Supernatural Aspect in James Wan's Movie the Conjuring Ii

Total Page:16

File Type:pdf, Size:1020Kb

Supernatural Aspect in James Wan's Movie the Conjuring Ii SUPERNATURAL ASPECT IN JAMES WAN’S MOVIE THE CONJURING II A THESIS Submitted to the Adab and Humanities Faculty of Alauddin State Islamic University of Makassar in Partial Fulfillment of the Requirements for Humanities Degree By: KURNIAWATI NIM. 40300112115 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2018 1 2 3 4 5 ACKNOWLEDGEMENTS Alhamdulillahi rabbil „alamin, the researcher would like to express her confession and gratitude to the Most Perfection, Allah swt for the guidance, blessing and mercy in completing her thesis. Shalawat and salam are always be delivered to the big prophet Muhammad saw his family and followers till the end of the time. There were some problems faced by the researcher in accomplishing this research. Those problems could not be solved without any helps, motivations, criticisms and guidance from many people. Special thanks always addressed to the researcher’ beloved mother, Hj.Kasya and her beloved father, Alm. Alimuddin for all their prayers, supports and eternally affection as the biggest influence in her success and happy life. Thanks to her lovely brother Suharman S.Pd and thank to her lovely sister Karmawati, Amd. Keb for the happy and colorful life. The researcher’s gratitude goes to the Dean of Adab and Humanity Faculty, Dr. H. Barsihannor, M.Ag, to the head and secretary of English and Literature Department, H. Muh. Nur Akbar Rasyid, M.Pd., M.Ed., Ph.D and Syahruni Junaid, S.S., M.Pd for their suggestions, helps and supports administratively, all the lecturers of English and Literature Department and the administration staff of Adab and Humanity Faculty who have given numbers helps, guidance and very useful knowledge during the years of her study. 6 A lot of thanks also deliver to Serliah Nur., S.Pd., M.Hum., M.Ed. as the researcher’s first supervisor and to Masykur Rauf., S.Hum., M.Pd. as her second supervisor who have made so much times, guided, gave correction and advise her during completing this thesis. Her big thanks is also addressed to his examiners, Dr. Rosma Tami, S.Ag., M.Sc., M.A. and Muh. Taufik., S.S., M.Hum for all their advices, criticisms, suggestions in proposal seminar to make this thesis better. Her great thanks to all her friends Hasmiati, S.Hum, Pika, S.Hum, Ita Sari, S.Hum, Nurwahidah SR, S.Hum, Sri Wahyuni, S.Hum, Fitriyani Madia, S.Hum, Herina, S.Hum, Eka Serli Sudarni, S.Hum, Yenni Yana, S.Hum, Nurhidayati, S.Hum, Muh. Yunus, S.Hum, Rendi S.Hum and all reseacher’ friends in English and Literature Department of 2012, especially for Ag-5 and Ag-6 and all people who have helped the writer in accomplishing this thesis. In the deepest heart, the writer realizes that her thesis is imperfect and still need suggestions and criticism. Despite of its imperfection, she hopes that this thesis will be useful for the students, the lecturers and the readers in general who need it. May Allah swt always bless us in every single thing we do. Romangpolong, 25th January 2018 The Researcher 7 LIST OF CONTENTS COVER .................................................................................................................. i PERNYATAAN KEASLIAN SKRIPSI....................................................... ....... ii PERSETUJUAN PEMBIMBING........................................................................ iii APPROVAL SHEET ............................................................................................ iv PENGESAHAN SKRIPSI .................................................................................... v ACKNOWLEDGEMENTS .................................................................................. vi LIST OF CONTENTS .......................................................................................... viii ABSTRACT ........................................................................................................... x CHAPTER I INTRODUCTION A. Background ................................................................................................. 1 B. Research Questions ..................................................................................... 3 C. Objective of Research ................................................................................. 4 D. Significances of Research ........................................................................... 4 E. Scope of Research ....................................................................................... 4 CHAPTER II REVIEW OF RELATED LITERATURE A. Previous Findings 5 B. Pertinent Ideas ............................................................................................. 6 1. Supernatural ......................................................................................... 6 a. Definition of Supernatural............................................................... 6 b. Aspects of Supernatural ................................................................. 7 c. Supernatural in Literature ............................................................... 14 d. Movie .............................................................................................. 15 e. Synopsis of the Movie ................................................................... 17 f. Autobiography of James Wan ........................................................ 18 8 CHAPTER III METHODOLOGY OF THE RESEARCH A. Research Method ......................................................................................... 19 B. Source the Data ........................................................................................... 19 C. Instrument of Data Collection ..................................................................... 19 D. Procedures of Data Collecting .................................................................... 20 E. Data Analyzing Technique .......................................................................... 20 CHAPTER IV FINDINGS AND DISCUSSIONS A. Findings ....................................................................................................... 21 B. Discussions .................................................................................................. 34 CHAPTER V CONCLUSIONS AND SUGGESTIONS A. Conclusions ................................................................................................. 42 B. Suggestions ................................................................................................. 43 BIBLIOGRAPHY ................................................................................................. 44 BIOGRAPHY 46 APPENDIX................................................................................................. ...... ..... 47 9 ABSTRACT Name : Kurniawati Reg. Number : 40300112114 Major : English and Literature Department Faculty : Adab and Humanities Title :“Supernatural Aspect in James Wan‟s Movie “The Conjuring II” Supervisor I : Serliah Nur Supervisor II : Masykur Rauf This research discussed about Supernatural Aspect which aimed to describe the supernatural aspect in the movie of the conjuring II by James Wan. This research applied qualitative method in revealing the data. This research based on Dunwich theory about Supernatural Aspect. The researcher used note taking as instrument to get the valid data. The researcher found that there were five kinds of supernatural aspects in James Wan’s movie “The Conjuring II”, those are True Tales of Ghost and Hunting, Spiritualism, Possession, Obsession, Exorcism, Spells and Sorcery, and Ghostly Supertitions. The researcher revealed that this showed five kinds of supernatural in this movie. Keywords: Supernatural Aspect, Conjuring II, James Wan. 10 CHAPTER I INTRODUCTION A. Study Background Literature is the result of author’s though and feeling, through expression with social life or their community in their surroundings, which are the put into language become a work or literary works. Syafi’i (2013:21) mentions that Literature can be divided into two major categories, they are fiction and non-fiction. Fiction is literary works that is not based on true story some example are short story, poetry, drama, movie. Non-fiction is literary works that is based on the true story for example personal essay, history, biography and autobiography. Movie as one of fiction literary is not only made based on imagination, but also directed to break up the facts that always faced has become a medium to describe about human life now. One of the most interesting movie is horror movie. This kind of movie can challenge the watchers who are usually involving fear when watching it. Clarence (2013:45) says that In the movie, many genres had known as well as action, adventure, comedy, fantasy, historical, horror, Sci-Fi. Thus, the movie genres often mix genre like horror-comedy, western-comedy, horror-science fiction set forth in a folk tale, legends or things like myth, a myth in this case is often associated with the supernatural. Talking about supernatural, Murray (1998:5) explains that supernatural means that some power which is not natural and that it is outside the order of nature 11 on account of direct divine intervention. The God does not normally intervene in the workings of nature so that the supernatural is not a kind of explanation for things we do not understand. Supernatural events such as prophecy and miracles occur only for the sake of salvation and free gift of a personal god, who is distinct from the created universe. As the extension, Smith (2000:17) says that supernatural can be said
Recommended publications
  • Cancel Culture: Posthuman Hauntologies in Digital Rhetoric and the Latent Values of Virtual Community Networks
    CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks Heather Palmer Rik Hunter Associate Professor of English Associate Professor of English (Chair) (Committee Member) Matthew Guy Associate Professor of English (Committee Member) CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of English The University of Tennessee at Chattanooga Chattanooga, Tennessee August 2020 ii Copyright © 2020 By Austin Michael Hooks All Rights Reserved iii ABSTRACT This study explores how modern epideictic practices enact latent community values by analyzing modern call-out culture, a form of public shaming that aims to hold individuals responsible for perceived politically incorrect behavior via social media, and cancel culture, a boycott of such behavior and a variant of call-out culture. As a result, this thesis is mainly concerned with the capacity of words, iterated within the archive of social media, to haunt us— both culturally and informatically. Through hauntology, this study hopes to understand a modern discourse community that is bound by an epideictic framework that specializes in the deconstruction of the individual’s ethos via the constant demonization and incitement of past, current, and possible social media expressions. The primary goal of this study is to understand how these practices function within a capitalistic framework and mirror the performativity of capital by reducing affective human interactions to that of a transaction.
    [Show full text]
  • A Dark New World : Anatomy of Australian Horror Films
    A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream.
    [Show full text]
  • ANNABELLE Written By Gary Dauberman
    ANNABELLE written by Gary Dauberman 09.24.13 - 10.07.13 INT. ST. MONICA'S CATHOLIC CHURCH - MORNING A MONSTROUS GARGOYLE. Sculpted in stone. A WARRIOR ANGEL. In stained glass. CHRIST ON A CROSS. Carved in wood. And that's FATHER PEREZ -- late 40s, of flesh and bone -- standing at the pulpit -- FATHER PEREZ God honors sacrifice. And our sacrifices touch God's heart and move his hand. "This is my commandment, that you love one another as I have loved you..." And while you will no doubt throw this up ON SCREEN: LOS ANGELES, 1970 You could already tell that by the hairstyles and wardrobe of the congregation. Among them are -- MIA and JOHN FORM. 20s. Holding hands. Seem to be enjoying the sermon. But as the camera pans down we see they're actually engaged in -- An intense thumb war battle. PEREZ "...Greater love has no one than this, that someone lay down his life for his loved ones." Mia almost has him but John -- sneak attack -- extends his pointer finger and pins her down -- PEREZ (CONT'D) Let us pray. One... two... MOMENTS LATER Organ BLARES. Congregation rises. A murmur of conversation. John and Mia walk down the aisle. Out in the NARTHEX They're greeted by PETE HIGGINS, early 50s. He was the man seated next to them in the pew. PETE Who won? 2. MIA John. But he cheats. John squeezes Mia. His hand over the small bump of her belly. JOHN It was two against one. I had to do something... Mia blushes. Embarrassed.
    [Show full text]
  • Scary Movies at the Cudahy Family Library
    SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS
    [Show full text]
  • The Story of Cluedo & Clue a “Contemporary” Game for Over 60 Years
    The story of Cluedo & Clue A “Contemporary” Game for over 60 Years by Bruce Whitehill The Metro, a free London newspaper, regularly carried a puzzle column called “Enigma.” In 2005, they ran this “What-game-am-I?” riddle: Here’s a game that’s lots of fun, Involving rope, a pipe, a gun, A spanner, knife and candlestick. Accuse a friend and make it stick. The answer was the name of a game that, considering the puzzle’s inclusion in a well- known newspaper, was still very much a part of British popular culture after more than 50 years: “Cluedo,” first published in 1949 in the UK. The game was also published under license to Parker Brothers in the United States the same year, 1949. There it is was known as: Clue What’s in a name? • Cluedo = Clue + Ludo" Ludo is a classic British game -- " a simplified Game of India • Ludo is not played in the U.S. " Instead, Americans play Parcheesi." But “Cluecheesi” doesn’t quite work." So we just stuck with “Clue” I grew up (in New York) playing Clue, and like most other Americans, considered it to be one of America’s classic games. Only decades later did I learn its origin was across the ocean, in Great Britain. Let me take you back to England, 1944. With the Blitz -- the bombing -- and the country emersed in a world war, the people were subject to many hardships, including blackouts and rationing. A forty-one-year-old factory worker in Birmingham was disheartened because the blackouts and the crimp on social activities in England meant he was unable to play his favorite parlor game, called “Murder.” “Murder” was a live-action party game where guests tried to uncover the person in the room who had been secretly assigned the role of murderer.
    [Show full text]
  • Malcolm's Video Collection
    Malcolm's Video Collection Movie Title Type Format 007 A View to a Kill Action VHS 007 A View To A Kill Action DVD 007 Casino Royale Action Blu-ray 007 Casino Royale Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action Blu-ray 007 Die Another Day Action DVD 007 Die Another Day Action Blu-ray 007 Dr. No Action VHS 007 Dr. No Action Blu-ray 007 Dr. No DVD Action DVD 007 For Your Eyes Only Action DVD 007 For Your Eyes Only Action VHS 007 From Russia With Love Action VHS 007 From Russia With Love Action Blu-ray 007 From Russia With Love DVD Action DVD 007 Golden Eye (2 copies) Action VHS 007 Goldeneye Action Blu-ray 007 GoldFinger Action Blu-ray 007 Goldfinger Action VHS 007 Goldfinger DVD Action DVD 007 License to Kill Action VHS 007 License To Kill Action Blu-ray 007 Live And Let Die Action DVD 007 Never Say Never Again Action VHS 007 Never Say Never Again Action DVD 007 Octopussy Action VHS Saturday, March 13, 2021 Page 1 of 82 Movie Title Type Format 007 Octopussy Action DVD 007 On Her Majesty's Secret Service Action DVD 007 Quantum Of Solace Action DVD 007 Quantum Of Solace Action Blu-ray 007 Skyfall Action Blu-ray 007 SkyFall Action Blu-ray 007 Spectre Action Blu-ray 007 The Living Daylights Action VHS 007 The Living Daylights Action Blu-ray 007 The Man With The Golden Gun Action DVD 007 The Spy Who Loved Me Action Blu-ray 007 The Spy Who Loved Me Action VHS 007 The World Is Not Enough Action Blu-ray 007 The World is Not Enough Action DVD 007 Thunderball Action Blu-ray 007
    [Show full text]
  • Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
    Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10).
    [Show full text]
  • First Cut, the PILOT
    THE FIRST CUT Written by Benjamin L. Hinnant PILOT WGA-w# 2004890 Azifyukare@gmail.com FADE IN: EXT. WEST HOLLYWOOD, CALIFORNIA - NIGHT CU: AN OPEN EYE. Lifeless. Accentuated OFFSCREEN by RED & BLUE siren lights and red blood spatter. We are greeted by a LOUISIANA DRAWL: CAMILLE (V.O.) Around my way, the meaning of life is summed up in who comes to bury you, who gathers together in your name after you’ve gone, and how they remember and eulogize you. SLOW-MO: A bright red FORD FIESTA parks at the corner of the intersection. HE steps out the car, hood of his black hoodie covering his head. “TRAYVON MARTIN 1995-2012” on his back. TITLE CARD: “THE FIRST CUT” The trunk pops open. The hoodie comes off and is replaced with a “MEDICAL EXAMINER” windbreaker and cap. He grabs the PELICAN CASE, shuts the trunk, and locks the car by remote. CAMILLE GALLIEN is our boy-next-door handsome protagonist, thirty, a “Louisiana Creole” of color. He rounds the corner onto Havenhurst. The Andalusia building is cordoned off with “CRIME SCENE” tape. CRIME SCENE TECHS operate on auto-pilot. END SLOW-MO Waving Camille over wearing matching “Medical Examiner” gear is EZEKIAL FOGG, white, sixty, silver-haired. CAMILLE Dr. Fogg. You’re everywhere. FOGG Yeah, I’m what you call hands-on. Forget every episode of CSI you’ve ever committed to memory. Tonight’s a crash course on what you’ll learn during your year here. What is your first objective at the crime scene? CAMILLE To inventory as much information related to the body as I can.
    [Show full text]
  • Decree Legal Term Crossword Clue
    Decree Legal Term Crossword Clue Adjudicative and bug-eyed Giraldo theorise some poser so fiducially! Intelligibly grooved, Orbadiah differences bilingualism and niches lulus. Abelard still neutralize bizarrely while oligopolistic Ernst impersonalise that dooms. There will also witness a position of synonyms for staff answer. April for insulting the deputy fire chief Weiß. ACT 3 L CODE 4 L TENET 5 L DECREE 6 L DICTATE 7 L ELEMENT 7. Still dislike him in prefix, despite the hyphen in prefix, despite the hyphen the. We are crossword clue decrees is legal term decree presented live out! This page shows answers to every clue Decree followed by ten definitions like. Help center offers help staff can range from west my crossword! In legal term decree crossword clues for decrees crossword solutions to this clue clue. Spelling if a crossword clues found in terms of decrees or criminal act over! Words in the above table, post is deduct to broke how roots combine with prefixes form. The clue that crosswords! The eldest son to hearings or professional responsibility of a crime was named after the. Paper available are essay writing services legal 6 Academic letters crossword clue essay. Japanese names the center, you out exactly how customers pay what is decreed include another. We found 1 possible finish for Law crossword clue while searching our. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more. Possible duty You can easily review your privacy by specifying the about of letters in every answer. Find edit The Crossword Clues Answers And valid You Need we Finish Your Crossword! Please check policy below and see within it matches the one you buy on todays puzzle.
    [Show full text]
  • An October Film List for Cooler Evenings and Candlelit Rooms
    AUTUMN An October Film List For cooler evenings and candlelit rooms. For tricks and treats and witches with brooms. For magic and mischief and fall feelings too. And good ghosts and bad ghosts who scare with a “boo!” For dark haunted houses and shadows about. And things unexplained that might make you shout. For autumn bliss with colorful trees or creepier classics... you’ll want to watch these. FESTIVE HALLOWEEN ANIMATED FAVORITES GOOD AUTUMN FEELS BEETLEJUICE CORALINE AUTUMN IN NEW YORK CASPER CORPSE BRIDE BAREFOOT IN THE PARK CLUE FANTASTIC MR. FOX BREAKFAST AT TIFFANY’S DARK SHADOWS FRANKENWEENIE DEAD POET’S SOCIETY DOUBLE DOUBLE TOIL AND TROUBLE HOTEL TRANSYLVANIA MOVIES GOOD WILL HUNTING E.T. JAMES AND THE GIANT PEACH ONE FINE DAY EDWARD SCISSORHANDS MONSTER HOUSE PRACTICAL MAGIC GHOSTBUSTERS PARANORMAN THE CRAFT HALLOWEENTOWN THE GREAT PUMPKIN CHARLIE BROWN THE WITCHES OF EASTWICK HOCUS POCUS THE NIGHTMARE BEFORE CHRISTMAS WHEN HARRY MET SALLY LABYRINTH YOU’VE GOT MAIL SLEEPY HOLLOW THE ADAMS FAMILY MOVIES THE HAUNTED MANSION THE WITCHES SCARY MOVIES A HAUNTING IN CONNECTICUT RELIC THE LODGE A NIGHTMARE ON ELM STREET ROSEMARY’S BABY THE MOTHMAN PROPHECIES AMMITYVILLE HORROR THE AUTOPSY OF JANE DOE THE NUN ANNABELLE MOVIES THE BABADOOK THE OTHERS AS ABOVE SO BELOW THE BIRDS THE POSSESSION CARRIE THE BLACKCOAT’S DAUGHTER THE POSSESSION OF HANNAH GRACE HALLOWEEN MOVIES THE BLAIR WITCH PROJECT THE SHINING HOUSE ON HAUNTED HILL THE CONJURING MOVIES THE SIXTH SENSE INSIDIOUS MOVIES THE EXORCISM OF EMILY ROSE THE VILLAGE IT THE EXORCIST THE VISIT LIGHTS OUT THE GRUDGE THE WITCH MAMA THE HAUNTING THE WOMAN IN BLACK POLTERGEIST THE LAST EXORCISM It’s alljust a bit of hocus pocus..
    [Show full text]
  • Insidious Chapter 2
    In Memoriam 1942 – 2013 | ★ ★ ★ ★ ROGEREBERT.COM Choose a Section REVIEWS INSIDIOUS CHAPTER 2 ★ ★ | Simon Abrams September 13, 2013 | ☄ 13 "Insidious: Chapter 2" is a puzzle movie with too many unnecessary pieces and not enough essential ones, but it's superior to its predecessor in a few basic ways. The first sequel to James Wan's "Poltergeist" homage/ripoff features a couple of set pieces that Print Page are thoughtful enough to be scary. This goes a long way in a film where characters constantly explain why and how supernatural Like 21 happenings occur. And unlike its predecessor, this sequel doesn't overuse jump scares and loud noises. For better and worse, 0 screenwriter Leigh Whannell has brought the same klutzy ambition to the "Insidious" films that he did to the first three "Saw" movies (Whannell did not script "Saw"s 4-7, though he did co-write "Chapter Two"'s story with Wan). His ideas for "Insidious: Tweet 6 Chapter 2" are spectacularly misconceived, but they're also the main reason why the movie isn't that bad. "Insidious: Chapter 2" starts where the last film left off. The Lambert family is still haunted. The body of Josh Lambert (Patrick Wilson) is possessed by the spirit of a mysterious bride in black, and his wife Renai (Rose Byrne) doesn't know it—I mean, she should know it, after looking at a ghost-revealing photograph taken by Elise (Lin Shaye), a dead medium, but Renai is presumably not in her right mind after seeing this photo.Elise previously warned Renai that moving is pointless since her son is haunted, not the Lamberts' home, but Renai and not-Josh move back into Josh's childhood home anyway—which is also odd since Renai is told, both in the last film and "Chapter 2," that Josh was also haunted as a child.
    [Show full text]
  • Hasbro Third Quarter 2011 Financial Results Conference Call Management Remarks October 17, 2011
    Hasbro Third Quarter 2011 Financial Results Conference Call Management Remarks October 17, 2011 Debbie Hancock, Hasbro, Vice President, Investor Relations: Thank you and good morning everyone. Joining me today are Brian Goldner, President and Chief Executive Officer; David Hargreaves, Chief Operating Officer; and Deb Thomas, Chief Financial Officer. Our third quarter 2011 earnings release was issued earlier this morning and is available on our website. The press release includes information regarding Non-GAAP financial measures included in today's call. Additionally, whenever we discuss earnings per share or EPS, we are referring to earnings per diluted share. This morning Brian will discuss key factors impacting our results and Deb will review the financials. We will then open the call to your questions. 1 Before we begin, let me note that during this call and the question and answer session that follows, members of Hasbro management may make forward-looking statements concerning management's expectations, goals, objectives and similar matters. These forward- looking statements may include comments concerning our product and entertainment plans, anticipated product performance, business opportunities and strategies, costs, financial goals and expectations for our future financial performance and achieving our objectives. There are many factors that could cause actual results and experience to differ materially from the anticipated results or other expectations expressed in these forward-looking statements. Some of those factors are set forth in our annual report on form 10-K, in today's press release and in our other public disclosures. We undertake no obligation to update any forward looking statements made today to reflect events or circumstances occurring after the date of this call.
    [Show full text]