Great Libraries of Rome TOUR HIGHLIGHTS
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Catalogue-Guided-Tours-Kids.Pdf
C A T A L O G U E G U I D E D T O U R S K I D S E D I T I O N The Colosseum, the largest amphitheater in the world Duration: 2 hours Our guide will be waiting for you in front of the Colosseum, the largest and most famous amphitheater in the world. You will discover together what happened inside this "colossal" building where about 50,000 spectators could enter to watch the gladiator shows offered by the Roman emperors until the fifth century. Place of incredible fun for the ancient Romans. Exotic animals, gladiators acclaimed and loved as heroes, spectacular death sentences and grandiose naumachiae. We will unveil many curiosities and false legends about the largest amphitheater in the world. The Palatine, from the Hut of Romulus to the Imperial Palace Duration: 2 hours A long time ago, between history and legend, Rome was born ... but where exactly?! On the Palatine Hill! We will start from the mythical origin of the Eternal City, when the two brothers Romulus and Remus fought for its dominion, discovering that everything started from small wooden huts, to arrive in an incredible journey through time and archaeology to the marbles and riches of the imperial palaces, admired throughout the ancient world. You will meet kings and emperors, but also shepherds and farmers! Castel Sant'Angelo, the Mausoleum of Hadrian Duration: 2 hours Our guide will be waiting for you in front of the Castle's main door to let you discover the secrets of one of the most famous monuments of ancient Rome. -
On the Spiritual Matter of Art Curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020
on the spiritual matter of art curated by Bartolomeo Pietromarchi 17 October 2019 – 8 March 2020 JOHN ARMLEDER | MATILDE CASSANI | FRANCESCO CLEMENTE | ENZO CUCCHI | ELISABETTA DI MAGGIO | JIMMIE DURHAM | HARIS EPAMINONDA | HASSAN KHAN | KIMSOOJA | ABDOULAYE KONATÉ | VICTOR MAN | SHIRIN NESHAT | YOKO ONO | MICHAL ROVNER | REMO SALVADORI | TOMÁS SARACENO | SEAN SCULLY | JEREMY SHAW | NAMSAL SIEDLECKI with loans from: Vatican Museums | National Roman Museum | National Etruscan Museum - Villa Giulia | Capitoline Museums dedicated to Lea Mattarella www.maxxi.art #spiritualealMAXXI Rome, 16 October 2019. What does it mean today to talk about spirituality? Where does spirituality fit into a world dominated by a digital and technological culture and an ultra-deterministic mentality? Is there still a spiritual dimension underpinning the demands of art? In order to reflect on these and other questions MAXXI, the National Museum of XXI Century Arts, is bringing together a number of leading figures from the contemporary art scene in the major group show on the spiritual matter of art, strongly supported by the President of the Fondazione MAXXI Giovanna Melandri and curated by Bartolomeo Pietromarchi (from 17 October 2019 to 8 March 2020). Main partner Enel, which for the period of the exhibition is supporting the initiative Enel Tuesdays with a special ticket price reduction every Tuesday. Sponsor Inwit. on the spiritual matter of art is a project that investigates the issue of the spiritual through the lens of contemporary art and, at the same time, that of the ancient history of Rome. In a layout offering diverse possible paths, the exhibition features the works of 19 artists, leading names on the international scene from very different backgrounds and cultures. -
Eastern Dairies Limited
EASTERN- DAIRIES LIMITED QUALITY GUARDED ,-.P~VIS HAL Annual Report I \'-IFS for the year ending 3 1 at March, 1938 EASTERN DAIRIES, LIMITED OFFICERS Prer ;ident and Managing Direc'tor W. R. AIRD, Montreal ' Vice-president P. A. THOMSON, Montreal DIRECTORS ' W. R. AIRD .............. Montreal BOWER HENRY .......... Ottawa A. J. NESBITT ............ Montreal C. B. PRICE .............. Montreal P. A. THOMSON ............ Montreal E. W. KING, Secretary-Treasurer Fiscal Agents NESBITT, THOMSON & COMPANY, LIMITED Transfer Agents MONTREAL TRUST COMPANY Auditors P. S. ROSS & SONS EASTERN DAIRIES, LIMITED To the Shareholders X TOUR Directors submit herewith their Annual Report covering the opera- y ttons of your Compan) and ,ti Suhsldnarws fur the year eded .\larch 31st. 1938, accm~paniedby a Consolidated Statement of :Zssets and Liabilities and Surplus Account, duly certified hy the Conlpmy's auditors The net results from operations for the year, and for the previous fiscal year ended March 31rt, 1937, are as follows: 1938 1937 Operating Profit. ........ $298.371.24 $229.691.68 LESS: Bond Interest.. ........ $167,157.50 $170.712.50 Premium paid on foreign fundsfor Bond Interest 1.819.90 1.748.78 Amortization of Bond Discount and Expense 12.514.49 10,453.84 181.491.89 182,915.12 Profit before Depreciation 116,879.35 46,776.56 Depreciation.. ........... 218,444.30 225.918.05 Net Loss.. .......... $101,564.95 $179,141.49 It will be noticed that there was a net increase in wrningsof $70.102 79 Ibeforr pruviding fur ikpreciatton. The amount credited to the Reserve for Ilrnreriat~onisconsidercd suflicient in view uf the excellent conditiou in which the' plants are maintained. -
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The J. Paul Getty Trust 1200 Getty Center Drive, Suite 400 Tel 310 440 7360 Communications Department Los Angeles, California 90049-1681 Fax 310 440 7722 www.getty.edu [email protected] NEWS FROM THE GETTY DATE: September 14, 2007 FOR IMMEDIATE RELEASE GETTY EXHIBITION HIGHLIGHTS THE TRIALS AND TRIBULATIONS OF A YOUNG ARTIST’S JOURNEY AS TOLD BY HIS BROTHER Taddeo and Federico Zuccaro: Artist-Brothers in Federico Zuccaro Renaissance Rome Italian, about 1541 - 1609 Taddeo Rebuffed by Francesco Il Sant'Agnolo, about 1590 Pen and brown ink and brown wash over black chalk The J. Paul Getty Museum At the J. Paul Getty Museum, Getty Center 99.GA.6.5 October 2, 2007 – January 6, 2008 LOS ANGELES—The journey to becoming an artist in Renaissance Rome during the 16th century was fraught with daily hardships and struggles. These tribulations are best exemplified in the tale of Taddeo Zuccaro, a young lad who left his home on the eastern coast of Italy at the tender age of 14 to pursue a career as an artist in the great metropolis of Rome. His tenuous journey of starvation, deprivation, sickness, and ultimately triumph—sensitively recounted by his younger brother, Federico, who would himself become an artist of great significance—will be celebrated in a major international loan exhibition organized by the J. Paul Getty Museum. On view at the Getty Center, October 2, 2007 through January 6, 2008, Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome is the first exhibition devoted to the artist-brothers that focuses on their relationship and brings together some of their greatest drawings. -
Ancient Cities: the Archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, Second Edition
ART 2311: Art and Architecture in Rome Fall 2016 A Days (Mondays and Wednesdays), 11:30am-1:00pm Aula Magna (plus site visits on some Wednesday afternoons) COURSE DESCRIPTION: This course gives students the unique opportunity to immerse themselves in the development of the city of Rome through a study of its art, architecture and urban transformation. It focuses on the major artistic and architectural movements occurring primarily in Italy (as well as their Greek antecedents) from roughly the 8th century BCE to the 20th century CE. In the study of each period we will strive to understand Rome’s artistic and architectural works within the contexts in which they were created. Our study of art, architecture and urban planning will therefore take into account the historical, political, social, religious and cultural contexts of the patrons, artists and viewers. Particular emphasis will be placed on ancient Greece and Rome, early Christianity, the Renaissance and the Baroque periods. We will also explore the reuse, borrowing and revival of ancient artistic and architectural themes in later periods. Instructor: Office Hours: Dr. Elizabeth Robinson Monday 4:00-6:00pm, or by appointment. [email protected] If you cannot make it to these office hours, Office: 560 please let me know and we can work out Office Phone: extension 560 another time to meet. REQUIRED TEXTS: (G) Gates, C.F. Ancient Cities: The archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, second edition. (Routledge, 2011). (C) Claridge, A. Rome. An Oxford Archaeological Guide. (Oxford 1998). (CP) Coursepack (consisting of several different readings assembled specifically for this course) ADDITIONAL READINGS: Occasionally texts, articles and handouts that will supplement the texts listed above may be assigned. -
Renaissance Gardens of Italy
Renaissance Gardens of Italy By Daniel Rosenberg Trip undertaken 01-14 August 2018 1 Contents: Page: Introduction and overview 3 Itinerary 4-5 Villa Adriana 6-8 Villa D’Este 9-19 Vatican 20-24 Villa Aldobrindini 25-31 Palazzo Farnese 32-36 Villa Lante 37-42 Villa Medici 43-45 Villa della Petraia 46-48 Boboli Gardens 49-51 Botanical Gardens Florence 52 Isola Bella 53-57 Isola Madre 58-60 Botanic Alpine Garden Schynige Platte (Switz.) 61-62 Botanic Gardens Villa Taranto 63-65 Future Plans 66 Final Budget Breakdown 66 Acknowledgments 66 Bibliography 66 2 Introduction and Overview of project I am currently employed as a Botanical Horticulturalist at the Royal Botanic Gardens Kew. I started my horticultural career later in life and following some volunteer work in historic gardens and completing my RHS level 2 Diploma, I was fortunate enough to secure a place on the Historic and Botanic Garden training scheme. I spent a year at Kensington Palace Gardens as part of the scheme. Following this I attended the Kew Specialist Certificate in Ornamental Horticulture which gave me the opportunity to deepen my plant knowledge and develop my interest in working in historic gardens. While on the course I was able to attend a series of lectures in garden history. My interest was drawn to the renaissance gardens of Italy, which have had a significant influence on European garden design and in particular on English Gardens. It seems significant that in order to understand many of the most important historic gardens in the UK one must understand the design principles and forms, and the classical references and structures of the Italian renaissance. -
Rome Informational Booklet UCLA
WHAT STUDENTS EXPERIENTIAL ARE SAYING LEARNING ROME TRAVEL STUDY: ROMAN HISTORY ZEHRA ABBAS History and Gender Studies & CLASSICS “As a history major, it was essential to do this study abroad trip, because it contextualized the things I had learned in my classes. It's di$erent to read about the Colosseum, but it's even better to actualy visualize the Colosseum.” GARRETT KAHRE Mechanical Engineering “My favorite part of this program is how the history seems to jump out at you. I remember one day towards the beginning of the program where! we literaly ran into the Pantheon. I mean how do you accidentaly run into one of the most famous Explore the city of Rome and History can quiet the polarizing subject. architectural buildings in the world!” learn about its ancient history and It’s one thing to read of centuries past in a monuments this summer.! textbook, an another to live among the ! city where it all took place.! FRANKLIN Study the politics and culture of SPENCER Rome from its earliest foundations African American on the Palatine hill to the triumph Studies INTERESTED IN LEARNING MORE of the new religion of Christianity, “I joined the Rome Study program because I plan on being FROM A STUDENT’S and the subsequent collapse of an PERSPECTIVE? a professor, and what a better way to get experience than empire almost 1200 years later.! Visit RomeTravelStudy.blogspot.com seeing the ancient ruins for yourself! This way I could explain a history lecture fom my own perspective.” for more information and tips! COURSE CREDITS PROGRAM FEATURES In this program, Rome is your actual classroom. -
2 FEBBRAIO 2015 Palazzo Dell'istruzione
2 FEBBRAIO 2015 Palazzo dell’istruzione The building which hosts the head offices of the Italian Ministry of Education was designed by the architect Cesare Bazzani, well known in those days for having built also Palazzo delle Belle Arti (Palace of Fine Arts), which now hosts the National Gallery of Modern Art. The construction of the Palace, started in 1912, was completed only in 1928. The building recalls the style and the eclectic taste of the beginning of the Twentieth Century. Its monumental architectural forms, inspired by Classicism, are softened by the baroque lines which liven up the facade, enriched in the front as well as in the internal spaces by an important series of ornaments and symbolic decorations with book-shaped capitals, grotesque caryatids, battering- ram heads, flower garlands. From the monumental Hall which introduces to the Palace, you can access the Courtyard of Honour, currently used for commemorative and prize-giving ceremonies at the end of the school year. On the sides of the Hall, two Honour Staircases, made of white marble, lead to the Minister’s Offices and to the Ministry representative rooms (Ministers’ Hall, Minister’s and Head of Cabinet’s Offices) decorated by Antonino Calcagnadoro, Paolo Paschetto and Rodolfo Villani in the year 1928. The paintings, made with the cold encaustic and the casein glue poster paint, two of the oldest and most traditional techniques of Italian Art, depict some allegorical figures: Literature, Science, Wisdom, History, Genius and Art. The series, painted by Calcagnodoro for the decoration of the Ministers’ Hall, is particularly valuable. It is a sequence which illustrates Education and 1 Knowledge in the various stages of Italian history with the depiction of some of its most important representatives: Dante Alighieri, San Francesco and Santa Chiara, Leonardo da Vinci, Raffaello Sanzio, Benvenuto Cellini, Michelangelo Merisi. -
Adapted by Ana Seara, Heather Fairbairn and Sophie Van Der Stegen Composed by Ana Seara and W
Adapted by Ana Seara, Heather Fairbairn and Sophie van der Stegen Composed by Ana Seara and W. A. Mozart Once Upon A Time.. The Magic Flute SYNOPSIS In a creaky attic, four friends discover an ancient book: an opera score. From its dusty pages, music pours out as if by magic. What other mysteries hide within its pages? The friends are drawn into playing out the story they find inside: a tale of lost princes and adventurous princesses, sun gods and queens of the night, friendly bird watchers and enchanted instruments. After searching the attic for the costumes and props to enact the story, Felix, Thomas, Juliet and Sarah begin an exciting musical journey. Along the way, they call on the “birds of the forest” – the audience – for help, and discover the joy of music, friendship and imagination. It is a delightful 50-minute acoustic musical production for children aged 3- 8 years, offering a high-quality and intimate theatrical experience for young audiences Originally created for the EU and following European success, Little Match is proud to bring this work to Queensland and help tune in little ears to quality music. MUSIC This re-imagining is an innovative combination of newly-composed music and Mozart’s original exquisite score. Directed by Heather Fairbairn, the three singers and pianist engage the audience in participatory, accessible and kinesthetic means. SETTING An immersive and participatory, the magic of Mozart meets the thrill of Jumanji in this enchanting musical adventure for the whole family. Set in the round, any space (10m x 10m min) is suitable. -
The Baroque Underworld Vice and Destitution in Rome
press release The Baroque Underworld Vice and Destitution in Rome Bartolomeo Manfredi, Tavern Scene with a Lute Player, 1610-1620, private collection The French Academy in Rome – Villa Medici Grandes Galeries, 7 October 2014 – 18 January 2015 6 October 2014 11:30 a.m. press premiere 6:30 p.m. – 8:30 p.m. inauguration Curators : Annick Lemoine and Francesca Cappelletti The French Academy in Rome - Villa Medici will present the exhibition The Baroque Underworld. Vice and Destitution in Rome, in the Grandes Galeries from 7 October 2014 to 18 January 2015 . Curators are Francesca Cappelletti, professor of history of modern art at the University of Ferrara and Annick Lemoine, officer in charge of the Art history Department at the French Academy in Rome, lecturer at the University of Rennes 2. The exhibition has been conceived and organized within the framework of a collaboration between the French Academy in Rome – Villa Medici and the Petit Palais, Musée des Beaux-Arts de la Ville de Paris, where it will be shown from 24 February to 24 May 2015. The Baroque Underworld reveals the insolent dark side of Baroque Rome, its slums, taverns, places of perdition. An "upside down Rome", tormented by vice, destitution, all sorts of excesses that underlie an amazing artistic production, all of which left their mark of paradoxes and inventions destined to subvert the established order. This is the first exhibition to present this neglected aspect of artistic creation at the time of Caravaggio and Claude Lorrain’s Roman period, unveiling the clandestine face of the Papacy’s capital, which was both sumptuous and virtuosic, as well as the dark side of the artists who lived there. -
Saggio Brothers
Cammy Brothers Reconstruction as Design: Giuliano da Sangallo and the “palazo di mecenate” on the Quirinal Hill this paper I will survey information regarding both the condition and conception of the mon- ument in the fifteenth and sixteenth centuries. When Giuliano saw the temple, the only fragments left standing were a portion of the façade and parts of the massive stair structure. His seven drawings of the monument were the first attempts to reconstruct the entire building, as well as the most complex and large scale reconstructions that he ever executed. The sec- ond part of this essay will compare Giuliano’s drawings with those of Peruzzi and Palladio, with the aim of demonstrating, contrary to the theory that drawings after the antique became increasingly accurate over time, that Giuliano in fact took fewer liberties in his reconstruction than did Palladio. Aside from providing some insight into Giuliano’s working method, I hope through this comparison to suggest that fif- teenth- and sixteenth-century drawings of antiquities cannot appropriately be judged according to one standard, because each archi- 1. Antonio Tempesta, Map of Rome, Giuliano da Sangallo’s drawings have suffered tect had his own particular aims. Giuliano’s 1593, showing fragments of the temple by comparison to those of his nephew, Antonio drawings suggest that he approached recon- as they appeared in the Renaissance. da Sangallo il Giovane. Although his drawings struction not with the attitude we would expect are more beautiful, they are on the whole less of a present day archaeologist, but rather with accurate, or at least less consistent in their mode that of a designer, keen to understand the ruins of representation and their use of measure- in terms that were meaningful for his own work. -
Tyler Childers' New Album Country Squire out August 2
TYLER CHILDERS’ NEW ALBUM COUNTRY SQUIRE OUT AUGUST 2 VIDEO FOR LEAD TRACK “HOUSE FIRE” PREMIERES TODAY “COUNTRY SQUIRE RUN” HEADLINING TOUR CONFIRMED Acclaimed singer/songwriter Tyler Childers is set to release his highly anticipated new album, Country Squire, August 2 via Hickman Holler Records/RCA Records. His first release in partnership with RCA Records, the album is now available for pre-order. In anticipation of the album’s release, lead track “House Fire” premieres today. Watch/share the official music video HERE and listen to the song HERE. Produced by Sturgill Simpson and David Ferguson, the album was recorded at The Butcher Shoppe in Nashville and consists of nine new songs written by Childers. In addition to Childers (vocals, acoustic guitar), the album features a number of world-renowned musicians including Stuart Duncan (fiddle, mandolin, banjo), Miles Miller (drums, background vocals) and Russ Pahl (acoustic guitar, electric guitar, pedal steel, Jaw harp, baritone). Of the mission behind the album, Childers comments, “I hope that people in the area that I grew up in find something they can relate to. I hope that I’m doing my people justice and I hope that maybe someone from somewhere else can get a glimpse of the life of a Kentucky boy.” In celebration of the release, Childers will embark on his extensive “Country Squire Run” headlining tour this fall including stops at Los Angeles’ The Wiltern, Brooklyn’s Brooklyn Steel (two nights), Boston’s House of Blues, Washington D.C.’s The Anthem, Seattle’s Paramount Theatre, Minneapolis’ First Avenue (two nights), Atlanta’s The Tabernacle and Philadelphia’s The Fillmore among several others.