Análisis Estadístico De La Relación Del Ingreso De Los Títulos Exhibidos Del Sector Cinematográfico En Las Zonas Del Bajío Y Pacífico: 2010–2016

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Análisis Estadístico De La Relación Del Ingreso De Los Títulos Exhibidos Del Sector Cinematográfico En Las Zonas Del Bajío Y Pacífico: 2010–2016 UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MÉXICO FACULTAD DE ECONOMÍA LICENCIATURA EN ACTUARIA TESINA: Análisis estadístico de la relación del ingreso de los títulos exhibidos del sector cinematográfico en las Zonas del Bajío y Pacífico: 2010–2016. SUSTENTANTE: Eduardo Genaro Archundia Gama Junio de 2020 Contenido INTRODUCCIÓN: ...................................................................................................... 4 Objetivos: ............................................................................................................... 4 MARCO TEORICO: ................................................................................................... 6 CAPÍTULO 1. Antecedentes del cine en México. ...................................................... 6 1.1. Estudios Relacionados con el tema de investigación ................................... 8 CAPÍTULO 2. Industria Cinematográfica ................................................................. 15 2.1. Demografía. ................................................................................................... 22 2.1.1. Ciudades en México ................................................................................... 22 2.2. Exhibición ...................................................................................................... 26 2.3. Principales exhibidoras en México ................................................................ 29 2.3.1. Cinepolis ..................................................................................................... 29 2.3.2. Cinemex ..................................................................................................... 29 2.3.3. Cines Independientes ................................................................................. 30 2.4. Distribución .................................................................................................... 35 2.4.1. Los distribuidores y sus películas ............................................................... 35 2.4.2. Principales distribuidoras en México .......................................................... 37 2.4.3. Universal Pictures ....................................................................................... 38 2.4.4. 20th Century Fox ........................................................................................ 39 2.4.5. Walt Disney ................................................................................................ 40 2.4.6. Sony Pictures Entertainment ...................................................................... 41 2.4.7. Warner Bros ............................................................................................... 42 2.4.8. Paramount Pictures Corporation ................................................................ 43 2.4.9. Videocine .................................................................................................... 43 2.5. Distribuidoras con mayor ingreso .................................................................. 44 2.6. Formatos Especiales ..................................................................................... 60 2 2.7. Industria cinematográfica internacional .......................................................... 61 CAPÍTULO III. .......................................................................................................... 64 3.1. Desarrollo del Marco Metodológico ................................................................ 64 3.2. Nociones del Análisis de Regresión ............................................................... 65 3.3. Modelo de Regresión ..................................................................................... 66 3.4. Estimación de la recta de regresión. Método de mínimos cuadrados ............ 67 3.5. Supuestos del análisis de regresión ............................................................... 69 3.6. Análisis de Varianzas Anovas ........................................................................ 69 CAPÍTULO IV. .......................................................................................................... 73 4.1 Zonificación del Sector Cinematográfico ......................................................... 73 4.2. Análisis descriptivo de los ingresos por Zona ................................................ 76 4.3. Modelo Propuesto .......................................................................................... 83 Conclusiones ............................................................................................................ 91 Bibliografía: .............................................................................................................. 93 3 INTRODUCCIÓN: En la actualidad, las empresas de los distintos sectores económicos, requieren de una amplia certeza en que los recursos invertidos generen los dividendos esperados de la inversión. Esto implica realizar investigación y aplicar estrategias sobre cómo ubicar los nichos de mercado y aceptación de los productos y servicios que se ofrecen al público en general, En el cine se buscan nuevas estrategias y tendencias sobre la aceptación de los títulos en la Republica Mexicana de acuerdo al género, temporalidad y magnitud del estreno. A nivel mundial, es usual que se realicen diferentes tipos de estudios sobre el comportamiento cinéfilo: el análisis de las películas más vistas, los ingresos que generaron, tendencias, su impacto y, sobre todo, cuáles son las variables que las llevarán al éxito. En los Estados Unidos, para realizar este tipo de estudios existen herramientas que facilitan la obtención de datos: las aplicaciones en los celulares que permiten la práctica de encuestas a los asistentes al inicio de la película. En México, existen escasos estudios sobre las preferencias cinéfilas en relación a los géneros cinematográficos, su comportamiento y tendencias de ingresos. Con base en lo anterior. Para el desarrollo del presente trabajo se establecen los siguientes objetivos: Objetivos: • Objetivo General o Encontrar la relación de los ingresos que existen en las Zona del Pacífico y Bajío de la República Mexicana, aplicando el método de análisis de regresión Múltiple. • Objetivos Particulares o Describir la evolución de la industria cinematográfica en la República Mexicana a través del tiempo. o Determinar el ingreso generado por los títulos exhibidos de distinto género en la Zona del Pacífico con base en los datos del Bajío de la República Mexicana. 4 El desarrollo de la investigación será realizado, aplicando la metodología siguiente: Se consultarán distintas fuentes de información secundaria, con la finalidad de plasmar la evolución del cine en México, a través del tiempo y, así como reportes de investigaciones recientes, similares al tema que permitan aplicar una metodología ya validada o bien mejorar la planteada en el trabajo. Una vez afinada la metodología se aplicará a las estadísticas del ingreso de los títulos exhibidos en las Zonas del bajío y el Pacífico de la República Mexicana para proceder a obtener los resultados de la investigación y realizar el análisis, discusión y conclusiones correspondientes, así como las recomendaciones. Lo anterior, se desarrollará considerando cuatro capítulos: Capítulo 1.- Se mencionan algunos trabajos de investigación relacionados al tema objeto de la presente investigación, en aras de conocer distintos enfoques con los que se aborda en el país o el extranjero y que permitan mejorar la metodología a seguir en el trabajo. Capítulo 2.- Se describirá la evolución de la industria cinematográfica en México, compañías distribuidoras, nivel de ingresos considerando sus éxitos principales, género y tendencias entre las Zonas del Bajío y el Pacífico de la República Mexicana, así como las preferencias del público cinéfilo, en función de sus preferencias, temporalidad y/o niveles de precios de taquilla. Capítulo 3.- Se describirá la metodología utilizada para la realización del trabajo de investigación. Capítulo 4.- Comprende el análisis, discusión y conclusión de los resultados obtenidos de la aplicación de la metodología descrita en el capítulo anterior. 5 MARCO TEORICO: CAPÍTULO 1. Antecedentes del cine en México. A continuación, se muestra una línea del tiempo abordando los acontecimientos destacables a lo largo del lapso de 1895-2016. Es importante resaltar los eventos que han trascendido en la historia del cine en México. La línea del tiempo nos facilitará ver la evolución del cine e identificar los momentos cruciales que cambiaron la historia. Diagrama. 1.1 Línea del tiempo de la historia Cinematográfica 21 locaciones Invención del de cine en Primer taller o estudio Cinemat ógrafo México. cinematográfico. 1895 96 97 98 99 1900 1 2 3 4 5 6 7 8 9 1910 11 12 13 14 15 16 17 18 19 1920 Nace la época de Oro Nace el cine Sonoro del cine mexicano. 21 22 23 24 25 26 27 28 29 1930 31 32 33 34 35 36 37 38 39 1940 41 42 43 44 45 46 6 Decae la producción El Gobierno mexicano de películas decide limitar recursos mexicanas. para el cine. 195 196 197 47 48 49 51 52 53 54 55 56 57 58 59 61 62 63 64 65 66 67 68 69 71 72 0 0 0 Aparición del video. El Surgen películas público ve más cine basadas en héroes de desde casa. comics. 73 74 75 76 77 78 79 1980 81 82 83 84 85 86 87 88 89 1990 91 92 93 94 95 96 97 98 Dos películas taquilleras que romper records (No se Aceptan devoluciones y Nosotros los Nobles). La película ¿Qué Culpa Tiene el Niño? se ubica en tercer lugar Para este año se Hay menos películas Inicia histórico en taquilla y exhibió Coco siendo la mexicanas
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