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Ancient Cities: the Archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, Second Edition
ART 2311: Art and Architecture in Rome Fall 2016 A Days (Mondays and Wednesdays), 11:30am-1:00pm Aula Magna (plus site visits on some Wednesday afternoons) COURSE DESCRIPTION: This course gives students the unique opportunity to immerse themselves in the development of the city of Rome through a study of its art, architecture and urban transformation. It focuses on the major artistic and architectural movements occurring primarily in Italy (as well as their Greek antecedents) from roughly the 8th century BCE to the 20th century CE. In the study of each period we will strive to understand Rome’s artistic and architectural works within the contexts in which they were created. Our study of art, architecture and urban planning will therefore take into account the historical, political, social, religious and cultural contexts of the patrons, artists and viewers. Particular emphasis will be placed on ancient Greece and Rome, early Christianity, the Renaissance and the Baroque periods. We will also explore the reuse, borrowing and revival of ancient artistic and architectural themes in later periods. Instructor: Office Hours: Dr. Elizabeth Robinson Monday 4:00-6:00pm, or by appointment. [email protected] If you cannot make it to these office hours, Office: 560 please let me know and we can work out Office Phone: extension 560 another time to meet. REQUIRED TEXTS: (G) Gates, C.F. Ancient Cities: The archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, second edition. (Routledge, 2011). (C) Claridge, A. Rome. An Oxford Archaeological Guide. (Oxford 1998). (CP) Coursepack (consisting of several different readings assembled specifically for this course) ADDITIONAL READINGS: Occasionally texts, articles and handouts that will supplement the texts listed above may be assigned. -
Statistical Bulletin 20 17 1 - Quarter Quarter 1
quarter 1 - 2017 Statistical Bulletin quarter 1 Statistical Bulletin Statistical publications and distribution options Statistical publications and distribution options The Bank of Italy publishes a quarterly statistical bulletin and a series of reports (most of which are monthly). The statistical information is available on the Bank’s website (www.bancaditalia.it, in the Statistical section) in pdf format and in the BDS on-line. The pdf version of the Bulletin is static in the sense that it contains the information available at the time of publication; by contrast the on-line edition is dynamic in the sense that with each update the published data are revised on the basis of any amendments received in the meantime. On the Internet the information is available in both Italian and English. Further details can be found on the Internet in the Statistics section referred to above. Requests for clarifications concerning data contained in this publication can be sent by e-mail to [email protected]. The source must be cited in any use or dissemination of the information contained in the publications. The Bank of Italy is not responsible for any errors of interpretation of mistaken conclusions drawn on the basis of the information published. Director: GRAZIA MARCHESE For the electronic version: registration with the Court of Rome No. 23, 25 January 2008 ISSN 2281-4671 (on line) Notice to readers Notice to readers I.The appendix contains methodological notes with general information on the statistical data and the sources form which they are drawn. More specific notes regarding individual tables are given at the foot of the tables themselves. -
HCS — History of Classical Scholarship
ISSN: 2632-4091 History of Classical Scholarship www.hcsjournal.org ISSUE 1 (2019) Dedication page for the Historiae by Herodotus, printed at Venice, 1494 The publication of this journal has been co-funded by the Department of Humanities of Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Editors Lorenzo CALVELLI Federico SANTANGELO (Venezia) (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) History of Classical Scholarship Issue () TABLE OF CONTENTS LORENZO CALVELLI, FEDERICO SANTANGELO A New Journal: Contents, Methods, Perspectives i–iv GERARD GONZÁLEZ GERMAIN Conrad Peutinger, Reader of Inscriptions: A Note on the Rediscovery of His Copy of the Epigrammata Antiquae Urbis (Rome, ) – GINETTE VAGENHEIM L’épitaphe comme exemplum virtutis dans les macrobies des Antichi eroi et huomini illustri de Pirro Ligorio ( c.–) – MASSIMILIANO DI FAZIO Gli Etruschi nella cultura popolare italiana del XIX secolo. Le indagini di Charles G. Leland – JUDITH P. HALLETT The Legacy of the Drunken Duchess: Grace Harriet Macurdy, Barbara McManus and Classics at Vassar College, – – LUCIANO CANFORA La lettera di Catilina: Norden, Marchesi, Syme – CHRISTOPHER STRAY The Glory and the Grandeur: John Clarke Stobart and the Defence of High Culture in a Democratic Age – ILSE HILBOLD Jules Marouzeau and L’Année philologique: The Genesis of a Reform in Classical Bibliography – BEN CARTLIDGE E.R. -
Rome Informational Booklet UCLA
WHAT STUDENTS EXPERIENTIAL ARE SAYING LEARNING ROME TRAVEL STUDY: ROMAN HISTORY ZEHRA ABBAS History and Gender Studies & CLASSICS “As a history major, it was essential to do this study abroad trip, because it contextualized the things I had learned in my classes. It's di$erent to read about the Colosseum, but it's even better to actualy visualize the Colosseum.” GARRETT KAHRE Mechanical Engineering “My favorite part of this program is how the history seems to jump out at you. I remember one day towards the beginning of the program where! we literaly ran into the Pantheon. I mean how do you accidentaly run into one of the most famous Explore the city of Rome and History can quiet the polarizing subject. architectural buildings in the world!” learn about its ancient history and It’s one thing to read of centuries past in a monuments this summer.! textbook, an another to live among the ! city where it all took place.! FRANKLIN Study the politics and culture of SPENCER Rome from its earliest foundations African American on the Palatine hill to the triumph Studies INTERESTED IN LEARNING MORE of the new religion of Christianity, “I joined the Rome Study program because I plan on being FROM A STUDENT’S and the subsequent collapse of an PERSPECTIVE? a professor, and what a better way to get experience than empire almost 1200 years later.! Visit RomeTravelStudy.blogspot.com seeing the ancient ruins for yourself! This way I could explain a history lecture fom my own perspective.” for more information and tips! COURSE CREDITS PROGRAM FEATURES In this program, Rome is your actual classroom. -
Etruria 2019 Brochure Needs
Etruscan Places OF NORTHERN LAZIO AND UMBRIA Join us in Italy, October 21–28, 2019 Imagine a land of volcanic lakes, sandy beaches, rugged hills, thermal springs, Roman roads, and medieval hill towns. Its olive oil, chestnuts, hazelnuts, freshwater fish, black truffles, seafood, wild mushrooms, game, pork products, lamb, and sheep cheeses are among the best you’ll find anywhere in Italy. … www.elifanttours.com / [email protected] / +1-347-868-6345 Etruscan Places OF NORTHERN LAZIO AND Join us for an exciting tour to the Etruscan places just north of Rome. The tour covers the territory between Rome’s northern edge and Orvieto, just inside the Umbrian border, 75 miles to the north. It’s a sort of “flyover” country, ignored by tourists in their dash north to Tuscany. All the more reason to stop and explore this land of volcanic lakes, sandy beaches, rugged hills, thermal springs, Roman roads, and medieval hill towns. Its olive oil, chestnuts, hazelnuts, freshwater fish, mushrooms, game, pork products, lamb, and sheep cheeses rival any in Italy. Long before the Romans, sophisticated native peoples were living in cities and building extravagant cemeteries (“cities of the dead”). The best known and most influential were called Etruscans, but we’ll meet others too, such as the forgotten Faliscans. Our itinerary offers plenty of archaeo-culinary interest in both isolated (and very picturesque) sites and the medieval towns that inherited the ancient legacy. That legacy continues today, remarkably unspoiled. The tour covers the southern Etruscan territory In October, when we visit, the wild beauty of the natural landscape will be enhanced between Rome and the southern borders of Tuscany and Umbria. -
A Cta Œ Cumenica
2020 N. 2 ACTA 2020 ŒCUMENICA INFORMATION SERVICE OF THE PONTIFICAL COUNCIL FOR PROMOTING CHRISTIAN UNITY e origin of the Pontical Council for Promoting Christian Unity is closely linked with the Second Vatican Council. On 5 June 1960, Saint Pope John XXIII established a ‘Secretariat for Promoting Christian Unity’ as one of the preparatory commissions for the Council. In 1966, Saint Pope Paul VI conrmed the Secretariat as a permanent dicastery CUMENICA of the Holy See. In 1974, a Commission for Religious Relations with the Jews was established within the Secretariat. In 1988, Saint Pope John Paul II changed the Secretariats status to Pontical Council. Œ e Pontical Council is entrusted with promoting an authentic ecumenical spirit in the Catholic Church based on the principles of Unitatis redintegratio and the guidelines of its Ecumenical Directory rst published in 1967, and later reissued in 1993. e Pontical Council also promotes Christian unity by strengthening relationships CTA with other Churches and Ecclesial Communities, particularly through A theological dialogue. e Pontical Council appoints Catholic observers to various ecumenical gatherings and in turn invites observers or ‘fraternal delegates’ of other Churches or Ecclesial Communities to major events of the Catholic Church. Front cover Detail of the icon of the two holy Apostles and brothers Peter and Andrew, symbolizing the Churches of the East and of the West and the “brotherhood rediscovered” (UUS 51) N. 2 among Christians on their way towards unity. (Original at the Pontical -
ETRUSCANS and ROMANS July 14Th: Pick up At
ORIGINS OF COLOR: ETRUSCANS AND ROMANS July 14th: Pick up at Fiumicino Airport in Rome in am. Agritourismo in the Lazio countryside. Fattorie Poggio Nebbia- beautiful spacious rooms, air conditioning, wi-fit, gorgeous pool and terrace overlooking the vineyards. Rooms for single occupancy. S.S. Aurelia km 84.100 - Loc.Farnesiana, Tarquinia tel: +39 0766 84 1268 check- in at 2pm Orientation and introduction to Italy, DH Lawrence and the Etruscans. Visit Banditaccia Cerveteri tombs in the afternoon. Dinner at Poggio Nebbia July 15th: am: Tour the Tarquinia Archeology Museum. A leisurely lunch at a local trattoria. Relax back at the farm, reflections, pool, countryside hike. pm: Necropolis of Tarquinia and their painted tombs. Reservations to see offsite tombs- Tomb of the Augers, Tomb of the Bulls Apertitivi in town. Dinner at Poggio Nebbia July 16th: am: Tour Tuscania Etruscan town or optional hike in Tolfo Mountains/ afternoon drawing session. Dinner at Poggio Nebbia. July 17th: Visit Etruscan site Vulci- hike, swim at Lagetto di Pelicano, lunch at Trattoria Casale. 3pm Optional guided tour of Tomba di Francois, Iscrizioni and Coccumella/ tour Badia bridge and Museo. Dinner in Tarquinia. July 18th: Last day in Lazio- Leave around 11am. leave Fiumicino- Da Vinci Express arrive in Rome Terminal leave Roma- Frecciarossa train, Business quiet, arrive Naples Transfer from Napoli Centrale to Hotel San Francesco al Monte, Corso Vittorio Emanuele 328, phone 39 081 423 9111. Dinner at hotel or other options. July 19th: Private Pompei visit and Vesuvius hike. Pick up at San Francesco al Monte 10 am Dinner with local cooks and historians. -
Saggio Brothers
Cammy Brothers Reconstruction as Design: Giuliano da Sangallo and the “palazo di mecenate” on the Quirinal Hill this paper I will survey information regarding both the condition and conception of the mon- ument in the fifteenth and sixteenth centuries. When Giuliano saw the temple, the only fragments left standing were a portion of the façade and parts of the massive stair structure. His seven drawings of the monument were the first attempts to reconstruct the entire building, as well as the most complex and large scale reconstructions that he ever executed. The sec- ond part of this essay will compare Giuliano’s drawings with those of Peruzzi and Palladio, with the aim of demonstrating, contrary to the theory that drawings after the antique became increasingly accurate over time, that Giuliano in fact took fewer liberties in his reconstruction than did Palladio. Aside from providing some insight into Giuliano’s working method, I hope through this comparison to suggest that fif- teenth- and sixteenth-century drawings of antiquities cannot appropriately be judged according to one standard, because each archi- 1. Antonio Tempesta, Map of Rome, Giuliano da Sangallo’s drawings have suffered tect had his own particular aims. Giuliano’s 1593, showing fragments of the temple by comparison to those of his nephew, Antonio drawings suggest that he approached recon- as they appeared in the Renaissance. da Sangallo il Giovane. Although his drawings struction not with the attitude we would expect are more beautiful, they are on the whole less of a present day archaeologist, but rather with accurate, or at least less consistent in their mode that of a designer, keen to understand the ruins of representation and their use of measure- in terms that were meaningful for his own work. -
Late Renaissance 1520S
ARCG221- HISTORY OF ARCHITECTURE II Late Renaissance and Mannerism 1520s - 1580s Dr. Abdurrahman Mohamed Saint Peters cathedral in the late renaissance Giuliano de Sangallo, Giocondo and Raphael were followed by Baldasari Belotti then by de Sangallo the younger and both died by 1546. All of these architects inserted changes on the original design of Bramante. Michael Angelo was commissioned in 1546 and most of the existing design of the cathedral belongs to him. Da Snagalo the younger design for Saint Peter’s church Michelangelo plan for Saint Peter’s church Ricci, Corrado.High and late Renaissance Architecture in Italy. pXII Michelangelo dome of St Peter’s Cathedral Roof of St. Peter's Basilica with a coffee bar and a gift shop. http://www.saintpetersbasilica.org/Exterior/SP-Square-Area.htm The grand east facade of St Peter's Basilica, 116 m wide and 53 m high. Built from 1608 to 1614, it was designed by Carlo Maderna. The central balcony is called the Loggia of the Blessings and is used for the announcement of the new pope with his blessing. St. Peter’s Cathedral View from St. Peter’s square designed by Bernini http://en.wikipedia.org/wiki/File:Vatican_StPeter_Square.jpg Palazzo Farnese, De Sangallo the Younger, 1534, upper floor by Michelangelo Ground floor plan 1- Courtyard 2- Entrance hall 3- Entrance fro the square Palazzo Farnese, De Sangallo the Younger, 1534, upper floor by Michelangelo Main façade Villa Giulia Palazzo Villa Giulia http://www.flickr.com/photos/dealvariis/4155570306/in/set-72157622925876488 Quoins Mannerism 1550-1600 The architecture of late renaissance which started at the end of 3rd decade of the 16th century followed the classical origins of the early and high renaissance. -
Volume 16 Winter 2014
Volume 16 Winter 2014 Tomb 6423 At right, the Below is the A Digger’s View: lastra sealing chamber as The Tomb of the Hanging the chamber found at the The perspective of a field Aryballos, Tarquinia shown in situ. moment of archaeologist by Alessandro Mandolesi Above it is the opening, by Maria Rosa Lucidi another lastra on the back The University of Turin and the possibly reut- wall a little The discovery of the tomb of the Superintendency for the Archaeological ilzed spolia aryballos still “hanging aryballos" has aroused great Heritage of Southern Etruria have been interest among the public in both Italy taken from hangs on its investigating the Tumulus of the Queen and internationally. The integrity of the original nail. and the necropolis surrounding it, the the tumulus unviolated tomb is definitely one of the Doganaccia, since 2008. The excava- of the queen, (photographs reasons for the attention it has received. tions have brought forth many important which stands by Massimo The uniqueness is even more pro- and unexpected results, thanks to subse- nearby. Legni). nounced when one considers that since quent research, and the infor- the second half of the nine- mation relating to the differ- teenth century the English ent phases of its use has made traveler George Dennis it possible to clarify many blamed the inability to recov- obscure points about the great er the contexts from intact era of the monumental tumuli chamber tombs in Etruscan at Tarquinia. Tarquinia on repeated looting Archaeologists working since ancient times. The -
Fulminante-2012-Ethnicity-Chapter
- LANDSCAPE, ETHNICITY AND IDENTITY LANDSCAPE, ETHNICITY AND IDENTITY IN THE ARCHAIC MEDITERRANEAN AREA LANDSCAPE, ETHNICITY AND IDENTITY The main concern of this volume is the multi-layered IN THE ARCHAIC MEDITERRANEAN AREA concept of ethnicity. Contributors examine and contextualise contrasting definitions of ethnicity and identity as implicit in two perspectives, one from the classical tradition and another from the prehistoric and anthropological tradition. They look at the role of textual sources in reconstructing ethnicity and introduce fresh and innovative archaeological data, either from fieldwork or from new combinations of old data. Finally, in contrast to many traditional approaches to this subject, they examine the relative and interacting AREA MEDITERRANEAN ARCHAIC THE IN role of natural and cultural features in the landscape in the construction of ethnicity. The volume is headed by the contribution of Andrea Carandini whose work challenges the conceptions of many in the combination of text and archaeology. He begins by examining the mythology surrounding the founding of Rome, taking into consideration the recent archaeological evidence from the Palatine and the Forum. Here primacy is given to construction of place and mythological descent. Anthony Snodgrass, Robin Osborne, Tim Cornell and Christopher Smith offer replies to his arguments. Overall, the nineteen papers presented here show that a modern interdisciplinary and international archaeology that combines material data and textual evidence – critically – can provide a powerful lesson for the full understanding of the ideologies of ancient and modern societies G. G. C IFANI AND S. S TODDART EDITED BY ABRIELE IFANI AND IMON TODDART s G C S S Oxbow Books WITH THE SUPPORT OF SKYLAR NEIL www.oxbowbooks.com This pdf of your paper in Landscape, Ethnicity and Identity belongs to the publishers Oxbow Books and it is their copyright. -
Vasemania: Neoclassical Form and Ornament
VOLUME: 4 WINTER, 2004 Vasemania: Neoclassical Form and Ornament: Selections from The Metropolitan Museum of Art at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture Review by Nancy H. Ramage 1) is a copy of a vase that belonged to Ithaca College Hamilton, painted in Wedgwood’s “encaustic” technique that imitated red-figure with red, An unusual and worthwhile exhibit on the orange, and white painted on top of the “black passion for vases in the 18th century has been basalt” body, as he called it. But here, assembled at the Bard Graduate Center in Wedgwood’s artist has taken all the figures New York City. The show, entitled that encircle the entire vessel on the original, Vasemania: Neoclassical Form and and put them on the front of the pot, just as Ornament: Selections from The Metropolitan they appear in a plate in Hamilton’s first vol- Museum of Art, was curated by a group of ume in the publication of his first collection, graduate students, together with Stefanie sold to the British Museum in 1772. On the Walker at Bard and William Rieder at the Met. original Greek pot, the last two figures on the It aims to set out the different kinds of taste — left and right goût grec, goût étrusque, goût empire — that sides were Fig. 1 Wedgwood Hydria, developed over a period of decades across painted on the Etruria Works, Staffordshire, Britain, France, Italy, Spain, and Germany. back of the ves- ca. 1780. Black basalt with “encaustic” painting. The at the Bard Graduate Center.