Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 11-14-2008 The "New Woman" on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt Fakhri Haghani Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Part of the History Commons Recommended Citation Haghani, Fakhri, "The "New Woman" on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/history_diss/19 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact
[email protected]. THE “NEW WOMAN” ON THE STAGE: THE MAKING OF A GENDERED PUBLIC SPHERE IN INTERWAR IRAN AND EGYPT by FAKHRI HAGHANI Under the Direction of Donald M. Reid ABSTRACT During the interwar period in Iran and Egypt, local and regional manifestation of tajadod/al-jidida (modernity) as a “cultural identity crisis” created the nationalist image and practice of zan-e emrouzi-e shahri/al-mar’a al-jidida al-madani (the urban/secular “New Woman”). The dynamics of the process involved performance art, including the covert medium of journalism and the overt world of the performing arts of music, play, and cinema. The image of the “New Woman” as asl/al-asala (cultural authenticity) connected sonnat/al-sunna (tradition) with the global trends of modernism, linking pre-nineteenth century popular forms of performing arts to new genres, forms, and social experiences of the space of the performing arts.