Virgil, the Georgics (1Stc Bc)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
STONEFLY NAMES from CLASSICAL TIMES W. E. Ricker
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Perla Jahr/Year: 1996 Band/Volume: 14 Autor(en)/Author(s): Ricker William E. Artikel/Article: Stonefly names from classical times 37-43 STONEFLY NAMES FROM CLASSICAL TIMES W. E. Ricker Recently I amused myself by checking the stonefly names that seem to be based on the names of real or mythological persons or localities of ancient Greece and Rome. I had copies of Bulfinch’s "Age of Fable," Graves; "Greek Myths," and an "Atlas of the Ancient World," all of which have excellent indexes; also Brown’s "Composition of Scientific Words," And I have had assistance from several colleagues. It turned out that among the stonefly names in lilies’ 1966 Katalog there are not very many that appear to be classical, although I may have failed to recognize a few. There were only 25 in all, and to get even that many I had to fudge a bit. Eleven of the names had been proposed by Edward Newman, an English student of neuropteroids who published around 1840. What follows is a list of these names and associated events or legends, giving them an entomological slant whenever possible. Greek names are given in the latinized form used by Graves, for example Lycus rather than Lykos. I have not listed descriptive words like Phasganophora (sword-bearer) unless they are also proper names. Also omitted are geographical names, no matter how ancient, if they are easily recognizable today — for example caucasica or helenica. alexanderi Hanson 1941, Leuctra. -
A Study of the Late Antique Latin Wedding Centos
INSTITUTIONEN FÖR SPRÅK OCH LITTERATURER DE INCONEXIS CONTINUUM A Study of the Late Antique Latin Wedding Centos DE INCONEXIS CONTINUUM A Study of the Late Antique Latin Wedding Centos SARA EHRLING QuickTime och en -dekomprimerare krävs för att kunna se bilden. SARA EHRLING DE INCONEXIS CONTINUUM INSTITUTIONEN FÖR SPRÅK OCH LITTERATURER DE INCONEXIS CONTINUUM A Study of the Late Antique Latin Wedding Centos SARA EHRLING Avhandling för filosofie doktorsexamen i latin, Göteborgs universitet 2011-05-28 Disputationsupplaga Sara Ehrling 2011 ISBN: 978–91–628–8311–9 http://hdl.handle.net/2077/24990 Distribution: Institutionen för språk och litteraturer, Göteborgs universitet, Box 200, 405 30 Göteborg Acknowledgements Due to diverse turns of life, this work has followed me for several years, and I am now happy for having been able to finish it. This would not have been possible without the last years’ patient support and direction of my supervisor Professor Gunhild Vidén at the Department of Languages and Literatures. Despite her full agendas, Gunhild has always found time to read and comment on my work; in her criticism, she has in a remarkable way combined a sharp intellect with deep knowledge and sound common sense. She has also always been a good listener. For this, and for numerous other things, I admire and am deeply grateful to Gunhild. My secondary supervisor, Professor Mats Malm at the Department of Literature, History of Ideas, and Religion, has guided me with insight through the vast field of literary criticism; my discussions with him have helped me correct many mistakes and improve important lines of reasoning. -
Homeric Catalogues Between Tradition and Invention
31 DOI:10.34616/QO.2019.4.31.54 Quaestiones Oralitatis IV (2018/2019) Isabella Nova Università Cattolica di Milano [email protected] ORCID: 0000-0002-7880-4856 HOMERIC CATALOGUES BETWEEN TRADITION AND INVENTION Abstract This contribution aims at showing how a traditional list of names could be varied by poets with the addition of new ones sharing the same features, with a special focus on the Nereids’ names. A compari- son between the catalogue of Nereids in the Iliad (XVIII 39–49) and the one in the Theogony (Theog. 243–264) shows that whilst some names are traditional and some others seem to be invented ad hoc, they all convey relaxing images (sea, nature, beauty, or gifts for sailors). This list of names did not become a fixed one in later times either: inscriptions on vase-paintings of the 5th century preserve names different than the epic ones. Even Apollodorus (I 2, 7) gives a catalogue of Nereids derived partly from the Iliad and partly from the Theogony, with the addition of some names belonging to another group of deities (the Oceanids) and other forms unattested elsewhere but with the same features of the epic ones. A further comparison between a catalogue of Nymphs in the Georgics (IV 333–356) and its reception in the work of Higynus proves that adding new names to a traditional list is a feature not only of oral epic poetry, but also of catalogues composed in a literate culture. Keywords: Homer, Iliad, Hesiod, Theogony, Apollodorus, Virgil, Hyginus, reception of Homer, vase-paintings, catalogues, Nereids, speaking-names, oral culture, orality 32 Isabella Nova This paper will consider the ancient lists of the Nereids’ names, making a comparison between catalogues in epic po- etry, which were orally composed, and their reception in clas- sical times. -
Dictynna, 6 | 2009 [En Ligne], Mis En Ligne Le 01 Juin 2009, Consulté Le 14 Septembre 2020
Dictynna Revue de poétique latine 6 | 2009 Varia Édition électronique URL : http://journals.openedition.org/dictynna/235 DOI : 10.4000/dictynna.235 ISSN : 1765-3142 Référence électronique Dictynna, 6 | 2009 [En ligne], mis en ligne le 01 juin 2009, consulté le 14 septembre 2020. URL : http:// journals.openedition.org/dictynna/235 ; DOI : https://doi.org/10.4000/dictynna.235 Ce document a été généré automatiquement le 14 septembre 2020. Les contenus des la revue Dictynna sont mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Un frammento di una declamazione di Cicerone e due controversiae senecane Emanuele Berti Le désir au féminin : d’une « Lucrèce » à une autre Sur les réceptions élégiaques d’une adaptation tibulléenne de Tite-Live Jacqueline Fabre-Serris The Poetics of Alliance in Vergil’s Aeneid Bill Gladhill Ovid’s Sappho and Roman Women Love Poets Judith P. Hallett Der Held und die Versuchung des weiblichen Anblicks Andrea Harbach Irony and Aequabilitas : Horace, Satires 1.3 Jerome Kemp Dictynna, 6 | 2009 2 Un frammento di una declamazione di Cicerone e due controversiae senecane Emanuele Berti 1 La controversia 1, 4 della raccolta di Seneca il Vecchio Oratorum et rhetorum sententiae divisiones colores propone il caso dell’abdicatio di un figlio, ripudiato dal padre vir fortis ma mutilo delle mani perdute in battaglia, per non aver voluto sostituirsi a lui nell’uccidere la madre sorpresa in adulterio insieme all’amante, secondo quanto la legge permetteva1. Giunto a trattare dei colores2 in difesa del giovane, Seneca introduce la seguente annotazione : Sen. -
Georgica. the Georgics of Vergil
LIBRARY OF CONGRESS. Yh^l^'J ^^ Shelf. UNITED STATE8 OF AMERICA. 1 THE GEORGICS OF VERGIL. n^jiA->yJLl^^--^-c 'X'^jikJx^ , r/*-^-^-^>^'^-'"^ THE GEOEGICS OF YEEGIL S^ranslattb into ffinglisl^ Wn^t BY HARRIET WATERS PRESTON. i^ 1881,: I APR 6 JAMES R. OSGOOD-Aijp: C0MPJS:NY. 1881. ^ Copyright, 1881, By Ja3ies R. Osgood and CompanYo All rights, reserved. University Press : John Wilson and Son, Cambredgb. PREFACE. CAN offer no apology for this attempt to render the Georgics of Vergil into English verse other I 1 than mj own great love of the poem, and the venturesome hope of heing able to impart a portion of the pleasure which it gives me to some few of the many who are unlikely to read it in the original. Of the best known of the Latin poets, the Georgics is the least known work : yet it is, in some respects, the most finished and symmetrical, and we have reason to believe that it came nearer than any other to satisfying the poet's own fastidious standard of excellence. It is also, or so it seems to me, the most characteristic of the man. We encounter his undisguised self upon almost every page : his ardor in patriotism, his loyalty in friend- ship, the immense capacity for gratitude which was in him, consistent with so true a dignity of spirit, his sympathy with the laboring poor, his extreme tenderness for the brute creation, his feeling for landscape, his love of home and of the country, the glimmer of humor, the . Vlll PKEFACE. grace of modesty, the touch of melancholy, which invest his image with an undying charm. -
The Great Difference
The Great Difference God and the religions of the world Hendrik Schipper 1 Unless otherwise specified, all Scripture quotations in this book are taken from the New King James Version. Copyright © 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. Order via e-mail [email protected] ISBN/EAN 978-94-91382-35-2 1st printing januari 2020 Published by Boaz Multi Media – Veenendaal in cooperation with foundation Boaz World Word Project. Translation: Hannie Tijman - Tijman Vertalingen. Copyright: ©2017 Hendrik Schipper/Boaz Multi Media All rights reserved. 2 THE GREAT DIFFERENCE CONTENT Preface 5 Introduction 7 01. God and Islam. 26 02. God and Buddhism. 40 03. God and Hinduism. 64 04. God and Animism. 95 05. God and Taoism / Confucianism 106 06. God and New Age. 133 07. God and Roman Catholicism. 150 08. God and Judaism. 186 09. God and Jainism. 228 10. God and the Bahá'í. 245 11. God and Sikhism. 264 12. God and the Greek gods. 278 13. God and Norwegian / Germanic gods. 311 14. God and the gods-Japanese Shintoism 336 15. God and Jehovah's Witnesses. 351 16. God and the Mormons. 378 17. God and Humanism 432 18. God and I self (the biggest idol) 440 19. God and the New World Order (NWO) 466 20. God and the modern-day idols 486 21. The most important differences between a Christian and a non-Christian 532 Epilogue 539 3 Preface There are many religions around the world. And even though there have always been many, their number is still increasing as people become more vocal and individualistic, and less inclined to acknowledge and tolerate authority. -
Acontius, Milanion, and Gallus: Vergil, Ecl
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 1986 Acontius, Milanion, and Gallus: Vergil, Ecl. 10.52-61 Joseph Farrell University of Pennsylvania, [email protected] Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Farrell, J., & Rosen, R. M. (1986). Acontius, Milanion, and Gallus: Vergil, Ecl. 10.52-61. Transactions of the American Philological Association, 116 241-254. http://dx.doi.org/10.2307/283919 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/classics_papers/118 For more information, please contact [email protected]. Acontius, Milanion, and Gallus: Vergil, Ecl. 10.52-61 Abstract In the rambling sequence of thoughts in Ecl. 10.31-69 that expresses the troubled state of the lovesick Gallus, Vergil depicts his friend as proposing to abandon elegy for bucolic poetry, and to take up a pair of activities presumably related to this change. These activities--carving love-messages on trees and hunting--are to some extent typical of the unrequited literary, especially pastoral, lover. But these projects may have more than just a general amatory import. It has long been held that both motifs had previously appeared in Gallus' own love poetry. More recently, D. 0. Ross has refined this theory, arguing that Gallus in his Amores had not merely used these general motifs, but had in fact adduced specific ts ories in which they appear as exempla to characterize his own amatory/literary situation. According to Ross, Vergil is alluding here to two passages in which Gallus had identified himself with two famous lovers of literary myth, namely Acontius and Milanion. -
Virgil : the Georgics
Virgil : The Georgics Translated by A.S. Kline Copyright 2002 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON- COMMERCIAL purpose. 2 Contents Book I: Agriculture And Weather..................................... 6 BkI:1-42 The Invocation................................................... 6 BkI:43-70 Spring Ploughing............................................. 8 BkI:71-99 Treatment of the Land ..................................... 9 BkI:100-117 Irrigation.................................................... 10 BkI:118-159 The Beginnings of Agriculture .................. 11 BkI:160-175 Tools and Tasks......................................... 12 BkI:176-203 Ancient Maxims ........................................ 13 BkI:204-258 Star-Lore.................................................... 15 BkI:259-310 Appropriate Times for Tasks ..................... 17 BkI:311-334 Storms........................................................ 19 BkI:335-350 The Worship Of Ceres............................... 20 BkI:351-392 Weather Signs: Terrestrial ......................... 21 BkI:393-423 Weather Signs: After The Rain.................. 23 BkI:424-460 Weather Signs: Moon And Sun ................. 24 BkI:461-497 The Portents At Julius Caesar’s Death....... 26 BkI:498-514 A Prayer for Augustus’s Success............... 27 Book II: Arboriculture And Viniculture ......................... 29 BkII:1-8 Introduction...................................................... 29 BkII:9-34 -
Virgil - Poems
Classic Poetry Series Virgil - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Virgil(70-19 BCE) Legend has it that Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul. Scholars suggest Etruscan, Umbrian or even Celtic descent by examining the linguistic or ethnic markers of the region. Analysis of his name has led to beliefs that he descended from earlier Roman colonists. Modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Etymological fancy has noted that his cognomen MARO shares its letters anagrammatically with the twin themes of his epic: AMOR (love) and ROMA (Rome). Legend also has it that Virgil received his first education when he was 5 years old and that he later went to Rome to study rhetoric, medicine, and astronomy, which he soon abandoned for philosophy; also that in this period, while in the school of Siro the Epicurean, he began to write poetry. A group of small works attributed to the youthful Virgil survive, but are largely considered spurious. One, the Catalepton, consists of fourteen short poems, some of which may be Virgil's, and another, a short narrative poem titled the Culex ("The Gnat"), was attributed to Virgil as early as the 1st century CE. These dubious poems are sometimes referred to as the Appendix Vergiliana. During the civil strife that killed the Roman Republic, when Julius Caesar had been assassinated in 44 BCE, the army led by his assassins Brutus and Cassius met defeat by Caesar's faction, including his chief lieutenant Mark Antony and his newly adopted son Octavian Caesar in 42 BCE in Greece near Philippi. -
Virgilwithenglis01virg Bw.Pdf
' LIBRARY ^ UNIVERSITY OF CAUFOANIA . SAN DIEGO 'f ?3a(^q UNIVERSITY OF California SAN DIEGO I THE LOEB CLASSICAL LIBRARY EDITED BY T. E. PAGE, MTT.n. E. CAPrS; PH.D., LL.D. W. H. D. ROUSE, utt.d. VIRGIL IN TWO VOLUMES I ECLOGUES G E O R G I C S AENEID 1-VI First printed 1916 Keprinted 1920, 1922, 1925, 1926, 1927, 1929, 1930 { •itimes) CAMEO PORTRAIT OF THE EMPEROR AUGUS TUS. FROM THE ABBEY OF ST DENIS. M <^/'W VeijJ/i(/S /l^^ro' VIRGIL WITH AN ENGLISH TRANSLATION BY H. RUSHTON FAIRCLOUGH PROFESSOR OF LATIN IN STANFORD UNIVERSITY CALIFORNIA IN TWO VOLUMES ECLOGUES GEORGICS AENEID I-VI LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM'S SONS MCMXXX TO MY WIFE Printed in Great Britain CONTENTS FAQK INTRODUCTION LIFE OF VIRGIL vii MANUSCRIPTS Xi EDITIONS AND COMMENTARIES Xiii ECLOGUES 1 GEORGICS BOOK I 80 BOOK II I 16 BOOK III 154 BOOK IV 196 THE AENEID BOOK I 240 BOOK II 294 BOOK III S48 BOOK IV S9& BOOK V 446 BOOK VI 506 LIFE OF VIRGIL PoBLius Vergilius Maro was born October 15, 70 B.C., at Andes, a district near Mantua. He was "of rustic parentage, and brought up in tlie bush and forest," ^ but his father gave him a careful edu- cation, first at Cremona, then at Milan, and lastly at Rome. In the capital he studied esi)ecially under Epidius the rhetorician, and Siro, a distinguished Epicurian. To his student-days belong the short poems known as Cataleplon (/cara AtTTToV, i e. -
114363147.23.Pdf
PUBLII VIRGILII MARONIS OPERA. JOANNIS DYMOCK, LL.D. NUNC PR1MUM ACCEDIT INlfEX, ANGLICB, HISTORICUS ET GEOGRAPHICUS. EDINBURGI: TYPIS ACADEMICIS. APUDEDINBURGI BELL & BRADFUTE, j ET WHITTAKER ET STIRLING, & SOC. KENNEY,LONDINI. & CO. MDCCCXXXVII, ^ R>C- SII'^JNS^ A * \19 6/' 7c** LECTORI S. Perpauca sunt quae, vel docentium vel discen- tium causa, praefanda videntur. Copiose dispu- tare de lectionibus variis, et ratione distinguendi quam, in hac Editione Publii Virgilii Maronis, secuti simus, institute nostro baud convenit. In gratiam tyronum opera navabatur impensior, ne typographica peccata lateant quae rudiores morari possent. Ab lectione vulgata baud libentfir dis- cessimus, nec verba reposuimus, ut aliquid mu- taretur, non emendaretur. Plurimi refert edi- tiones in usum Scholarum inter se in omnibus vel maxim! minutis congruere. Mutationes et litera - rum et verborum, nisi necessitas cogit, suntvitan- dae ; quoniam et praeceptoribus et discipulis mul- ! turn molestiae afFerunt. Te, lector, longids tenere noluimus; sed vehementissimd oramus, ut nostrum libellum, quem usibus juventutis studiosae Poe- tarum omnium Latinorum facilS Principis inservi- turum sperare audemus, quemque tuae humanitati 1 commendamus, aequi bonique consulas; et, si a- iquid minds accuratum perspexeris, veniam nobis laud recuses. Edin. Kill. Feb. 1823. P. VIRGILII MAROMIS V I T A, (UT ALIQUI PDTANT) TIBER1UM CLAUDIUM DONATUM. I*ubi.ius Virgii.ids Hard parentibus modicis fuit, et praeeipud patrelam viatoris, Marone, initio quem mercenarium, quidam opificem mox figulum, ob industriam plures generumMagii cujus- tra- oraefeeissetliderunt: quem socer, cdm sylvis agricolationi coemundis refqueet apibus rusticae curandis et gregibusreeulam primummxit. Natuscoss. Iduumest Cn. Octobrium Pompeio die,Magno in pago et M.qui LicinioAndes dicitur,Crasso enixamqui est iise Mantua laureum non ramum, procul. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9427784 Hesiod’s ’Ept? and Vergil’s labor in the “Georgies* Schott, C. Joseph, Jr., Ph.D. The Ohio State University, 1994 UMI 300 N.