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BRITISH POETS.

VOL. XIII.

EDINBURGH:

Printed for A. KINCAID and W, CREECH, and J. BALFOUR. M, DCC, I.XXIII. 3*

^23^; oc'l THE

WORKS

O F

VIRGIL,

TRANSLATED BY

JOHN D R Y D E N, Efq;

IN THREE VOLUMES.

VOL. v.

EDINBURGH:

Printed for A. KINCAID and W. C R E A c and J. BALFOUR. M, DCC, LXXIII. ' VOLUME I.

CONTAINING THE I PASTORALS,

AND THE

G E O R G I C S.

, 1

. I

PREFACE

TO THE PASTORALS,

With a fliort DEF ENCE of VIRGIL,

Againft fome of the Reflexions of Monfieur Fonteneile,

AS the writings of greateft antiquity are in verfe, fo, of all forts of poetry, paftorais feem the mod an- cient; being formed upon the model of the firft inno- cence, and fimplicity, which the moderns, better to difpenfe themfclves from imitating, have wifely thought fit to treat as fabulous, and impracticable; and yet they, ■' by obeying the unfophifticated diftates of nature, en- | joyed the mod valuable blelllngs of life; a vigorous health of body, with a condant ferenity and freedom . of mind ; whild we, with all our fanciful refinements, can fcarcely pafs an autumn without fome accefs of a i fever, or a whole day, not ruffled by fome unquiet padion. He was not then looked upon as a very old man, who reached to a greater number of years, than in thefe times an ancient family Can reafonably pretend to ; . and we know the names of feveral who law, and prac- ! tiled the world for a longer fpace of time, than we can A4 s PREFACE T O

rtad the account of in anyone entire body of hi (lory. In fhort, they invented the mod ufeful arts, Pafturage, Tillage, Geometry, Writing, Mufic, Aftronomy, &c. Whiilt the moderns,- like extravagant heirs, made rich by their indudry, ingratefully deride the good old gentlemen who had left them the eftate. Itis not there- fore to be wondered at, that paftorals are fallen into difefteem, together with that falhion of -life upon which they were grounded. And methinks I fee the reader already unealy at this part of Virgil, count- ing the pages, and podisg to the Atneis; Co delightful an entertainment is the very relation of public mif- chief and fiaughter now become "to mankind: And yet Virgil palled a much different judgement on his own works: He valued mod this part, andhis Georgies, Mid depended upon them for his reputation with poderity: But cenfures himfelf in one of his letters to Augudus, for meddling with heroics, the invention of a degene- rating age. This is the reafon that the rules of pado- ral are fo little known or dudied. Aridotle, Horace, and the Ed'ay of Poetry, take no notice of it. And Mr Boileau, one of the mod accurate of the moderns, becaufe he never lofes the ancients out of his fight, bedovvs fcarce half a page on it. It is the defign therefore cf the few following pa- ges, to clear this fort of writing from vulgar preju- dices ; to vindicate our author from fome unjud impu- tations; to look into fome of the rules of this fort of poetry, and inquire what fort of verfification is mod proper for it; in which point we are fo much inferior to the ancients, that this confideration alone were enough to make fome writers think as they ought, that is, meanly, of their own performances. THE PASTORALS. 0

•! As all forts of poetry confifl in imitation, paftoral is the imitation of a fhe'pherd confi(iere

* The Duke of Shrewfeury. THE PASTORALS. II

hufbamlry has been adorned by the writings and labour of more than twenty kings. It ought not therefore to be matter of furprize to a modern writer, that kings, the (hepherds of the people in , laid down their firft rudiments in tending their mute fubjedls; nor that the wealth of Ulyffes conlifted in flocks and herds, the intendants over which were then in equal efteem with officers of ftate in later times. And therefore Eumaeus is called in Homer: not fo much becaufc Homer was a lover of a country-life, to which he ra- ther feems averfe, but by reafon of the dignity and greatnefs of his trufl, and becaufe he was the fon of a king, flolen away, and fold by the Phenician pirates, f which the ingenious Mr Cowley feems not to have ta- iken notice of. Nor will it feem flrange, that the mafler of the horfe to king Latinus, in the nintii JEneid, was found in the homely employment of cleaving blocks, when news of the firft fkirrr.ifh betwixt the Trojans and Latins was brought to him. Being therefore of fuch quality, they cannot be fup- pofed fo very ignorant and nnpolifhed; the learning and good breeding of the w:orld was then in the hands of fuch people. He who was chofen by the confent of all parties to arbitrate fo delicate an affair as, which was the fairell of the three celebrated beauties of heaven ; he who had the addrefs to debauch away Helen from her hufband, her native country, and from a crown, ' underftood what the French call by the too foft name oigallanterie ; hehad accomplifhments enough,how ill uft foever he made of them. It feems therefore that Mr F. had not duly confidered the matter, when j he refleifted fo feverely upon Virgil, as if he had not obferved the laws of decency in his paflorais, in ma- • PREFACE TO king (hepherds fpeak to things befides their character, and above their capacity. ‘ He ftands amazed, that fhep- « herds fhould thunder out, as he exprefles himfelf, « the formation of the world, and that too according to 1 the fyflem of Epicurus. In truth, fays he, page 176. < I cannot tell what to make of this whole piece; (the ‘ Sixth Part.) I can neither comprehend the defign of * the author, nor the connexion of the parts; firftcomc < the ideas of philofophy, and prefently after thofe in- 4 coherent fables,9 8cc. To expofe him yet more, he fubjoins. ‘ It is Silenus himfelf who makes all this ab- £ furd difcourfe. Virgil fays indeed that he had drank 4 too much the day before ; perhaps the debauch hung ‘ in his head when he compoied this poem,' See. Thus far Mr F. who, to the difgrace of reafon, as himfelf. ingenuonfly owns, firft built his houfe, and then (ludied architecture ; I mean firft compofed his eclogues, and then ftudied the rules. In anfwer to this, we may ob- ferve, firft, that this very paftoral which he fingles out to triumph over, was recited by a famous player on the Roman theatre, with marvellous applaufe ; info- much that Cicero, who had heard part of it only, or- dered the whole to be rehearfed, and, ftruck with admi- ration of it, conferred then upon Virgil the glorious title of ‘ Magnae fpes altera Romae. Nor is it old Donatus only who relates this ; we have the famp account from another very credible and an- cient author: fo that here we have the judgment of Ci- cero, and the people of Rome, to confront the finglc ©pinion of this adventrous critic. A man ought to be THE PASTORALS. well allured'of his own abilities, before he attack an author of eftablifhed reputation. If Mr F. had per- ufed the fragments of the Phenieian antiquity, traced the progrefs of learning through the writers, or fb much as confulted his learned country- man Huetius, he would have found, (which falls out unluckily for him), thata Chaldaean Ihepherd difcovered to the Egyptians and Greeks the creation of the world. And what fubjeft more fit for fuch a palloral, than that great affair which was firft notified to the world by one of that profeilion ? Nor does it appear, (what he takes for granted), that Virgil defcribes the original of the world, according to the hypothelis of Epicurus; he was too well feen in antiquity to commit fuch agrofs miltake ; there is not theleaft mention of chance in that whole paiTage, nor of the clinamen principiorum, fo pe- culiar to Epicurus’s hypothefis. Virgil had not only more piety, but was of too nice a judgement to intro- duce a god denying the power and providence of the , and finging a hymn to the atoms, and blind chance. On the contrary, his defcription agrees very well with that of Mofes ; and the eloquent commenta- tor D’Acier, who is fo confident that Horace had per- ufed the facred hiftory, might with greater reafon have affirmed the fame thing of Virgil. For, befides that famous paflage in the fixth iEneid, (by which this may be illuftrated), where the •word principle/ is ufed in the front of both by Mofes and Virgil, and the feas are firll mentioned, and the fpiritus intns alit, which might not improbably, as Mr D’Acier would fuggeft, allude to the ‘ Spirit moving upon the face of waters;’ but, omitting this parallel place, the fucceffive for- *4 PREFACE TO

mation of the world is evidently defcribed in thefe words, ‘ Rerum paulatim fumere formas; And ’tis hardly poffible to render more literally that verfe of Motes, ‘ Let the waters be gathered into one place, and let ‘ the dry land appear,’ than in this of Virgil, ‘ Jam durare folum, et difcludere Nerea ponto.’ After this the formation of the fun is defcribed (ex- aftly in the Mofaical order,) and next the produdtion of the firtl leaving creatures, and that too in a fmall number, (ftill in the fame method.) ‘ Rara per ignotos errent animalia monies. And here the forefaid author would probably re- mark, that Virgil keeps more exactly the Mofaic fy ftcm, than an ingenious writer, who will by no means allow mountains to be coeval with the world. Thus much will make it probable at leaft, that Virgil had Mofes in his thoughts rather than Epicurus, when he compofed this poem. But it is further remarkable, that this paf- fage was taken from a fong attributed to Apollo, who himfelf too unluckily had been a Ihepherd, and he took it from another yet more ancient, compofed by the fird: inventor of multc, and at that time a (hepherd too; and this is one of the noblelt fragments of Greek antiqui- ty ; and, becaufe I cannot fuppofe the ingenious Mr F. one of their number, who pretend to cenfure the Greeks, without being able to diflinguilh Greek from Ephefian charafters, I fhall here fet down the lines from which Virgil took this palfage, though none of the commentators have obferved it. THE PASTORALS. IS ) 'i, gg&m S’’ ei ’icrTrP.o the liquid dangerous lobking-glafs, for fear of being ill ^lolen by the w'ater-, that is, falling and being i drowned as Hylas was ? Pafiphae’s monftrous palfion .(•for a bull, is certainly a fuhjcct enough fitted for Bu-

i PREFACE TO colics: Can Mr F. tax Silenus for fetching too far the transformation of the two fiifers of Phaeton into trees, when perhaps they fat at that very time under the ho- fpitable lhade of thofe alders and poplars ? Or the me- tamorphofes of Philomela into that ravifhing bird, which makes the fweetefl: mufic of the groves ? If he had looked into the ancient Greek writers, or fo much as confulted honeff Servius, he -would have difeovered, that, under the allegory of this drunkennefs of Silenus, the refinement and exaltation of mens minds by phi- lofophy was intended. But, if the author of thefe re- fleftions can take fuch flights in his wine, it is almoft pity that drunkennefs Ihould be a fin, or that he fliould ever want good ftore of Burgundy and Champaign. But, indeed, he feems not to have ever drank out of Si- lenus’s tankard, when he compofed either his Critique, or Paftorals. His cenfure on the fourth feems worfe grounded than the other : It is entitled, in fome ancient mauu- feripts, The Hiftory of the Renovation of the World : Hecomplains, ‘that he cannot underfland what is meant ‘ by thofe many figurative expreflions But, if he had confultcd the younger Voflius’s diflertation on this paf- toral, or read the excellent oration of the Emperor Con- flantine, made French by a good pen of their own, he would have found there the plain interpretation of all thofe figurative expreffions ; and, witkall, very (Irong proofs of the truth of the Chriftian religion ; fuch as converted Heathens, as Valerianus, and others: And, upon account of this piece, the mofl learned of all the Latin fathers calls Virgil a Chriflian, even before Chri- ftianity. Cicero takes notice of it in his books of divi- THE PASTORALS. 17 mtion, and Virgil probably had put it in verfe a conli- ■'.derable time before the edition of his paftorals. Nor does he appropriate it to Pollio, or his fon, but com- plimentally dates it from his confullhip. And there- fore fome one, who had not fo kind thoughts of Mr E. ,as I, would be inclined to think him as bad a Catho- lic as a Critic in this place. But, in refpeft to fome books he has wrote fince, I ;rpafs by a great part of this, and (hall only touch briefly dabme of the rules of this fort of poem. The firfl: is, that an dr of piety upon all occafions >r#hould be maintained in the whole poem : This appears tin all the ancient Greek writers; as Homer, Hefiod, uAratus, &c. And Virgil is fo exaft in the obfcrvation If it, not only in this work, but in his fEneis too, that celebrated French writer taxes him for permitting Eneas to do nothing without the affiftance of fome od. But by this it appears, at lead, that Mr St Evr. ):s no Janfenift. , Mr F. feems a little defeflive in this point; he Eirings in a pair of Ibepherdefies difputing very warm- •£, whether Victoria be a goddefs or a woman. Her Meat condefcenfion and compaflion, her affability and -.podnefs, none of the meaneft attributes of the divi- Sfy, pafs for convincing arguments that (he could not . ipflibly be a goddefs. 1 I.es deeffes toujours fieres et meprifantes ‘ Ne raflureroient point les bergeres tremblantes ‘ Par d’ obligeans difcours, des fouris gracieux;, ,■ ‘ Mais tu I’as veu; cette augufte perfonne " c Qui vient de paroiftre en ces lieux Vol. V. S s8 PREFACE TO ‘ Prend foin de rafTurer au moment qu’elle etonne, ‘ Sa bonte defendant fans peine jufqu’a nous.’ In fhort, (he has too many divine perfeftions to be a deity, and therefore fhe is a mortal (which was the thing to be proved.) It is direftly contrary to the prac- tice of all ancient poets, as well as to the rules of de- cency and religion, to make fuch odious preferences. I am much furprized, therefore, that he fliould ufe fuch an argument as this : ‘ Cloris, as-tu veu des deeffes ‘ Avoir un air fi facile et fi doux ?’ Was not Aurora, and Venus, and Luna, and I know not how many more of the heathen , too eafy of accefsto Tithonus, to Anchifes, and to Endymion ? Is there any thing more fparkifh and better humoured than Venus’s accofling her fon in the defarts of Libya ? or than the behaviour of Pallas to Diomedes ? one of the mod perfcft and admirable pieces of all the ; where fhe condefcends to raille him fo agreeably; and, notwithdanding her fevere virtue, and all the eufigns of majedy, with which die fo terribly adorns herfelf, condefcends to ride with him in his chariot ? But the Odyfles are full of greater indances of condefcenfion than this. This brings to mind that famous padage of Lucan, in which he prefers Cato to all the gods at once, ‘ Viflrix caufa deis placuit, fed vifla Catoni.’ Which Brebaeuf has rendered fo flatly, and which may be thus paraphrafed. ‘ Heav’n meanly with the conqueror did comply, ‘ But Cato, rather than fubmit, would die. THE PASTORALS. It is an unpardonable preiumption in any fort of i religion to compliment their princes at the expence of (heir dietics. But, letting that pafs, this whole eclogue is but a long paraphrafe of .a trite verfe in Virgil, and Ho- j mcr, ‘ Nec vox hominem fonat, O Dea certe.’ So true is that remark of the admirable E. of Rof- ; common, ifapplied to the Romans, rather, I fear, than Ito the Engliih, fince his own death, , ‘ one fterling line, [foine. ‘ Drawn to French wire, would thro’ whole pages Another rule is, that the charadlers fhould reprefent 1. that ancient innocence, and unpraftifed piainnefs, which was then in the world. P. Rapin has gathered many inftances of this out of Theocritus and Virgil; and the reader can do it as well as himfelf. But Mr F. tranfgreffed this rule, when he hid himfelf in the J; thicket, to Men to the private difoourfe of the two ' fhepherdefles. This is not only ill breeding at Ver- failles; the Arcadian (hepherdeffes themfelves would have fet their dogs upon one for fuch an unpardonable it; piece of rudenefs. A third rule is, that there (hould be fome ordon- : iltance, fome defign, or little plot, which may deferve ti the title of a paftoral foene. This is every where ob- < ferved by Virgil, and particularly remarkable in the t; firft eclogue, the ftandard of all paftorals. A beautiful a; landfcape prefonts itfolf to your view; a foepherd, with it his flock around him, refting focurely under a fpread- t ing beech, which furnilbed the firft food to our ancef- t tors. Another, in quite different fituation of mind and B i 10 PREFACE TO circumfiances, the fun fetting, the hofpitality of the more fortunate fhepherd, &c. And here Mr F. feems not a little wanting. A fourth rule, and of great importance in this de- licate fort of writing, is, that there be choice diverfity of fubje&s; that the eclogue, like a beautiful profpeft, fhould charm by its variety. Virgil is admirable in this point, and far furpaffes Theocritus, as he does every where, when judgment and contrivance have the principal part. The fubject of the firft pafloral is hint- ed above. Thefecond contains the love of Cotydon for Alexis, and the feafonable reproach he gives himfelf, that he left his vines half pruned, (which, according to the Ro- man rituals, derived a curfe upon the fruit that grew upon it), whilft he purfued an objeft undeferving his , paflion. The third, a fliarp contention of two fhepherds for the prize of poetry. The fourth contains the difcourfe of a fhepherd, comforting himfelf in a declining age, that a better was enfuing. The fifth, a lamentation for a dead friend, the firft draught of which is probably more anc'ient than any of the paftorals now extant, his brother being at firft in- 4 tended ; but he afterwards makes his court to Auguf- tus, by turning it into an apotheofis of Julius Cae- far. The fixth is the Silenus. The feventh, another poetical difpute, firft com- pofed at Mantua, f THE PASTORALS. ax The eighth is the defcription of a defpairing lover, and a magical charm. He fets the ninth after all thefe, very modeftly, be- caufe it was particular to himfelf; and here he would . have ended that work, if Callus had not prevailed up- on him to add one more in his favour. Thus curious was Virgil in diverfifying his fubjefts. But Mr F. is a great deal too uniform : Begin where you pleafe, the fubject is ftill the fame. We find it true what he fays of himfelf, ‘ Toujours, toujours de 1’amour.’ Fie feems to take paftorals and love-verfes for the feme thing. Has human nature no other pafiion ? Does not fear, ambition, avarice, pride, a capricio of honour, and lazinefs itfelf, often triumph over love ? But this paffion does all, not only in paftorals, but in modern tragedies too. A hero can no more fight, or be fick, or die, than he can be born, without a woman. But dramatics have been compofed in compliance to the humour of the age, and the prevailing inclination of the great, whofe example has a more powerful influ- ence, not only in the little court behind the feenes, but on the great theatre of the world. However, this inundation of love-verfes is not fo much an efTeft of 'their amoroufnefs, as of immoderate felf-love; this 'being the only fort of poetry, in which the writer can, ‘not only without cenfure, but even with commenda- tion, talk of himfelf. There is generally more of the spaffion of Naj-ciflus, than concern for Chloris and Co- rinna, in this whole affair. Be pleafed to look into ai- 'mofl any of thofe writers, and yon (hall meet every where that Eternal Moy, which the admirable Pafcal lo B 3 Z2, PREFACE TO jiulicioufly condemns. Homer can never be enough ad- mired for this one fo particular quality, that he never fpeaks of himfelf, either in the , or the Odyfles; and if Horace had never told us his genealogy, but left It to the writer of his life, perhaps he had not been a lofer by it. This confideration might induce thofe great critics, Varius and Tucca, to raze out the four firfl verfes of the JEneis, in great meafure, for the fake of that unlucky ilk ego. But extraordinary geniufes have a fort of prerogative, which may difpenfe them from laws, binding to fubjeft-wits. However, the ladies have the lefs reafon to be pleafed with thofe addreffes, of which the poet takes the greater (hare to himfelf. Thus the beau predes into their dreffing-room, but it is not lb much to adore their fair eyes, as to adjuft his own lleenkirk and peruke, and fet his countenance in their glafs. A fifth rule, (which one may hope will not be con- tefled), is, that the writer (hould fliew, in his compofi- tions, fome competent (kill of the fubjefl-matter, that which makes the charafter of perfons introduced. In this, as in all other points of learning, decency, and oeconomy of a poem, Virgil much cxcells his mailer Theocritus. The poet is better (killed in hu(bandry than thofe that get their bread by it. He defcribes the nature, -the difeafes, the remedies, the proper places, and feafons, of feeding, of watering their flocks ; the furniture, diet ; the lodging and padimes of his (hep- herds. But the perfons brought in by Mr F. are (hep- herds in mafquerade, and handle their (beep-hook as aukwardly as they do their oaten reed. They faunter about with their then moutons; but they relate as little THE PASTORALS. *3 I . to the bufmefsin hand, as the painter’s dog, or a Dutch > 1 lh:p does to the biltory defigned. One would fufpeft I: foine of them, that inftead of leading out their fheep i into the plains of Mount Brifon, and Marcilli, to the l flowry banks of Lignon, or the Charanthe, that they 3, are driving direftly a la boucberie, to make money of 1 them. I hope hereafter Mr F. will chufe his fervants [ better. A fixth rule is, that as the flile ought to be natural, > clear, and elegant, it fliould have fome peculiar rclilh > i of the ancient falhion of writing. Parables in thofe I times were frequently ufed, as they are hill by the i Eaftern nations, philofophicalqueftions,aenigma’s,&c. : ; and of this we find inftances in the facred writings, in Homer,contemporary with king David; in Herodotus; in the Greek tragedians. This piece of antiquity is imi- : tated by Virgil with great judgement and difcretion. He has propofed one riddle which has never yet been folved by any of his commentators. Though he knew the rules of rhetoric, as well as Cicero himfelf, he conceals that (kill in his paftorals, and keeps clofe to the cha- . < racier of antiquity. Nor ought the conneftions and tran- fitions to be very drift and regular; this would give the paftorals an air of novelty : And of this negleft i( of exaft conneftions, we have inftances in the writings of the ancient Chinefes, of the Jews and Greeks, in Pindar, and other writers of dithyrambics, in the chorus’s of iEfchylus, Sophocles, and Euripides. If Mr F. and Ruaeus, had confidefed this, the one would have fpared Tiis critic of the fixth, and the o- ) ther his refleftions upon the ninth paftoral. The o- ‘ ver-fcrupulous care of conneftions makes the modem £ 4 14 PREFACE TO compofitions oftentimes tedious and flat : And by the omilEon of them it comes to pafs, that the peufees of the incomparable Mr Fafcal, and perhaps of Mr ( Bruyere, are two of the mold entertaining books which the modern French can boaft of. Virgil, in this point, was not only faithful to the character of antiquity, but copies after nature herfelf. Thus a meadow, where the beauties of the fpring are profufely blended together, makes a more delightful profpeft than a cu- rious parterre of forted flowers in our gardens ; and we are much more tranfported with the beauty of the heavens, and admiration of their Creator, in a clear night, when we behold ftars of ail magnitudes, pro- j mifcuoufly moving together, than if thofe glorious lights were ranked in their feveral orders, or reduced into the fineft geometrical figures. Another rule omitted by P. Rapin, as fomc of His are by me, (for I do not defign an entire treatife in this preface,) is, that not only the fentences fhould be (hort, and fmart, upon which account, he juftly blames the Italian, and French, as too talkative, but that the whole piece fhould be fo too. Virgil tranfgreffed this rule in his firft paftorals, I mean thofe which he com- pofed at Mantua, but refiified the fault in his riper ■ years. This appears by the Culex, which is as long as five of his paftorals put together. The greater part of thofe he finifhed, have lefs than an hundred verfes, and but two of them exceed that number. But the Si- lenus, which he feems to have defigned for his mafter- piece, in which he introduces a god finging, and he too full of infpiration, (which is intended by that ebriety which Mr F. fo unreafonably ridicules,) though it go through fo yaft a field of matter, and comprizes the , mythology of near two thoufar.d years, conflfts but of ’-fifty lines; fo that its brevity is no Ids admirable, than , the fubjeft-matter, the noble falhion of handling it, ’ end the deity fpeaking. Virgil keeps up his character : in this refpeft too, with the ftrifteft decency. For I poetry and paftime was not the bufinefs of mens lives in thole days, but only their feafonable recreation after neceflary labours. And therefore the length of fome |«of the modern Italian, and Englifh compofitions, is a- jtgainll the rules of this kind of poefy. I I Ihail add lomething very briefly touching the ver- iiification of paflorals, though it be a mortifying confi- iideration to the moderns. Heroic verfe, as it is com- rinonly called, was ufed by the Greeks in this fort of ifeoem, as very ancient and natural. Lyrics, lambics, &c. iabeing invented afterwards : But there is fo great a dif- i rerence in the numbers, of which it may be compound- iid, that it may pafs rather for a than fpecies of ^yerfe. Wbofoever thall compare the numbers of the i'.hree following verfes, will quickly be fenftble of the jruth of this obfervation. ‘ Tityre, tu patulae recubans fub tegmine fagi. j j- The firft of the Georgies, ‘ Quid facial laetas fegetes, quo fydere terram. blind of the iEntis, ■ ‘ Arma, virutnque cano, Trojaequi primus ab oris. 1. The found of the verfes is almoft as different as t |*ie fubjefts. But the Greek writers of paftoral ufual- i ? limited themfelvesto the exampleofthe firfl; which jujrgil found fo exceedingly difficult, that he quitted it, fijjfd left the honour of that part to Theocritus. It is ^l.deed piobaole that w-hat v’e improperly call rhyme, ..1.. the moif ancient fort of poetry ; and learned men a 6 PREFACE TO have given ;good arguments tor it : And therefore a French hitlorian commitsas agrolsmiftake, when heat- tributes that invention to a king of Gaul, as an Eng- glifh gentleman does, when he makes a Roman Empe- ror the inventor of it But the Greeks, who under- fiood fully the force and power of numbers, fbon grew weary of this childilh fort of verfe, as the younger Vof- fius juftly calls it; and, therefore, thofe rhyming hexa- meters, which obferves in Homer himfelf, feem to be the remains of a barbarous age. Virgil had them in fuch abhorrence, that he would rather make a falfe fyntax, than (what we call a rhyme,) fuch a verfe as this. ‘ Vir precor uxori, frater fuccurre Sorori, ’ was pafl'able in Ovid; but the nice ears in Augnftus’s court could not pardon Virgil for ‘ At regina pyra,’ So that the principal ornament of modern poetry was accounted deformity by the Latins and Greeks: It was they who invented the different terminations of words, thofe happy compofitions, thofe Ihort monofyllables, thofe tranfpofitions for the elegance of the found and fenfe, which are wanting fo much in modern languages. The French fometimes crowd together ten or twelve monofyllables into one disjointed verfe: They may un- derltand the nature of, but cannot imitate, thofe won- derful fpondees of Pythagoras, by which he could fud- denly pacify a man that was in a violent tranfport of anger; nor thofe fwift numbers of the priefls of Cy- bele, which had the force to enrage the moft fedate and phlegmatic tempers. Nor can any modern put into THE PASTORALS. 17 his own language the energy of that fingle poem of Catullus, ‘ Super alta veftus Atys,’ &c. Latin is but a corrupt dialed! of Greek ; and the French, Spaniih, and Italian, a corruption of Latin; and therefore a man might as well go about to per- fuade me that vinegar is a nobler liquor than wine, as that the modern compofuions can be as graceful and harmonious as the Latin itfelf. The Greek tongue very naturally falls into lambics; and therefore the di- ligent reader may find fix or fieven and twenty of them in thofe accurate orations of Ifocrates. The Latin as naturally falls into heroic ; and therefore the begin- ning of Livy’s hiftory is half an hexameter, and that of Tacitus an entire one. * The Roman hiltorian, de- fcribing the glorious effort of a colonel to break thro’ a brigade of the enemies, juft after the defeat at Cannae, falls, unknowingly, into a verfe not unworthy Virgil himfelf : ‘ Haec ubi didla dedit, ftringit gladium, cuncoq; ‘ Fadfo per medios,’ &c. Ours and the French can at belt but fall into blank verfe, which is a fault in profe. The misfortune in- deed is cbmmon to us both; but we deferve more com- panion, becaufe we are not vain of our barbarities. As age brings men back into the ftate and infirmities of childhood, upon the fall of their empire, the Romans doated into rhyme, as appears fufficiently by the hymns of the Latin church, and yet a great deal of the French poetry does hardly deferve that poor title. I ftiall give * Livy. 26 PREPACK TO an inftance out of a poem which had the good luck to gain the prize in 1685; for the fubjeft deferved a nobler pen. ‘ Tousles jours ce grand roy, des autres roys ‘ I’exemple, ‘ S’ouvre nouveau chemiu au faifte de uu ton ‘ temple,’ &c. The judicious Malherbe exploded this fort of verfc near eighty years ago. Nor can I forbear wondering at that pafiage of a famous academician, in which he, moil compafftonately, cxcufes the ancients for their not being fo cxa£t in their ccmpolitious, as the modern Trench, becauie they wanted a cliftiouary, of which the French are at lath happily provided. It Demofthenes and Cicero had been fo lucky as to have had a didtio- nary, andfuch a patron as Cardinal Richelieu, perhaps they might have afpired to the honour of Balzac’s le- gacy of ten pounds, U frix de 1'eloquence. On the contrary, I dare alien, that there are hardly ten lines in either of thofe great orators, or even in the catalogue of Homer’s (hips, which is not more harmo- nious, more truly rythmical, than mod of the French or Englilh fonnets; and therefore they lofe, at leaft, one half of their native beauty by trar.flation. I cannot hut add one remark on this cccafion, that the French verfe is oftentimes not fo much as rhime, in the loweft ferife; for the childilh repetition of the fame note cannot be called mnlic; fuch inftances are infinite, as in the fort-cited poem. ‘ 'Epris Trophee Cache; ‘ Mepris Orphee Cherche.’ THE PASTORALS. 19 Mr Boileau himfelf basa great deal of this (aovotcvioi, I not by his own negleft, but purely by the faultinefs and poverty of the French tongue. Mr F. at laft goes into the exceffive paradoxesof Mr Perrauit, and boaiis of the vaft number of their excellent fongs, preferring them to the Greek and Latin. But an ancient writer, of as good credit, has affured us, that feven lives would hardly fuffice to read over the Greek odes; but a few weeks would be fuffreient, if a man were ib very idle as to read over all the French. In the mean time, I (hould be very glad to fee a catalogue of but fifty of theirs with ‘ * Exaff propriety of word and thought.’ Notwithftanding all the high encomiums and mu- tual gratulations which they give one another ; (for I am far from cenfuring the whole of that illuftiious fo- ciety, to which the learned world is much obliged) ; af- I ter all thofe golden dreams at the 1’Ouvre, that their pieces will be as much valued ten or twelve ages hence, as the ancient Greek, or Roman, I can no more get it into my head that they will laft fo long, than I could believe the learned Dr H-— K (of the royal fociety,) if he fhould pretend to Ihew me a butterfly that had lived a thoufand winters. When Mr F. wrote his eclogues, he was fo far from equalling Virgil, or Theocritus, that he had fome • pains.to take before he could underftand in what the i principal beauty and graces of their writings do confift. * * Eflay of Poetry, I A N

ESSAY

ON THE

G E O R G I C S.

IRG1L may be reckoned the firit who intro- V duced three new kinds of poetry among the Ro- mans, which he copied after three the greateif mafters cf Greece. Theocritus and Homer have ftill difputed for the advantage over him in Paftoral and Heroics, but I think all are unanimous in giving him the pre- cedence to HeGod in his Georgies. The truth of it is, the fweetnefs and ruflicity of a paftoral cannot be lb wellexpreihed in any other tongue as in the Greek, when rightly mixed and qualified with the Doric dialeft; nor can the majefty of an heroic poem any where ap- pear lb well as in this language, which has a natural greatnefs in it, and can be often rendered more deep and fonorous by the pronounciation of the lonians. But, in the middle ftile, where the writers in both tongues are on a level, we-fee how far Virgil has ex- celled all who have written in the fame way with him. There has been abundance of criticifm fpent on Vir- gil’s Paftorals and iEneids; but the Georgies are a fub- jeft which none of the critics have fufficiently taken into their confidcration ; moft of them palling it over ON THE GEORGICS. 3* in filence, or cafting it under the fame head with pafto- ral; a divifion by no means proper, unlefs we fuppofe the ftile of a hufbandman ought to be imitated in a Georgic, as that of a (hepherd is in paftoral. But tho’ the fcene of both thefe poems lies in the fame place, the fpeakers in them are of a quite different charafler, fince the precepts of hulbandry are not to be delivered with the fimplicity of a ploughman, but with the ad- drefs of a poet. No rules therefore that relate to paf- toral can any way affe£l the Georgies, which fall un- der that clafs of poetry which confifts in giving plain and direct inftructions to the reader; whether they be moral duties, as thofe of Theognis and Pythagoras; or philofophical fpeculations, as thofe of Aratus and Lu- cretius ; or rules of practice, as thofe of Hefiod and Vir- gil. Among thefe different kinds of fubjefts, that which the.Georgic goes upon, is, I think, the meaneft and lead improving, but the mod pleafing and delight- ful. Precepts of morality, befides the natural corrup- tion of our tempers, which makes us averfe to them, are fo ab ft rafted from ideas of fenfe, that they feldom give an opportunity for thofe beautifuideferiptions and images which are the fpirit and life of poetry. Natu- ral philofophy has indeed fenfibleobjefts to work upon; but then it often puzzles the reader with the intricacy of its notions, and perplexes him with the multitude 1 of its difputes. But this kind of poetry I am now fpeaking of, addreffes itfelf wholly to the imagination- it is altogether converfant among the fields and woods, and has the mod delightful part of nature for its pro- . vince : It raifes in our minds a pleafmg variety of feenes • andlandfkips, whilft it teaches us, and makes the drieft 31 an essay of its precepts look like a defcription. A Georgic,. therefore, is fome part of the fciencc of hufbandry put into a pleafing drefs, and fet off with all the beauties and embellilhrnents of poetry. Now, fince this fcience. of hufbandry is of a very large extent, the poet fhows his dull in fingling out fuch precepts to proceed on, as are ufeful, and at the fame time moft capable of orna- ment. Virgil was fo well acquainted with this fecret, that, to fet off his firft Georgic, he has run into a fet of precepts, which are almoft foreign to his fubj.ect, in that beautiful account he gives us of the figns in nature which precede the changes of the weather. And if there be ib much art in the choice of fit pre- cepts, there is much more required in the treating of. them, that they may fall in after each other by a na- tural unforced method, and lliew theipfelves in the belt and molt advantageous light. They Ihould all be fo finely wrought together into the fame piece, that no coarfe feam may dilcover where they join ; as in a cu- rious brede of needle-work, one colour falls away by fuch juft degrees, and another i tfes fo infenfibly, that we fee the variety, without being able to diftinguilh the total van!flung of the one from the firft appearance of the other. Nor is it fufficient to range and difpofe this body of precepts into a clear and cafy method, unlefs they are delivered to us in the moft pleafing and agree- able manner: For there are feveral ways of conveying the fame truth to the mind of man ; and to chufe the pleafanteft of thefe ways, is that which chiefly diftin- guiibes poetry from prole, and makes Virgil's rules of hufbandry pleafanter to read than Varro’s. Where the. profe-writer tells us plainly what ought to be done, the. O N T H 2 G E 0 R G I C S. 35 poet often conceals the precept in a defcription, and reprefents his country-man performing the aftion in which he would inftruft his reader. Where the one fets out as fully and diftinctly as he can, all the parts of the truth, which he would communicate to us; theo- ther Angles out the mod pleafing circumdance of this truth, and fo conveys the whole in a more diverting manner to the underdanding. I diall give one indance out of a multitude of this nature that might be found in the Georgies, where the reader may fee the diffe- rent ways Virgil has taken to exprefs the fame thing, and how much pleafanter every manner of exprefllon is, than the plain and diredt mention of it would have been. It is in the fecond Georgic, where he tells us what trees will bear grafting on each other. ‘ Et faepe alterius ramos impune videmus ‘ Vcrtere in alterius, mutatamque infita mala ‘ Ferre pyrum, et prunis lapidofa rubefcerc corna, ‘ Steriles platani males geflere valentcs, 4 Cadaneae fagos, ornufque incanuit albo 4 Flore pyri, glandemque fues fregere fub ulmis. 4 Nec iongum tempus : Et ingens 4 Exiit ad coelum ramis felicibus arbos ; 4 Miraturque novas frondes, et non fua poma. , Here we fee the poet confidered all the effetts of this pinion between trees of different kinds, and took notice of that effect which had the mod furprife, and iby confequence the mod delight in it, to exprefs the capacity that was in them of being thus united. This i way of writing is every where much in ufe among the jjoets, and is particularly pradtifed by Virgil, who loves to fugged a truth indiredtly, and without giving Vol. V. C 34 AN ESSAY us a full and open view of it: To let us fee juft fo much as will naturally lead the imagination into all • the parts that lie concealed. This is wonderfully di- verting to the underftanding, thus to receive a precept, that enters as it were through a by-way, and to appre- j hend an idea that draws a whole train after it: For here the mind, which is always delighted with its own dif- coveries, only takes the hint from the poet, and feems to work out the reft by the ftrength of her own faculties, j But fince the incultating precept upon precept, will at length prove tirefome to the reader, it he meets withi_ no other entertainment, the poet muft take care not to incumber his poem with too much bufinefs ; but fome- times to relieve the fubjeft with a moral refieftion, or i let it reft a while for the fake of a pleafant and perti- |- neat digreffion. Nor is it fuftkient to runout into beau- - tiiul and diverting digreflions, (as it is generally thought) ^ j ttnlefs they are brought in aptly, and are fomething of a piece with the main defign of the Georgic : Fortney ought to have a remote alliance at leaft to the fubjeff ; ; that fo the whole poem may be more uniform and a- > greeable in all its parts. We fhould never quite lofe light of the country, tho’ we are fometimes entertained! t with a diftant profpeG of it. Of this nature are Vir- . gii’s deferiptions of the original of agriculture, of the i | fruitfulnefs of Italy, of a country-life, and the like ; I „ which are not brought in by force, but naturally rife s 1, out of the principal argument and defign of the poem, i ; I know no one digreffion in the Georgies that may;, feem to contradift this obfervation, befides that in the ; >. latter end of the firft book, where the poet launches out into a difeourfe of the battle of Pharfalia, and the f ON THE GEORGICS. 35 aftions of Auguflus ; but it is worth while to confider how admirably he has turned the courfe of his narra- tion into its proper channel, and made hishufbandman concerned even in what relates to the battle, in thofe inimitable lines, ‘ Scilicet et tempos'veniet, cum finibus illis ‘ Agricola in curvo terram molitus aratro, ‘ Exefa inveniet fcabra rubigine pila: ‘ Aut gravibus raftris galeas pulfabit inanes, ‘ Grandiaque effolfis mirabitur olla fepulchris. And afterward, Ipeaking of Auguftus’sa£Hons, he dill remembers that agriculture ought to be fome way hint- ed at throughout the whole poem. < Non ullus aratro ‘ Dignus honos: Squalent abduftis arva colonis t ‘ Et curvae rigidum falces conflantur in enfem. We now come to the (file which is proper to a Geor- gtc; and indeed this is the part on which the poet , mnft lay out all his fire ngth, that his words may be i warm and glowing, and that every things he defcribes TUay immediately prefent itfelf, and rife up to the read- ; sr’s view. He ought in particular to be careful of not ■etting his fnbjedt debate his ftile, and betray him into i meannefs of expreffion, but every where to keep up jfis verfe in all the pomp of numbers, and dignity of fords. i • I think nothing which is a phrafe or faying in com- mon talk, fhould be admitted into a ferious poem : Be- jaufe it takes off from the lolemnity of the exprellion, jnd gives it too great a turn of familiarity: Much lefs (tight the low phrafes and terms of art, that are adapt- ed to hulbandry, have any place in fuch a work as the Ci 3C A N ESSAY Georgic, which is not to appear in the natural timpii- cityand nakednefs of its fubjeft, but in the pleafanteft tfrefs that poetry can beftow on it. Thus Virgil, to de- viate from the common form of words, would not make ) life oi tempore but fidere in his firft verfe, and every ‘ where elfe abounds with metaphors, Grecifms, and cir- cumlocutions, to give his verfe the greater pomp, and preferve it from finking into a plebeian flile. And herein confifts Virgil’s mafter-piece, who has not only excel- led ail other poets, but even.himfelf, in the language of his Georgies^ where we receive more flrong and lively 1 ideas of things from his words, than we could have ; done from the objects themleives: And find our imagi- nations more affedted by his deferiptions, than they would have been by the very fight of what he deferibes. I lhall now, after this Ihort Icheme of rules, confider the different fuccefs that Hefiod and Virgil have met i with in this kind of poetry, which may give us fo.me further notion of the excellence of . the Georgies. To: begin with Hefiod: If we may guefs at his charadter : from his writings, he had much more of the hufband- man than of the poet in his temper : He was wonder- fully grave, difereet, and frugal: He lived altogether in the country, and was probably, for his great prudence, the oracle of the whole neighbourhood. Theft prin- s ciples of good hulbandry ran through his works, and j, diredted him to the choice of tillage and merchandife, [ for the fubjedt of that which is the moll celebrated of ! them. He is every where bent on inftrudtion, avoids ; all manner of digrellions, and does not ftir out of the field once in the whole Georgic. His method of deferi- bing month after month, with its proper feafons and ON THE GEORGICS. employments, is too grave and Ample; it takes off from the furprize and variety of the poem, and makes the whole look but like a modern almanac in verfe. The reader is carried through a courfe of weather, and may before hand guefs whether he is to meet with fnow or rain, clouds or funfhine, in thejnext defeription. His deferiptions indeed have abundance of nature in them, but then it is nature in her fimplicity and undrefs. Thus, when he fpeaks of January; the wild hearts, lays he, run fhivering through the woods with their heads ; (looping to the ground, and their tails clapt between their legs ; the goats and oxen are almoft flead with cold ; but it is not lb bad with the (keep, becaufe they have a thick coat of wool about them. The old men too are bitterly pinched with the weather, but the young girls feel nothing of it, who fit at home with their mo- • thers by a warm fire-fide. Thus does the old gentle- man give himfelf up to a loofe kind of tattle, rather i than endeavour after a juft poetical defeription. Nor has he (hewn more of art or judgment in the precepts he has given us, which are fovvn fo very thick that they clog the poem too much, and are often fo minute and full of circumftances, that they weaken and un- . , nerve his verfe. But, after all, we are beholden to him for the firft rough (ketch of a Georgic; Where we 1 may dill difeover fomething venerable in the antique- nefs of the work; but, if we would fee the defign en- larged, the figures reformed, the colouring laid on, and the whole piece finifhed, we muft expeft it from a \ greater mafter’s hand. Virgil has drawn out the rules for tillage and plant- ing into two books, which Hefiod has difpatchcd in C 3 3» AN ESSAY half a one; but has fo raifed the natural rudenefs and limplicity of his fubjeft with fuclt a fignificancy of ex- preffion, fuch a pomp of verfe, fuch variety of tranfi- tions, andfuch aiblemn air in his refleftions, that if we look on both poets together, we fee in one the piain- nefs of a downright country-man, and, in the other, fomething of a rultic majefty, like that of a Roman Diftatorat the plough-tail. He delivers the meanelt of his precepts with a kind of grandeur ; he bleaks the clods and toffes the dung about with an air of graceful- nefs. His prognoftications of the weather are taken out of Aratus, where we may fee how judieioufly he has picked out thofe that are moft proper for his hulband- man’s obfervation ; how he has enforced the expreffion, and heightened the images which he found in the ori- ginal. The fecond book has more wit in it, and a greater boldnefs in its metaphors than any of the reft:. The poet with a great beauty applies oblivion, ignorance, wonder, defire and the like to his trees. The laft Georgia has indeed as many metaphors, but not fo daring as this; for human thoughts and paffions may be more naturally aferibed to a bee, than to an inani- mate plant. He who reads over the pleafures of a country-life, as they are deferibed by Virgil in the latter end of this book, can fcarce be of Virgil’s mind, in preferring even the life of a pbilofopher to it. We may 1 think read the poet’s clime in his dc- feription, for he feems to have been in a fweat at the writing of it. ‘ O quis me gelidus fub montibus Haemi ‘ Siftat, et ingenti ramorum protegat umbra! ON THE GEORGICS. 3» i And is every where metidoning among his chief plea- jfures, the coolnefs of his (hades and rivers, vales and grottoes, which a more northern poet would have omit- ted for the defeription of a funny hill, and fire-fide. The third Georgic feems to be the mod: laboured of them all; there is a wonderful vigour and fpirit in the defeription of the horfe and chariot-race. The force of love is repreiented in noble infiances, and very fublime expreflions. The Scythian winter-piece appears fo very cold and bleak to the eye, that a man can fcarce look > on it without (hivering. The murrain at the end has all the expreflivenefs that words can give. It was here that the poet drained hard to outdo Lucretius in the I defeription of his plague ; and if the reader would fee what fuccefs he had, he may find it at large in Scaliger. but Virgil feems no where fo well pleafed, as when he is got among his bees in the fourth Georgic ; and ennobles the actions of fo trivial a creature, with me- taphors drawn from the mod important concerns of mankind. His verfes are not in a greater noife and hurry in the battles of jEneas and Turnus, than in ' the engagement of two fwarms. And, as in his JE- neis he compares the labours of his Trojans to theft 1'of bees and pifmires, here he compares the labours of the bees to thofe of the Cyclops. In (hort, the lad 'Georgic was a good prelude totheiEneis; and very well (hewed what the poet could do in the defeription of what was really great, by deferibing the mock- grandeur of an infeed with fo good a grace. There is more pleafantnefs in the little platform of a garden, which he gives us about the middle of this book, than C 4 •to AN ESSAY in all the fpacious walks and water-works of RapinV. The fpeech of at the end can never be enough admired, and was indeed very fit to conclude fo divine a work. After this particular account of the beauties in the Georgies, I fhould, in the next place, endeavour to point out its imperfeftions, if it has any. But, tho’ I* think there are fome few parts in it that are not fb beautiful as the reft, I (hall not prefume to name them, ;.s r.dher fiifpefting my own judgment, than I can be- lie re a fault to be in that poem, which lay lb long un- der Virgil's correction, and had his laft hand put to it. 'j ha frit Georgic was probably burlefqued in the au- thor’s lifetime; for we (till find in the fcholiafts a verfe that ridicules part of a line tranllated from Plefiod. ‘ Ntv;: r.-ra, fere nudus’ And we may eafily guefs at the judgment' of this extraordinary critic, whoever he v.from his ecnfnring this particular precept. We iv.'. r Le fine Virgil would not have tranllated it from Kdiod, had he not difeovered fome beauty in it; and indeed the beauty of it is what I have before ob- itmd to be frequently met with in Virgil, the deliver- ing the precept fo indireftiy, and fingling out the par- ticular clrcnmdance of lowing and ploughing naked, to Ibggeft to us that thefe employments are proper on- ly in the hot ieafbn of the year. i lb all not hers compare the flile of the Georgies with that of Lucretius, whi cb the reader may fee alrea- dy done in the pro: ice to the feco nd volume of Mifcel- lany Poems; hut lhall conclude this poem to be the mofl compleat, elaborate, and finifhed piece of all anti- ON THEGEORGICS. +t quity. The /Eneis indeed is of a nobler kind, but the Georgic is more perfect in its kind. The /Ends has a greater variety of beauties in it, but thole of the Geor- gic are more exquifite. In (hort, the Georgic has all the perfeftion that can be expefted in a poem written by the greatell poet in the flower of his age, when his invention was ready, his imagination warm, his judg- ment fettled, and all his faculties in their full vigour and maturity.

A Golden column next in rank appear’d, On which a flirine of pureft gold was rear’d; finifh’d the whole, and labour’d ev’ry part, With patient touches of unweary’d art : The Mantuan there in fober triumph fate. Compos’d his pollute, and his look, fedate : On Homer dill he fix’d a rev’rend eye, Great without pride, in modeft majefty. In living fculpture on the Tides were fpread The Latian wars, and haughty Turnus dead ; Eliza ftretch’d upon the fun’ral pyre ; Atneas bending with his aged fire : Troy flam’d in burning gold, and o’er the throne Arms and the man in golden cyphers (hone. Pore’s Tempi-e of Fame. ‘ THE

FIRST PASTORAL;

O R,

TITYRUS and MELIBOEUS.

THE ARGUMENT, The occafwn of the firjl faftoral -was this. When Alt' gujitts had fettled himfelf in the Roman empire, that he might re-ward his veteran troops for their paft fervice, ht diftribuUd among them all the lands that lay about Cremona and Mantua ; turning out the right owners for having fided with his enemies. Virgil -was a fuf* ferer among the reft ; who afterwards recovered his eft ate by Mccaenas’s interceffion ; and, as an inftance of his gratitude, compofed the following paftoral ; where he fets out his own good fortune in the perfon of Tityrus, and the calamities of his Mantuan neighbours in the charaBer of Meliboeus. M E I. I B O E U S. BENEATH the ihade which beechen boughs diffufc. You, Tityrus, entertain your fylvan Mufe : Round the wide world in banilhment we rome, 'Forc’d from our pleafing fields and native home : While (tretch’d at eafe you fing your happy loves ; And Amaryllis fills the fliady groves. PASTORAL. I. v. i. Tyt. Thefe bleflings, friend, a deity beftow’d i For never Can I deem him lefs than God. The tender firftlings of my woolly breed Shall on his holy altar often bleed. He gave my kine to graze the flow’ry plain : And to my pipe renew’d the rural flrain. Mel. I envy not your fortune, but admire. That while the raging fword and wafteful fire Heflroy the wretched neighbourhood around, No hoflile arms approach your happy ground. Fardiff’rent is my fate : My feeble goats With pains I drive from their forefaken cotes. And this you fee I fcarcely drag along. Who yeaning on the rocks has left her young ; (The hope and promife of my failing fold :) My lofs by dire portents the gods foretold : For, had I not been blind, I might have feen Yon riven oak, the faireft of the green And the horfe raven, on the blafted bough, By croaking from the left preiag’d the coming blow. But tell me, Tityrus, what heav’nly pow’r Preferv’d your fortunes in that fatal hour? Tyt. Fool that 1 was ! I thought imperial Rome Like Mantua, where on market-days we come, > And thither drive our tender lambs from home. \ So kids and whelps their fires and dams exprefs : And fb the great I meafur’d by the lefs. But country-towns, compar’d with her, appear Like fhrubs, when lofty cyprefles are near. Mel. What great occafion call’d you hence to Rome ? Tyt. Freedom, which came at length, tho’ flow to come: P A S T O R A L I. v. 3S 47 Nor did my fearch of liberty begin, Till my black hairs were chang’d upon my chin. Nor Amaryllis would vouchfafe a look, Till Galatea's meaner bonds I broke. Till then a helplefs, hopelefs, homely Twain, I fought not freedom, nor afpir’d to gain : Tho’ many a viftim from my folds was bought. And many a cheefe to country-markets brought. Yet all the little that I got, I fpent. And ftill return’d as empty as I went. Mel. We flood amaz’d to fee your roiftrefs mourn; Unknowing that fhe pin’d for your return : We wonder’d why fhe kept her fruit fo long. For whom fo late th’ ungather’d apples hung. But now the wonder ceafes, fince I fee She kept them only, Tityrus, for thee : For thee the bubbling fprings appear’d to mourn ; And whifp’ring pines made vows for thy return. T y T. What Ihould I do! while here I was enchain’d ? No glimpfe of godlike liberty remain’d ? Nor could I hope in any place but there, To find a god fo prefent to my pray’r. There firft the youth of heav’nly birth I view’d ; For whom our monthly vidlims are renew’d. He heard my vows, and gracioufly decreed My grounds to be reflor’d, my former flocks to feed. Mel. O fortunate old man! whole farm re-") For you fufficient, and requites your pains; [mains > Tho’ rulhes overfpread the neighb’ring plains, j Tho’ here the marfliy grounds approach your fields, And there the foil a (tony harveft yields, 43 PASTORAL. I. v. 6». Tour teeming ews (hall no ftrange meadows try, Nor fear a rot from tainted company. Behold yon bord’ring fence of fallow trees Is fraught with flow’rs, the flow’rs are fraught with bees: The bufy bees with a foft murm’ring drain Invite to gentle deep the lab’ring twain. While from the neighb'ring rock, with rural fongs. The pruner’s voice the pleafmg dream prolongs ; Stock-doves and turtles tell their am’rous pain, And from the lofty elms of love complain. Tit. Th’ inhabitants of Teas and (kies (hall change. And filh on (hore, and dags in air (hall range. The banilh’d Parthian dwell on Arrar’s brink. And the blue German (hall the Tigris drink ; E’er I, forfaking gratitude and truth, Forget the figure of that god-like youth. Mel. But we mult beg our bread in climes unknown. Beneath thefcorching or the freezing zone. And fome to far Oaxis diall be fold ; Or try the Libyan heat, or Scythian cold. >•' The red among the Britons be confin’d ; A race of men from all the world disjoin’d. O mud the wretched exiles ever mourn, Nor after length of rowling years return ? Are we condemn’d by Fate’s unjud decree. No more our houfes and our homes to fee ? Or (hall we mount again the rural throne. And rule the country kingdoms, once our own? Did we for thefe barbarians plant and low, On thefe, on theie, our happy fields bedow ? > Good heav’n what dire thefts fromcivildifcord flow ? j PASTORAL. I. v. ioo 49 Now let me graff my pears, and prune the vine ; The fruit is theirs, the labour only mine. Farewel my paftures, my paternal flock, My fruitful fields, and my more fruitful flock ! No more, my goats, (hall I behold you climb The fleepy cliffs, or crop the flow’ry thyme ! No more, extended in the grot below, Shall fee you browzing on the mountain’s brow The prickly fhrubs; and after on the bare, Lean down the deep abyfs, and hang in air. No more my ftieep (ball fip the morning dew ; No more my fong fhall pleafe the rural crew : > Adieu my tuneful pipe! and all the world adieu! j T y T. This night, at lead, with me forget your care ; Chef'nuts and curds and cream fhall be your fare : The carpet-ground ftiall be with leaves o’erfpread ; And boughs fhall weave a cov’ring for your head. For fee yon funny hill the lhade extends ; And curling fmoak from cottages afeends.

THE SECOND PASTORAL; O R, ' ALEXIS. THE ARGUMENT. ’ Tin’commentators can by no means agree on the perfon of « silexis, but are all of opinion that fame beautiful youth \ is meant by him, to whom Virgil here makes love in if Cory Jon’s language and fimplicity. Kis Ira's of court- D

. 5» PASTORAL II. ]h:p is ii'holcly paftoral: He complains of the hoy's coy- nefs ; recommends hi mfelf for his beauty and fkill in pi- ping ; invites the youth into the country, svbere hepro- onifes him the diverfons of the place, ivitb a fuitahlc- prefcnt of nuts and apples: But, -when he finds nothing- ■will prevail, he refolv.es to quit his troublefome- amour, and betake hinfelf again to his former bufinefs.

O U N G Corycksn, th’unhappy fhepherdfwsin, The fair Alexis lov’d, but lov’d in vain : And underneath the heechen (hade, alone, Thus to the woods and mountains made his moan. Is this, unkind Alexis, my reward, And muft 1 die unpitied, and unheard ? Now the green lizard in the grove is laid, 1 he (heep enjoy the coolneis of the (hade ; And Theftylis wild thyme and garlic beats For harved-hinds o’erfpent with toil and heats : While in the fcorching fun I trace in vain Thy flying footfleps o’er the burning plain. The creaking locufts with my voice confpire ; They fry’d with heat, and 1 with fierce defire. How much more eafy was it to fudain Proud Amaryllis, and her haughty reign ? The fcorns of young Menalcas, once my care, Tho’ he was black, and thou art heav’nly fair ? Trud not too much to that enchanting face ; Beauty’s a charm, but foon the charm will pafs: White lilies lie neglefted on the plain, While du(ky hyacinths for ufe remain. PASTORAL. II. v. zj. Si My palHon is thy fcorn ; nor wilt thou know What wealth I have, what gifts I can bellow : What fWes my dairies and my folds contain : A thoufand lambs that wander on the plain : New milk that all the winter never fails, And all the fummer overflows the pails. Amphion fung not Tweeter to his herd, When fummon’d flones the Theban turrets rear'd. Nor am I To deform’d; for late I flood Upon the margin of the briny flood : The winds were dill; and, if the glafs be true, With Daphnis I may vie, tho’ judg’d by you. O leave the noifytown, O come and fee Our country cotes, and live content with me ! To wound the flying deer, and from their cotes With me to drive a-field the browzing goats : To pipe and ting, and in our country drain. To copy, or perhaps contend with Pan. Pan taught to join with wax unequal reeds; Pan loves the (hepherds, and their flocks he feeds : Nor fcorn the pipe; Amyntas, to be taught, With all his kifles wou’d my fkill have bought. Of feven fmooth joints a mellow pipe I have. Which with his dying breath Damoetas gave : And faid, this Cory don, I leave to thee ; •For only thou deferv’d it after me. •His eyes Amyntas durd not upward lift, ‘ For much he grudg’d the praife, but more the gift. Befides, two kids, that in the valley dray’d, I found by chance, and to my fold convey’d: .They drain two bagging udders ev’ry day ; ; And thefe fliall be companions of thy play I) z Si PASTORAL. II. v. SS. Both fleck’d with white, the true Arcadian (train, Which Theftylis had often begg’d in vain : And (he (hall have them, if again (he (hews, Since you the giver and the gift refufe. Come to my longing arms, my lovely care, And take the prefents which the nymphs prepare. White lilies in full canifters they bring, With all the glories of tl-.e purple (pring. The daughters of the flood have fearch’d the mead For violets pale, and cropt the poppy’s head : The fhort Narciflus and fair daffodil, Paniies to pleai'e the light, and cafia fweet to fmell: And fet fbft hyacinths with iron blue, To lhade marlh marygolds of (hilling hue. Some bound in order, others loofely (trow’d, To drefs thy bow’r, and trim thy new abode. Myfelf will fearch our planted grounds at home, For downy peaches and the gloffy plum : And thralh the chefnuts in the neighb’ring grove, Such as my Amaryllis us’d to love. The laurel and the myrtle fweets agree; And both in nofegays dial! be bound for thee. Ah, Corydon, ah poor unhappy fwain! Alexis will thy homely gifts difdain : Nor, (honldft thou offer all thy little (lore. Will rich lolas yield, but offer more. What have I done, to name that wealthy fwain ! So powerful are his prefents, mine fo mean ! The boar amidfl my thryftai ((reams I bring; And fouthern winds to blaft my flow’ry fpring. Ah cruel creature ! whom deft thou defpife ? The gods to live in woods have left the (kies. PASTORAL. II. y. 87. si And godlike Paris in th’ Idean grove. To Priam’s wealth preferr’d Oenone’s love. In cities which Ihe built, let Pallas reign ; Tow’rs are for gods, but forefls for the Twain. The greedy lionei's the wolf purfues, The wolf the kid, the wanton kid the browze: Alexis, thou art chas’d by Corydon ; All follow fev’ral games, and each his own. See from afar the fields no longer fmoke, The fweating fleers unharnafs’d from the yoke. Bring, as in triumph, back the crooked plough ; The fhadows lengthen as the fun goes low. Cool breezes now the raging heats remove; Ah, cruel heav’n ! that made no cure for love! I wi(h for balmy deep, but wilh in vain : Love has no bounds in pleafure, or in pain. What frenzy, (hepherd, has thy foul pofTefs’d ? Thy vineyard lies half prun’d, and half undrefs’d. Quench, Cordyon, thy long unanfwer’d fire : Mind what the common wants of life requite. On willow-twigs emp loy thy weaving care : And find an eafier love, tho’ not fo fair.

* l B 3 THETHIRDPASTORAL

O R,

P A L Ri M O N.;

menalcas. d a m o e t a s. P A L M o

THE ARGUMENT. DAMOETAS and Mcnal'cas, after fame fnwrt ftrk of country-raillery, refolve to try who has the tnojl J at a fong ; and accordingly make their neighbour Pd mon judge of their performances : Who, after a ) hearing of both parties, declares himfelf unfit for decifwn of fo weighty a controverfy, and Icatics ■victory undetermined.

Menalcas. HO, fwain ! what (hepherd owns thofe ragged fl’.e Dam. Aegon’s they are, he gave ’em me to k( Men. Unhappy jheep of an unhappy fwain! While he Neatra courts, but courts in vain ; And fears that 1 the darnftl (ball obtain ; Thou, variet, doft thy matter's gain devour : Thou milk’tt his ewes, and often twice an hour ; Of grafs and fodder thou defraud’d the dams ; And of their mother’s dugs the darving lambs. Dam. Good words, young favourite, at lead tom We know who did your bufinefs, how, and when. PASTORAL. III. v. ii. si And in what chapel too you plaid your prize ; And what the goats obferv’d with leering eyes: The nymphs were kind, and laugh’d ; and there your fafety lies. } Men. Yes, when I cropt the hedges of the leys. Cut Mycon’s tender vines, and Hole the flays. Da m. Or rather, when beneath yon ancient oak. The bow of Daphnis and the fhafts you broke : When the fair boy receiv’d the gift of right; And but for mifchief, you had dy’d for fpight. [prate, Men. What nonfenfe wou’d the fool thy mafter When thou, his knave, can’fl talk at fuch a rate i Did I not fee you, rafcal, did I not! When you lay fnug to fhap young Damon’s goat ? His mungrel bark’d, I ran to his relief, And cry’d, There, there he goes ! Hop, (lop the thief? Difcover’d and defeated of your prey, 'fou fkulk’d behind the fence, and fneak’d away. Dam. An honed man may freely take his own ; The goat was mine, by flnging fairly won. A folemn match was made ; he loft the prize, Afk Damon, afk if be the debt denies; I think he dares not, if he does, he lyes. Men. Thou fing with him ! thorn booby ! never pipe Was fo profan’d.to touch that blubber’d lip : Dunce at the bed, in dreets but fcarce allow’d To tickle, on thy draw, the dupid crowd. Dam. To bring it to the trial, will you dare Our pipes, our fkill, our voices to compare ? My brinded heifer to the dake I lay ; Two thriving calves die dickies twice a day : D 4 ss P A S T O R A L. III. v. 43. And twice befides her beeftings never fail To (lore the dairy with a brimming pail. Now back your linging with an equal (lake. Men. That (hou’d be feen, if 1 had one to make. You know too well I feed my father’s flock : What can I wager from the common (lock ? A llcpdame too I have, a curfed Ihe, Who rules my hen-peck’d (ire, and orders me. Both number twice a day the miist) dams; And once (lie takes the tale of ail the lambs. But fince you will be mad, and fince you may Sufpcft my courage, if I fhould not lay ; The pawn I proffer (hall be full as good : Two bowls I have, well turn’d of beechen wood ; Both by divine Alcimedon were made ; To neither of them yet the lip is laid. The lids are ivy, grapes in clufters lurk, Beneath the carving of the curious work. Two figures on the (ides embofs’d appear ; Conon, and what’s his name who made the fpherei v And fiiew’d the feafons of the Aiding year; J Inftrutled in his trade the lab’ring fwain. And when to reap and when to fow the grain ? DA m . And I have two, to match your pair, at home ; The wood the fame, from the fame hand they come ; The kimbo handles feem with bears-foot carv’d ; And never yet to table have been ferv’d : Where Orpheus on his lyre laments his love, With beads encompafs’d, and a dancing grove : But thefe, nor all the proffers you can make Are worth the heifer which I fet to (take. PASTORAL HI. v. 73. SI Men. No more delays, vain boafter, but begin : I prophecy before-hand I (hall win. Palaemon (hall be judge how ill you rhyme ; I’ll teach you how to brag another time. Dam. Rhymer come on, and do the word: you can; I fear not you, nor yet a better man. With filence, neighbour, and attention wait: For ’tis a bulinefs of a high debate. PAL. Sing then ; the (hade affords a proper place ; The trees are cioth’d with leaves, the fields with grafs. The bloffbms blow ; the birds on bulhes fing ; And nature has accomplilh’d all the fpring. The challenge to Damoetas lhall belong ; : Menalcas lhall fuftain his under fong : Each in his turn your tuneful numbers bring ; By turns the tuneful Mufes love to fing. Dam. From the great father of the gods above My Mufe begins; for all is full of Jove ; To Jove the care of heav’n and earth belongs ; My flocks he blefles, and he loves my fongs. Men. Me Phoebus loves; for he my Muteinfpires; And in her fongs the warmth he gave requires. For him, the god of fltepherds and their iheep. My bluihing hyacinths, and my bays I keep. Dam. My Phyllis me with pelted apples plies; } ' Then tripping to the woods the wanton hies : > . And withes to be feen, before the flies. J Men. But fair Amyntas comes una&’d to me ; And offers love; and fits upon my knee : C Not Delia to my dogs is known fo well as he. J Dam. To the dear miffrefs of my love-fick mind, : Her Twain a pretty prefent has defign’d : j8 PASTORAL III. t. ioj. I faw two flock-doves billing, and ere long Will take the neft, and her’s (ball be the young. ■ Men. Ten ruddy wildings in the wood I found, And flood on tip-toes, reaching to the ground. I fent Amyntas all my prefent flore ; - And will, to morrow, fend as many ntore. Dam. The lovely maid lay panting in my arms ; And all fhe faid and all fhe did was full of charms. Winds, on your wings to heav’n her accents bear ; Such words as heav’n alone is fit to hear. Men. Ah! what avails it me, my love’s delight, To call you mine, when abfent from my fight ! I hold the nets while you purfue the prey ; And mufl: not fhare the dangers of the day.- Dam. I keep my birth-day : Send my I’hyllis home; At (heering-time, Idas, you may come. Men. With Phyllis I am more in grace thantan Her forrow did my parting Heps purfue ; [yodu : e- Adieu my dear, fhe faid, a long adieu. Dam. The nightly wolf is baneful to the fold, Storms to the wheat, to buds the bitter cold ; But from my frowning fair more ills I find. Than from the wolves, and florms, and winter-wind, j Men. The kids with pleafure browze thebufiiy plain. The fhow’rs are grateful to the fwelling grain, To teeming ewes the fallow’s tender tree ; But more than all the world my love to me. Dam. Pollio my rural verfe vouchfafes to read : A heifer, Mufes, for your patron breed. Men. My I’ollio writes himfelf: A bull be bred, With fpurning heels, and with a butting head. PASTORAL HI. v. 135. S9 Dam. Who Pollio loves, and who his Mufe admires. Let Pollio’s fortune crown his full defires : Let myrrh inflead of thorn his fences fill : And fhow’rs of honey from his oaks diftill. Men. Who hates not living Bavins, let him he, Dead Maevius, damn’d to love thy works and thee : The fame ill tafte of fenfe wou’d lerve to join Dog-foxes in the yoke, and fheer the fwine. Dam. Ye hoys who pluck the flowers, and fpoil the Beware the fecret fnake that Ihoots a fling. [fpring. Men. Graze not too near the banks, my jolly flieep. The ground is falfe, the running ftreams are deep : See ! they have caught the father of the flock, Who dries his fleece upon the neighb’ring rock. Dam. From rivers drive the kids, and fling your Anon I’ll wafli ’em in the lhallow brook. [hook; Men . To fold, my flock ; when milk is dry’d with in vain the milk-maid tugs an empty teat. [heat, Dam. How lank my bulls from plenteous paftura come! But love, that drains the herd, deflroys the groom. M e N. My flocks are free irom love; yet look fo thin Their bones are barely cover’d with their Ikin. What magic has bewitch’d the wooly dams And what ill eyes beheld the tender lambs ? Dam. Say, where the round ofheav’n, whichall-v contains, ft To three fliort ells on earth our fight reflrains: r" Tell that, and raife a Phoebus for thy pains. J Men. Nay, teil me firft, in what new region Iprings A flow’r, that bears infcrib’d the names of kings : And thou (halt gain a prcfent as divine As Phoebus felf; for Phyllis (hall be thine. <5o PASTORAL IV. r. 167. Pa 1.. So nice a diff’rence in your finging lies. That both have won, or both deferve the prize. Reft equal happy both; and all who prove The bitcer Iweets, and pleafing pains of love. Now dam the ditches, and the floods reftrain; Their moifture has already drench’d the plain.

THE FOURTH PASTORAL;

P O L L I O. THE ARGUMENT. THE Poet celebrates tie birth-day of Salonius, the fon of Pollio, lorn in the confulflrip of his father, after the taking of Salonae, a city in Dalmatia. Many of the verfcs are tranflated from one of the Sybils, -who pro- phefy of our Saviour’s birth. SICILIAN Mufe, begin a loftier ftrain ! Though lowly ftirubs and trees that lhade the plain, Delight not all; Sicilian Mufe, prepare To make the vocal woods deferve a conful’s care. The laft great age, foretold by facred rhymes. Renews its finifh’d courfe ; Saturnian times Rowl round again, and mighty years, begun From their bright orb, in radiant circles run. The bafe degenerate iron-offspring ends ; A golden progeny from heav’n defcends ; PASTORAL IV. y. n. 61 O chafle Lucina, fpeed the mother’s pains, And hade the glorious birth; thy own Apollo reigns! The lovely boy, with his aufpicious face, } Shall Pollio’s confulfhip and triumph grace; [race. > Majeftic months fet out with him to their appointed J The father banilh’d virtue (hall rellore, And crimes (hall threat the guilty world no more. The fon (hall lead the life of gods, and be By gods and heroes feen, and gods and heroes fee. The jarring nations he in peace (hall bind, And with paternal virtues rule mankind. Unbidden earth (hall wreathing ivy bring, T And fragrant herbs (the promifes of fpring) (, i As her firft off’rings to her infant king. \ The goats with (Irutting dugs (hall homeward fpeed, And lowing herds, fecure from lions feed. His cradle (hall with rifing flow’rs be crown’d ; The ferpents brood (hall die: The (acred ground Shall weeds and pois’nous plants refute to bear ; Bach common bufh (hall Syrian rofes wear. But when heroic verfe his youth (hall raife, And form it to hereditary praife ; Unlabour’d harvefts (hall the fields adorn, And cluftcr’d grapes (hall blufh on ev’ry thorn. The knotted oaks (hall Ihow’rs of honey weep, And through the matted grafs the liquid gold (hall creep. • Yet, of old fraud fome footUeps (hall remain, The merchant (till (hall plough the deep for gain : Great cities (hall with wails be compafs’d round ; ; And (harpen’d (hares (hall vex the fruitful ground, i Another Typhis (hall new feas explore, Another Argos land tie chiefs upon th’ Iberian (bore. di PASTORAL IV. v. 45. Another Helen other wars create. And great Achilles urce the Trojan fate. But when to rh en’d n a..hood he (hall grow, The greedy failor fnall the feas forego ; No keel (hall cut the waves for foreign ware ; For ev’ry foil (hall ev’ry product hear. The labouring hind his oxen (hall disjoin ; No plow (hall hurt the glebe, no pruning-hook the Nor wool (hall in diffembled colours ihine : [vine: \ But the luxurious father of the fold. With native purple, or unborrowM gold. Beneath his pompous fleece (hall proudly fweat : And Under Tyrian robes the lamb (hall bleat. The fates, when they this happy web have (pun. Shall bids the (acred clue, and bid it fmoothly run. Mature in years to ready honours move, O of coeleflial feed, O fofter-fon of Jove! See lab’ring nature calls thee to fuftain The nodding frame of heav’n, and earth, and main; See to their bafe reftor’d, earth, feas, and air, And joyful ages from behind, in crowding ranks appear. To fing thy praife wou’d heav’n my breath prolong, Infufing fpirits worthy liich a fong ; Nor Thracian Orpheus (hould tranfcend my lays, Nor Linus crown’d with never-fading bays : Though each his heav’nly parent (hon’d infpire; The Mufe in(lro£t the voice, and Phoebus tune the lyre. Shou’d Pan contend in verfe, and thou my theme, Arcadian judges fhou’d their god condemn. Begin, aufpicious boy, to call about Thy infant eyes, and with afmile thy mother Angle out; Thy mother well deferves that (bore delight, [requite. The naufeous qualms of ten long months and travel to PASTORAL V. v. 75. Then fmile ; the frowning infant’s doom is read; No god fhali crown the board, nor goddefsblefsthe bed.

THE FIFTH PASTORAL; O R, D A P H N I S. THE A R G U M E N T. Mopfus and Mer.alcas, tvio very expert f.epherds at a fong, begin one by confent to the memory of Daphnis ; who is Jnppofed by the heji critics to reprefent Julius Caefar. Mopfus laments his death ; Menalcas pro- claims his divinity : The whole eclogue cenfifting of an elegy and. an apotheofis. Menalc As. I N C E on the downs our flocks together feed, D And fince my voice can match your tuneful reed, t' Why fit we not beneath the grateful (hade, " Which hazles, intermix’d with elms, have made ? * Mop. Whether you pltafe that fylvan feene to take, Where whiftling winds uncertain fiiadows make : Or will you to the cooler cave fucceed, .Whofe mouth the curling vines have overfpread ? t Men. hour merit and your years command the choice { Amyntas only rivals you in voice. 64 PASTORAL V. v. u. Mop. What will not that prefuming (hepherd dare, Who thinks his voice with Phoebus may compare : Men. Begin you firft ; if either Alcon’s praife, Or dying Phyllis have infpired your lays : If her you mourn, or Codrus you commend ; Begin, and Tityrus your flock (hall tend. Mop. Or lhall I rather the fad verfe repeat. Which on the beech’s bark I lately writ: I writ, and fung betwixt; now bring the fwain Whofe voice you boaft, and let him try the drain. Men. Such as the (brubs to the tall olive (hows, Or the pale fallow to the blulhing rofe; Such is his voice, if I can judge aright. Compar’d to thine, in fweetnefs and in height. Mo p. No more, but fit and hear the promis’d lay ; The gloomy grotto makes a doubtful day : The nymphs about the breathlefs body wait Of Daphnis, and lament his cruel fate. The trees and floods were witnefs to their tears: At length the rumour reach’d his mother’s ears. The wretched parent, with a pious hade, Came running, and his lifelefs limbs embrac’d : She figh’d, (he fobb’d; and, furious with defpair, ^ She rent her garments, and (he tore her hair: ( Accufmg all the gods and ev’ry dar. \ The fwains forgot their Creep, nor near the brink Of running waters brought their herds to drink. The thirCy cattle, of themfclves, abllatn’d From water, and their grafiy fare difdain'd. The death of Daphnis woods and hills deplore; They caC the found to Lybia’s defart (bore; C The Lybian lions hear, and hearing roar. S PASTORAL V. v. 43.

THE SIXTH P A S T O II A L ; O R, S I L E N U S. THE ARGUMENT. TIV 0 young Jkepherds, Cbromii and Muafyius, having been often prornijl'd a f:ng by Silenus, chance to catch him afeep in this pajicral ; -where they bind him hand and foot, and then claim his promife. Silenus, finding they -would be put off no longer, begins his fong; in ■which he deferiies the formation of the univerfe, and , the original of animals, according to the Epicurean ; philefophy ; and then runs through the mofi ftrprifeng transformations which have happened in nature fines her birth. This pajhral -was defigned as a compliment to Syro the Epicurean, -who inJtruScd Virgil and Varus in the principles of that pbilofophy. Silenus abh as ' tutor, Chromis and Mnafylus as the two pupils. PASTORAL VI. C,s> IFirft transferr’d to Rome Sicilian drains : Nor bluih’d the Doric mufe to dwell on Mantuan plains. But when I try’d her tender voice, too young 5 And lighting kings, and bloody battles lung, Apollo check’d my pride; and bade me feed My fat’ning flocks, nor dare beyond the reed. Admonifh’d thus, while ev’ry pen prepares To write thy praifes, Varus, and thy wars, My paft’ral Mufe her humble tribute brings; And yet not wholly uninfpir’d (he lings. For all who read, and reading, not difdaih Thefe rural poems, and their lowly drain. The name of Varus, oft infcrib’d (hall fee, In ev’ry grove, and ev’ry vocal tree; ( And all the fylvan reign (hall fmg of thee: J Thy name, to Phoebus and the Mufes known, ^ Shall in the front of ev’ry page be fhown : ( For he who fings thy praife, lecures his own. ^ Proceed, my Mufe : Two fatyrs, on the groundj Stretch’d at his eafe, their fire Silenus found. Doz’d with his fumes, and heavy with his load. They found him fnoring in his dark abode; And feiz'd with youthful arms the drunken god. • His rofy wreath w’as dropt not long before, ’Borne by the tide of wine, and floating on the floor. 'His empty can, with ears half worn away, Was hung on high, to boad the triumph of the day. Invaded thus, for want of better bands, His garland they undring, and bind his hands : fFor by the fraudful god deluded long, They now refolve to have their promis’d fong : E 3 yo PASTORAL VI. v. 31. jVgle came in, to make their party good, The faired Nais of the neighb’ring flood; And, while he frares around with (lupid eyes. His brows with berries and iiis temples dyes. He finds the fraud, and, with a finile, demands On what dcfign the boys had bound his hands. Loofe me, he cry’d; ’tuas impudence to find A lleeping god: ’tis facrilege to bind. To yon the promis’d poem I will pay; The (hall be rewarded in her way. He rais’d his voice; and (iron a num’rous throng Of tripping fatyrs crowded to the fong ; And fylvan fauns, and lavage hearts advanc’d, And nodding forefts to the numbers danc’d Not by Haemonian hills the Thracian bard, Nor awful Phoebus was on Pindus heard. With deeper filence, or with more regard. He Tung the fecret feeds of Nature’s frame ; How Teas, and earth, and air, and atrtive flame, Fell through the mighty void; and, in their fall. Were blindly gather’d in this goodly ball. The tender foil then ftiff’ning'by degrees, Shut from the bounded earth the bounding feas. Then earth and ocean various forms difclole; And a new fun to the new world arofe : And mirts, condens’d to clouds, obfeure the Iky; And clouds ditlolv’d, the thirlly ground fupply. The riling trees the lofty mountains grace : The lofty mountains feed the favage race ; Yet few, and rtrangers, in th’ unpeopl’d place. From thence the birth of man the fong purfu’d ; And how the world was loft, and how renew’d. PASTORAL VI. v. <4- The reign of Saturn, and the golden age; Prometheus’ theft, and Jove’s avenging rage. The cries of Argonauts for Hylas drown’d ; With whofe repeated name the fhores refound. Then mourns the madnefs of the Cretan queen; Happy for her if herds had never been. What fury, wretched woman, faz’d thy bread! The maids of Argos, (though with rage poflefs’d, Their imitated lowings fill’d the grove) Yet fhunn’d the guilt of thy prepoft’rous love. Nor fought the youthful hufhand of the herd, Tho’ lab’ring yokes on their own necks they fear’d And felt for budding horns on their fmooth fore heads rear’d. Ah, wretched queen ! you range the pathlefs wood While on a fiow’ry hank he chaws the cud; Or fleeps in (hades, or through the foreft roves; And roars with anguiih for his abfent loves. Ye nymphs, with toils his-forell-walk furround, And trace his vvand’ring footflcps on the ground. Put, ah! perhaps my paffion he difdains; And courts the milky mothers of the plains. We fearch th’ ungrateful fugitive abroad; While they at home fuftain his happy load. I He fung the lover-’s fraud; the longing maid, With golden fruit, like ail the fex, betray’d. ‘ The fillers mourning for their brother's lofs, Their bodies hid in barks, and furr’d with mofs; , How each a rifing alder now appears; And o’er the Po diftils her gummy tears. * Then fung how Galius, by a Mufe’s hand, Was led and welcom’d to the facred ftrand. E 4 7* P A S T O R A L VI. v. 9i- The fennte riling to falnte their gueft; And Linus thus their gratitude exprefs’d: Receive this prefent, by the Mufes made; Tile pipe on which th’ Afcraean pallor play’d v With which of old he charm’d the favage train, And call’d the mountain-aihes to the plain. Sing thou on this, thy Phoebus ; and the wood Where once his fane of Parian marble flood : On this his antier.t oracles rehcarfe; And with new numbers grace the god of verle. Why fhould I ling the double Scylla’s fate, The firfl by love transform’d, the lalt by hate: A beauteous maid above, but magic arts With barking dogs deform’d her nether parts. What vengeance on the palling fleet Ihe pour’d. The mailer frighted, and the mates devour’d. Then ravifh’d Philomel the fong exprell; The crime reveal’d ; the fillers cruel fealt; And how in fields the lapwing Tereus reigns; The warbling nightingale in woods complains. While Progne makes on chimney tops her moan; And hovers o’er the palace once her own. Whatever fongs bcfides, the Delphian god Had taught the laurels and the Spartan flood, Silenus fung ; the vales his voice rebound ; And carry to the Ikies the facred found. And now the fetting fun had warn’d the fwain To call his counted cattle from the plain : Yet (lill th’ unweary’d fire purfues the tuneful llrain. Till uaperceiv’d the heav’ns with liars were hung : And fudden night furpriz’d the yet unfinilh’d fong. PASTORAL VII. v. i. 7; I

THE SEVENTH PASTORAL; O R, M E L I B OE U S. THE A R G U M E N T. MELIBOEUS here gives ns the relation of a Jbarp po- etical contejl bet-wcen Thyrfis and Cory don ; at -which he himfelf and Daphnis -were prefent ; -who both de- clared for Cory don. BENEATH a holm repair’d two jolly fwains; Their Iheep and goats together graz’d the plains. Both young Arcadians, both alike inlpir’d To ling, and anfwer as the long requir’d. Daphnis, as umpire, took the middle feat; And fortune thither Ld my weary feet. S' Bor while I fenc’d my myrtles from the cold, iThe father of my flock had wander’d from the fold. Of Daphnis I inquir’d; he, fmiling, faid, ‘Difmifs your fear, and pointed where he fed. ■And, if no greater cares diflurb your mind, .Sit here with us, in covert of the wind. Your lowing heifers, of their own accord. At wat’ring lime will leek the neighb’ring ford. 74 PASTORAL VI r, v. 15, Here wanton Mincius winds along the meads, And fliades his happy banks with bending reeds : And lee from yon old oak, that mates the fkies, How black the clouds of fwarming bees arife. What Ihou’d 1 do ! nor was nigh, Nor abfent Phyllis cou’d my care fupply, To houfe, and feed by hand my weaning lambs, And drain the flrutting udders of their dams ? Great was the (Irife betwixt the finging fwains : And I preferr’d roy plealure to my gains. Alternate rhyme the ready champions chofe, Thefe Corydon reliears’d, and f'byrlis tliofc. Cor. Ve Mufes, ever fair, and ever young, Affift my numbers, and infpire my fong. With all my Codrus O infpire my breaft ! For Codrus after Phoebus fings the bell. Or if my wilhes have prefum’d too high. And flretch’d their bounds beyond mortality, The praife of artful numbers I refign : And hang my pipe upon the facred pine; Tkyr. Arcadian fwains, your youthful poet crown* With ivy-wreaths ; tho’ furly Codrus frown. Or if he blafl my Mufe with envious praife. Then fence my brows with amulets of bays ; Left his ill arts, or his malicious'tongue, Shou’d poifon, or bew itch my growing fong. Cor. Thefe branches of a flag, this tulky boar (The firft efiay of arms untry’d before) Young Mycon offers, Delia, to thy fhrine ; But fpeed his hunting with thy pow’r divine ; Thy ftatue then of Parian ftone (hall ftand ; Thy legs in bufkins with a purple band. PASTORAL Vil. v. 47- 75 Thyr. This bowl of milk, theie cakes, (our For thee, Priapus, yearly we prepare : [country fare,) C Becaufe a little garden is thy care. J But if the falling lambs increafe my fold. Thy marble flatue (hall be turn’d to gold. Cor. Fair Galatea, with thy filver feet, O, w'hiter than the fwan, and more than Hybla fvvectl Tall as the poplar, taper as the bole, Come charm thy fnepherd, and reftore my foul : Come, when my luted (beep at night return ; And crown the fiient hours, and Hop the rofy morn. Th y R. May I become as abjeft in thy light, As fta-weed on the Ihore, and black as night : Rough as a bur, deform’d like him who chaws Sardinian herbage to contract his jaws ; Such and fo mon(Irons let thy Twain appear, If one day’s abfence looks not like a year. Hence from the field, for fhame : The flock delerves Ko better feeding, while the (hepherd flarves. Cor Ye mofiy fprings, inviting eafy deep, Ye trees, whole leafy fnades thole molly fountains keep, Defend my flock, the fummer heats are near, And blolioms on the Iwelling vines appear. Thyr. With heapy tires onr chearful hearth is crown’d ; And firs for torches in the woods abound : f We fear not more the winds, and wint’ry cold. Than dreams the banks, or wolves the bleating fold. Cor. Our woods, with juniper and chefnuts crown’d, / i With falling fruits and berries paint the ground ; 1 ; And lavilh nature lau Shs» and (trows her (tores around.

: IS PASTORAL VII. v. 77- But if Alexis from our mountains fly, Ev’n running rivers leave their channels dry. Th y R. Parch'd are the plains, and frying is the field, Nor with’ring vines their juicy vintage yield. But if returning Phyllis blefs the plain, The grals revives; the woods are green again ; C And Jove defcends in (how’rs of kindly rain. \ Cor. The poplar is by great Alcides worn; The brows of Phoebus his own bays adorn : The branching vine the jolly Bacchus loves; The Cyprian queen delights in myrtle groves. With hazle Phyllis crowns her flowing hair, - And while (he loves that common wreath to wear; / Nor bays, nor myrtle boughs, with hazle (hall C compare. T H Y r. The towring afh is faired in the woods ; In gardens pines, and poplars by' the floods : But if my Lycidas will cafe my pains. And often vifit our forfaken plains; To him the tow’ring afh (hall yield in woods ; In gardens pines, and poplars by the floods. Mel. Thefe rhymes I did to memory commend. When vanqnilh’d Thyrfis did in vain contend ; Since when, ’tis Corydon among the (wains; Young Corydon without a rival reigns. PASTORAL. VIII. v. x. H i THE EIGHTH PASTORAL;

O R, PHARMACEUTRIAo T H E A R G U M ENT. THIS fiaftoral contains the fongs of Damon and Alphefi- hocus. The firft of the?n bewails the lofs of his miftrefs, and repines at the fuccefs of his rival Mopfus. The '; other repeats the charms of fame enchantrefs, who en- deavoured by herfpells and magic to make Daphnis in love with her. THE mournful Mufe of two defpairing fvvains'. The love rejefted, and the lover’s pains ; To which the favage lynxes lill’ning Hood ; The rivers flood on heaps, and Hop’d the running flood The hungry herd their needful food refufe. Of two defpairing fwains, I ftng the mournful Mufe. 1 Great Pollio, thou for whom thy Rome prepares i ,The ready triumph of thy finilh’d wars, |l Whether Timavus or th’ Illyrian coaft, Whatever land or fea thy prefence bond; Is there an hour in fate referv’d for me. To fing thy deeds in numbers worthy thee? *1 n numbers like to thine, could 1 rehearfe {Thy lofty tragic feenes, thy labour’d verfe; 7^3 PASTORAL VIII. v. ij. The world another Sophocles in thee, Another Homer fliould behold in me : Amidft thy laurels let this ivy twine. Thine was my earlielt Mufe ; my lateft fliall be thine. Scarce from the world the (hades of night withdrew; Scarce were the flocks refrelh’d with morning dew, When Damon, flretch’d beneath an olive fhade, And wildly flaring upwards, thus inveigh’d > Againfl the confcious gods, and curs’d the cruel maid. S Star of the morning, why doft thou delay l Come, Lucifer, drive on the lagging day. While I my Nifa’s perjur’d faith deplore ; Witnefs ye povv’rs, by whom the falfely fwore 1 The gods, alas ! are witnefles in vain ; -y Yet lhall my dying breath to heav’n complain. > Begin with me, my flute, the fweet Maenalian ftraim j The pines of Maenalus, the vocal grove, Are ever full of verle, and lull of love: They hearthehinds, they hear their god complain; Who fufier’d not the reeds to rife in vain. > Begin with me, my flute, the fweet Maenalian flrain. \ Mopfus triumphs ; he weds the willing fa:r ; When fuch is Nila’s choice, what lover can defpair ! Now griffons join with mares ; another age Shall fee the hound and hind their third adivage Promifcuous at the fpring : Prepare the lights, O Mopfus! and perform the bridal rites. Scatter thy nuts among the fcrambiing boys : Thine is the night, and thine the nuptial joys. For thee the fun declines : O happy fwain ! Begin with rne, my flute, the f.veet Maenalian drain. PASTORAL VIII. v. 47. 73 O Nifa ! juftly to thy choice condemn’d ! Whom haft thou taken, whom haft thou condemn’d' For him thou haft refus’d my browzing herd, Scorn’d my thick eye-brows, and my lhaggy beard. Unhappy Damon fighs, and fings in vain : While Nifa thinks no god regards a lover’s pain. Begin with me, my flute, the IweetMaenalian ftrain. I view’d thee firft ; how fatal was the view ! 5 And led thee where the ruddy wildings grew, [dew. High on the planted hedge, and wet with morning Then fcarce the bending branches I could win ; 1 The callow down began to cloath my chin ; I faw, I periih’d; yet indulg’d my pain. Begin with me, my flute, the fweet Maenalian ftrain, i know thee, Love ; in defarts thou wert bred; And at the dugs of favage tigers fed ; Alien of birth, ufurper of the plains. Begin with me, my flute, the fweet Maenalian ftrains. Relentlefs love the cruel mother led, The blood of her unhappy babes to fhed ; Love lent the fword; the mother (truck the blow ; Inhuman (he ; but more inhuman thou. Alien of birth, ufurper of the plains. Begin with me, my flute, the fweet Maenalian ftrains. ( Old floating Nature change thy courfe anew : And let the trembling lamb the wolf purfue : , Let oaks now glitter with Hefperian fruit. And purple daffodils from alders (hoot: Fat amber let the tamarilk diftill ; : And hooting owls contend with fwans in (kill : Hoarfe Tityrus ftrive with Orpheus in the woods ; j. And challenge fam’d Arion on the floods. So PASTORAL VIII. V. HJi Or, oh ! let Nature ceafe ; and Chaos rehjn. Begin with me, my flute, the fweet Maenalian ftrain. Let earth he fea ; and let the ’whelming tide, The lirelefs lia bs of lucklels Damon hide : Farewcl, ye fecret woods, and lhady groves, Haunts of my youth, and confcious of my loves! From yon high cliff 1 plung’d into the main ; Take the laft prelent of thy dying fwain. And ceafe, my fdent flute, thefweet Maenalian ftrain. J Now take your turns, ye Mufes, to rehearfe His friend’s complaints; and mighty magic-verfe. Bring running water ; bind thofe altars round With fillets ; and with vervain flrow the ground : Make fat with frankincenfe the facred fires; To re-inflame my Daphnis with defires. ’Tis done, we want but verfe. Rcfloie, my charms, My ling’ring Daphnis to my longing arms. Pale Phoebe, drawn by verfe from beav’n defcends: And Circe chang’d wdfh charms Uiylles’ friends. Verfe breaks the ground, and penetrates the brake ; And in the winding caverns fplits the fnake : Verfe fires the frozen veins. Reftore, my charms, My lingring Daphnis to my longing arms. Around his waxen image firfl I wind Three woolen fillets, of three colours join’d : Thrice bind about his thrice devoted head, Which round the facred altar thrice is led. Unequal numbers pleafe the gods. My charms, Reftorc my Daphnis to my. longing arms. Knit with three knots the fillets, knit ’em fireight; And fav, thefe knots to love I confccrate. PASTORAL VIII. v. rop. SI Hade, Amaryllis, hade : Redore, my charms. My lovely Daphnis to my longing arms. As fire this figure hardens, made of clay ; And this of wax with fire confumes away ; Such let the foul of cruel Daphnis be ; Hard to the red of women, foft to me. Crumble the facred mole of fait and corn ; Next in the fire the bays with brimdone burn. And while it crackles in the fulphur, fay, This, I for Daphnis burn; thus Dapnis burn away. This laurel is his fate : Redore, my charms, My lovely Daphnis to my longing arms. As when the raging heifer, through the grove, Stung with defire, purfues her wand’ring love; Faint at the lad, the feeks the weedy pools, To quench her third, and on the rulhes rowls ; Carelefs of night, unmindful to return : Such fruitlefs fires perfidious Daphnis burn. While I fo fcorn his love : Redore, my charms, | My ling’ring Daphnis to my longing arms. Thefe garments once were his; and left to me; !,The pledges of his promis’d loyalty : i Which underneath my threlhold I beftow ; ' Thefe pawns, O facred earth! to me my Daphnis owe. i As thefe were his, fo mine is he. My charms, ! Redore their ling’ring lord to my deluded arms. Thefe pois’nous plants for magic ule defign’d, dThe nobled and the bed of all the baneful kind,) -Old Moeris brought me from the Pontic drand : And cull’d the mifchief of a bounteous land. uSmear’d with thefe powerful juices, on the plain, He howls a wolf among the hungry train : Voc. V. F *1 PASTORAL VIII. v. i.;i. And oft the mighty necromancer boafts, With thefe, to call from tombs the ftalking ghofls: j And from the roots to tear the Handing corn ; Which, whirl’d aloft, to diftant fields is born. Such is the (Length of fpells. Reftore, my charms, j: My ling’ring Daphnis to my longing arms. Bear out thefe alhes; call ’em in the brook ; Ca(t backwards o’er your head, nor turn your look : Since neither gods, nor godlike verfe can move, Break out ye fmother’d fires, and kindle (mother’d love Exert your utmoft pow’r, my ling’ring charms, And force my Daphnis to my longing arms. See, while my lall endeavours I delay, The waking alhes rife, and round our altars play! Run to the threlhold, Amaryllis, hark, Our Hylas opens, and begins to bark. Good heav’n ! may lovers what they with believe ; Or dream their wifites, and thofe dieams deceive! No more; my Daphnis comes ; no more, my charm: He comes, be runs, he leaps to my defiring arms.

f

I PASTORAL IX. v. x. *3

THE NINTH PASTORAL; O R, LYCIDAS and MOERIS. THE ARGUMENT. WHEN Virgil, by the favour of Auguftus, had reco- vered his patrimony near Mantua, and -went in hope to take pojfejfion, he was in danger to be fain by Arius the centurion, to whom thofe lands were affigned by the [ emperor, in reward of his fervice againft Brutus and Cajius. This paftoral therefore is filled with com- plaints of his hard vfiage ; and the perfons introduced, are the bailif of Virgil, Moeris, and his friend Ly- cidas. Lycidas. HO Moeris! whither on thy way fo fail ? This leads to town Mo er. O Lycidas, at Jafl The time is come 1 never thought to fee Strange revolution for my faim and me) fyhen the grim captain in a furly tone Dries out, Pack up ye rafeals, and begone, lick’d out, we let the beft face on’t wecou’d; ind thefe two kids, t’ appeafe his angry mood, bear, of which the furies give him good. F i 84 PASTORAL IX. v. ir. Ly c. Your country-friends were told another tal That from the Hoping mountain to the vale, And dodder’d oak, and all the banks along, Menalcas fav’d his fortune with a long. Moer. Such was the news, indeed, but fongs an! Prevail as much in thefe hard iron-times, [rhyme As would a plump of trembling fowl, that rife Againtt an eagle foufmg from the Ikies. And had not Phoebus warn’d me by the croak Of an old raven, from a hollow oak, To Ihun debate, Menalcas had been flain, And Moeris not furviv’d ' im, to complain. [indin I'i Lye. Now heav’n defend! cou’d barb’rous ra| j. The brutal Ion of Mars t’ infult the lacred Mufe ! Who then Ihou’d ling the nymphs, or who rehearfe j i The waters gliding in a fmoother verfe! Or Amaryllis’ praife, that heav’nly lay, That Ihorten’d as wc went, our tedious way. O Tityrus, tend my herd, and fee them fed ; To morning-palhires, evening-waters led : And ’ware the Lybian ridgil’s butting head. Mo er. Or what unfinilh’d he to Varus read ; Thy name, O Varus (if the kinder pow’rs Preferre our plains and Ihield the IVlantuan tow rs, Obnoxious by Cremona’s neighb’ring crime,) The wings of fwans, and ftronger pinion’d rhyme, , j Shall raife aloft, and foaring bear above Th’ immortal gift of gratitude to Jove. Ly c. Sing on, fing on, for I can ne’er be cloy’d - So may thy fwarms the baleful yew avoid : So may thy cows their burden’d bags diftend ; And trees to goats their willing branches bend. PASTORAL. IX. v. 43. Mean as l am, yet have the Mufes made Me free, a member of the tuneful trade : At lead the Ihepherds feem to like my lays ; But I difcern their flatt’ry from their praife : I nor to Cinna’s ears, nor Varus’ dare afpire ; But gabble like a goofe, amidft the fwan-like quire. Moer. ’Tis what I have been conning in my mind : Nor are they verfes of a vulgar kind. Come, Galatea, come, the feas forfake ; [make ? What pleafures can the tides with their hoarfe murmurs See, on the Ihore inhabits purple fpring ; Where nightingales their love-fick ditty ling ; See, meads with purling dreams, with flow’rs the~\ ground, f The grotto’s cool, with Pnady poplars crown’d, C And creeping vines on arbours weav’d around. J Come then and leave the wave’s tumultuous roar, Let the wild forges vainly beat the {bore. L y c. Or that fweet fong I heard with fuch delight; The fame you fung alone one ftarry night; The tune I dill retain, but not the words. Mo er. Why, Daphnis, doft thou fearch in old re- To know the feafons when the liars arife ? [cords, (pee Caefar’s lamp is lighted in the Ikies : The liar, whofe rays the blulhing grapes adorn, And fwell the kindly rip’ning ears of corn, (Under this influence graft the tender fhoot; Thy children’s children (hall enjoy the fruit. The reft I have forgot, for cares and time Change all things, and untune my foul to rhyme : F 3 8 done: My voice grows hoarfe; l feel the notes decay As if the wolves had feen me firll to-day. But thefe, and more than I to mind can bring, Menalcas has not yet forgot to fing. L y c. Thy faint excufes but inflame me more ; And now the waves rowl filent to the Ihore. Hufh’d winds the topmoll branches fcarcely bend. As if thy tuneful fong they did attend: Already we have half our way o’ercome ; Far off I can difeern Bianor’s tomb. Here, where the labourer’s hands have form’d a bow’ Of wreathing trees, in finging wade an hour. Reft here thy weary limbs, thy kids lay down, We’ve day before us yet, to reach the town : Or, if ere night the gath’ring clouds we fear, A fong will help the beating ftorm to bear. And that thou may’ft not be too late abroad. Sing, and I’ll eafe thy (boulders of thy load. Mo e r. Ceafe to requeft me, let us mind our way; Another fong requires another day. When good Menalcas comes, if he rejoice. And find a friend at court, I’ll find a voice. P A S T O R A L. ' X. v. i. 8r

THE TENTH PASTORAL; O R, CALLUS.

THE ARGUMENT. GALLVS a great patron of Virgil, and an excellent po- et, "was very deeply in love 'with one Citheris, 'whom he calh Lycoris, and 'who had forfaken him for the company of a Joldicr. The poet therefore fuppofes his friend Callus retir'd in his heighth of melancholy into the folitudes of Arcadia, (the celebrated fene of pafto- rals ;) where he reprefents him in a very languijhing condition, with all the rural deities about him, pitying his hard tifage, and condoling his misfortune. THY facred fuccour, Arethufa, bring. To crown my labour ; ’tis che I aft I fmg ; Which proud Lycoris may with pity view : ‘The Mufe is mournful, tho’ the numbers few'. > Refufe me not a verfe to grief and Gallus due. J So may thy filver ftreams beneath the tide. Unmix’d with briny feas, fecurely glide. "Sing then, my Gallus, and his hopelefs vows , Sin o', while my cattle crop the tender browze. F 4 83 PASTORAL X. v. ro. The vocal grove (hall anfwer to the found, And Echo, from the vales, the tuneful voice reboun ' What lawns or woods with-held you from his aid, Ye nymphs, when Gallus was to love betray’d ; To love, unpity’d by the cruel maid ? Not (teepy Pindus cou’d retard your courfe. Nor cleft ParnalTus, nor th’ Aonian lource; Nothing that owns the Mufes cou’d fufpend Your aid to Gallus, Gallus is their friend. For him the lofty laurel (lands in tears ; And hung with humid pearls the lowly (hrub appear:' Maenalian pines the godlike fwain bemoan; When fpvead beneath a rock he figh’d alone; And cold Lycaeus wept from every dropping ftone. J The (beep furound their (hepherd, as he lies : Blunt not, fweet poet, nor the name defpife : Along the dreams his flock Adonis fed ; And yet the queen of beauty bled his bed.^ The fvvains and tardy neat-herds came, and lad ] JVIenalcas, wet with beating winter-mad. Wond’ring, they alk’d from whence arofe thy flame; ! Yet, more amaz’d, thy own Apollo came. Flufli’d were his cheeks, and glowing were his eyes : Is (he thy care, is (he thy care, he cries ? Thy falfe Lycpris flies thy love and thee ; "v. And for thy rival tempts the raging fea, k The forms of horrid war, and heav’n’s inclemency. J Sylvanus came : His brows a country-crown Of fennel, and of nodding lilies, drown. Great Pan arriv’d; and we beheld him too, His cheeks and temples of vermilion hue. PASTORAL X. v. 4t. 8* Why, Gallus, this irtimod’rate grief, he cry’d : Think’ft thou that love tvith tears is fatisfy’d ? The meads are fooner drunk with morning-dews; The bees with flow’ry fhrubs, the goats with browze. Unmov’d, and with dejefted eyes, he mourn’d : ; He paus’d, and then thefe broken words return’d. ’Tis part ; and pity gives me no relief : But you, Arcadian fwains, (hall ling my grief And on your hills my lad complaints renew; So fad a fong is only worthy you. How light wou’d lie the turf upon my bread. If you my fuff’rings in your fongs expred ? Ah ! that your birth and bus’nefs had been mine. To penn the (heep, and prefs the fweiling vine ! Had Phyllis or Amyntas caus’d my pain. Or any nymph, or fhepherd on the plain, Tho’ Phyllis brown, tho’ black Amyntas w'ere. Are violets not fweet, becaufc not fair ? Beneath the fallows, and the fhady vine. My loves had mix’d their pliant limbs with mine; Phyllis with myrtle wreaths had crown’d my hair, And foft Amyntas fling away my care. Come, fee what plesfures in onr plains abound ; , The woods, the fountains, and the flow’ry ground. As you are beauteous, were yon half fo true, |i Here cou’d I live, and love, and die with only you. Now I to fighting fields am fent afar. And drive in winter-camps with toils of war; While you, (alas, that I fhou’d find it fo !) *> To Ihun my fight, your native foil forego, [fnow. J And climb the frozen Alps, and tread th’ eternal ' 20 PASTORAL X. v. 73. Ye frofts and fnovvs, her tender body fpare, Thofe are not limbs for icicles to tear. For me, the wilds and delarts are my choice; The Mufes, once my care; my once harmonious voice] There will 1 ling, forfaken and alone, The rocks and hollow caves (hall echo to my moan. The rind of ev’ry plant her name (hall know ; And as the rind extends, the love (hall grow. Then on Arcadian mountains will I chafe (Mix’d with the woodland nymphs) the favage race, j Nor cold (hall hinder me, with horns and hounds. To thrid the thickets, or to leap the mounds. And now methinks o’er fteepy rocks I go : [an bow t, And rulb through founding woods, and bend the Parthi- As if with fports my futferings 1 could eafe, Or by my pains the god of love appeafe. My frenzy changes, I delight no more On mountain-tops to chafe the tulky boar ; No game but hopelefs love my thoughts purfue : [adieu, Once more ye nymphs, and fongs, and (bunding wood? Love alters not for us his hard decrees ; Not tho’ beneath the Thracian clime we freeze ; Or Italy’s indulgent heay’n forego ; And in mid-winter tread Sithonian fnow. Or when tire barks of elnas are-icorch d, we keep On Meroe's burning plains the Lybian iheep. In hell, and earth, and feas, and heav’n above. Love conquers all; and we mud yield to love. My Mufes, here your facred raptures end : The verfe was what I ow’d my fuff ring friend. This w-hile I fung, my forrows I deceiv d, And bending ofiers into balkets weav’d. PASTORAL X. v. ioj. 9, The fong, becaufe infpir'd by you, (hall ihine : And Gallus will approve, becaufe ’tis mine. Gallus, for whom my holy flames renew Each hour, and ev’ry moment riie in view ; As alders, in the fpring, their boles extend ; And heave fo fiercely, that the bark they rend. Now let us rife, for hoaricnefs oft invades The finger’s voice, who fings beneath the (hades. From junipers unwholfome dews diftill, That blaft the footy corn; the with’ringherbage kill; Away, my goats, away; for you have browz’d your fill. ’

- < . 4. «r V I R G I L’s

G E O R G I C S.

BOOK I.

THE ARGUMENT. THE foet, in the beginning of this look, propounds the general defign of each Georgic : And, after a folemn invocation of all the gods who are any way related to his fubjeB, he addreffes himfelf in particular to Auguftus, whom he co?npliments with divinity ; and after Jlrikes into his bufinefs. He Jhcws the different kinds of tillage proper to different foils, traces out the original of agri- culture, gives a catalogue of the husbandman s tools, fpecifies the employments peculiar to each jeafon, de- feribes the changes of the weather, with the fgns in heaven and earth that forebode them. Infiances many of the prodigies that happened near the time of Julius Caefar’s death. And Jhuts up all with a fapplication to the gods for the fafety of Augufitis, and the prcfervation f. of Rome. 94 G E O R G I C I.

HAT makes a plenteous harveft, when to turn vv The fruitful foil, and when to fow the corn; The care of fheep, of oxen, and of kine ; And how to raife on elms the teeming vine : The birth and genius of the frugal bee: I fing, Maecenas, and I fing to thee. Ye deities! who fields and plains proteft, Who rule the feafons, and the year diredt; Bacchus and foft’ring Ceres, pow’rs divine, Who gave us corn for maft, for water wine : Ye Fauns, propitious to the rural fwains, Ye Nymphs that haunt the mountains and the plains. Join in my work, and to my numbers bring Your needful fuccour, for your gifts I fing. And thou, whofe trident {truck the teeming earth. And made a pafiage for the courfcr’s birth. And thou, for whom the Caean fhore fuftains Thy milky herds, that graze the fiow’ry plains. And thou, the fitepherd’s tutelary god, Leave, for a while, O Pan! thy lov’d abode : And, if Arcadian fleeces be thy care. From fields and mountains to my fong repair. Inventor, Pallas, of the fat’ning oil, The founder of the plough and ploughman’s toil, And thou, whofe hands the threwd-like cyprefs rear; ■> Come all ye gods and goddefies, that wear ^ The rural honours, and increafe the year. J You, who fupply the ground with feeds of grain; And you, who fwell thofe feeds with kindly rain : And chiefly thou, whofe undetermin’d ftate Is yet the bufinefs of the gods debate : G E O R G I C I. v. 33. PS Whether in after-times to be declar’d The patron of the world, and Rome’s peculiar guard. Or o’er the fruits and feafons to prefide, And the round circuit of the year to guide; Pow’rful of bleffings, which thou ftrew’ft around. And with thy goddefs mother’s myrtle crown’d. Or wilt thou, Caefar, chufe the wat’ry reign, To fmooth the furges, and correft the main ? Then mariners, in florms, to thee fhall pray, Ev’n utmoft Thule (hall thy pow’r obey ; > And Neptune (hall refign the fafces of the fca. j The wat’ry virgins for thy bed ftiall drive, And all her waves in dowry give. Or wilt thou biefs our fummers with thy rays. And, feated near the Balance, poife the days : Where in the void of heav’n a fpace is free, Betwixt the Scorpion and the Maid for thee. The Scorpion, ready to receive thy laws, 'yields half his region, and contracts his claws. Whatever part of heav’n thou (halt obtain, For let not hell prefume of fuch a reign ; Nor let fo dire a third of empire move Thy mind, to leave thy kindred gods above ; Though Greece admires Elyfium’s blefs’d retreat. Though Proferpine afTedts her liient feat, And, importun’d by Ceres to remove, Prefers the fields below to thofe above. But thou, propitious Caefar, guide my courfe, And to my bold endeavours add thy force. Pity the poet’s and the ploughman’s cares, lut’red thy greatnefs in our mean affairs, And ufe thyfelf betimes to hear and grant our pray’rs- 9