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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
Le Monde Du Sumo Le Premier Magazine Francophone Consacré Au Sumo
Le Monde du Sumo Le premier magazine francophone consacré au Sumo Aki basho 2004 : Kaio s’offre son 5ème yusho ! La cérémonie de retraite de Musashimaru Explications : comment lire un banzuke ? フランス語の大相撲雑誌 Numéro 6 - octobre 2004 Editorial En tout cas, c’est bien connu, le performances, et pour rester sur de meilleures malheur des uns fait toujours le bonheur des impressions, citons le fait assez rare de autres, et sans vouloir atténuer l’excellente retrouver trois des quatre sanyaku avec un performance de Kaio, la méforme d’Asashoryu kachi-koshi (plus de victoires que de défaites a certainement donné un sacré coup de pouce à sur l’ensemble du tournoi). l’ozeki ! Egalement à noter, l’excellent résultat du Russe Roho, qui remporte 10 D’autres, en revanche, n’ont victoires pour son premier tournoi en division clairement pas su tirer profit de la situation. makuuchi, et empoche par la même occasion le Restons sur les ozeki avec prix de la combativité. Avec cette performance, Chiyotaikai, tout d’abord, qui a dû attendre le il éclipse d’ailleurs légèrement Kotooshu, le dernier jour pour obtenir son kachi-koshi. Un Bulgare que l’on aurait attendu (ou au moins, résultat qui reflète parfaitement son manque espéré) au même niveau, mais qui doit se Biglobe Biglobe flagrant de conviction sur ce tournoi. contenter de 9 victoires (score somme toute Kaio, posant fièrement avec le trophée Musoyama, égal à lui-même depuis quelque fort honorable, car c’était, pour lui aussi, son symbolisant sa cinquième victoire de temps, n’a rien livré et a dû abandonner à la grand début dans la division reine). -
Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
Redundancy Configuration User Manual
ConneXium TCSESM, TCSESM-E Managed Switch Redundancy Configuration User Manual www.schneider-electric.com 31007126.05 The information provided in this documentation contains general descriptions and/or technical characteristics of the performance of the products contained herein. This documentation is not intended as a substitute for and is not to be used for determining suitability or reliability of these products for specific user applications. It is the duty of any such user or integrator to perform the appropriate and complete risk analysis, evaluation and testing of the products with respect to the relevant specific application or use thereof. Neither Schneider Electric nor any of its affiliates or subsidiaries shall be responsible or liable for misuse of the information contained herein. If you have any suggestions for improvements or amendments or have found errors in this publication, please notify us. You agree not to reproduce, other than for your own personal, noncommercial use, all or part of this document on any medium whatsoever without permission of Schneider Electric, given in writing. You also agree not to establish any hypertext links to this document or its content. Schneider Electric does not grant any right or license for the personal and noncommercial use of the document or its content, except for a non-exclusive license to consult it on an "as is" basis, at your own risk. All other rights are reserved. All pertinent state, regional, and local safety regulations must be observed when installing and using this product. For reasons of safety and to help ensure compliance with documented system data, only the manufacturer must perform repairs to components. -
Author Title / Notes of VRG and References in Her Articles from Her Bibliography Cards Type Location Adamsheck, Beverly Kenchreai
PUBLICATIONS IN THE FILES OF V.R. GRACE (in alphabetical order) Author Title / Notes of VRG and references in her articles from her bibliography cards Type Location Adamsheck, Beverly Kenchreai. Eastern Port of Corinth, IV. The Pottery, Leiden 1979. Book Bookcase Ακαμάτης, Γιάννης Μ. Πήλινες μήτρες αγγείων από την Πέλλα. Συμβολή στη μελέτη της ελληνιστικής Photocopy Bookcase κεραμικής, Διδακτορική Διατριβή, Επιτηρίδα της Φιλοσοφικής Σχολής, παράρτημα αρ.61, Θεσσαλονίκη 1985. Note: “SAH: pp.498-515, pls.317-324” Ακαμάτης, Ιωάννης Μ. “Η Αγορά της Πέλλας κατά το 1989”, ΑΕΜΘ 3 (1989) [1992] 75-84, pl.85-90. Photocopy Bookcase Ακαμάτης, Ιωάννης Μ. Πήλινες μήτρες αγγείων από την Πέλλα. Συμβολή στη μελέτη της ελληνιστικής Photocopy Bookcase κεραμικής, Δημοσιεύματα του Αρχαιολογικού Δελτίου αρ.51, Αθήνα 1993. Note: “SAH: pp.322-323, pls.314-318” Akko, Land and Sea excavations, University of Haifa, Department of the History of Pamphlet Bookcase Maritime Civilizations, no date. Albright, William The Archaeology of Palestine, Middlesex, Penguin Books, 1949. Bound Bookcase Foxwell book Alexandrescu, Petre “L’importation de le céramique attique dans les colonies du Pont-Euxin avant les Offprint Bookcase guerres médiques”, RA 1973, 23-38. Αλεξίου, Στυλιανός “Ανασκαφή εις Αγίαν Πελαγίαν Ηρακλείου”, ΑΑΑ 5.2 (1972) 230-244. Offprint folder 391 “Greece - Islands: Crete - various” Amiran, Ruth and “A new scheme for the sub-division of the iron-age in Palestine”, IEJ 8 (1958) 171- Offprint Bookcase Aharoni, Y. 184. Amiran, Ruth Ancient Pottery of Erez-Yisra’el, Jerusalem 1959. Pamphlet Bookcase Amiran, Ruth and “A Canaanite-Hyksos city at Tell Nagila”, Archaeoloy 18 (1965) 113-123. -
Japan In2050
JapaneseJapaneseSociety Society ofCulturalof Cultural Anthropology 2010 Japanese Society of Cultural Anthropology Award Lecture Japan in 2050: An Anthropological Imagination of Japan's Future through the Dreams of Filipina Migrants YAMAsHITA Shinji Graduate Sehool ofArts and Sciences, The University of Tbkyo [[lrranslated by John ERTTi Kanazawa University and TANAKA Maki University of Califbrnia, Berkeley What will Japan look like in 2050? By 2050, Japan's current population of a27 million will decline to 9" million, due to its ]ow birth rate. The number of people aged 65 or older will increase to 40.5 percent of the total population by 2055. This is an ultra-aged society never experienced before in human history. Within such a "import" demographic framework, Japan may be forced to foreign labor for the survival of its economy. Thus, some foresee that Japan will have 1O million foreign residents by 2050, accounting for 1ri percent of the total population, a$ compared with 2.2 mirlion, or 1.7 percent, as of 2008. That necessarily leads to the scenario of Japan becoming multicultura[. Agai,nst the background of such a future soc[o-demographic change in Japanese soc[ety, thi$ paper examines transnational migration into Japan and the Japanese way of IMng together in a multicultural environment, Particularly focusing on the dreams of Filipina migrants, the paper discusses the culturai po[itics of migration, including the issues of citizenship and human rights, and seeks the possibility of establishing a public anthropology directed toward the future Japanese society. Key words: Japan's future, aged society with a low birth rate, transnational migration, multioulturalism, publicanthropology Introduction My career as an anthropolegist began in 1970, fbrty years ago, as an undeTgraduate student at the University of [Ibkyo, As a graduate student at [[bkyo Metropolitan UniversitM my dissertation was an ethnographic study of rituals of the [[braja in Sulawesi, Indonesia, which was later published as a book (YAMAsHITtrt 1988). -
NHK Wins Two ABU Prizes
(Press Release) NHK Wins Two ABU Prizes TOKYO, November 11, 2014- NHK is celebrating wins at this year’s Asia-Pacific Broadcasting Union (ABU) Prizes competition. There were 292 entries (187 for television and 105 for radio) in 13 categories. NHK won ABU Prizes for two programs and a commendation for another. The corporation also won the Dennis Anthony Memorial Award for its coverage of the typhoon disaster that struck the Japanese island of Izu Oshima in October 2013. The winners were announced in Macau on October 27th. ABU Prize for Best Sports Program Sumo Spirit: A Storm from Egypt (2014, 50 min.) Osunaarashi is an Egyptian bruiser whose ring name means Great Sandstorm. He made headlines in Japan by becoming the first sumo wrestler from Africa—and the first Muslim. Then he fought his way to the sport’s top division faster than any foreigner before him. A director with NHK’s Arabic language radio service documented Osunaarashi’s first two years in Japan. The program shows how the wrestler overcame cultural differences, adapted to sumo’s spartan lifestyle, and pushed toward his goal of reaching the sport’s highest rank. ABU Prize for Best Radio Drama A Pot of Goldfish: 55 Years of Dreaming (2014, 50 min.) How long can unrequited love endure? Kazuhiro met his first and only love, Mitsuko, on a night in 1959 during a raging typhoon. For the next 55 years, his feelings for her never faded. Kazuhiro has now retired. As he and Mitsuko face the final chapter of their lives, they get their last chance to be together. -
Generaciones De Tecnología EDITORIAL
Revista de Mitsubishi Materials YOUR BM002S GLOBAL CRAFTSMAN STUDIO Evolucionamos hacia el futuro Generaciones de tecnología EDITORIAL Satisfacer las necesidades del cliente Nos complace publicar el segundo número de nuestra No hay nada que nos haga más felices que un cliente revista Your Global Craftsman Studio, cuyo primer que no está simplemente satisfecho con su producto ejemplar vio la luz en abril de 2015. o su solución, sino que muestra una reacción que Nuestro propio avance y el del mundo que nos va más allá. Nos referimos a ese tipo de reacciones rodea nos obliga a esforzamos por desarrollar que se dan cuando los clientes encuentran algo que continuamente nuevas tecnologías y hacer que sobrepasa su idea original. Así, pondremos toda la Mitsubishi Materials evolucione para contribuir al carne en el asador para seguir ofreciéndoles una éxito de las actividades empresariales de nuestros respuesta que supere con creces sus expectativas y clientes. El objetivo principal es convertirnos en ese nos emocionaremos cuando consigan sus objetivos aliado fiable al que los clientes acuden en busca de o sean testigos de un rendimiento y una calidad que asesoramiento y en el que confían para la obtención de jamás habrían podido imaginar. Les instamos a que soluciones avanzadas que aúnan rentabilidad y una no pierdan de vista la evolución de nuestro estudio, ya calidad insuperable. que tenemos previsto convertirnos en un fabricante de Naturalmente, esta evolución tiene que ver con herramientas todavía más profesional y competente herramientas y otros avances tecnológicos, aunque para ofrecer unos resultados nunca vistos. también con diferentes aspectos como el contenido o la calidad de los servicios. -
Norwegian Quizzing Open 2010 Art And
NORWEGIAN QUIZZING OPEN 2010 ART AND CULTURE Quizzer's name: ______________________________ Which art movement was based on a manifesto by Andre Breton, and had Salvador Dali and Max 1 SURREALISM Ernst as famous practitioners? According to the Bible, what was the name of Abraham's son, whom Abraham was about to sacrifice 2 ISAAC when God intervened and stopped him? 3 Which Arabic word meaning "struggle" is often used as a synonym for "holy war"? JIHAD Which people was among the dominant peoples in Italy before the ascent of the Romans, and 4 talked a non- or pre-Indo-European language that still hasn't been deciphered? Some of the kings of ETRUSCANs Rome were of this people. Which presidential monument in South Dakota, USA, was made by Gutzon Borglum and 400 5 MOUNT RUSHMORE assistants and was completed on 31 October 1941? 6 Which Russian jeweller made this "Easter egg"? Peter Carl FABERGÉ 7 In which Italian city was the Medici family extremely prominent in the Renaissance? FLORENCE 8 Of which state was Frederick the Great (1712–1786) king? PRUSSIA 9 In which city is the Hermitage Museum, founded in 1764? Saint PETERSBURG What is the name of this about 70 m long embroidered cloth, which depicts the events surrounding the Norman conquest of England in a comic-book-like form? 10 BAYEUX tapestry 11 From which war does the expression "fifth column" originate? The SPANISH CIVIL WAR What is the name of this female American soldier who became known in connection with the prisoner 12 Lynndie ENGLAND abuse of Abu Ghraib, especially for this pose, which became a sort of Internet phenomenon? What is the name of the town in North Ossetia where Secondary School Number 1 was besieged by 13 mostly Chechen and Ingush terrorists in September 2004, leading to the death of at least 334 BESLAN hostages? What was the name of the children's organization of the Soviet communist party? The children 14 (Young) PIONEER organization joined in elementary school and continued until adolescence, when many joined the Komsomol. -
BA Ritgerð the Change of Tides
BA ritgerð Japanskt Mál og menning The Change of tides: The advent of non-nationals in Sumo Henry Fannar Clemmensen Leiðbeinandi Gunnella Þorgeirsdóttir September 2019 Háskóli Íslands Hugvísindasvið Japanskt mál og menning The Change of Tides: The advent of non-nationals in Sumo Ritgerð til B.A.-prófs Henry Fannar Clemmensen Kt.: 260294-3429 Leiðbeinandi: Gunnella Þorgeirsdóttir September 2019 1 Abstract Non-Japanese sumo wrestlers are common today, but that has not always been the case. For over a thousand years sumo tournaments were exclusively held by Japanese men, and up until the 1960s foreigners were almost unheard of in the professional sumo scene. As the world’s modernization and internationalization accelerated so did foreign interest in the National sport of sumo. Today the sport has spread to over 87 countries which have joined the International Sumo Federation. With an interest in professional sumo in Japan at an all-time low and with fewer wrestlers applying to stables than ever before, viewers of tournaments and media coverage of events has been decreasing, which is closely followed by western originated sports having overtaken sumo in popularity e.g. soccer and baseball. Yet the interest in sumo on an international scale has increased considerably. In which way has this rising internationalization affected the sumo world and the professional sumo world and how is it reflected in modern Japanese society, in what way did the wrestlers coming from overseas experience the sumo culture compared to how it is today? Today the sumo scene is largely dominated by Mongolian wrestlers, how did this come to pass and how has the society of Japan reacted to these changes. -
November 2011 Issue of AJET Connect
November 2011 image via shutterstock.com October Photo Contest Winner Welcome to Connect The monthly e-zine produced for JETs, by JETs, featuring the best inside news and articles from all over Japan. We are currently looking for writers, editors, photographers, and artists who want to create con- tent for this national publication! November, 2011 02 The Prez We need YOU, the JET community, to get involved. 04 JET Effect Send us your short stories, news articles, photographs, comics… whatever it is that you do best…to [email protected]. 08 Life After JET We’re waiting to see what you’ve got! 12 Culture Corner Make your voice heard! 24 AJET Volunteer - Japan 30 AJET Volunteer 38 Travel AJET Connect Workplace 52 Cooking Safety Advisory System 60 Workplace Tips 68 Haiku NSFW4 70 Fashion and Beauty SEVERE RISK OF TRAUMA 74 The Art of Manliness CANNOT EVER BE UN-SEEN 84 Women Abroad 88 Japanese Study Tips NSFW3 96 Sports MAY SURPRISE OR OFFEND EVEN 102 In my View SEASONED INTERNET VETERANS 108 Photo Contest NSFW2 AS PORNOGRAPHIC AS ANY OF THOSE RIDICULOUS EVONY ADS NSFW1 SOME PAGES NOT SAFE FOR PEOPLE WITH SCREENS SEEN BY COWORKERS Signup for AJET Connect Not signed up to receive SFW AJET Connect, then you PROBABLY HARMLESS, SAFE FOR PEOPLE 50+ YEARS OLD can signup HERE! CEO Matthew Cook PR/MEDIA Cailin Arena ART DIRECTOR Rob Maxwell EDITORIAL Sarah Blenkhorn CONTRIBUTING EDITORS Cailin Arena (News) Annabella Massey (Fashion & Beauty) Amelia Hagen (Travel) Simon Daly (Food) .. (Entertainment) Adam Chludzinski (Sports) Lisa Cross & Sarah Blenkhorn (Events) Bryan Darr & Sarah Blenkhorn (Education) Sarah Blenkhorn (Culture) Simon Bender (Short Stories) Miriam Rollason (Volunteering) ADVERTISING Amelia Hagen & Miriam Rollason ADMINISTRATION/ACCOUNTING Mark Noizumi IT Kevin Mitchell for JETs, by JETs Harry Stoneley www.ajet.net [email protected] Secluded Shinto shrine, near Kaiyo-cho, sourthern Tokushima prefecture, Shikoku. -
Fieldwork in Japan: an Encounter with Japan’S Big Boys
Fieldwork in Japan: An Encounter with Japan’s Big Boys Francisco Javier Tablero Vallas Aichi University It was unusually warm, that May she was talking about and Mr. Suzuki, the day in Tokyo, when I set out looking for the calligraphy teacher, nodded his agreement. sumo wrestling heya (training house) in Put firmly in our places and clutching three bo- which I hoped to do my fieldwork. My su- ttles of Portuguese wine we made our gateway. pervisor, Professor Yoshio Onuki, and I had Just a few meters further on we came to a met earlier at his University of Tokyo office. three-stored white-washed building. This, Mr. After pin-pointing issues and working out Suzuki assured us, was the heya. I say ‘assured’ strategies, we set off for one of the forty-three because of our incredulous looks. We were as- heya which then made up the sumo world. tounded. This ordinary building? Hidden away We wanted to talk an oyakata (sumo mas- in this little back street? Groaning inwardly, I ter) into allowing the fieldwork - so I could tried not to let my crumbling images spoil my collect detailed data (on everyday life, social optimism. At least this was where I was would relations, organization, rituals etc.) in situ. have the wonderful opportunity of learning how the mythical Japanese sumo wrestlers live At about 6:00 pm., our train passed above and how they have survived and preserved their the Kokugikan (the National Stadium - the tradition against increasing westernization. home of Japanese sumo) and got out at Hi- rai station.