Rome & Sicily: Layers & Legacies
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The Differences of Slovenian and Italian Daily Practices Experienced in the First Wave of Covid-19 Pandemic
The Differences of Slovenian and Italian Daily Practices Experienced in the First Wave of Covid-19 Pandemic Saša Pišot ( [email protected] ) Science and Research Centre Koper Boštjan Šimunič Science and Research Centre Koper Ambra Gentile Università degli Studi di Palermo Antonino Bianco Università degli Studi di Palermo Gianluca Lo Coco Università degli Studi di Palermo Rado Pišot Science and Research Centre Koper Patrik Dird Faculty of Sport and Physical Education, University of Novi Sad, Serbia Ivana Milovanović Faculty of Sport and Physical Education, University of Novi Sad, Serbia Research Article Keywords: Physical activity and inactivity behavior, dietary/eating habits, well-being, home connement, COVID-19 pandemic measures Posted Date: June 9th, 2021 DOI: https://doi.org/10.21203/rs.3.rs-537321/v1 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License Page 1/18 Abstract Background: The COVID-19 pandemic situation with the lockdown of public life caused serious changes in people's everyday practices. The study evaluates the differences between Slovenia and Italy in health- related everyday practices induced by the restrictive measures during rst wave of the COVID-19 pandemic. Methods: The study examined changes through an online survey conducted in nine European countries from April 15-28, 2020. The survey included questions from a simple activity inventory questionnaire (SIMPAQ), the European Health Interview Survey, and some other questions. To compare changes between countries with low and high incidence of COVID-19 epidemic, we examine 956 valid responses from Italy (N=511; 50% males) and Slovenia (N=445; 26% males). -
Rome: a Pilgrim’S Guide to the Eternal City James L
Rome: A Pilgrim’s Guide to the Eternal City James L. Papandrea, Ph.D. Checklist of Things to See at the Sites Capitoline Museums Building 1 Pieces of the Colossal Statue of Constantine Statue of Mars Bronze She-wolf with Twins Romulus and Remus Bernini’s Head of Medusa Statue of the Emperor Commodus dressed as Hercules Marcus Aurelius Equestrian Statue Statue of Hercules Foundation of the Temple of Jupiter Optimus Maximus In the Tunnel Grave Markers, Some with Christian Symbols Tabularium Balconies with View of the Forum Building 2 Hall of the Philosophers Hall of the Emperors National Museum @ Baths of Diocletian (Therme) Early Roman Empire Wall Paintings Roman Mosaic Floors Statue of Augustus as Pontifex Maximus (main floor atrium) Ancient Coins and Jewelry (in the basement) Vatican Museums Christian Sarcophagi (Early Christian Room) Painting of the Battle at the Milvian Bridge (Constantine Room) Painting of Pope Leo meeting Attila the Hun (Raphael Rooms) Raphael’s School of Athens (Raphael Rooms) The painting Fire in the Borgo, showing old St. Peter’s (Fire Room) Sistine Chapel San Clemente In the Current Church Seams in the schola cantorum Where it was Cut to Fit the Smaller Basilica The Bishop’s Chair is Made from the Tomb Marker of a Martyr Apse Mosaic with “Tree of Life” Cross In the Scavi Fourth Century Basilica with Ninth/Tenth Century Frescos Mithraeum Alleyway between Warehouse and Public Building/Roman House Santa Croce in Gerusalemme Find the Original Fourth Century Columns (look for the seams in the bases) Altar Tomb: St. Caesarius of Arles, Presider at the Council of Orange, 529 Titulus Crucis Brick, Found in 1492 In the St. -
The Duchess Guide
DISCOVER ITALIA! The Duchess Guide In his quest for the ultimate Sicily itinerary, James Miller decided to consult one of the island’s noble ambassadors, Nicoletta Polo, the Duchess of Palma isiting somewhere as special as Sicily can present a dilemma as there are so many guide books and television programmes covering the Mediterranean’s most majestic island. You can either find yourself spoilt for choice or totally bewildered when Vconsidering what to see and do. And no trip to Sicily should be squandered by not having prepared an amazing itinerary of activities to enjoy. An enviable problem I’ll confess, but one I intended to solve nevertheless, so I met with one of the island’s most prominent and cultured ambassadors; a lady who can offer the ‘discerning’ visitor an insight into the true Sicily and its captivating appeal, the Duchess of Palma, Nicoletta Polo. Nicoletta and I are old friends from my previous adventures in 1. Ortigia First on the list was Ortigia. Nicoletta Polo Lanza Tomasi, Duchess Sicily and whenever I return to see her I’m welcomed with such “I adore Ortigia,” Nicoletta of Palma di Montechiaro warmth it’s like visiting a kind and benevolent aunt, although warmly expressed her I don’t boast such lofty connections with my own family as sentiments about this small Nicoletta is an Italian noblewoman. Her husband is the heir of and charming island that is Giuseppe Tomasi di Lampedusa, the author of one of the most the beating heart of ancient important works in Italian literary culture, Il Gattopardo (The Syracuse. -
On the Spiritual Matter of Art Curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020
on the spiritual matter of art curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020 JOHN ARMLEDER | MATILDE CASSANI | FRANCESCO CLEMENTE | ENZO CUCCHI | ELISABETTA DI MAGGIO | JIMMIE DURHAM | HARIS EPAMINONDA | HASSAN KHAN | KIMSOOJA | ABDOULAYE KONATÉ | VICTOR MAN | SHIRIN NESHAT | YOKO ONO | MICHAL ROVNER | REMO SALVADORI | TOMÁS SARACENO | SEAN SCULLY | JEREMY SHAW | NAMSAL SIEDLECKI with loans from: Vatican Museums | National Roman Museum | National Etruscan Museum - Villa Giulia | Capitoline Museums dedicated to Lea Mattarella www.maxxi.art #spiritualealMAXXI Rome, 16 October 2019. What does it mean today to talk about spirituality? Where does spirituality fit into a world dominated by a digital and technological culture and an ultra-deterministic mentality? Is there still a spiritual dimension underpinning the demands of art? In order to reflect on these and other questions MAXXI, the National Museum of XXI Century Arts, is bringing together a number of leading figures from the contemporary art scene in the major group show on the spiritual matter of art, strongly supported by the President of the Fondazione MAXXI Giovanna Melandri and curated by Bartolomeo Pietromarchi (from 17 October 2019 to 8 March 2020). Main partner Enel, which for the period of the exhibition is supporting the initiative Enel Tuesdays with a special ticket price reduction every Tuesday. Sponsor Inwit. on the spiritual matter of art is a project that investigates the issue of the spiritual through the lens of contemporary art and, at the same time, that of the ancient history of Rome. In a layout offering diverse possible paths, the exhibition features the works of 19 artists, leading names on the international scene from very different backgrounds and cultures. -
Anuario ACE De Cultura Digital 2017
Acción Cultural Española www.accioncultural.es Acción Cultural Española publica su cuarta participado en una experiencia de realidad virtual edición del Anuario AC/E de Cultura Digital para la exposición Carlos III y la difusión de la siguiendo una línea editorial que se propone Antigüedad. Una inmersión de seis minutos de difundir, entre los profesionales del sector duración en las excavaciones arqueológicas en cultural, las principales tendencias digitales a las antiguas ciudades de Herculano y Pompeya tener en cuenta en los próximos años. Desde producida por la empresa española Future Ligh- 2015, un comité nos asesora en la selección de thouse que estuvo expuesta en Madrid, Nápoles temas y autores para la primera parte del Anua- y México con gran éxito de público durante tres rio. En esta edición, este grupo de expertos ha meses y ahora está disponible, de forma gratuita, analizado temas como la curación de contenidos en la plataforma de juegos virtuales Steam. para hacer frente a la sobreinformación digital; la neurociencia aplicada a la tecnología; los últimos Para la presentación de los resultados del Anua- avances en inteligencia artificial, el Internet de rio contamos con la complicidad y el apoyo del las cosas y el Big Data aplicados a la cultura; o el Espacio Fundación Telefonica, que nos ayuda uso de la tecnología digital en la música. enormemente en su difusión. A lo largo del año lo presentaremos en distintos centros y foros En cada edición se realiza un estudio de campo, internacionales de cultura digital. Se trata de una el Focus, que recoge, tanto a nivel nacional como importante actividad para difundir este trabajo internacional, las buenas prácticas en materia que el año pasado nos llevó al Encuentro Mun- de tecnología digital en una disciplina concreta. -
5 Year Slurry Outlook As of 2021.Xlsx
City of Palm Springs Section Listing PCI Report 2021-2026 Fiscal Year 2021/2022 Slurry Project Road Segment Start of Segment End of Segment Neighborhood PCI DINAH SHORE DRIVE W/S CROSSLEY ROAD WEST END OF BRIDGE Not Assigned 75.10000 SNAPDRAGON CIRCLE W/S GOLDENROD LANE W END (CDS) Andreas Hills 75.10000 ANDREAS ROAD E/S CALLE EL SEGUNDO E/S CALLE ALVARADO Not Assigned 75.52638 DILLON ROAD 321'' W/O MELISSA ROAD W/S KAREN AVENUE Not Assigned 75.63230 LOUELLA ROAD S/S LIVMOR AVENUE N/S ANDREAS ROAD Sunmor 75.66065 LEONARD ROAD S/S RACQUET CLUB ROAD N/S VIA OLIVERA Little Tuscany 75.70727 SONORA ROAD E/S EL CIELO ROAD E END (CDS) Los Compadres 75.71757 AMELIA WAY W/S PASEO DE ANZA W END (CDS) Vista Norte 75.78306 TIPTON ROAD N/S HWY 111 S/S RAILROAD Not Assigned 76.32931 DINAH SHORE DRIVE E/S SAN LUIS REY ROAD W/S CROSSLEY ROAD Not Assigned 76.57559 AVENIDA CABALLEROS N/S VISTA CHINO N/S VIA ESCUELA Not Assigned 76.60579 VIA EYTEL E/S AVENIDA PALMAS W/S AVENDA PALOS VERDES The Movie Colony 76.68892 SUNRISE WAY N/S ARENAS ROAD S/S TAHQUITZ CANYON WAY Not Assigned 76.74161 HERMOSA PLACE E/S MISSION ROAD W/S N PALM CANYON DRIVE Old Las Palmas 76.75654 HILLVIEW COVE E/S ANDREAS HILLS DRIVE E END (CSD) Andreas Hills 76.77835 VIA ESCUELA E/S FARRELL DRIVE 130'' E/O WHITEWATER CLUB DRIVE Gene Autry 76.80916 AMADO ROAD E/S CALLE SEGUNDO E/S CALLE ALVARADO Not Assigned 77.54599 AMADO ROAD E/S CALLE ENCILIA W/S CALLE EL SEGUNDO Not Assigned 77.54599 AVENIDA CABALLEROS N/S RAMON ROAD S/S TAHQUITZ CANYON WAY Not Assigned 77.57757 DOLORES COURT LOS -
716A774f4a2b6625fc8ec763e06
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-5/W1, 2017 GEOMATICS & RESTORATION – Conservation of Cultural Heritage in the Digital Era, 22–24 May 2017, Florence, Italy USE OF 3D TECHNOLOGIES WITHIN THE CONSERVATION OF THE ANCIENT WINDOWS OF THE BASILICA OF S. SABINA IN ROME. CONSTRUCTION OF EXHIBITION STANDS IN CARBON COMPOSITE ON A MILLED STRUCTURE. A. Iaccarino Idelsona,*, S. Pannuzib, A. Brunettoc, G. Galantid, C. Giovannoneb, V. Massab, C. Serinoa, F. Vischettib a Equilibrarte srl, 00179 Rome, Via Centuripe 34, Italy - [email protected] b Istituto Superiore per la Conservazione e il Restauro, 00153 Rome, via di San Michele 25, Italy – (simona.pannuzi, carla.giovannone, valeria.massa, flavia.vischetti)@beniculturali.it c Restauri Brunetto, 36100 Vicenza, Italy - [email protected] d Fabrica Conservazione e Restauro scpl, 00138 Roma, Via Ludovico da Casoria 11, Italy - [email protected] KEY WORDS: 3-D milling, 3-D modeling, exhibition stands, carbon fiber composite, laser cleaning, fragmented artifact, counterforms, restoration. Abstract Rare and precious window elements from the Paleochristian Basilica of Saint Sabina in Rome, made of plaster gypsum with translucent selenite used as glass for light transmission, were discovered by Antonio Muñoz during the restoration of the building at the beginning of the 20th c. Originally standing within the stone window frame, were then mounted on wood planks with screws for holding together the scattered fragments. The surfaces were covered with grime and the selenite elements were blinded by the wooden supports. During the recent conservation treatment at ISCR, traces of Egyptian blue on the internal surfaces were detected. -
2 FEBBRAIO 2015 Palazzo Dell'istruzione
2 FEBBRAIO 2015 Palazzo dell’istruzione The building which hosts the head offices of the Italian Ministry of Education was designed by the architect Cesare Bazzani, well known in those days for having built also Palazzo delle Belle Arti (Palace of Fine Arts), which now hosts the National Gallery of Modern Art. The construction of the Palace, started in 1912, was completed only in 1928. The building recalls the style and the eclectic taste of the beginning of the Twentieth Century. Its monumental architectural forms, inspired by Classicism, are softened by the baroque lines which liven up the facade, enriched in the front as well as in the internal spaces by an important series of ornaments and symbolic decorations with book-shaped capitals, grotesque caryatids, battering- ram heads, flower garlands. From the monumental Hall which introduces to the Palace, you can access the Courtyard of Honour, currently used for commemorative and prize-giving ceremonies at the end of the school year. On the sides of the Hall, two Honour Staircases, made of white marble, lead to the Minister’s Offices and to the Ministry representative rooms (Ministers’ Hall, Minister’s and Head of Cabinet’s Offices) decorated by Antonino Calcagnadoro, Paolo Paschetto and Rodolfo Villani in the year 1928. The paintings, made with the cold encaustic and the casein glue poster paint, two of the oldest and most traditional techniques of Italian Art, depict some allegorical figures: Literature, Science, Wisdom, History, Genius and Art. The series, painted by Calcagnodoro for the decoration of the Ministers’ Hall, is particularly valuable. It is a sequence which illustrates Education and 1 Knowledge in the various stages of Italian history with the depiction of some of its most important representatives: Dante Alighieri, San Francesco and Santa Chiara, Leonardo da Vinci, Raffaello Sanzio, Benvenuto Cellini, Michelangelo Merisi. -
QUATTRO CANTI Early Modern City Planning
QUATTRO CANTI Early modern city planning The districts of Albergheria, Capo, La Loggia and Kalsa meet in Quattro Canti, a baroque square conceived by Mariano Smiriglio, also the architect of Porta Felice. It was commissioned by the Spanish viceroys between 1608-1620. Four near-symmetrical façades confront the square, decorated by fountains representing the four seasons and statues of the four Spanish kings of Sicily. Ostensible in design, the square is among the frst major examples of European town planning. The Museo d’Arte Contemporanea della Sicilia is right around the corner, housed in Palazzo Riso. The palace was destroyed during World War II, but was restored to become a regional contemporary art museum in 2008. This part of Vittorio Emanuele is the home of many bookshops, such as Libreria Agati Roberto for used books and Libreria del Corso for rare books. 6 CATTEDRALE DI PALERMO Less is a bore For Norman Sicilians, big and beautiful was the modus operandi. In the case of Palermo Cathedral, the more-is-more, less-is-a-bore stratagem has been bolstered through cen- turies of strong personalities adding their mark to this most holy site. The cathedral is Roman-Catholic and was built in 1185 by King William II’s minister and archbishop, Walter Ophamil. It was ult on the grouns of hat ha frst een a Byzantine basilica, and centuries later, a mosque. The archbishop is buried in a sarcophagus in the crypt. The cathedral’s original size and splendour is the product of stark competition with the stirring Monreale Cathedral that had been commissioned in 1174, as well as the beauti- ful Muslim mosque that the new cathedral was replacing. -
The Spirit of Rome, by Vernon Lee 1
The Spirit of Rome, by Vernon Lee 1 The Spirit of Rome, by Vernon Lee The Project Gutenberg EBook of The Spirit of Rome, by Vernon Lee This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Spirit of Rome Author: Vernon Lee Release Date: January 22, 2009 [EBook #27873] Language: English Character set encoding: ISO-8859-1 The Spirit of Rome, by Vernon Lee 2 *** START OF THIS PROJECT GUTENBERG EBOOK THE SPIRIT OF ROME *** Produced by Delphine Lettau & the Online Distributed Proofreading Team at http://www.pgdpcanada.net This file was produced from images generously made available by The Internet Archive/American Libraries. THE SPIRIT OF ROME BY VERNON LEE. CONTENTS. Explanatory and Apologetic I. First Return to Rome II. A Pontifical Mass at the Sixtine Chapel III. Second Return to Rome IV. Ara Coeli V. Villa Cæsia VI. The Pantheon VII. By the Cemetery SPRING 1895. I. Villa Livia II. Colonna Gallery III. San Saba IV. S. Paolo Fuori V. Pineta Torlonia SPRING 1897. I. Return at Midnight II. Villa Madama III. From Valmontone to Olevano IV. From Olevano to Subiaco V. Acqua Marcia VI. The Sacra Speco VII. The Valley of the Anio VIII. Vicovaro IX. Tor Pignattara X. Villa Adriana XI. S. Lorenzo Fuori XII. On the Alban Hills XIII. Maundy Thursday XIV. Good Friday XV. -
Best Sculpture in Rome"
"Best Sculpture in Rome" Créé par: Cityseeker 11 Emplacements marqués Wax Museum "History in Wax" Linked to the famed Madame Tussaud's in London, the Museo delle Cere recreates historical scenes such as Leonardo da Vinci painting the Mona Lisa surrounded by the Medici family and Machiavelli. Another scene shows Mussolini's last Cabinet meeting. There is of course a chamber of horrors with a garrotte, a gas chamber and an electric chair. The museum by _Pek_ was built to replicate similar buildings in London and Paris. It is a must visit if one is ever in the city in order to take home some unforgettable memories. +39 06 679 6482 Piazza dei Santi Apostoli 68/A, Rome Capitoline Museums "Le premier musée du monde" Les musées Capitoline sont dans deux palais qui se font face. Celui sur la gauche des marches de Michelange est le Nouveau Palais, qui abrite l'une des plus importantes collections de sculptures d'Europe. Il fut dessiné par Michelange et devint le premier musée public en 1734 sur l'ordre du pape Clément XII. L'autre palais, le Conservatori, abrite d'importantes peintures by Anthony Majanlahti comme St Jean Baptiste de Caravaggio et des oeuvres de titian, veronese, Rubens et Tintoretto. Une sculpture d'un énorme pied se trouve dans la cours, et faisait autrefois partie d'une statue de l'empereur Constantin. Une des ouvres fameuses est sans aucun doute la louve, une sculpture étrusque du 5ème siècle avant J-C à laquelle Romulus et Rémus furent ajoutés à la Renaissance. +39 06 0608 www.museicapitolini.org/s info.museicapitolini@comu Piazza Campidoglio, Rome ede/piazza_e_palazzi/pala ne.roma.it zzo_dei_conservatori#c Museo Barracco di Scultura Antica "Sculpturally Speaking" The Palazzo della Piccola Farnesina, built in 1523, houses the Museo Barracco di Scultura Antica, formed from a collection of pre-Roman art sculptures, Assyrian bas-reliefs, Attic vases, Egyptian hieroglyphics and exceptional Etruscan and Roman pieces. -
Chapter 3 Who Built the Pantheon? Agrippa, Apollodorus, Hadrian And
Despite so much that is known about Roman buildings, Chapter 3 there is relatively little to say about the individuals involved in the ferment of their creation. We can reconstruct Who Built the Pantheon? confidently the original appearance of many a monument, but not much about their designers. This is not for want of Agrippa, Apollodorus, information; it is just not quite of the right kind. All around the Mediterranean survive ample ruins, including some Hadrian and Trajan strikingly well-preserved buildings, of which the Pantheon is the prime example. This physical evidence is illuminated by literary sources, inscriptions and brickstamps, and on Mark Wilson Jones occasion by maps and drawings inscribed in stone. Notwithstanding some long-running disputes, we can often be sure of the identity and date of individual monuments in major cities. We also possess quite a populous roster of architects’ names, thanks to numbers of their tombstones, along with the occasional textual mention of a few of the men at the top of their profession. Some buildings bear discreet architects’ inscriptions, yet these are nothing like as numerous and prominent as those of their patrons; it is they who take the credit. In short, it is normally impossible to join up specific surviving buildings with specific architects about whom we know any more than the name. In this the Roman period fares worse than the Greek, when architects were frequently tied to particular projects by specifications, contracts and accounts recorded on stone, while the names of famous protagonists can be found in the treatises of Roman writers, most notably Vitruvius and Pliny.1 By such means we know of no fewer than three individuals who had responsibility for the design of the Parthenon in one role or other, Ictinus, Kallikrates and Karpion, while a fourth, Phidias, the creator of Athena Parthenos, may also have had some architectural input.