Writer Speaks" Oral History Collection
http://oac.cdlib.org/findaid/ark:/13030/c8gt5vgn Online items available "The Writer Speaks" Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 "The Writer Speaks" Oral History WGF—IA—001 1 Collection Descriptive Summary Title: "The Writer Speaks" Oral History Collection Dates: 1994-2013 Collection Number: WGF—IA—001 Creator/Collector: Extent: 63 interviews; approximately 90 hours of video footage Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV7pSBwLB55MhqSmZ5O831Bc Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: “The Writer Speaks” interview series, conducted by the nonprofit Writers Guild Foundation from 1994 to 2013, consists of 63 videotaped oral history interviews with prominent film and television writers. Interviewees include Billy Wilder, Robert Towne, Julius Epstein, Garry Marshall, James L. Brooks, Norman Lear, Carl Reiner, William Goldman and Sidney Sheldon. Among the major topics discussed are early childhood, inspiration and influence, big breaks, career milestones, process and craft, the Hollywood blacklist, and advice to aspiring writers. The collection is available on DVD as well as on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation "The Writer Speaks" Oral History Collection. Writers Guild Foundation Archive Acquisition Information The series was produced by the Writers Guild Foundation between the years 1994 and 2013 and is part of the institutional archive. -
Written by ALLEN BARTON GARY GROSSMAN
SKYLIGHT THEATRE COMPANY GARY GROSSMAN - Producing Artistic Director TONY ABATEMARCO - Co-Artistic Director SANDRA GROSSMAN - Executive Director MICHAEL KEARNS - Artistic Associate Presents the World Premiere o f Written by ALLEN BARTON Directed by JOEL POLIS Starring LUKE COOK BO FOXWORTH* ROBERT L. HUGHES JAY HUGULEY DENNIS NOLLETTE* CARTER SCOTT EVERETTE WALLIN Producer GARY GROSSMAN Set and Lighting Designer JEFF MCLAUGHLIN Sound Designer PETER BAYNE Production Stage Manager GARRETT LONGLEY Publicist JUDITH BORNE Associate Producer RACHEL BERNEY NEEDLEMAN DISCONNECTION was developed through Skylight's INKubator program OPENING NIGHT JANUARY 24, 2015 @skylightthtr www.skylighttheatrecompany.com #disconnectionplay Beverly Hills Playhouse 254 S. Robertson Blvd. Beverly Hills, CA 90211 The professional union of * Denotes members of Actors Equity Association actors and stage managers in the United States WELCOME SKYLIGHT THEATRE COMPANY in the year 2015. Welcome, old friends and new patrons. What a year we’ve had! Success has come in many forms but none as satisfying as knowing that we’re fulfilling the new mission we embarked on just over four years ago - developing world premiere plays cut from the raw cloth of our town, our time. Now, when we look at the roster of unique and beautifully composed scripts we’ve green-lit for production in 2015, our hearts race in anticipation. The anticipation is so palpable because we know the treasure trove we’re sitting on. These brand new plays, each of which has been carefully crafted through multiple drafts and readings, include some of the best writing we’ve midwifed since hanging our shingle as Skylight Theatre Company. Writing that jumps off the page begging to be staged, to be acted, and to be paid attention to. -
The Lucy Show I Love Lucy the Lucy Show I Love Lucy The
Daniel Boone EFFECTIVE 10/05/2020 ALL TIMES EASTERN MONDAY - FRIDAY SATURDAY SUNDAY 7:00a The Jeffersons 7:00a Various 7:30a The Jeffersons 7:30a 8:00a Through 8:00a Through The Decades 8:30a The Decades (R) 8:30a 9:00a The Lucy Show I Love Lucy 9:00a 9:30a The Lucy Show I Love Lucy 9:30a 10:00a The Donna Reed Show Our Miss Brooks Kids E/I 10:00a 10:30a The Donna Reed Show I Married Joan Programming 10:30a 11:00a Family Affair The Donna Reed Show 11:00a 11:30a Family Affair The Donna Reed Show 11:30a 12:00p Petticoat Junction Family Affair 12:00p 12:30p Petticoat Junction Family Affair 12:30p 1:00p I Love Lucy Petticoat Junction 1:00p 1:30p I Love Lucy Petticoat Junction 1:30p 2:00p The Mary Tyler Moore Show The Mary Tyler Moore Show 2:00p 2:30p The Mary Tyler Moore Show The Mary Tyler Moore Show 2:30p 3:00p The Dick Van Dyke Show The Bob Newhart Show 3:00p 3:30p The Dick Van Dyke Show The Bob Newhart Show 3:30p 4:00p The Bob Newhart Show Newhart 4:00p 4:30p Newhart Newhart 4:30p 5:00p The Jeffersons 5:00p 5:30p The Jeffersons 5:30p 6:00p The Best of The Ed Sullivan Show 6:00p 6:30p The Best of The Ed Sullivan Show 6:30p 7:00p 7:00p Rowan & Martin's Laugh-In 7:30p 7:30p 8:00p 8:00p Through The Decades 8:30p 8:30p 9:00p 9:00p The Dick Cavett Show 9:30p 9:30p 10:00p The Dick Van Dyke Show 10:00p 10:30p The Dick Van Dyke Show 10:30p 11:00p Cheers 11:00p 11:30p Cheers 11:30p 12:00a Taxi 12:00a 12:30a The Bob Newhart Show 12:30a 1:00a The Lost Honeymooners 1:00a 1:30a Get Smart Continuing episodes of 1:30a 2:00a The Phil Silvers Show TV favorites every weekend. -
Lahr Nichols 2/21.L
TNY—2/21 & 28/00—PAGE 196—LIVE OPI—AVEDON SPREAD-#1—140 SC.—#2 PAGE PROFILES MAKING IT REAL How Mike Nichols re-created comedy and himself. BY JOHN LAHR we do now, Mr. Success?” she said. Nichols, who has a sharp American wit but courtly European manners, bit his tongue. “All those ‘Mr. Success’ years would have been hard to explain to anybody if I tried,” Nichols, now sixty- eight, says. “What I really wanted to say to that envious woman was ‘Don’t worry.There’s still nothing happening in- side me. I’m not experiencing success or anything much.’ ” But feelings aren’t facts. From the moment Nichols made his name, in the late fifties, as the lanky deadpan half of the comedy team Nichols and May, he took up residence in success. As early as 1961, a letter addressed to “Famous Actor, Mike Nichols, U.S.A.” reached him. And, by the seventies, Nichols repre- sented the high-water mark in not just one but three areas of American enter- tainment. As a comedian, he improvised routines with Elaine May which are among the treasures of American humor; as a stage director, beginning in the early nce, in the early seventies, Mike sixties, he had a string of commercial hits ONichols was sitting in a commer- that made him the most successful Broad- cial jet as it took off from J.F.K. Mo- way director since George Abbott; as a ments after it was airborne, the plane film director, he made the bold, intelli- went into what Nichols recalls as “an gent “Who’s Afraid of Virginia Woolf?” unnervingly steep bank. -
Illeana Douglas, Bonnie Franklin, Melanie Griffith, Wayne Knight
MORE HOLLYWOOD SUPERSTARS TAPPED FOR GUEST APPEARANCES ON THIS SEASON OF THE #1 SITCOM ON CABLE, TV LAND’S “HOT IN CLEVELAND” Season Premieres on Wednesday, January 19th at 10 p.m. ET/PT With 10 New Episodes Returns June 15th With Another 10 Episodes Pasadena, CA, January 5, 2011 – Celebrities Susan Lucci (“All My Children”), Carl Reiner (“The Dick Van Dyke Show”), Peri Gilpin (“Frasier”), Jimmy Kimmel (“Jimmy Kimmel Live!”), Jon Lovitz (“The Simpsons,” “Saturday Night Live”), Michael E. Knight (“All My Children”), Isiah Mustafa ("The Old Spice Guy"), Darnell Williams (“All My Children”) and John Ducey ("Jonas") have been tapped as guests stars for the first 10 episodes of the second season of TV Land’s hit original sitcom “Hot in Cleveland” beginning January 19, 2010 at 10 p.m. ET/PT. They join previously announced guest stars Mary Tyler Moore (“The Mary Tyler Moore Show”), Bonnie Franklin (“One Day At A Time”), Melanie Griffith (“Working Girl,” “Something Wild”), Wayne Knight (“Seinfeld, “3rd Rock From The Sun”), John Schneider (“Dukes of Hazzard”), Sherri Shepherd (“The View,” “30 Rock”) and Jack Wagner (“Melrose Place,” “General Hospital”). “Hot in Cleveland” stars acclaimed actresses Valerie Bertinelli (“One Day at a Time”), Jane Leeves (“Frasier”), Wendie Malick (“Just Shoot Me”) and recent Emmy® Award-winner, Betty White (“The Golden Girls”). “Hot in Cleveland” will return for another 10 new episodes on June 15, 2011. Filmed in front of a live studio audience, “Hot in Cleveland” is executive produced by Emmy® Award-winner Sean Hayes and Todd Milliner of Hazy Mills Productions and is helmed by Emmy® Award-winning Suzanne Martin (“Frasier,” “Ellen”) serving as executive producer, show runner and writer. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.