DOCSLIB.ORG

Of a Piano Teacher Allegretto (J,60) out the Music Rack, Close the Entire Top and 5 Put the Rack Outside Over the Cover

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Of a Piano Teacher Allegretto (J,60) out the Music Rack, Close the Entire Top and 5 Put the Rack Outside Over the Cover Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1952 Volume 70, Number 01 (January 1952) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 70, Number 01 (January 1952)." , (1952). https://digitalcommons.gardner-webb.edu/etude/133 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. odem Harp T chniqu C.... Hlntl. Th Joy of nata Pia i ZIN f,ac.sCflfff ibl tafl'·Pian" .." •. Idea in u ic Education fit ,.,t,., The Lo t u ic of _IS f,.ds (oN. y ot omen in Orch tr ? ''''- ,.... The Power of Concentration ..... r.... t' r LeTTeRS EDITOR T 0 T B E Sir: I like the ETUDE maga- Arlicles zine very much because it offers Sir: Though I have bought the musical-layman 01" for one only a few copies of your mage- who plays the piano {or his own aine, I think it is a very good amusement (like myself) a means of musical education. worthwhile magazine of music Every musician should provide and reading material. I like the themselves with the ETUDE as Questions and Answers and it gives valuable information. I Maurice Dumesuil's articles. John R. Keller s~An~. encourage you to continue your York. Penna. TIME, 1952 Y good work. Renii Bouchard "The Pupils Talk it Over" PLACE, "World's Most Unusual U",versify"• Manitoba, Canada Sir: After reading the article Sir: The people who have in Nov. 1951 ETUDE, entitled seen fit to criticize the ETUDE CAST, Approximately 3,000 students and a con. "The Pupils Talk 1t Over," I for its new forlllat merely are want to tell you that 1 think it not progressive enough to move sec rated Christian faculty, was a very fine article. I think with the times. I have just re- that this s'ort of informal Work newed my subscription for 1952, Shop recital would do a lot in SETTING, and consider the quality of the PHClTOGRAPH 1IY AClRIAtl SIEGIL One of America's loveliest and most mod- helping each pupil analyze his contents of your magazine to be Rudolf Serkin at the Steinway good and bad habits in playing better than ever before! I am ern university campuses. In addition to the piano or any instrument. an avid collector of classical I always enjoy the articles recordings and therefore wish For your home: dormitories, dining common, au ditorium, in ETUDE, as they always seem that your column ev'aluating the to be appropriate. Being an ac- current crop of recordings could library, student center, etc., Bob Jones cordion player and teacher, I the piano chosen by be enlarged somewhat. Such a would appreciate seeing a solo wealth of recorded literature University facilities include radio station for accordion in E'TUDE. for all instruments is being the world's great artists Thank you for a fine music made available currently by the magazine. WMUU, studios and sound stage of UN- various companies that the list- phragmatic SoundboaTd helps create Janet, Mavis The piano you hear at a concert or big piano tone in even the smallest ings in your record column during a musical broadcast is nearly California Stein way Vertical. USUAL FILMS, Biblical museum, and gal- merely scratch the surface in always a Steinway. Because of its For almost a century Stein way's this connection. Otherwise, more matchless tone and its incredible "It's Time to Pay Tribute" superb craftsmanship has been un- lery of great religious or t. power to the ETUDE-I find it ability to endure continual use, the Steinway is chosen by virtually every equaled by any other piano. The to be just swell of late! Sir: I would like to thank great artist, orchestra, and broad- initial cost of the Steinway may be Donglas Morgan you for printing the article "It's higher, but in terms of abiding PERFORMANCE, Training young men and women casting station. New York, N. Y. Time to Pay 'Tribute"-by values, it is the most economical of These same advantages make the pianos. For a free copy of our help- for clear-cut Christian living ond Maurice Dumesnll in your No- Steinway the perfect piano for the ful booklet, "How to Choose Your Sir: After reading the letters vember issue. It was very en- home. For the beginner and the ex- Piano," write to Steinway & Sons, Gospel testimony and ministry. criticising the new ETUDE for couraging to me and also I perienced player, Steinway's exclu- Steinway Hall, 109 West 57th Street, several months I finally had to sive Accelerated Action is a true aid New York 19, N.Y. think more people should uri- in achieving sensitive touch. Its Dia- write myself. I think the maga- derstand what we music teach- zine has made a remarkable im- ers are up against. MUSIC, SPEECH, AND ART WITHOUT ADDITIONAL COST provement. I used to hesitate to In my opinion, the ETUDE is ABOVE REGULAR ACADEMIC TUITION. ACADEMY AND ask my students to subscribe to a must for all piano teachers. the ETUDE since the articles Joan Stratford JUNIOR HIGH SCHOOL IN CONNECTION, \ were either too general or too Craoenhurst, Onto technical for them. Moreover the ETUDE seemed to have no "Let's Teach the Child liow to relationship to musical life in Practice" America. BOB JONES UNIVERSITY Your columns, articles, and Sir: In your article, "Let's even a good part of your music Teach the Child How to Prac- GREENVILLE, SOUTH CAROLINA now have real life and vitality. tice" (August 1951), the sug- Now, if only you would have gestions made are very valu- the courage to drop the salon able, I think. music that sees its birth and More articles like that should death in each issue of the be printed, for following the Tile Stalnway is used e~dusively hy Ahram. basic fundamentals, such as sug- Barlow, De Sabala, Gold & Fizdale, Hofmann, ETUDE, you would really have Schnabel, 'rneuom. wetsseoeen, and many others. ~ gested in your article, make for Illustrated is the illustrious louis XV. Now you a fine magazine. may purchase a stetnway at convenient terms. See 5 TEl N WAY Martha M. Mattson better plano playing. If the your local Steinway dealer, who is listed in the classified telephone directory. THE INSTRUMENT OF THE IMMORTALS Mankato, Minn. (Continued on Page 3) \. 1 ETUDE-JANUARY____________________1952 /1 111111111111111111'1" II 11111111111111 When parents 1111111 SHERWOOD MUSIl: SI:HOOL put you Just Publisbed_ the 'lI..sic "u,gn~i"e Letters to the E di tor Distinguished since 1895 for the training of professional ETUDE Excerpts the on the from SPOT musicians. Member of the National Association of Schools , PUBLISHED MONTHLY, BY THEODORE PRESSERCO" PHILADELPHIA, PA. of Music. Faculty of renowned American and European Editoriol and Advertising Offices, Bryn Mowr, Po. "FLEDERMAUSJI \ (Continued from Page 1) artists. Degree, diploma, and certi fieate courses in piano, \ find the answer in this voice, vio'lin, or~an,'ccllo~ wind instr'umen ts, Public School Founded l883 by THEODORE PRESSER Jame; Francis Cocke, E,litor Emeritu~ (The Bat) (EtUtor. 1907-J9~9) music, composition. In the heart of cultural Chicago. Liv- pupil has worked from the Schubert. Guy McCoy, Managing Editor: Shirley C. Jefferis, Business Manager by Johann Strauss valuable FR EE piano to the music, he should Please congratulate for me ing accommodations at moderate cost. George Hochberg. Music Editor • have no trouble sight reading . Mr. Forest M. Shumaker for Harold Rerkley Nichola~ Slollirn.ky Elizabelh A. Ce.l Guy M.ier I a111 delighted with your writing his "Air Squadron" in Kurl W. Ce!nk<·". ,\I":,<",,oIer l\f,·C.urdy SPRING SEMESTER BEIiINS fEBRUARY 4 booklet! HOW Easy arrangement magazine, and I am eagerly the grand old spirit of SOU:::3. * To Ihave some of Sousa's marches; fOT the piano awaiting my next issue. * CHOOSE all the way through the piece, For free catalog, write A~thur Wildman, iUusical Director. , THE Barbara Brown Val. 70 No, I CONTENTS JANUARY 1952 by West Grove, Penna. Mr. Shumaker was Sousa again. 1014 SO. MII:HIGAN AVENUE' I:HII:AGO:l • ILLINOIS BEST It has that "fire" and "get-up- PI4NO •·..:~\TVIlES A Suggestion and-go" to it. I just felt like M PAGE ODERN HARP TECHNIQUE. _ . _Cnrl06 Sul:;etlo 9 getting up and marching. THE FLEXIBLE STAFF.PIANIST _ .}lJ¥epJl Kah" "10 Sir: Sitting listening to the I have been meaning to write THE JOYS OF SONATA PLAyING ZiIlQ Prrmae. aui 11 ADA suite The Smoky Mountain by you several times telling you THE LOST lUUSIC OF YESTERDA Y. .••....... }r1111f"6 Fran i, Cook,. 12 Richard Addinsell and it oc- how much I enjoy your maga- ~EW IDEA IN MUSIC EDUCATION _.... • '" Kir/: PQlkitlJ( '13 curred to me that ETUDE does zine. I look forward to it every HY NOT WOMEN IN ORCHESTRAS? . _ ..•••......... Uayllll)IlI1 /'oiI:6 ]4. RICHTER not offer anything about our month. Sometimes your music GENTLE GIANT ••.•••••••••..••••.•...•.•.••••••••• Celia autHier' 16 THE POWER OF CONCENTRATION . If- 'T .
Load more

Recommended publications
  • “Bicentennial Speeches (2)” of the Ron Nessen Papers at the Gerald R
    The original documents are located in Box 2, folder “Bicentennial Speeches (2)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 2 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE WHITE HOUSE WASHINGTON June 28, 1976 MEMORANDUM FOR ROBERT ORBEN VIA: GWEN ANDERSON FROM: CHARLES MC CALL SUBJECT: PRE-ADVANCE REPORT ON THE PRESIDENT'S ADDRESS AT THE NATIONAL ARCHIVES Attached is some background information regarding the speech the President will make on July 2, 1976 at the National Archives. ***************************************************************** TAB A The Event and the Site TAB B Statement by President Truman dedicating the Shrine for the Delcaration, Constitution, and Bill of Rights, December 15, 1952. r' / ' ' ' • THE WHITE HOUSE WASHINGTON June 28, 1976 MEMORANDUM FOR BOB ORBEN VIA: GWEN ANDERSON FROM: CHARLES MC CALL SUBJECT: NATIONAL ARCHIVES ADDENDUM Since the pre-advance visit to the National Archives, the arrangements have been changed so that the principal speakers will make their addresses inside the building .
    [Show full text]
  • Lavoce: Our Voice All and Winter Made Their Marks on More Than Fa Few Instruments This Year
    OF CLAIRE GIVENS VIOLINS, INC. SPRING 1999 LaVoce: our voice all and winter made their marks on more than Fa few instruments this year. Fluctuating climat- ic conditions in the fall followed by the sudden onslaught of winter and a stint of exceedingly dry air brought many customers to our shop to have a wide variety of concerns addressed, from troublesome e- strings to serious cracks. Caring for string instruments requires attention and dedication on the part of play- ers.Taking preventative measures and paying atten- tion to any changes in your instrument’s sound are crucial (poor sound quality can indicate open bouts and cracks).The two key climatic threats to string instruments are temperature and humidity. Keep humidity levels at 50% (35% at the least) in the room in which your instrument is regularly stored and played. If you use ‘Dampits,’check and dampen them regularly. Do not leave instruments near heating vents, radiators or in direct sunlight.Allow instru- ments to adjust gradually to temperature changes when transported from one location to another. Xue-Chang Sun, Andrew Dipper, Claire Givens and Mr. Ni in Quilted case covers such as those made by Cushy and front of Beijing workshop on a sunny day in October 1998 Cavallaro, which we sell, add a valuable layer of insu- lation and serve well not only during cold months, Claire and Andrew visited three workshops, each but during hot summer months as well.Take care! dealing with a different level of instrument, and each overseen by one of three master makers who have won international
    [Show full text]
  • David Moritz Michael (1751–1827) 80580-2 Parthien 10-14 Pacific Classical Winds
    DAVID MORITZ MICHAEL (1751–1827) 80580-2 PARTHIEN 10-14 PACIFIC CLASSICAL WINDS David Moritz Michael’s woodwind Parthien are found only in the music collections of the early American Moravian settlements—Bethlehem, Lititz, and Nazareth, Pennsylvania, and Salem, North Carolina. While Michael (1751–1827) lived only twenty of his seventy-six years in America (from his 44th to 64th year of age), he was not known as a composer in Europe, and none of his music found its way to the archives of the European Moravian churches. Parthien 10-14 are found only in the collections of the Philharmonic Society of Bethlehem, Pennsylvania, and the Lititz, Pennsylvania, Collegium Musicum—thus this is not only “American” music, but specifically Pennsylvania music. David Moritz Michael wrote fourteen Parthien for combinations of clarinets, horns, and bassoons (with the occasional flute or trumpet). Exact dates for these compositions have not been established. These works, well within the tradition of the divertimento or serenade of the eighteenth century, were performed in concerts in Bethlehem and Nazareth, Pennsylvania, and in informal serenades. Each consists of three to five movements with formal structures like those of the early classical symphonies, with movements generally longer than those of the two Water Journey suites. In addition to these Parthien, he wrote two Water Journey suites, designed to be used during the Whitmonday holiday celebrations in Bethlehem, Pennsylvania. While more serious in character than either of the Water Journey suites, the Parthien retain the light-hearted exuberance, even playful whimsy, of the eighteenth-century divertimento—including, nevertheless, some passages very reminiscent of Haydn’s Sturm und Drang writing.
    [Show full text]
  • Seacare Authority Exemption
    EXEMPTION 1—SCHEDULE 1 Official IMO Year of Ship Name Length Type Number Number Completion 1 GIANT LEAP 861091 13.30 2013 Yacht 1209 856291 35.11 1996 Barge 2 DREAM 860926 11.97 2007 Catamaran 2 ITCHY FEET 862427 12.58 2019 Catamaran 2 LITTLE MISSES 862893 11.55 2000 857725 30.75 1988 Passenger vessel 2001 852712 8702783 30.45 1986 Ferry 2ABREAST 859329 10.00 1990 Catamaran Pleasure Yacht 2GETHER II 859399 13.10 2008 Catamaran Pleasure Yacht 2-KAN 853537 16.10 1989 Launch 2ND HOME 856480 10.90 1996 Launch 2XS 859949 14.25 2002 Catamaran 34 SOUTH 857212 24.33 2002 Fishing 35 TONNER 861075 9714135 32.50 2014 Barge 38 SOUTH 861432 11.55 1999 Catamaran 55 NORD 860974 14.24 1990 Pleasure craft 79 199188 9.54 1935 Yacht 82 YACHT 860131 26.00 2004 Motor Yacht 83 862656 52.50 1999 Work Boat 84 862655 52.50 2000 Work Boat A BIT OF ATTITUDE 859982 16.20 2010 Yacht A COCONUT 862582 13.10 1988 Yacht A L ROBB 859526 23.95 2010 Ferry A MORNING SONG 862292 13.09 2003 Pleasure craft A P RECOVERY 857439 51.50 1977 Crane/derrick barge A QUOLL 856542 11.00 1998 Yacht A ROOM WITH A VIEW 855032 16.02 1994 Pleasure A SOJOURN 861968 15.32 2008 Pleasure craft A VOS SANTE 858856 13.00 2003 Catamaran Pleasure Yacht A Y BALAMARA 343939 9.91 1969 Yacht A.L.S.T. JAMAEKA PEARL 854831 15.24 1972 Yacht A.M.S. 1808 862294 54.86 2018 Barge A.M.S.
    [Show full text]
  • Ships!), Maps, Lighthouses
    Price £2.00 (free to regular customers) 03.03.21 List up-dated Winter 2020 S H I P S V E S S E L S A N D M A R I N E A R C H I T E C T U R E 03.03.20 Update PHILATELIC SUPPLIES (M.B.O'Neill) 359 Norton Way South Letchworth Garden City HERTS ENGLAND SG6 1SZ (Telephone; 01462-684191 during my office hours 9.15-3.15pm Mon.-Fri.) Web-site: www.philatelicsupplies.co.uk email: [email protected] TERMS OF BUSINESS: & Notes on these lists: (Please read before ordering). 1). All stamps are unmounted mint unless specified otherwise. Prices in Sterling Pounds we aim to be HALF-CATALOGUE PRICE OR UNDER 2). Lists are updated about every 12-14 weeks to include most recent stock movements and New Issues; they are therefore reasonably accurate stockwise 100% pricewise. This reduces the need for "credit notes" and refunds. Alternatives may be listed in case some items are out of stock. However, these popular lists are still best used as soon as possible. Next listings will be printed in 4, 8 & 12 months time so please indicate when next we should send a list on your order form. 3). New Issues Services can be provided if you wish to keep your collection up to date on a Standing Order basis. Details & forms on request. Regret we do not run an on approval service. 4). All orders on our order forms are attended to by return of post. We will keep a photocopy it and return your annotated original.
    [Show full text]
  • SKINNER Fine Musical Instruments
    SKINNER Fine Musical Instruments May 1, 2011 Sale 2544B Boston Fine Musical Instruments specialist in charge David Bonsey 508.970.3224 General Inquiries: [email protected] auction 2544B Sunday, May 1, 2011 at 12 noon 63 Park Plaza Boston, Massachusetts preview Friday, April 29, 2011 12 to 7 p.m. Saturday, April 30, 2011 10:30 a.m. to 5 p.m. Sunday, May 1, 2011 9 to 10:30 a.m. absentee bidding Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com general inquiries 617.350.5400 View all lots online at www.skinnerinc.com cover : 55, inside back cover : 186, back cover : 1 Register… Preview… and Bid Live Online Preview Auctions Online Bid Live Online with SkinnerLive! Flip through the pages o our interactive virtual catalogues, Get the live auction experience rom your home or oice or view all lots in an upcoming auction to browse with SkinnerLive! Register in advance or an auction to bid through images and detailed lot inormation. You can also online in real time. download and print a PDF ile o a catalogue. Find Items with Lot Alert Read the Skinner Blog Find out immediately when items you like are available at Keep up on market trends with tips rom our expert auction. Lot Alert searches upcoming Skinner auctions or appraisers. Discover the stories behind the art and items matching your interests, and automatically emails antiques Skinner oers at auction, and add your own you when an item is posted in the online catalogue. comments to join the conversation. Track Lots and Leave Absentee Bids Get Email Updates on Auctions and Events While previewing any auction online, you can ask Subscribe to the Skinner email list to receive monthly specialists questions with a lot inquiry, keep a list o items auction schedules, invitations to events, and notiication that interest you with Track Lots, or place secure and when auction previews and catalogues are posted to the conidential online absentee bids.
    [Show full text]
  • In This Issue Users to Search for Those Wrecks Protected by Commonwealth Or State/Territory Legislation
    our maritime history & present day news. No. 8 Winter 2004. cost: gold coin donation Opening of Elizabeth St. Pier 26th June, 1934. See Feature Story, page 12 Australian National Shipwreck Database includes all known shipwrecks and allows in this issue users to search for those wrecks protected by Commonwealth or State/Territory legislation. The database was developed by the Australasian Institute of Maritime James Craig Archaeology with financial assistance from the Commonwealth Government. It is D-Day Normandy Landing available at: http://eied.ea.gov.au/nsd/publicwelcome.cfm Cooking with Lucky Pierre Save the Lenna PORT-Maritime Information Gateway is the National Maritime Museum, Greenwich, The Bob Jane Award England’s gateway to quality Internet maritime information, containing resources ranging from naval history and exploration to marine art and education. PORT is Book Review produced and maintained by information specialists at the NMM. Find it at: Schoolboy’s Tale (final) www.port.nmm.ac.uk Investigating “Jack the Ripper” Don’t forget the Ships’ Graveyards of South Australia website at: Letters to the editor, quiz and more www.shipsgraveyards.sa.gov.au Coming Feature: Maritime Aspects of And Victoria’s shipwreck index is at: Bellerive to Sorell railway (held over to www.heritage.vic.gov.au/shipwreck-Index.html next issue) Maritime Museum of Tasmania CARNEGIE BUILDING Cnr Davey & Argyle Sts. Hobart, Tasmania Postal Address: GPO Box 1118, Hobart, Tasmania 7001, AUSTRALIA Phone: (03) 6234 1427 Fax: (03) 6234 1419 email: [email protected] www.maritimetas.org Open Daily (except for Good Friday & Christmas Day) 9am - 5pm Editor: Bob Petrass Assisted by: Larissa Deck, Fran Hall, Charles & Helen Scarafiotti and Bernadette Welsh Design & production: Ricoh Studio Phone 6223 4311 [email protected] Museum photography: Ricoh Studio editorial What is happening to the English language? Turn on the TV or radio and you get the constant usage of “basically”, “actually”, “absolutely”, Vale - Jim Bacon “fantastic”, “fabulous”, etc.
    [Show full text]
  • S1/2004M Report
    Safety Study S1/2004M b Practices in Pilotage – Past, Present and Future Translation of the original Finnish report This safety study has been written to improve safety and prevent new accidents. The study does not address the possible responsibility or liability caused by the accident. The safety study should not be used for purposes other than the improvement of safety. Onnettomuustutkintakeskus Centralen för undersökning av olyckor Accident Investigation Board Osoite / Address: Sörnäisten rantatie 33 C Adress: Sörnäs strandväg 33 C FIN-00500 HELSINKI 00500 HELSINGFORS Puhelin / Telefon: (09) 1606 7643 Telephone: +358 9 1606 7643 Fax: (09) 1606 7811 Fax: +358 9 1606 7811 Sähköposti: [email protected] tai [email protected] E-post: [email protected] eller förnamn.slä[email protected] Email: [email protected] or first name.last [email protected] Internet: www.onnettomuustutkinta.fi Henkilöstö / Personal / Personnel: Johtaja / Direktör / Director Veli-Pekka Nurmi Hallintopäällikkö / Förvaltningsdirektör / Administrative Director Pirjo Valkama-Joutsen Osastosihteeri / Avdelningssekreterare / Assistant Sini Järvi Toimistosihteeri / Byråsekreterare / Assistant Leena Leskelä Ilmailuonnettomuudet / Flygolyckor / Aviation accidents Johtava tutkija / Ledande utredare / Chief Air Accident Investigator Markus Bergman Erikoistutkija / Utredare / Air Accident Investigator Tii-Maria Siitonen Raideliikenneonnettomuudet / Spårtrafikolyckor / Rail accidents Johtava tutkija / Ledande utredare / Chief Rail Accident Investigator Esko Värttiö
    [Show full text]
  • Additional Research Notes
    Additional Research Notes Below is more information related to Joe’s story, including concen tration camps, ship transporting dislocated persons, camp for dislocated persons, camp commandants/other Nazi officials and their fate, and famous shoe companies. 1. Concentration Camps A. Auschwitz/Birkenau, Poland (Concentration Camp) Author’s Note : Joe arrived at Auschwitz on April 30, 1942 and was housed at its sister camp, Birkenau, or “Auschwitz II,” where two days a week he was forced to move the bodies of the dead from the gas chamber to open pits. He was also required to do daily calisthenics and work in many other areas around the camp, including snow removal on the massive grounds. Joe was eventually assigned to a slave labor crew working in a nearby coal mine. For a short while, the inmate miners were forced to walk several miles each day to the coal mine and back. When Joe was finally moved from Birkenau to a camp near the coal mine, he le Auschwitz for the last time, but the mining camp remained under the authority of Auschwitz. Joe permanently lost the hearing in one ear from the repeated explosions of dynamite. Documents provided by the United States Holocaust Memorial Museum in Washington, D.C., show that in June 1944, Joe (Juzek Rubinsztein) was sent from the Auschwitz complex (we believe from the Jawischowitz Sub-camp/Brzeszcze Coal Mine) to Buchenwald, Germany. His official number while at Auschwitz was 34207. At Buchenwald, his number was 117.666. 1, 2 e Auschwitz Concentration Camp, located thirty-seven miles west of Krakow, near the Polish city of Oswiecim, was in an area annexed by Nazi Germany in 1939 aer its invasion of Poland.
    [Show full text]
  • Volume 71, Number 09 (September 1953) Guy Mccoy
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1953 Volume 71, Number 09 (September 1953) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 71, Number 09 (September 1953)." , (1953). https://digitalcommons.gardner-webb.edu/etude/114 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Preparation for Opera Licia Albanese The Piano Art of Ferruccio Busoni Christopher Paddack What Can Technical Instruction Achieve? Martha Neumark Mental Practice Aldo Ciccolini What the Junior Music Festival Can Do For Your State Norma Ryland Graves A Symphony of Bells Paul D. Peery The Place of the Non-Concertizing Artist in American Music LeRoy V. Brant E PRESSER COMPANY, Letters from THEODOR PENNSYlVANIA :bear Cenfurlp BRYN MAWR, b hearing that your to the Editor I have een I new issues are t he best ever. Please send me the numbers Articles checked below, am enclosing 25¢ a copy. 'or several months I Dear Sir: F ., to express my have been interndllt'l,ooe edi~orship of • ' ti n 'or .
    [Show full text]
  • HMAS Sydney in Action - the Ran’S First Big Test Bob Hetherington 36 “Barely a Year After the 1913 Fleet Review the RAN Found Itself Committed to WW1
    Australian National Maritime Museum Volunteers’ Quarterly All Hands Issue 84 September 2013 Page Page 2 Page 3 EDITORIAL FAREWELL … Peter Wood This issue marks the celebration of the Readers would be aware that long-serving centenary of the arrival of the Royal Volunteers Manager, Peter Wood, has left Australian Navy’s first vessels in Sydney. the museum. All current volunteers have Virtually no-one will now remember that seen Peter at work at least in their event 100 years ago though it is being introductory interview and at guide recreated in October this year in very briefings. Peter’s great awareness of the grand fashion as the International Fleet entire volunteer force was a great strength Review (IFR). Imagine, a century ago, to the All Hands committee. island Australia was truly a maritime nation dependent solely on the sea to Your All Hands Committee has been in a bring here both people and the goods privileged position to work alongside him they needed to settle them. Then to producing many, many issues of this export our produce to markets across the magazine. oceans as well as protecting the sea lanes carrying these vessels to and fro. The magazine’s charter defines the official role that Peter played as: “Guide and advisor on policy matters”. But he did IFR 2013 much more. He suggested new ideas for adds to this naval centenary both a layer stories and their presentation; supported of visiting naval ships plus an array of most of them, but he was sometimes international tall ships in recognition of reserved about our ideas.
    [Show full text]
  • GIPE-010851.Pdf
    Dhananjayarao Gadgil Library l~mnWIIIIID GIPE-PUNE-OI0851 SHIPS AND SEAMEN THE HOME UNIVERSITY LIB~ARY OF MODERN KNOWLEDGE Editor. of THE HOME UNIVERSITY UBRARY OF MODERN KNO~E RT. HON. H. A. L. FIsHER. F.R.S., LL.D., D.LITr. PRo)'. GILBERT MUBllAY, F.B.A., LL.D., 'D.LnT. PRO),. Jl1LL\N S. HUXLEY, M.A. For ,.. oj tlOlumu '" 1M LiImwr _ end of book. SHIPS & SEAMEN 11J GEOFFREY RAWSON AlIl1Ior 0/ .. ADMIRAL BBATTY," II ADMIRAL BLIGH," .. ADMIRAL RAWSON." etc. LONDON Thornton Butterworth Ltd. XL125·3.N~ Ct1 \ 0'05\ AU Rip" IU-.l ....,. AJID 1'IIl....... GDAI' JIIII'I.r.d CONTENTS CHAP. PAGE I. TUE RISE OF STEAM 7 II. THE GREAT DAYS OF SAIL 30 III. THE HEROIC AGE-JAMES COOK 46 IV. SAILING DIRECTIONS 66 V. THE MIRROR OF THE SEA 90 VI. SHIPS AND SHIPPING 104 VII. TRADE ROUTES II4 VIII. SAFETY AT SEA 123 IX. AIDS TO NAVIGATION 142 X. THE MASTER AND THE MARINERS • 159 XI. THE BUSINESS OF SHIPPING 179 XII. THE SEAMAN AND HIS SHIP • 202 XIII. THE REGULATION OF SHIPPING 222 ApPENDIX 247 BIBLIOGRAPHY 250 INDEX 252 5 CHAPTER I THE RISE OF STEAM ON a summer's afternoon in the month of July, 1843, there was much excitement in the ancient seaport of Bristol. The city was gay with flags, and crowds lined the streets lead­ ing to the waterside where a large concourse had assembled to witness the launching of the iron screw steamer, Great Britain, by the Prince Consort. A public holiday had been proclaimed, and there was disappointment when, the ship having been duly launched, it was found that the dock gates through which she was to pass were too small to allow her exit.
    [Show full text]