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Cancel Culture: Posthuman Hauntologies in Digital Rhetoric and the Latent Values of Virtual Community Networks
CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks Heather Palmer Rik Hunter Associate Professor of English Associate Professor of English (Chair) (Committee Member) Matthew Guy Associate Professor of English (Committee Member) CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of English The University of Tennessee at Chattanooga Chattanooga, Tennessee August 2020 ii Copyright © 2020 By Austin Michael Hooks All Rights Reserved iii ABSTRACT This study explores how modern epideictic practices enact latent community values by analyzing modern call-out culture, a form of public shaming that aims to hold individuals responsible for perceived politically incorrect behavior via social media, and cancel culture, a boycott of such behavior and a variant of call-out culture. As a result, this thesis is mainly concerned with the capacity of words, iterated within the archive of social media, to haunt us— both culturally and informatically. Through hauntology, this study hopes to understand a modern discourse community that is bound by an epideictic framework that specializes in the deconstruction of the individual’s ethos via the constant demonization and incitement of past, current, and possible social media expressions. The primary goal of this study is to understand how these practices function within a capitalistic framework and mirror the performativity of capital by reducing affective human interactions to that of a transaction. -
Affective Timelines Towards the Primary-Process Emotions Of
AFFECTIVE TIMELINES TOWARDS THE PRIMARY-PROCESS EMOTIONS OF MOVIE WATCHERS: MEASUREMENTS BASED ON SELF- EXPERIENCE AND INTERACTION ANNOTATION AND AFFECTIVE NEUROSCIENCE Marko Radeta, Zhabiz Shafieyoun and Marco Maiocchi SIP Lab | Studies on Interaction and Perception | Desi!n Department, Politecnico di Milano marko@ siplab.or!, zhabiz@ siplab.or!, marco@ siplab.or! ABSTRACT The economic success of a movie depends on audience satisfaction and on how much they are emotionally en!a!ed while watchin! it. Our research is related to the identification of such kinds of emotions felt by movie watchers durin! screenin! movie screenin!. We endorse the model of 7 Primary-process emotions from A#ective Neuroscience (SEEKING, PLAY, CARE, FEAR, GRIEF, RAGE and LUST) and ask subjects to watch 14 movies and match them with these 7 emotions. We provide a self-annotatin! application and reveal “A#ective Timelines” of clicks with arousal scenes. We verify that it is possible to discriminate movie watchers’ emo- tions accordin! to their self-annotation by obtainin! 0.51 - 0.81 ran!e of accordance in an- notatin! 14 movies and comparin! them with the authors of this study. These timelines will be matched with physiolo!ical sensors in future research. KEYWORDS: A ect Annotation, Primary-process Emotions, Movie Watchers, Movie Analysis, A ective Computing. INTRODUCTION arousal scale by using the FEELTRACE (Cowie, 2000) emo- tion annotation tool. Participants viewed the films and, in Influencing the emotions is a key factor in satisfying a movie real-time, annotated their emotional responses by moving audience and for the overall success of the movie. Movies the mouse pointer on a square two-dimensional area rep- are art-forms that involve affective, perceptual and intellec- resenting the valence-arousal emotional space. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
During the Pandemic I've Maintained My Sanity by Completing Jigsaw
1 During the pandemic I’ve maintained my sanity by completing jigsaw puzzles. However, they also came close to making me lose my sanity a time or two. The first one I completed was “The Day the Angels Cried.” I’ve looked for that puzzle for years and finally got it. It took me three months to put it together and at the end it was missing one piece! I wrote the company, but they didn’t have another copy of that puzzle. I was heartbroken. To make up for it they sent me the “Hometown Heroes” puzzle. It took me a couple of months to complete it. I framed it in an old barn wood frame and donated it to our local volunteer fire department for them to hang it in their firehouse or auction it off at their yearly fundraising event. Their choice. My bathroom is decorated New Orleans style, so my third puzzle was the “Bourbon Street” puzzle. It was amazingly easy! It only took me a month to complete it. I framed it in black and it’s now hanging in my bathroom. My current project is the cat puzzle. I couldn’t figure out what to work on next so I asked a dear friend if she would like a cat puzzle. The kids in her apartment complex call her “the crazy cat lady,” so I thought she might be interested, and she was. It’s been pretty difficult so far and will get much more difficult when I get to working on the black cat. -
Scary Movies at the Cudahy Family Library
SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS -
Malcolm's Video Collection
Malcolm's Video Collection Movie Title Type Format 007 A View to a Kill Action VHS 007 A View To A Kill Action DVD 007 Casino Royale Action Blu-ray 007 Casino Royale Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action Blu-ray 007 Die Another Day Action DVD 007 Die Another Day Action Blu-ray 007 Dr. No Action VHS 007 Dr. No Action Blu-ray 007 Dr. No DVD Action DVD 007 For Your Eyes Only Action DVD 007 For Your Eyes Only Action VHS 007 From Russia With Love Action VHS 007 From Russia With Love Action Blu-ray 007 From Russia With Love DVD Action DVD 007 Golden Eye (2 copies) Action VHS 007 Goldeneye Action Blu-ray 007 GoldFinger Action Blu-ray 007 Goldfinger Action VHS 007 Goldfinger DVD Action DVD 007 License to Kill Action VHS 007 License To Kill Action Blu-ray 007 Live And Let Die Action DVD 007 Never Say Never Again Action VHS 007 Never Say Never Again Action DVD 007 Octopussy Action VHS Saturday, March 13, 2021 Page 1 of 82 Movie Title Type Format 007 Octopussy Action DVD 007 On Her Majesty's Secret Service Action DVD 007 Quantum Of Solace Action DVD 007 Quantum Of Solace Action Blu-ray 007 Skyfall Action Blu-ray 007 SkyFall Action Blu-ray 007 Spectre Action Blu-ray 007 The Living Daylights Action VHS 007 The Living Daylights Action Blu-ray 007 The Man With The Golden Gun Action DVD 007 The Spy Who Loved Me Action Blu-ray 007 The Spy Who Loved Me Action VHS 007 The World Is Not Enough Action Blu-ray 007 The World is Not Enough Action DVD 007 Thunderball Action Blu-ray 007 -
Movie Store Collections- Includes Factory Download Service
Kaleidescape Movie Store Collections- Includes Factory Download Service. *Content Availability Subject to Change. Collection of 4K Ultra HD & 4K HDR Films Academy Award Winners- Best Picture Collection of Family Films Collection of Concerts Collection of Best Content from BBC Our Price $1,250* Our Price $1,450* Our Price $2,450* Our Price $625* Our Price $650* MSCOLL-UHD MSCOLL-BPW MSCOLL-FAM MSCOLL-CON MSCOLL-BBC 2001: A Space Odyssey 12 Years a Slave Abominable Adele: Live at the Royal Albert Hall Blue Planet II A Star Is Born A Beautiful Mind Aladdin Alicia Keys: VH1 Storytellers Doctor Who (Season 8) Alien A Man for All Seasons Alice in Wonderland Billy Joel: Live at Shea Stadium Doctor Who (Season 9) Apocalypse Now: Final Cut All About Eve April and the Extraordinary World Celine Dion: Taking Chances World Tour - The Concert Doctor Who (Season 10) Avengers: Endgame All Quiet on the Western Front Babe Eagles: Farewell 1 Tour — Live from Melbourne Doctor Who (Season 11) Avengers: Infinity War All the King's Men Back to the Future Elton John: The Million Dollar Piano Doctor Who Special 2012: The Snowmen Baby Driver Amadeus Back to the Future Part II Eric Clapton: Slowhand at 70 - Live at the Royal Albert Hall Doctor Who Special 2013: The Day of the Doctor Blade Runner 2049 American Beauty Back to the Future Part III Genesis: Three Sides Live Doctor Who Special 2013: The Time of the Doctor Blade Runner: The Final Cut An American in Paris Beauty and the Beast Hans Zimmer: Live in Prague Doctor Who Special 2014: Last Christmas Blue Planet II Annie Hall Cars INXS: Live Baby Live Doctor Who Special 2015: The Husbands of River Song Bohemian Rhapsody Argo Cars 2 Jackie Evancho: Dream with Me in Concert Doctor Who Special 2016: The Return of Doctor Mysterio Chinatown Around the World in 80 Days Cars 3 Jeff Beck: Performing This Week.. -
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10). -
First Cut, the PILOT
THE FIRST CUT Written by Benjamin L. Hinnant PILOT WGA-w# 2004890 [email protected] FADE IN: EXT. WEST HOLLYWOOD, CALIFORNIA - NIGHT CU: AN OPEN EYE. Lifeless. Accentuated OFFSCREEN by RED & BLUE siren lights and red blood spatter. We are greeted by a LOUISIANA DRAWL: CAMILLE (V.O.) Around my way, the meaning of life is summed up in who comes to bury you, who gathers together in your name after you’ve gone, and how they remember and eulogize you. SLOW-MO: A bright red FORD FIESTA parks at the corner of the intersection. HE steps out the car, hood of his black hoodie covering his head. “TRAYVON MARTIN 1995-2012” on his back. TITLE CARD: “THE FIRST CUT” The trunk pops open. The hoodie comes off and is replaced with a “MEDICAL EXAMINER” windbreaker and cap. He grabs the PELICAN CASE, shuts the trunk, and locks the car by remote. CAMILLE GALLIEN is our boy-next-door handsome protagonist, thirty, a “Louisiana Creole” of color. He rounds the corner onto Havenhurst. The Andalusia building is cordoned off with “CRIME SCENE” tape. CRIME SCENE TECHS operate on auto-pilot. END SLOW-MO Waving Camille over wearing matching “Medical Examiner” gear is EZEKIAL FOGG, white, sixty, silver-haired. CAMILLE Dr. Fogg. You’re everywhere. FOGG Yeah, I’m what you call hands-on. Forget every episode of CSI you’ve ever committed to memory. Tonight’s a crash course on what you’ll learn during your year here. What is your first objective at the crime scene? CAMILLE To inventory as much information related to the body as I can. -
Buchholz at the Box Office Director Corin Hard Releases a New Horror Film in Time for Halloween
Page 14 The Informer Oct. 8, 2018 Opinion Buchholz at the Box Office Director Corin Hard releases a new horror film in time for Halloween In “The Nun,” director Corin Hard takes us back to a 1950’s monastery in Romania. The Vatican, Grace Buchholz Reporter suspicious of a once holy abbey, sends a Romanian priest and a soon to be Nun to investigate a death in the church. Upon arrival they realize the grounds are anything but holy. Working together they try to vanish an evil spirit back to where it came from. With a $22 million budget and a 96 minute run time, this so called horror film is mostly full of jump scares and suspenseful music. Advertised as the horror film of the year, the film only got a 23% on Rotten Tomatoes and 5.8 out of ten stars on IMDb. “When I first saw the trailer for the nun I thought that it was going to be super scary,” senior Anna Thelen said. “When I went to see it though, it ended up being a pretty mediocre movie with only a few jump scares.” With creaky floors and foggy hallways, “The Nun,” follows just about every horror story cliche there is. With suspense as characters turn corners and open doors, this prequel to “The Conjuring” series loses the meaning of horror. This prequel does not exactly fit clearly with the other movies in “The Conjuring” series, that scored four out of five stars on IMDb. In the “Annabelle” story, which is a spin off of the first “The Conjuring,” movie, the audience is introduced to a doll. -
Endgame Tickets Near Me
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Insidious Chapter 2
In Memoriam 1942 – 2013 | ★ ★ ★ ★ ROGEREBERT.COM Choose a Section REVIEWS INSIDIOUS CHAPTER 2 ★ ★ | Simon Abrams September 13, 2013 | ☄ 13 "Insidious: Chapter 2" is a puzzle movie with too many unnecessary pieces and not enough essential ones, but it's superior to its predecessor in a few basic ways. The first sequel to James Wan's "Poltergeist" homage/ripoff features a couple of set pieces that Print Page are thoughtful enough to be scary. This goes a long way in a film where characters constantly explain why and how supernatural Like 21 happenings occur. And unlike its predecessor, this sequel doesn't overuse jump scares and loud noises. For better and worse, 0 screenwriter Leigh Whannell has brought the same klutzy ambition to the "Insidious" films that he did to the first three "Saw" movies (Whannell did not script "Saw"s 4-7, though he did co-write "Chapter Two"'s story with Wan). His ideas for "Insidious: Tweet 6 Chapter 2" are spectacularly misconceived, but they're also the main reason why the movie isn't that bad. "Insidious: Chapter 2" starts where the last film left off. The Lambert family is still haunted. The body of Josh Lambert (Patrick Wilson) is possessed by the spirit of a mysterious bride in black, and his wife Renai (Rose Byrne) doesn't know it—I mean, she should know it, after looking at a ghost-revealing photograph taken by Elise (Lin Shaye), a dead medium, but Renai is presumably not in her right mind after seeing this photo.Elise previously warned Renai that moving is pointless since her son is haunted, not the Lamberts' home, but Renai and not-Josh move back into Josh's childhood home anyway—which is also odd since Renai is told, both in the last film and "Chapter 2," that Josh was also haunted as a child.