Virgil : the Georgics
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The Poet and His Readers: the Social and Poetic Matrix of Garcilaso De La Vega
The Poet and His Readers: The Social and Poetic Matrix of Garcilaso de la Vega Casey Robert Eriksen Charlottesville, Virginia MA, University of Virginia, 2012 BA, The College of New Jersey, 2010 A Dissertation Presented to the Graduate Faculty of The University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian, and Portuguese University of Virginia April 2016 Eriksen ii Abstract This dissertation examines the social and literary matrix of Garcilaso’s poetry, and, by extension, the forces of canonization that shape and efface poets and poetic works over time. The study explores the circulation and diffusion of Garcilaso’s corpus in humanist circles. The material manipulation of Garcilaso’s poetry has affected reception in significant ways. The presence of numerous editorial hands in the initial compilation and organization of Garcilaso’s work speaks to the ways in which scholars received and commented on the poet in subsequent editions. An attention to material circumstances, including manuscript circulation and published editions, likewise provides insight into early literary histories of Garcilaso from a material perspective. Chapter three formulates an Ovidian analysis of the “Ode ad florem Gnidi,” the Second Elegy, and several Sonnets to outline a new reading on Garcilaso’s engagement with Latin models and humanistic culture at large. The rediscovery of these influences— particularly in the case of the “Ode ad florem Gnidi”—situates the poet within a broader Renaissance world of Ovidian rewriting. Through the interplay of classical models and cancionero tropes, Garcilaso invokes the ambiguous possibilities of euphemism and double-entendre as he draws upon a shared heritage of lexical play and ambiguity. -
Wjcl Certamen 2016 Advanced Division Round One
WJCL CERTAMEN 2016 ADVANCED DIVISION ROUND ONE 1. Brontes, Steropes, and Arges were the name of these beings that helped Hephaestus in his forge under Mt. Etna. What is the name typically given to these three? CYCLOPES B1. Cottus, Briareus, and Gyges are the names of what beings with fifty heads and one hundred hands? HECATONCHEIRES B2. The Cyclopes and Hecatoncheires were siblings. Name their parents. URANUS AND GAIA 2. From what Latin verb with what meaning is the English word “tactile” derived? TANGŌ, TANGERE MEANING TO TOUCH B1. From what Latin verb with what meaning is the English word “nuptial” derived? NŪBŌ, NŪBERE MEANING TO MARRY/VEIL B2. From what Latin verb with what meaning is the English word “pensive” derived? PENDŌ, PENDERE MEANING TO HANG/WEIGH 3. Which governor of Syria declared himself emperor upon hearing a rumor that Marcus Aurelius had died and continued his revolt even after learning that Marcus Aurelius was alive? AVIDIUS CASSIUS B1. Which governor of Germania Superior led a rebellion against the emperor Domitian in 89 CE but failed due to a sudden thaw of the Rhine that prevented his allies from joining him? LUCIUS ANTONIUS SATURNINUS B2. Which governor of Syria declared himself emperor when Pertinax died and was defeated in battle, then killed while fleeing to Parthia? PESCENNIUS NIGER 4. What Latin word most nearly means “a groan”? GEMITUS, GEMITŪS B1. What Latin word most nearly means “reputation”? FĀMA, FAMAE B2. What Latin word most nearly means “fleet”? CLASSIS, CLASSIS 5. What author describes the plague of Athens in a didactic work edited by Cicero entitled De Rerum Natura? LUCRETIUS B1. -
STONEFLY NAMES from CLASSICAL TIMES W. E. Ricker
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Perla Jahr/Year: 1996 Band/Volume: 14 Autor(en)/Author(s): Ricker William E. Artikel/Article: Stonefly names from classical times 37-43 STONEFLY NAMES FROM CLASSICAL TIMES W. E. Ricker Recently I amused myself by checking the stonefly names that seem to be based on the names of real or mythological persons or localities of ancient Greece and Rome. I had copies of Bulfinch’s "Age of Fable," Graves; "Greek Myths," and an "Atlas of the Ancient World," all of which have excellent indexes; also Brown’s "Composition of Scientific Words," And I have had assistance from several colleagues. It turned out that among the stonefly names in lilies’ 1966 Katalog there are not very many that appear to be classical, although I may have failed to recognize a few. There were only 25 in all, and to get even that many I had to fudge a bit. Eleven of the names had been proposed by Edward Newman, an English student of neuropteroids who published around 1840. What follows is a list of these names and associated events or legends, giving them an entomological slant whenever possible. Greek names are given in the latinized form used by Graves, for example Lycus rather than Lykos. I have not listed descriptive words like Phasganophora (sword-bearer) unless they are also proper names. Also omitted are geographical names, no matter how ancient, if they are easily recognizable today — for example caucasica or helenica. alexanderi Hanson 1941, Leuctra. -
A Study of the Late Antique Latin Wedding Centos
INSTITUTIONEN FÖR SPRÅK OCH LITTERATURER DE INCONEXIS CONTINUUM A Study of the Late Antique Latin Wedding Centos DE INCONEXIS CONTINUUM A Study of the Late Antique Latin Wedding Centos SARA EHRLING QuickTime och en -dekomprimerare krävs för att kunna se bilden. SARA EHRLING DE INCONEXIS CONTINUUM INSTITUTIONEN FÖR SPRÅK OCH LITTERATURER DE INCONEXIS CONTINUUM A Study of the Late Antique Latin Wedding Centos SARA EHRLING Avhandling för filosofie doktorsexamen i latin, Göteborgs universitet 2011-05-28 Disputationsupplaga Sara Ehrling 2011 ISBN: 978–91–628–8311–9 http://hdl.handle.net/2077/24990 Distribution: Institutionen för språk och litteraturer, Göteborgs universitet, Box 200, 405 30 Göteborg Acknowledgements Due to diverse turns of life, this work has followed me for several years, and I am now happy for having been able to finish it. This would not have been possible without the last years’ patient support and direction of my supervisor Professor Gunhild Vidén at the Department of Languages and Literatures. Despite her full agendas, Gunhild has always found time to read and comment on my work; in her criticism, she has in a remarkable way combined a sharp intellect with deep knowledge and sound common sense. She has also always been a good listener. For this, and for numerous other things, I admire and am deeply grateful to Gunhild. My secondary supervisor, Professor Mats Malm at the Department of Literature, History of Ideas, and Religion, has guided me with insight through the vast field of literary criticism; my discussions with him have helped me correct many mistakes and improve important lines of reasoning. -
Quaestiones Oralitatis
Quaestiones Quaestiones Oralitatis Oralitatis IV (2018/2019) IV (2018/2019) IV UNIWERSYTET WROCŁAWSKI CENTRUM INTERDYSCYPLINARNYCH BADAŃ RELACJI ISSN 2449-8181 MIĘDZY KULTURĄ ORALNĄ I PIŚMIENNICZĄ 1 Quaestiones Oralitatis IV (2018/2019) 2 3 QUAESTIONES ORALITATIS IV (2018/2019) Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą oraz Pracownia Badań nad Tradycją Oralną Wrocław 4 Quaestiones Oralitatis IV (2018/2019) Redakcja naukowa: Karol Zieliński © Copyright by Uniwersytet Wrocławski Wydanie I, Wrocław 2019 All rights reserved ISSN 2449-8181 Redaktor naczelny: Karol Zieliński Komitet redakcyjny: Maciej Czeremski, Gregor Pobežin, Sławomir Torbus, Małgorzata Zadka, Mariusz Plago Sekretarz redakcji: Ilona Chruściak Redakcja językowa: Anna Sekułowicz Korekta: LIBRON Skład: Dariusz Piskulak Projekt okładki: LIBRON Adres redakcji Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą ul. św. Jadwigi 3/4 50-266 Wrocław e-mail: [email protected] Wydawca Uniwersytet Wrocławski: Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą oraz Pracownia Badań nad Tradycją Oralną Czasopismo zostało dofinansowane ze środków Ministerstwa Nauki i Szkolnictwa Wyższego na podstawie umowy nr 438/WCN/2019/1 z dnia 23 lipca 2019 z pomocy przyznanej w ramach programu „Wsparcie dla czasopism naukowych”. Wydawnictwo LIBRON – Filip Lohner al. Daszyńskiego 21/13 31-537 Kraków tel. 12 628 05 12 e-mail: [email protected] www.libron.pl 5 TABLE OF CONTENTS Gregory Nagy, Orality and literacy. Unmarked and marked elements in verbal communication ..................... 7 Douglas Cairns, Θυμός in Homer: philological, oral-poetic, and cognitive approaches .......... 13 Isabella Nova, Homeric catalogues between tradition and invention ............................... 31 Ruth Scodel, Works and Days as a Transitional Text ... 55 Ronald Blankenborg, Particles as deictic phonation .. -
Virgil's Aeneid in the Manner of Homer, the Story Proper Begins in Medias Res, with a Trojan Fleet in the Eastern Mediterranea
Virgil’s Aeneid In the manner of Homer, the story proper begins in medias res, with a Trojan fleet in the eastern Mediterranean, heading in the direction of Italy after Troy has been destroyed. The fleet, led by Aeneas, is on a voyage to find a second home. It has been foretold that in Italy, he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is still wrathful, because she had not been chosen in the judgment of Paris against Aeneas's mother Venus, and because her favorite city, Carthage, will be destroyed by Aeneas' descendants. Juno proceeds to Aeolus, King of the Winds, and asks that he release the winds to stir up a storm in exchange for a bribe (Deiopea, the loveliest of all the sea nymphs, as a wife). He agrees, and the storm devastates the fleet. Neptune takes notice: although he himself is no friend of the Trojans, he is infuriated by Juno's intrusion into his domain, and stills the winds and calms the waters. The fleet takes shelter on the coast of Africa. There, Aeneas's mother, Venus, in the form of a hunting woman very similar to the goddess Diana, encourages him and tells him the history of the city. Eventually, Aeneas ventures in, and in the temple of Juno, seeks and gains the favor of Dido, Queen of Carthage, a city which has only recently been founded by refugees from Tyre and which will later become one of Rome's greatest enemies. -
Dictionnaire Abrégé De La Fable Pour L'intelligence Des Poètes, Des Tablea Ux Et Des Sta Tues, Dont Les Sujets Sont Tirés De L'histoire Poétique
PIERRE CHOMPRÉ DICTIONNAIRE ABRÉGÉ DE LA FABLE POUR L'INTELLIGENCE DES POÈTES, DES TABLEA UX ET DES STA TUES, DONT LES SUJETS SONT TIRÉS DE L'HISTOIRE POÉTIQUE NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY DICTIONNAIRE ABRÉGÉ DE LA FABLE, POUR L'intelligence des Poètes, des Tableaux et des Statues, dont les Sujets sont tirés de l'Histoire poétique. PAR CHOMPRÉ. NOUVELLE ÉDITION. A PARIS, CHEZ DEMONVILLE, Imprimeur-Libraire, rue Christine, n° 2. l810. NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY NUMÉRISATION - DIGITIZATION - DIGITALISIERUNG : CARRAUD-BAUDRY AVERTISSEMENT. ON sait que la Mythologie est un tissu d'i maginations bizarres, un amas confus de faits, quelquefois vrais dans le fond, mais sans pres que aucune chronologie, sans ordre, souvent même répétés sous difFerens noms ; qu'enfin c'est un assemblage de contes misérables, la plupart destitués de vraisemblance, et dignes de mépris. Mais on sait aussi que la connaissance de ces chimères poétiques et païennes est abso lument nécessaae pour entendre les Auteurs. Dans cette vue, l'on a ici rassemblé, par ordre alphabétique, ce qu'il y a d'essentiel à savoir sur cette matière, afin d'épargner aux jeunes gens la peine d'aller puiser dans des sources souvent empoisonnées, où, après une étude dangereuse et dégoûtante , il n'y a rien à gagner pour la raison, et il y a tout à perdre pour le cœur. Le succès de cet Ouvrage a paru exiger qu'on le rendît le plus complet qu'il était possible, en y insérant une quantité de mots inconnus à ceux qui n'ont pas encore une suf fisante connaissance de la Fable : tels sont les mots qui ont rapport à la Géographie poéti que, ou aux surnoms des Divinités païennes, comme Thaumanùas , Virago , Addcphagus , Tardipes, etc. -
Choose the Best Answer
CONTEST CODE: 09 2015 TEXAS STATE JUNIOR CLASSICAL LEAGUE MYTHOLOGY TEST DIRECTIONS: Please mark the letter of the correct answer on your scantron answer sheet. 1. Earth-Shaker; god of the seas (A) Alcyoneus (B) Hades (C) Poseidon (D) Vulcan 2. The gods of Greece live on this mountain top (A) Aetna (B) Helicon (C) Olympus (D) Pelion 3. These woman were the Personification of beauty (A) Eumenides (B) Graces (C) Pierides (D) Telchines 4. A giant lion, invulnerable to weapons; he lived in this area when Heracles killed him (A) Erymanthus (B) Lerna (C) Nemea (D) Stymphalus 5. As an infant, he and his mother are put into a chest and dropped in the sea; rescued by a fisherman (A) Alpheus (B) Hippomenes (C) Melanion (D) Perseus 6. She was an Underworld goddess; a Titaness who had retained her position (A) Aurora (B) Hecate (C) Nemesis (D) Themis 7. This Gorgon’s stare could turn you into stone (A) Alecto (B) Euryale (C) Medusa (D) Terpsicrate 8. This powerful monster defeated Zeus at first, but was later conquered by the thunderbolts of Zeus (A) Cacus (B) Geryon (C) Phaea (D) Typhoeus 9. They were sent to punish the guilty and wicked (A) Fates (B) Furies (C) Graces (D) Graeae 10. Epimetheus accepted this woman as a gift from Zeus; but she was too curious and opened the box (A) Ariadne (B) Ismene (C) Leucothea (D) Pandora 11. She was the Muse of Comedy (A) Alecto (B) Euryale (C) Pemphredo (D) Thalia 12. He ignored his father’s instructions and flew too close to the sun; his wings fell apart (A) Cycnus (B) Icarus (C) Haemon (D) Xuthus 13. -
Straipsniai Thrinacia, the Island of Malta
ISSN 0258-0802. LITERATŪRA 2012 54 (3) Straipsniai THRINACIA, THE ISLAND OF MALTA Horatio Caesar Roger Vella Professor of Classics, Department of Classics and Archaeology, University of Malta Introduction lines, groups of lines, motifs, personages in Homer.2 All these stories with differ- We do not know for sure whether the Tro- ent names seem to be moulded around one jan War really took place or not. If it did core of truthful accounts, which accounts not, then Homer, or whoever the author we can never fathom. It is this long oral was (for even his name has been put in tradition based on true facts that tempts us doubt), must be given the credit for being a to penetrate into the heart of the story and master in inventing hundreds of names and look not only for symbolism and allegory, incidents.1 The later theory goes against but also real persons with their own char- the identification of Troy by Heinrich acters and places with their own peculiar Schliemann and the acceptance of a long features. It is only by accepting this theory history of oral poetry ultimately going that I can approach this present study on back, surely, not to an invented story, but Homer’s Thrinacia. to a real one. Oral tradition is, in fact, be- Some years ago I have shown how the hind not only the Trojan War as described sister island of the Maltese Archipelago, by Homer, but also countless other stories, today called by two names, Għawdex and such as the Argonauts’ journey, the war Gozo, could not have been Ogygia, the is- at Thebes, and earlier stories such as the land of Calypso, and that this island could deluge and the creation of man. -
The Aeneid Virgil
The Aeneid Virgil TRANSLATED BY A. S. KLINE ROMAN ROADS MEDIA Classical education, from a Christian perspective, created for the homeschool. Roman Roads combines its technical expertise with the experience of established authorities in the field of classical education to create quality video courses and resources tailored to the homeschooler. Just as the first century roads of the Roman Empire were the physical means by which the early church spread the gospel far and wide, so Roman Roads Media uses today’s technology to bring timeless truth, goodness, and beauty into your home. By combining excellent instruction augmented with visual aids and examples, we help inspire in your children a lifelong love of learning. The Aeneid by Virgil translated by A. S. Kline This text was designed to accompany Roman Roads Media's 4-year video course Old Western Culture: A Christian Approach to the Great Books. For more information visit: www.romanroadsmedia.com. Other video courses by Roman Roads Media include: Grammar of Poetry featuring Matt Whitling Introductory Logic taught by Jim Nance Intermediate Logic taught by Jim Nance French Cuisine taught by Francis Foucachon Copyright © 2015 by Roman Roads Media, LLC Roman Roads Media 739 S Hayes St, Moscow, Idaho 83843 A ROMAN ROADS ETEXT The Aeneid Virgil TRANSLATED BY H. R. FAIRCLOUGH BOOK I Bk I:1-11 Invocation to the Muse I sing of arms and the man, he who, exiled by fate, first came from the coast of Troy to Italy, and to Lavinian shores – hurled about endlessly by land and sea, by the will of the gods, by cruel Juno’s remorseless anger, long suffering also in war, until he founded a city and brought his gods to Latium: from that the Latin people came, the lords of Alba Longa, the walls of noble Rome. -
Virgil Georgics Translation.Pdf
Virgil’s Georgics translated by Colin John Holcombe Ocaso Press 2012 Virgil’s Georgics a new translation by Colin John Holcombe © Ocaso Press 2012 Last Revised: July 2021 Published by Ocaso Press Ltda. Santiago, Chile. All rights reserved. Copyright applies to this work, but you are most welcome to download, read and distribute the material as a pdf ebook. You are not permitted to modify the ebook, claim it as your own, sell it on, or to financially profit in any way from its distribution. Contents 1. Introduction 2 2. Translation BOOK ONE Proem to the Whole Work Lines 1. Invocation 1-42 Field Crops 2. Ploughing 43-70 3. Improving Land 71-99 4. Irrigation 100-117 5. Beginnings of Agriculture 118-159 6. The Farmer’s Tools 160-117 7. The Threshing Floor 118-203 Farmer’s Calendar Heavenly Bodies As Signs 8. Proper Times for Tasks 204-230 9. Star Lore 231-258 10. Incidental Tasks 259-275 11. Auspicious and Inauspicious Days 276-286 12. Best Times of the Day 287-310 13. Transition: Storms 311-350 Weather Signs 14. Bad Weather 351-392 15. After Rain 393-423 16. Good Weather: Moon 424-437 17. Good Weather: Sun 438-460 Finale 18. Portents of Rome’s Disaster 461-497 19. Prayer for Augustus 498-514 BOOK TWO 1. Introduction 1-8 2. Propagation of trees 9-34 3. Proem 35-46 4. Propagation of trees (2) 47-72 5. Grafting and budding 73-82 6. Variety of trees and vines 83-108 7. Different plants in different places 109-35 8. -
143697115.23.Pdf
- • - ;;J:= .... / .•' ."‘v- ... 11 "■*^*'* •- — ' '^?<r ■'* ’nffiiawfSBHHw ////////// 1 ( BRITISH POETS. VOL. XIII. EDINBURGH: Printed for A. KINCAID and W, CREECH, and J. BALFOUR. M, DCC, I.XXIII. 3* ^23^; oc'l THE WORKS O F VIRGIL, TRANSLATED BY JOHN D R Y D E N, Efq; IN THREE VOLUMES. VOL. v. EDINBURGH: Printed for A. KINCAID and W. C R E A c and J. BALFOUR. M, DCC, LXXIII. ' VOLUME I. CONTAINING THE I PASTORALS, AND THE G E O R G I C S. , 1 . I PREFACE TO THE PASTORALS, With a fliort DEF ENCE of VIRGIL, Againft fome of the Reflexions of Monfieur Fonteneile, AS the writings of greateft antiquity are in verfe, fo, of all forts of poetry, paftorais feem the mod an- cient; being formed upon the model of the firft inno- cence, and fimplicity, which the moderns, better to difpenfe themfclves from imitating, have wifely thought fit to treat as fabulous, and impracticable; and yet they, ■' by obeying the unfophifticated diftates of nature, en- | joyed the mod valuable blelllngs of life; a vigorous health of body, with a condant ferenity and freedom . of mind ; whild we, with all our fanciful refinements, can fcarcely pafs an autumn without fome accefs of a i fever, or a whole day, not ruffled by fome unquiet padion. He was not then looked upon as a very old man, who reached to a greater number of years, than in thefe times an ancient family Can reafonably pretend to ; . and we know the names of feveral who law, and prac- ! tiled the world for a longer fpace of time, than we can A4 s PREFACE T O rtad the account of in anyone entire body of hi (lory.