Rome: a Pilgrim’S Guide to the Eternal City James L
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Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia. -
Pestilence and Prayer: Saints and the Art of The
PESTILENCE AND PRAYER: SAINTS AND THE ART OF THE PLAGUE IN ITALY FROM 1370 - 1600 by JESSICA MARIE ORTEGA A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term 2012 Thesis Chair: Dr. Margaret Zaho ABSTRACT Stemming from a lack of scholarship on minor plague saints, this study focuses on the saints that were invoked against the plague but did not receive the honorary title of plague patron. Patron saints are believed to transcend geographic limitations and are charged as the sole reliever of a human aliment or worry. Modern scholarship focuses on St. Sebastian and St. Roch, the two universal plague saints, but neglects other important saints invoked during the late Medieval and early Renaissance periods. After analyzing the reasons why St. Sebastian and St. Roch became the primary plague saints I noticed that other “minor” saints fell directly in line with the particular plague associations of either Sebastian or Roch. I categorized these saints as “second-tier” saints. This categorization, however, did not cover all the saints that periodically reoccurred in plague-themed artwork, I grouped them into one more category: the “third-tier” plague saints. This tier encompasses the saints that were invoked against the plague but do not have a direct association to the arrow and healing patterns seen in Sts. Sebastian and Roch iconographies. This thesis is highly interdisciplinary; literature, art, and history accounts were all used to determine plague saint status and grouping, but art was my foundation. -
Opening of the Holy Door of St. Peter's Basilica
Opening of the Holy Door of St. Peter’s Basilica EXTRAORDINARY JUBILEE OF MERCY HOLY MASS AND OPENING OF THE HOLY DOOR HOMILY OF HIS HOLINESS POPE FRANCIS Saint Peter's Square Tuesday, 8 December 2015 Immaculate Conception of the Blessed Virgin Mary [Multimedia] In a few moments I will have the joy of opening the Holy Door of Mercy. We carry out this act – as I did in Bangui – so simple yet so highly symbolic, in the light of the word of God which we have just heard. That word highlights the primacy of grace. Again and again these readings make us think of the words by which the angel Gabriel told an astonished young girl of the mystery which was about to enfold her: “Hail, full of grace” (Lk 1:28). - 1 - The Virgin Mary was called to rejoice above all because of what the Lord accomplished in her. God’s grace enfolded her and made her worthy of becoming the Mother of Christ. When Gabriel entered her home, even the most profound and impenetrable of mysteries became for her a cause for joy, a cause for faith, a cause for abandonment to the message revealed to her. The fullness of grace can transform the human heart and enable it to do something so great as to change the course of human history. The feast of the Immaculate Conception expresses the grandeur of God’s love. Not only does he forgive sin, but in Mary he even averts the original sin present in every man and woman who comes into this world. -
Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)
DALE KINNEY Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere) Abstract The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies ‘rewired’ their participants. This paper demon- strates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors – the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community – are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up the specific case of the Basilica Julii, showing how these three factors interacted in the con- crete conditions of a particular titular church. The basilica’s early Christian liturgical layout endured until the ninth century, when it was reconfigured by Pope Gregory IV (827-844) to bring the liturgical sub-spaces up-to- date. In Pope Gregory’s remodeling the original non-hierarchical layout was replaced by one in which celebrants were elevated above the congregation, women were segregated from men, and higher-ranking lay people were accorded places of honor distinct from those of lesser stature. These alterations brought the Basilica Julii in line with the requirements of the ninth-century papal stational liturgy. The stational liturgy was hierarchically orga- nized from the beginning, but distinctions became sharper in the course of the early Middle Ages in accordance with the expansion of papal authority and changes in lay society. -
21 CHAPTER I the Formation of the Missionary Gaspar's Youth The
!21 CHAPTER I The Formation of the Missionary Gaspar’s Youth The Servant of God was born on January 6, 1786 and was baptized in the parochial church of San Martino ai Monti on the following day. On that occasion, he was given the names of the Holy Magi since the solemnity of the Epiphany was being celebrated. I received this information from the Servant of God himself during our familiar conversations. The Servant of God’s parents were Antonio Del Bufalo and Annunziata Quartieroni. I likewise learned from conversation with the father of the Servant of God as well as from him that at first Antonio was engaged in work in the fields but later, when his income was running short, he applied as a cook in service to the most excellent Altieri house. The Del Bufalos were upright people and were endowed sufficiently for their own maintenance as well as that of the family. They had two sons: one was named Luigi who married the upright young lady Paolina Castellini and were the parents of a daughter whose name was Luigia. The other son, our Servant of God. Luigi and Gaspar’s sister-in-law, as well as his father and mother, are now deceased. As far as I know, the aforementioned parents were full of faith, piety and other virtues made know to me not only by the Servant of God, honoring his father and mother, but also by Monsignor [Antonio] Santelli who was the confessor of his mother and a close friend of the Del Bufalo family. -
Helena Augusta and the City of Rome Drijvers, Jan Willem
University of Groningen Helena Augusta and the City of Rome Drijvers, Jan Willem Published in: Monuments & Memory DOI: 10.1484/M.ACSHA-EB.4.2018013 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2016 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Drijvers, J. W. (2016). Helena Augusta and the City of Rome. In M. Verhoeven, L. Bosman, & H. van Asperen (Eds.), Monuments & Memory: Christian Cult Buildings and Constructions of the Past: Essays in Honour of Sible de Blaauw (pp. 149-155). Brepols Publishers. https://doi.org/10.1484/M.ACSHA- EB.4.2018013 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. -
716A774f4a2b6625fc8ec763e06
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-5/W1, 2017 GEOMATICS & RESTORATION – Conservation of Cultural Heritage in the Digital Era, 22–24 May 2017, Florence, Italy USE OF 3D TECHNOLOGIES WITHIN THE CONSERVATION OF THE ANCIENT WINDOWS OF THE BASILICA OF S. SABINA IN ROME. CONSTRUCTION OF EXHIBITION STANDS IN CARBON COMPOSITE ON A MILLED STRUCTURE. A. Iaccarino Idelsona,*, S. Pannuzib, A. Brunettoc, G. Galantid, C. Giovannoneb, V. Massab, C. Serinoa, F. Vischettib a Equilibrarte srl, 00179 Rome, Via Centuripe 34, Italy - [email protected] b Istituto Superiore per la Conservazione e il Restauro, 00153 Rome, via di San Michele 25, Italy – (simona.pannuzi, carla.giovannone, valeria.massa, flavia.vischetti)@beniculturali.it c Restauri Brunetto, 36100 Vicenza, Italy - [email protected] d Fabrica Conservazione e Restauro scpl, 00138 Roma, Via Ludovico da Casoria 11, Italy - [email protected] KEY WORDS: 3-D milling, 3-D modeling, exhibition stands, carbon fiber composite, laser cleaning, fragmented artifact, counterforms, restoration. Abstract Rare and precious window elements from the Paleochristian Basilica of Saint Sabina in Rome, made of plaster gypsum with translucent selenite used as glass for light transmission, were discovered by Antonio Muñoz during the restoration of the building at the beginning of the 20th c. Originally standing within the stone window frame, were then mounted on wood planks with screws for holding together the scattered fragments. The surfaces were covered with grime and the selenite elements were blinded by the wooden supports. During the recent conservation treatment at ISCR, traces of Egyptian blue on the internal surfaces were detected. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
Rome of the Pilgrims and Pilgrimage to Rome
58 CHAPTER 2 Rome of the pilgrims and pilgrimage to Rome 2.1 Introduction As noted, the sacred topography of early Christian Rome focused on different sites: the official Constantinian foundations and the more private intra-mural churches, the tituli, often developed and enlarged under the patronage of wealthy Roman families or popes. A third, essential category is that of the extra- mural places of worship, almost always associated with catacombs or sites of martyrdom. It is these that will be examined here, with a particular attention paid to the documented interaction with Anglo-Saxon pilgrims, providing insight to their visual experience of Rome. The phenomenon of pilgrims and pilgrimage to Rome was caused and constantly influenced by the attitude of the early-Christian faithful and the Church hierarchies towards the cult of saints and martyrs. Rome became the focal point of this tendency for a number of reasons, not least of which was the actual presence of so many shrines of the Apostles and martyrs of the early Church. Also important was the architectural manipulation of these tombs, sepulchres and relics by the early popes: obviously and in the first place this was a direct consequence of the increasing number of pilgrims interested in visiting the sites, but it seems also to have been an act of intentional propaganda to focus attention on certain shrines, at least from the time of Pope Damasus (366-84).1 The topographic and architectonic centre of the mass of early Christian Rome kept shifting and moving, shaped by the needs of visitors and ‒ at the same time ‒ directing these same needs towards specific monuments; the monuments themselves were often built or renovated following a programme rich in liturgical and political sub-text. -
HOLY DOORS Holy Door Is to Make the Journey Istock That Every Christian Is Called to Make, to Go from Darkness to N My Last Bishop’S Message, We Talked Light
BISHOP’S MESSAGE On Dec. 8, this Holy Door at Saint Peter’s Basilica in Rome was opened for pilgrims to walk through. (churches of special significance) and each has its own Holy Door. These doors are normally walled up from the inside and could not be opened every day. During jubilee years, the walls are broken down and the doors are opened so pilgrims can walk through and gain the plenary indulgence connected with the jubilee year. The symbolism of the Holy Door becomes apparent when one considers what happens at the door of a church: it is where we pass from this world into the holy presence of God. Here, the priest or deacon welcomes the parents of the baby brought to be baptized into the Church; here, too, he greets the bride and groom at the beginning of their wedding liturgy; and finally, the church door is where the priest meets the casket of the deceased at the beginning of his or her funeral. In the words of our Holy Father Francis, “There is only one way that opens wide the entrance into the life of communion with God: this is Jesus, the one and absolute way to salvation. To Him alone can the words of the Psalmist be applied in full truth: ‘This is the door of the Lord where the just may enter.’” (Psalm 118:20) The church door is, literally and figuratively, the way to Christ. The Holy Door takes this symbolism one step further. To pass through a HOLY DOORS Holy Door is to make the journey iStock that every Christian is called to make, to go from darkness to n my last Bishop’s Message, we talked light. -
St Benedict's Parish, Narrabundah
16 DAYS ST BENEDICT’S PARISH, NARRABUNDAH COMMENCES MON 14TH SEPT 2020 • 16 DAYS / 12 NIGHTS Rome (3 Nights) • Vicocaro • Subiaco • Montecassino (2) • Pompeii • Cava Di Tireni • Pietrelcina • Monte Sant’Angelo • San Giovanni Rotondo (2) • Norcia • Assisi (2) • Ravenna • Padua (3) • Venice Accompanied by FR DANIEL BENEDETTI MGL PP St Peter’s Square, Rome SYMBOLS informative exploration. Our guided tour will soon found his rule so unpleasantly strict that (B) = Breakfast (L) = Lunch (D) = Dinner feature among other highlights Michelangelo’s they tried to poison him. Benedict returned to = Time Out - Planned site for extended stunning Pieta, the tomb of Pope St John Paul II, his cave, but by then had attracted so many opportunity for prayer & reflection the great Confessional and the Crypt containing followers that he could no longer pursue the the tombs of several Popes. solitary life. DAY 1: MONDAY 14TH SEPTEMBER – DEPART Journey this afternoon out to the majestic We journey south this afternoon to Cassino AUSTRALIA Basilica of St Paul Outside the Walls. and wind our way up the mountain, DAY 2: TUESDAY 15TH SEPTEMBER - ARRIVE Originally consecrated in 324, the saint’s tomb enjoying the view of the spectacular Abbey ROME is visible now under the Papal Altar. We will of Montecassino, founded in 529 by St Benedict, patron saint of Europe and the Welcome to Rome. Join with pilgrims this spend some time here as a special tribute to founder of Western Monasticism. The Abbey evening for a Welcome Dinner. the Church’s greatest evangelist. was carefully rebuilt after the epic battle of Rome overnight (D) Continue then to the ancient Catacombs for a memorable guided tour to marvel at these 1944 and still dominates the surrounding DAY 3: WEDNESDAY 16TH SEPTEMBER – underground burial tunnels for Christians and countryside from its mountaintop setting. -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary.