Bathing Establishment Built During Shah-Jahan at the Lahore Fort Abstract
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Mughal Administration History Study Materials
Mughal Administration history Study Materials architectural creations are nothing when compared MUGHAL ADMINISTRATION with the exquisite conception of the mausoleum of The nature of Mughal administration was a his wife, Anjurnan Bano Begum (Mumtaz Mahal). combination of Indian, Persian and Arabic systems. The Taj Mahal is the ultimate glory and culmination Military power was the foundation and the emperor of Mughal architecture. Its construction started in was the centralised authority. Many emperors (like 1631 and was completed in 1653. Gulbadan Babur and Humuyun) appointed an advisor or prime Begum's Humayun Namah, Jahangirs autobiography minister called vakil to advise them in matters of Tuzk-i-Jahangiri,Abdul Hamid Lahori's Padsahrima significance. Bairam Khan was vakil to the throne and Inayat Khan's Shahjahannama are the examples when Akbar was a minor. of literature in the latter period of Shahjahan's rule. Administrative Set-up Before Akbar, the empire had a different outlook and divided into many Jagirs headed by the mansabdars. The system of mansabdars belongs to the Central Asian empires of that time. Many important officials and nomenclature can be divided as Mir Baksh (the main military administrator), Sadr-e- saaman (Chief Justice) Muhataib (ecclesiastical officer who regulated the lives of the people). Diwan-e-tan (minister who looked after jagirs and mansabdars), Mirtuzuk (minister of ceremonies in the court), and Mir-e-mal (chief of treasures in the palace) Akbar, who was the real MAP 2.4 Successor Provinces of the Mughal founder of the Mughal Empire improved the Empire during 1830s organisation of the government immensely The Mughal Architecture autocracy, or absolute power of the Badshah. -
Untitled (Rest) 2018 Viewed Altogether, the Set of Drawings Watercolor on Paper with Sculpture Reveal Patterns and 11.7 X 8.3 Inches Punctuations in Thought
GUIDE III CONTENTS 1 LBF 2 LB01 6 Sites Lahore Fort Mubarak Haveli & Tehsil Park Shahi Hammam Lahore Museum Alhamra Art Centre Bagh-e-Jinnah Canal 134 Academic Forum Academic Forum artSpeak Youth Forum 158 Acknowledgments IV V LAHORE BIENNALE FOUNDATION ﻻہور بینالے فاؤنڈیشن ایک غیر منافع (The Lahore Biennale Foundation (LBF بخش تنظیم ہے ، جو فنی تجربات کے is a non-profit organization that seeks to لئے اہم سائٹس فراہم کرنے اور فن کی provide critical sites for experimentation ممکنہ صﻻحیت کو سماجی تنقید کے in the visual arts. LBF focuses on the لئے آلہ کار بنانے میں کوشاں ہے۔ many stages of production, display فاؤنڈیشن کی توجہ ِعصر حاضر میں and reception of contemporary بنائے جانے والے فن پاروں کی پروڈکشن ، art in diverse forms. It understands نمائش، اور پذیرائی کی متنوع صورتوں inclusivity, collaboration, and public کی طرف مرکوز ہے۔ اسکا مرکزی نقطہ engagement as being central to its نظر سماجی تبدیلیوں کے ایجنٹ کے vision and is committed to developing طور پر عوامی شمولیت، اشتراک ، اور the potential of art as an agent of social فنی صﻻحیتوں کو فروغ دینا ہے۔ اس .transformation مقصد کے لئے فاؤنڈیشن پاکستان بھر میں فنی منصوبوں کی اعانت کر رہی To this end, the LBF endeavors to support ہے خاص طور پر وہ جو تحقیق اور art projects across Pakistan especially تجربے پر مبنی ہیں۔ those critical practices which are based on research and experimentation. LBF ﻻہور بینالے فاؤنڈیشن نے مقامی طور پر ﻻہور بینالے فاونڈیشن is supported by government bodies, ِحکومت پنجاب، کمشنر آفس ﻻہور، پارکس اور ہارٹی کلچر اتھارٹی، اور والڈ and has developed enduring relations سٹی اتھارٹی کے تعاون سے ایک سے with international partners. -
Shalimar Gardens, Lahore
Shalimar Gardens, Lahore First Pavilion of the Shalimar Garden in Lahore, Pakistan Located 8 kilometers east of Lahore, the Shalimar Gardens (also called the Shalamar Gardens) are one of the popular Lahore tourist attractions. The Shalimar Gardens were used as the Royal pleasure garden by the Mughals during the 16 th to the 19 th century. Architecture The channels of water in Shalimar Gardens are fed by canals designed by Ali Mardan Khan, or Inayat Khan. The gardens enclosed by a red sandstone wall interrupted by small decorative kiosks feature white marble buildings in typical Shah Jahani style. The beautiful Shalimar Gardens are divided into three parts on different levels. The entire garden with its tanks, fountains and flower beds cover an area of 80 acres. The idea of making Shalimar Gardens was strongly influenced by the gardens of the same name in Kashmir. The three Level Terraces The three parts on different levels include: The upper terrace named Farah Bakes (Bestower of Pleasure) The middle terrace named Faiz Baksh (Bestower of Goodness) The lower terrace named Hayat Baksh (Bestower of Life) Irrigation A canal named Shah Nahar, also known as Hansti canal, was constructed from a distant location to irrigate the Shalimar Gardens. 410 fountains As many as 410 fountains rise from this basin and the canal. The upper level terrace contains 105 fountains, the middle level terrace has 152 fountains, while the lower level terrace includes 153 fountains. Water cascades Shalimar Gardens feature five water cascades including the great marble cascade and Sawan Bhadoon pavilions. Buildings of the Gardens The buildings of the Gardens include: Sawan Bhadum pavilions Naqar Khana and its buildings Khwabgah Hammam The Aiwan Aramgah Khawabgah of Begum Sahib Baradaries Diwan-e-Khas-o-Aam Trees of the Gardens There are numerous trees like almond, almond, apple, cherry, gokcha, mango, mulberry, peach, plum, quince (seedless) in the Shalimar Gardens. -
FROM the INSIDE ARCHITECTURE in RELATION to the F E M a L E FORM in the TIME of the INDIAN MUGHAL EMPIRE Itinerary
Days 5-8 - Exploration of the city of Jaipur with focus on Moghul architecture, such as the HAWA MAHAL located within days in Jaipur the Royal Palace. The original intent of the lattice design was to allow royal ladies to observe everyday life and festivals celebrated in the street below without being seen. 4 FROM THE INSIDE ARCHITECTURE IN RELATION TO THE F e m a l e FORM IN THE TIME OF THE INDIAN MUGHAL EMPIRE itinerary b e g i n* new delhi jaipur agra If you wander through the hot and crowded streets of windows, called jharokas, that acted as screens be- Jaipur, meander through the grand palace gates, and tween these private quarters and the exterior world. On days in New Delhi find yourself in the very back of the palace complex, the other hand, women held power in these spaces, and you will be confronted by a unique, five story struc- molded these environments to their wills. Their quar- ture of magnificent splendor. It is the Hawa Mahal, ters were organized according to the power they welded and it has 953 lattice covered windows carved out of over the men who housed them. Thus, architecture be- *first and last days are pink stone. Designed in the shape of Lord Krishna’s came the threshold that framed these women’s worlds. reserved3 for travel crown, it was built for one purpose only. To allow royal ladies to observe everyday life and festivals We seek to explore the way the built environment celebrated in the street below without being seen. -
Archaeology Below Lahore Fort, UNESCO World Heritage Site, Pakistan: the Mughal Underground Chambers
Archaeology below Lahore Fort, UNESCO World Heritage Site, Pakistan: The Mughal Underground Chambers Prepared by Rustam Khan For Global Heritage Fund Preservation Fellowship 2011 Acknowledgements: The author thanks the Director and staff of Lahore Fort for their cooperation in doing this report. Special mention is made of the photographer Amjad Javed who did all the photography for this project and Nazir the draughtsman who prepared the plans of the Underground Chambers. Map showing the location of Lahore Walled City (in red) and the Lahore Fort (in green). Note the Ravi River to the north, following its more recent path 1 Archaeology below Lahore Fort, UNESCO World Heritage Site, Pakistan 1. Background Discussion between the British Period historians like Cunningham, Edward Thomas and C.J Rodgers, regarding the identification of Mahmudpur or Mandahukukur with the present city of Lahore is still in need of authentic and concrete evidence. There is, however, consensus among the majority of the historians that Mahmud of Ghazna and his slave-general ”Ayyaz” founded a new city on the remains of old settlement located some where in the area of present Walled City of Lahore. Excavation in 1959, conducted by the Department of Archaeology of Pakistan inside the Lahore Fort, provided ample proof to support interpretation that the primeval settlement of Lahore was on this mound close to the banks of River Ravi. Apart from the discussion regarding the actual first settlement or number of settlements of Lahore, the only uncontroversial thing is the existence of Lahore Fort on an earliest settlement, from where objects belonging to as early as 4th century AD were recovered during the excavation conducted in Lahore Fort . -
History of Conservation of Shish Mahal in Lahore-Pakistan
Int'l Journal of Research in Chemical, Metallurgical and Civil Engg. (IJRCMCE) Vol. 3, Issue 1 (2016) ISSN 2349-1442 EISSN 2349-1450 History of Conservation of Shish Mahal in Lahore-Pakistan M. Kamran1, M.Y. Awan, and S. Gulzar The most beautiful of them are Shish Mahal (Mirror Palace), Abstract— Lahore Fort is situated in north-west side of Lahore Naulakha Pavilion, Diwan-e-Aam, Diwan-e-Khas, Jehangir’s city. Lahore fort is an icon for national identity and symbol of Quadrants, Moti Masjid, Masti and Alamgiri Gates etc [2]. both historical and legendry versions of the past. It preserves all Shish Mahal is the most prominent, beautiful and precious styles of Mughal architecture. The fort has more than 20 large and small monuments, most of them are towards northern side. palace in Lahore Fort. It is situated in north-west side in the Shish Mahal is one of them and was built in 1631-1632 by Mughal Fort. It is also known as palace of mirrors because of extensive Emperor Shah Jahan. Shish Mahal being most beautiful royal use of mirror work over its walls and ceilings. It was formed as residence is also known as palace of mirrors. Shish Mahal has a harem (private) portion of the Fort. The hall was reserved for faced serious problems throughout the ages. Temperature personal use by the imperial family [3]. Shish Mahal was listed changes, heavy rains, lightning and termite effect were the as a protected monument under the Antiquities Act by serious causes of decays for Shish Mahal. -
The Amalgamation of Indo-Islamic Architecture of the Deccan
Islamic Heritage Architecture and Art II 255 THE AMALGAMATION OF INDO-ISLAMIC ARCHITECTURE OF THE DECCAN SHARMILA DURAI Department of Architecture, School of Planning & Architecture, Jawaharlal Nehru Architecture & Fine Arts University, India ABSTRACT A fundamental proportion of this work is to introduce the Islamic Civilization, which was dominant from the seventh century in its influence over political, social, economic and cultural traits in the Indian subcontinent. This paper presents a discussion on the Sultanate period, the Monarchs and Mughal emperors who patronized many arts and skills such as textiles, carpet weaving, tent covering, regal costume design, metallic and decorative work, jewellery, ornamentation, painting, calligraphy, illustrated manuscripts and architecture with their excellence. It lays emphasis on the spread of Islamic Architecture across India, embracing an ever-increasing variety of climates for the better flow of air which is essential for comfort in the various climatic zones. The Indian subcontinent has produced some of the finest expressions of Islamic Art known to the intellectual and artistic vigour. The aim here lies in evaluating the numerous subtleties of forms, spaces, massing and architectural character which were developed during Muslim Civilization (with special reference to Hyderabad). Keywords: climatic zones, architectural character, forms and spaces, cultural traits, calligraphic designs. 1 INTRODUCTION India, a land enriched with its unique cultural traits, traditional values, religious beliefs and heritage has always surprised historians with an amalgamation of varying influences of new civilizations that have adapted foreign cultures. The advent of Islam in India was at the beginning of 11th century [1]. Islam, the third great monotheistic religion, sprung from the Semitic people and flourished in most parts of the world. -
Architectural Monuments During Mughals Rule
INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 4, Issue - 1, Jan – 2020 Monthly, Peer-Reviewed, Refereed, Indexed Journal Scientific Journal Impact Factor: 5.245 Received on : 09/01/2020 Accepted on : 20/01/2020 Publication Date: 31/01/2020 Architectural Monuments during Mughals Rule JEOTI PANGGING Assistant Professor, Dept. of History Moran Mahila Mahavidyalaya, Dibrugarh University., Assam, India Email - [email protected] Abstract: There was an incomparable architectural activity in India under the Mughals rule. The traditions in the field of architecture, painting, literature and music created pleasure during this period. The Mughal emperors were keen lovers of nature and art and their personality was, to a certain extent, reflected in the art and culture of their time. Under their patronage, all arts particularly architecture, painting and music made special progress and all kinds of artists used to received encouragement from the state. The Mughal emperors were great builders. So, the Mughal period it regarded as the ‘Golden Age of Architecture’ in the Indian history. The Mughals, their empire, their warriors and their affairs, both of love and war, no longer exist, but their buildings that tell even today to story of their capability and personality, have immortalized them for all times. We can imagine how great builders the Mughals have been by seeing their buildings that are found even to this day. The objectives development under the Mughal Empire. Key Words: Architecture, Mughal empire, patronage, mansion, Fort. 1. INTRODUCTION: With the advent of the Mughals Indo-Muslim architecture reaches a unity and completeness which make the story of the architectural style that developed under their august patronage particularly fascinating and instructive. -
Patterns and Geometry
PATTERNS ROSE CHABUTRA: ICE CHABUTRA: Pentagon and 10-Pointed Star Hexagon and 6-Pointed Star 4 PATTERNS AND GEOMETRY NELSON BYRD WOLTZ LANDSCAPE ARCHITECTS Geometric design, based on the spiritual principles of nature, is at the center of Islamic QUESTIONS GROUNDING THE RESEARCH culture. Geometry is regarded as a sacred art form in which craftsmen connected with the The research process began with a series of fundamental questions that eternal; it is a form of prayer or meditation to awaken the soul in the practitioner via the informed the study: act of recollection. Participating “in” geometry is symbolic of creating order in the material 1. How can we respectfully and thoughtfully use this pattern language, which world and a way for the practitioner to bring to consciousness a greater understanding of represents hundreds of years of Islamic culture and design, within the the woven Universe and the Divine. context of a contemporary garden? 2. How can we appropriately apply these patterns in the Aga Khan Garden Islamic art has the power to connect us to nature and the cosmos by revealing patterns with purpose and meaning? inherent in the physical world. While the use of geometry and patterns are intrinsic 3. How can we make these gardens a pleasure for users to experience and elements in Islamic garden design, graphic arts, and architecture, the rules and rationale provide the sensorial delight depicted in extant precedents and historic to their form and application are not cohesively documented. To undertake the design descriptions, such as Mughal miniature paintings? and construction of the Aga Khan Garden, Nelson Byrd Woltz, the landscape architects, 4. -
Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History
INTAGLIO Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History Beloved Mosque: The Wazir Khan Masjid of Lahore Sanniah Jabeen The Wazir Khan mosque is located in the Walled City of Lahore, along the southern side of Lahore's Shahi Guzargah, or “Royal Road.” This was the traditional route traversed by Mughal nobles and their guests on their way to royal residences at the Lahore Fort. The mosque is situated approximately 260 meters west of the Delhi Gate, where the mosque's Shahi Hammam (Royal Bath) is also located. The mosque faces both a town square, known as Wazir Khan Chowk, and the Chitta (White) Gate. A trip through the Delhi Gate to the Wazir Khan Chowk is an explosion of the senses. If one searches for images of the Delhi Gate Lahore, most incorrectly show the Gate as a wide-open entrance through which vehicles and people can easily pass. If one actually walks through the Delhi Gate, it is absolute chaos. Cars have to be parked many blocks away and visitors have to push through busy cart vendors, donkeys, hens, the occasional cow, as well as young men carrying twice their body weight in fruit, shoes, eatables, and clothing items. The Walled City of Lahore is the only place in the city where human driven carts still exist, as many streets are almost too narrow to allow motor vehicles or even donkey carts. The call for the prayer bellows periodically from the minarets of the Wazir Khan mosque and an increasing cacophony of human chatter, rickshaws, and motorbikes fills the air. -
Chishti Sufis of Delhi in the LINEAGE of HAZRAT PIR-O-MURSHID INAYAT KHAN
Chishti Sufis of Delhi IN THE LINEAGE OF HAZRAT PIR-O-MURSHID INAYAT KHAN Compiled by Basira Beardsworth, with permission from: Pir Zia Inayat Khan A Pearl in Wine, The “Silsila-i Sufian”: From Khwaja Mu’in al-Din Chishti to Sayyid Abu Hashim Madani Sadia Dehlvi Sufism, The Heart of Islam, and The Sufi Courtyard, Dargahs of Delhi All the praise of your advancement in this line is due to our masters in the chain who are sending the vibrations of their joy, love, and peace. - Hazrat Pir-o-Murshid Inayat Khan, in a letter to Murshida Rabia Martin There is a Sufi tradition of visiting the tombs of saints called ziyarah (Arabic, “visit”) or haazri (Urdu, “attendance”) to give thanks and respect, to offer prayers and seek guidance, to open oneself to the blessing stream and seek deeper connection with the great Soul. In the Chishti lineage through Hazrat Pir-o-Murshid Inayat Khan, there are nine Pirs who are buried in Delhi, and many more whose lives were entwined with Delhi. I have compiled short biographies on these Pirs, and a few others, so that we may have a glimpse into their lives, as a doorway into “meeting” them in the eternal realm of the heart, insha’allah. With permission from the authors, to whom I am deeply grateful to for their work on this subject, I compiled this information primarily from three books: Pir Zia Inayat Khan, The “Silsila-i Sufian”: From Khwaja Mu’in al-Din Chishti to Sayyid Abu Hashim Madani, published in A Pearl in Wine Sadia Dehlvi, Sufism, The Heart of Islam, and The Sufi Courtyard, Dargahs of Delhi For those interested in further study, I highly recommend their books – I have taken only small excerpts from their material for use in this document. -
Section II: Summary of Periodic Report on the State of Conservation of Lahore Fort, Pakistan, 2003
State of Conservation of the World Heritage Properties in the Asia-Pacific Region II PAKISTAN Fort and Shalamar Gardens in Lahore UNESCO UNESCO II.1 Introduction The Fort contains 30 monumental buildings Year of Inscription 1981 erected in different periods which have added to its grandeur. Organisation Responsible for the Report The architecture of Akbar’s period is characterised • Northern Circle of Archaeology by the use of red sandstone and cut brickwork. Dept. of Archaeology & Museums (DOAM) The use of animal figures such as lions, elephants Government of Pakistan and peacocks as well as sculptured gargoyles as Old Fort, Lahore brackets to support the chajja (eaves) in Jahangir’s Pakistan Quadrangle shows the Hindu elements in Mughal architecture. […] The use of marble in place of red II.2 Statement of Significance sandstone and the exuberance of Persian motifs, pietra dura and glazed tile mosaic work are the Inscription Criteria C i, ii, iii chief characteristics of these buildings. The Fort is irregular in plan being about 1400 feet Statement of Significance east to west and some 1100 feet north to south. It • Proposed by the State Party is girdled round by a strong fortification wall The Shalamar Gardens, the Versailles of Pakistan, constructed in small burnt bricks. At intervals the is an embodiment of the Mughal conception of a wall is provided with bastions and loopholes for perfect garden, and represents their chaste muskets. The main gates are located in the east aesthetic sense of landscape architecture at its and west walls. A gateway providing access to the best. Its deliciously cool and pleasant atmosphere, private apartment of the royalty is located in the the calm waters of the canals, the 31 large tanks, northwest corner.