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3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat. -
University of Cape Coast the Development Of
UNIVERSITY OF CAPE COAST THE DEVELOPMENT OF ARCHITECTURE IN KUMASE, 1874-1960. BY TONY YEBOAH Thesis submitted to the Department of History, of the College of Humanities and Legal Studies, University of Cape Coast in partial fulfilment of the requirements for the award of Master of Philosophy degree in History. MARCH 2017 Digitized by UCC, Library DECLARATION Candidate’s Declaration I hereby declare that this study is the result of my own original research and that no part of it has been presented for another degree in this University or elsewhere. Signature……………………… Date…………………... Candidate’s Name: Tony Yeboah Supervisors’ Declaration We hereby declare that the preparation and presentation of the thesis were supervised in accordance with the guidelines on supervision of thesis laid down by the University of Cape Coast Signature:………………………….Date:…………………... Principal Supervisor’s Name: Prof. De-Valera N.Y.M. Botchway Co-Supervisor’s Name: Dr. Collins AdjeiMensah Signature:…………………………..Date:……………………. ii Digitized by UCC, Library ABSTRACT This thesis examines the development of architecture in Kumase from 1874 to 1960. In other words, the study focuses on the rebuilding of the built environment of Kumase from 1874 to 1960. Using qualitative evaluation of archival documents, interviews with Asante chiefs, owners of houses, heads of families, trustees of households etc., and some secondary sources of historical information, this work discusses the traditional architecture of Kumase and, how the British colonial government and its agents joined forces with the Asante political authorities and the entire citizenry to architecturally reconstruct the city. The collaboration between the local people and the Europeans produced striking alterations within the built space of Kumase. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Pt. Proposals Planners Soon
iCOTCH PLAINS FAETOGx) . VOLUME 28 NUMBER 18 SCOTCH PLAINS • FANWOOD, N.J. THURSDAY, MAY 4, 1978 20 CENTS pt. proposals planners soon. Builder Sam Halpern, a principal of Builder's Equity, Inc., of Avenel, outlined his proposal for the second complex. His complex would be on a site off Old Lake Avenue, bounded by the Lehigh Valley Railroad and by Robinson's Branch, The land is currently owned by Blanche Tussel. These apartments would rent in the area of $400 per month for one-bedroom and $500 per month for two-story, two-bedroom units. The complex would include a total 164 apar- VARIANC1 GRANTED tments - 124 one-bedroom and 30 two- 304 TOWNSHIP UNITS bedroom. Each unit would have its own front CLARK TOWNSHIP and rear entrance, and site plans call for parking for 308 vehicles on-site. Halpern has already built in Scotch Plains, His undertakings include private homes on Bayberry Lane and apartments and single- LAKE AVINUISOUTHIAST ARIA family homes in the nearby area. PROPOSED "Riveriidt Village" The two proposals represent development 154 GARDEN APTS, of 47.4 acres on the last two remaining sites in Scotch Plains suitable for apartment and townhouse .use.. This »rf°J" *o«hwav River Location of proposed apartment complexes Hanson's Bra^oyh^ ^mplex Two developers have made proposals_to_ g iwo developers nave maae proposals to__, jugH^SHttwW'^wv^-"-?- -i-%i'Srcmm • AIHIUUBH _*.-•-..-.- .- • j t „ ,,,„ ,i;n,nt told local planners. ,i,,ni» ineresS-Ciress ruau Sde'r? commercial to be aired P f on weekend calendar A A third place winners in Bike .... -
View Was Provided by the National Endowment for the Arts
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 – November 22, 2017) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. -
No 57 October 1988 AD ASTRA PER ASPERA
THE rCOLFOAlSf f I folk «r 1 No 57 October 1988 AD ASTRA PER ASPERA October 1988 COLFEIAN the Chronicles of Colfe's School and of the Old Colfeians' Association The Master, Richard Scriven, planting a tree on the occasion of the Leathersellers' cricket match, 26th June, 1988 following the opening of the new Preparatory School on 23rd June. Mr Scriven's father laid the Foundation Stone for the Main School Building in 1964. ISSN 0010-0670 COVER DESIGN With a change in the format of the Colfeian, it was felt appropriate to change also the design of the cover.'The design chosen for this year at least, emphasises continuity. It is the design used on every issue from vol.1 no.l in December 1900 until vol.17 no. 67 in December 1939. In those days the Colfeian was the magazine of the Old Colfeians, while from 1902 the school had its own magazine, Colfensia. In 1951 the two magazines combined, thus beginning the present sequence of the Colfeian. The original cover, now being re-used, was designed by Charles J. Folkard whose signature it bears. More on this eminent Old Colfeian appears on another page. For his design, Folkard drew the heraldic stone which hung over the entrance to Colfe's Almshouses in Lewisham, depicting the arms of Abraham Colfe and the Leathersellers' Company. As a result of the school's celebration of Folkard this year, which accompanied the acquisition of some of his original drawings, the stone itself has been re-discovered. Since the demolition of the almshouses, it has lain, albeit somewhat damaged and begrimed in the vaults of Manor House, Lee. -
The Duality of the Composer-Performer
The Duality of the Composer-Performer by Marek Pasieczny Submitted for the Degree of Doctor of Philosophy School of Arts Faculty of Arts and Social Sciences Supervisors: Prof. Stephen Goss ©Marek Pasieczny 2015 The duality of the composer-performer A portfolio of original compositions, with a supplementary dissertation ‘Interviews Project: Thirteen Composers on Writing for the Guitar’. Abstract The main focus of this submission is the composition portfolio which consists of four pieces, each composed several times over for different combinations of instruments. The purpose of this PhD composition portfolio is threefold. Firstly, it is to contribute to the expansion of the classical guitar repertoire. Secondly, it is to defy the limits imposed by the technical facilities of the physical instrument and bring novelty to its playability. Third and most importantly, it is to overcome the challenges of being a guitarist-composer. Due to a high degree of familiarity with the traditional guitar repertoire, and possessing intimate knowledge of the instrument, it is often difficult for me as a guitarist-composer to depart from habitual tendencies to compose truly innovative works for the instrument. I have thus created a compositional approach whereby I separated my role as a composer from my role as a guitarist in an attempt to overcome this challenge. I called it the ‘dual-role’ approach, comprising four key strategies that I devised which involves (1) borrowing ‘New Music’ practices to defy traditionalist guitar tendencies which are often conservative and insular; (2) adapting compositional materials to different instrumentations; and expanding on (3) the guitar technique as well as; (4) the guitar’s inventory of extended techniques. -
2016-Program-Book-Corrected.Pdf
A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue. -
FIFA World Cup™ Is fi Nally Here!
June/July 2010 SPECIAL DOUBLE ISSUE | Team profi les | Star players | National hopes | South Africa’s long journey | Leaving a legacy | Broadcast innovations | From Montevideo to Johannesburg | Meet the referees | Team nicknames TIME FOR AFRICA The 2010 FIFA World Cup™ is fi nally here! EDITORIAL CELEBRATING HUMANITY Dear members of the FIFA family, Finally it has arrived. Not only is the four-year wait for the next FIFA World Cup™ almost over, but at last the world is getting ready to enjoy the fi rst such tournament to be played on African soil. Six years ago, when we took our most prestigious competition to Africa, there was plenty of joy and anticipation on the African continent. But almost inevitably, there was also doubt and scepticism from many parts of the world. Those of us who know Africa much better can share in the continent’s pride, now that South Africa is waiting with its famed warmth and hospitality for the imminent arrival of the world’s “South Africa is best teams and their supporters. I am convinced that the unique setting of this year’s tournament will make it one of the most waiting with its memorable FIFA World Cups. famed warmth and Of course we will also see thrilling and exciting football. But the fi rst-ever African World Cup will always be about more than just hospitality, and I am the game. In this bumper double issue of FIFA World, you will fi nd plenty of information on the competition itself, the major stars convinced that the and their dreams of lifting our famous trophy in Johannesburg’s unique setting of this spectacular Soccer City on 11 July. -
Vol11no3.Pdf
HAWKSTONE HALL RedPmptorist International Pastoral Centre Creating opportunities for spiritua[ renewa[ Hawkstone Hall is an international pastoral centre that has served the unive rsal Church as a place of spiritual renewal for the past 25 years. The house is set in extensive parkland in Shropshire, England. It is a peace-fi ll ed p lace. Staffed by the Reclemptorists of the London Province, together with religious and lay people, it fulfils St Alphonsus' wish that Redemptorist houses would be places of spiritual renewal for religio us, priests and lay people. East er Voices from H awkstone OATES FOR 2001 / 2002 "Hawkstone Hall is a pearl c:fgreat price which I was fortunate to discover. It is a place of peace 23April 19 July200 1 (full ) where I experienced personal enrichment and renewal. W e prayed togethe r, laughed, and I 0 September 6 Decem ber 200 I ( 12 weeks) developed ne\\· fri end ships. It is a joy to he here ." 22 April 18 Ju ly 2002 ( 12 weeks) 7 Jan uary 2 1 March 2002 ( I 0 weeks) (Sr Marie Egan rsj, Pastoral Ass istant, So uth Australia) 9 September 5 December 2002 ( 12 weeks) "Hawkstone o ffered me a perfect blend: a welcoming house in a beautiful counrry setting; a Fur further information about variety of wonderful lectures; workshops; time to re lax, read and p ray. The opportunity to be Th e Th ree Mon t h Re n ewal Courses part o f an inte rnational community of women and men with tremendous experi ence o f the Haw kstonc Hall , Marchaml cy mi ssion was a highli ght.