F F F F F F F F F F F F
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
University of Education, Winneba
University of Education, Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA DEPARTMENT OF HEALTH PHYSICAL EDUCATION, RECREATION AND SPORTS THE ROLE OF HIPLIFE MUSIC IN THE DEVELOPMENT OF PHYSICAL FITNESS AMONG STUDENTS OF MABANG SENIOR HIGH TECHNICAL SCHOOL ASHANTI REGION ASARE-OWUSU ERIC 2013 University of Education, Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA THE ROLE OF HIPLIFE MUSIC IN THE DEVELOPMENT OF PHYSICAL FITNESS AMONG STUDENTS OF MABANG SENIOR HIGH TECHNICAL SCHOOL ASHANTI REGION BY ASARE-OWUSU ERIC 7100090003 THESIS IN THE DEPARTMENT OF HEALTH PHYSICAL EDUCATION, RECREATION AND SPORTS, FACULTY OF SCIENCE EDUCATION SUBMITTED TO THE SCHOOL OF GRADUATE STUDIES, UNIVERSITY OF EDUCATION, WINNEBA IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE AWARD OF MASTER OF EDUCATION. (PHYSICAL EDUCATION) AUGUST, 2013 University of Education, Winneba http://ir.uew.edu.gh DECLARATION Student’s Declaration I, Eric Asare-Owusu hereby declare that this thesis, with the exception of quotations and references contained in published works which have all been identified and duly acknowledged, is entirely my own original work, and it has not been submitted, either in part or whole, for another degree elsewhere. Signature ……………………………. Date…………………………….. Supervisor’s Declaration I hereby declare that the preparation and presentation of this work was supervised in accordance with the guidelines for supervision of Thesis as laid down by the University of Education, Winneba. Name of Supervisor: Dr. Henry Augustine Pufaa Signature ……………………………. Date………………………….. University of Education, Winneba http://ir.uew.edu.gh DEDICATION This work is dedicated to my dear wife Selina Baidoo who has supported me thus far and my children Hanna Owusuaa Duben, Felix Duben Asare, Kofi Asamoa Asare and Yaw Ofori Asare. -
The Mixtape: a Case Study in Emancipatory Journalism
ABSTRACT Title of Dissertation: THE MIXTAPE: A CASE STUDY IN EMANCIPATORY JOURNALISM Jared A. Ball, Doctor of Philosophy, 2005 Directed By: Dr. Katherine McAdams Associate Professor Philip Merrill College of Journalism Associate Dean, Undergraduate Studies During the 1970s the rap music mixtape developed alongside hip-hop as an underground method of mass communication. Initially created by disc-jockeys in an era prior to popular “urban” radio and video formats, these mixtapes represented an alternative, circumventing traditional mass medium. However, as hip-hop has come under increasing corporate control within a larger consolidated media ownership environment, so too has the mixtape had to face the challenge of maintaining its autonomy. This media ownership consolidation, vertically and horizontally integrated, has facilitated further colonial control over African America and has exposed as myth notions of democratizing media in an undemocratic society. Acknowledging a colonial relationship the writer created FreeMix Radio: The Original Mixtape Radio Show where the mixtape becomes both a source of free cultural expression and an anti-colonial emancipatory journalism developed as a “Third World” response to the needs of postcolonial nation-building. This dissertation explores the contemporary colonizing effects of media consolidation, cultural industry function, and copyright ownership, concluding that the development of an underground press that recognizes the tremendous disparities in advanced technological access (the “digital divide”) appears to be the only viable alternative. The potential of the mixtape to serve as a source of emancipatory journalism is studied via a three-pronged methodological approach: 1) An explication of literature and theory related to the history of and contemporary need for resistance media, 2) an analysis of the mixtape as a potential underground mass press and 3) three focus group reactions to the mixtape as resistance media, specifically, the case study of the writer’s own FreeMix Radio: The Original Mixtape Radio Show. -
Filosofie Van De Nieuwe Muziek Gratis Epub, Ebook
FILOSOFIE VAN DE NIEUWE MUZIEK GRATIS Auteur: Theodor W. Adorno Aantal pagina's: 208 pagina's Verschijningsdatum: none Uitgever: none EAN: 9789061683490 Taal: nl Link: Download hier Wat moeten we nu nog met Adorno? Vanaf gebruikte ze consequent haar eigen naam. In begon Meuris haar muziekopleiding aan de academie van Tienen. Twee jaar later zette ze deze opleiding verder aan het Stedelijk Conservatorium te Leuven. In startte ze haar hogere studies aan het Koninklijk Muziekconservatorium van Brussel. Na een tijdelijke overstap naar de Katholieke Universiteit Leuven, koos ze in definitief voor de muziek. In schreef ze een proefschrift over de invloed van Schopenhauers filosofie op het oeuvre van Wagner in het kader van een pedagogische opleiding en in over de betekenis van de esthetiek in de benedictijnse spiritualiteit in kader van het vak cultuurgeschiedenis en filosofie. Filosofie, en meer in het bijzonder het werk van Schopenhauer, is een terugkerend element in haar composities. Ingrid Meuris was verbonden aan verschillende stedelijke muziekacademies: van tot werkte ze als leerkracht AMC en muziekgeschiedenis aan de muziekacademie van Dilbeek en vervulde ze interimopdrachten als muzieklerares in het tweedekansonderwijs en in verschillende dagscholen. Vanaf gaf zij les AMC en muziekgeschiedenis aan de academie te Ninove en vanaf was zij als lerares harmonieleer verbonden aan de Academie voor Muziek, Woord en Dans in Neerpelt. Aan het Stedeliijk Conservatorium van Leuven was zij sinds lerares muziektheorie, tot aan haar overlijden in Centrale gegevens blijken de aanwezigheid van een buitenmuzikale thematiek, een romantisch-expressionistische schrijfwijze en een verwijd tonaal klankbeeld. Crvena Kisa op. Deze cantate is gebaseerd op het conflict tussen Serviërs en Kroaten tijdens de oorlog in ex- Joegoslavië. -
Tour De France in Düsseldorf 29.06.–02.07.2017 the Programme
GRAND DÉPART 2017 TOUR DE FRANce IN DüSSELDOrF 29.06.–02.07.2017 THE PROGRAMME CONTENTS conTenTs Profile: Geisel and Prudhomme .... 4 SATURDAY, 01.07 / DAY 3 ..........46 Countdown to the Tour.................... 6 Timetable / final of the The 104th Tour de France ............. 12 Petit Départ ...................................47 Service: Facts and figures ............ 14 Stage 1 event map ........................48 Service: Tour lexicon ..................... 18 Barrier-free access map ..............50 An overview of the programme .... 20 Traffic information and more .......52 On the route: Hotspots ................. 22 Cycle map for Saturday.................54 Our campaign: RADschlag ........... 26 Special: Along the route ...............56 Information for people Concert: Kraftwerk 3-D ................58 with disabilities ............................. 28 Public transport plan and SUNDAY, 02.07 / DAY 4 ................60 Rheinbahn app .............................. 30 Timetable.......................................61 ‘Festival du Tour’ by the Landtag .. 31 Stage 2 event map ........................62 Barrier-free access map ..............64 THURSDAY, 29.06 / DAY 1 ........... 32 Service: Neutralisation .................65 Team presentation event map ...... 34 Service: Route ...............................66 Sport: Introducing all the teams .. 35 Map of the entire region ...............68 Traffic information and more .......70 FRIDAY, 30.06 / DAY 2 .................. 43 Timetable / Schloss Benrath Special: Four insider tips..............72 -
Facharbeit Alexandra Einspanier Kraftwerk
Die Band Kraftwerk – Avantgardisten der elektronischen Musik? Facharbeit im Rahmen des Seminarfaches Verfasserin: Alexandra Einspanier Klasse 11b/SF 4 Gymnasium Haren, Schuljahr 2017/2018 Fachlehrerin: Frau Bülter Abgabedatum: 16.03.2018 Inhaltsverzeichnis 1. Einleitung ............................................................................................................................... 3 2. Werdegang der Band .............................................................................................................. 3 2.1 Anfänge, Gründungsmitglieder und weitere Entwicklung der Band ................................... 3 2.2 Wichtigste Alben und Erfolge der Band .............................................................................. 4 3. Anfänge elektronischer Musik und zeitgeschichtliche Hintergründe .................................... 5 3.1 Anfänge elektronischer Musik ............................................................................................. 5 3.2 Zeitgeschichtliche Hintergründe in Deutschland für die Entstehung der Band Kraftwerk . 6 4. Experimente der Band Kraftwerk .......................................................................................... 6 4.1 Eingesetzte Technik ............................................................................................................. 6 4.2 Das Kling Klang Studio ....................................................................................................... 8 4.3 Coverlayouts und Bühnenshows ......................................................................................... -
The Acoustic City
The Acoustic City The Acoustic City MATTHEW GANDY, BJ NILSEN [EDS.] PREFACE Dancing outside the city: factions of bodies in Goa 108 Acoustic terrains: an introduction 7 Arun Saldanha Matthew Gandy Encountering rokesheni masculinities: music and lyrics in informal urban public transport vehicles in Zimbabwe 114 1 URBAN SOUNDSCAPES Rekopantswe Mate Rustications: animals in the urban mix 16 Music as bricolage in post-socialist Dar es Salaam 124 Steven Connor Maria Suriano Soft coercion, the city, and the recorded female voice 23 Singing the praises of power 131 Nina Power Bob White A beautiful noise emerging from the apparatus of an obstacle: trains and the sounds of the Japanese city 27 4 ACOUSTIC ECOLOGIES David Novak Cinemas’ sonic residues 138 Strange accumulations: soundscapes of late modernity Stephen Barber in J. G. Ballard’s “The Sound-Sweep” 33 Matthew Gandy Acoustic ecology: Hans Scharoun and modernist experimentation in West Berlin 145 Sandra Jasper 2 ACOUSTIC FLÂNERIE Stereo city: mobile listening in the 1980s 156 Silent city: listening to birds in urban nature 42 Heike Weber Joeri Bruyninckx Acoustic mapping: notes from the interface 164 Sonic ecology: the undetectable sounds of the city 49 Gascia Ouzounian Kate Jones The space between: a cartographic experiment 174 Recording the city: Berlin, London, Naples 55 Merijn Royaards BJ Nilsen Eavesdropping 60 5 THE POLITIcs OF NOISE Anders Albrechtslund Machines over the garden: flight paths and the suburban pastoral 186 3 SOUND CULTURES Michael Flitner Of longitude, latitude, and -
Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi Ethiraj Gabriel Dattatreyan University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Social and Cultural Anthropology Commons Recommended Citation Dattatreyan, Ethiraj Gabriel, "Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi" (2015). Publicly Accessible Penn Dissertations. 1037. https://repository.upenn.edu/edissertations/1037 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1037 For more information, please contact [email protected]. Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi Abstract Delhi has nearly doubled in population since the early 1990s due to in-migration (censusindia.gov, 2011). These migrants, like migrants around the world, strive to adapt to their new surroundings by producing themselves in ways which make them socially, economically, and politically viable. My project examines how recent international and intranational immigrant youth who have come to Delhi to partake in its economic possibilities and, in some cases, to escape political uncertainty, are utilizing globally circulating popular cultural forms to make themselves visible in a moment when the city strives to recast its image as a world class destination for roaming capital (Roy, 2011). I focus on two super diverse settlement communities in South Delhi to explore the citizenship making claims of immigrant youth who, to date, have been virtually invisible in academic and popular narratives of the city. Specifically, I follow three groups of ethnically diverse migrant youth from these two settlement communities as they engage with hip hop, a popular cultural form originating in Black American communities in the 1970s (Chang, 2006; Morgan, 2009; Rose, 1994). -
Kaisa Eranti
Kaisa Eranti Flow Festivalin viestintä Isossa-Britanniassa Metropolia Ammattikorkeakoulu Medianomi AMK Elokuvan ja television koulutusohjelma Opinnäytetyö 13.11.2014 Tiivistelmä Tekijä Kaisa Eranti Otsikko Flow Festivalin viestintä Isossa-Britanniassa Sivumäärä 41 sivua + 2 liitettä Aika 13.11.2014 Tutkinto Medianomi AMK Koulutusohjelma Elokuvan ja television koulutusohjelma Suuntautumisvaihtoehto Televisio- ja radiotyö Ohjaajat Radiotyön opettaja Aura Neuvonen Flow Festivalin tiedottaja Susanna Hulkkonen Tämä opinnäytetyö käsittelee Flow Festivalin Isoon-Britanniaan kohdistunutta viestintää ja tiedottamista vuonna 2013. Opinnäytetyössä pohditaan myös festivaalin viestintää ja sen eri työkaluja englanninkielisessä ympäristössä. Työssä tarkastellaan muun muassa eri tiedotteiden rooleja ja niiden tyylejä Flow Festivalin tiedottamisessa. Lisäksi pureudutaan siihen, millaisten tavoitteiden ympärillä Flow Festiva- lin viestintää Isossa-Britanniassa tehdään, millaisia haasteita kansainvälinen ympäristö tuottaa viestinnän onnistumiselle ja miten Flow Festivalin kansanvälistä viestintää voisi kehittää. Opinnäytetyössä analysoidaan myös median antamaa kuvaa Flow Festivalista Isossa-Britanniassa. Tämän opinnäytetyön tavoitteena on luoda ymmärrystä Ison-Britannian ja Suomen eroa- vaisuuksista Flow Festivalin tiedottamisessa sekä selvittää, miten tulevaisuudessa kan- sainvälisen viestintäyhteistyön haasteet voitaisiin parhaiten kääntää Flow Festivalin hyö- dyksi. Opinnäytetyön tulosten valossa voi muun muassa todeta, että Isossa-Britanniassa tiedottamisen -
100 Years Inspiring Your Vision Editorial
NEWS IBC ISSUE 2017 100 YEARS INSPIRING YOUR VISION EDITORIAL DEAR FRIENDS AND COLLEAGUES Happy 100th birthday, ARRI! Not every company can claim such a long and For this centenary issue of ARRI News, we have rich history, and we are humbled and thrilled by this collected stories from around the world that milestone. Since its founding on September 12, showcase ARRI products and the talent who put 1917, ARRI has been creating quality products and their faith in our equipment. Our popular SkyPanel offering services to support and advance the art family is growing in number and in size, and it now of filmmaking. These 100 years have only been features a wireless communication component. achievable through the unwavering patronage and ARRI is also dedicated to keeping the legacy of film critical advice of industry professionals, as well as alive and well. As a gift to the Murnau Foundation our partners, customers, and friends. Thank you to and the global film community, our ARRI Media all those who have contributed over the years! services division took on a special project to restore Personal thanks must go out to the 1,500 current the historical German film, Münchhausen. employees worldwide, as well as those who have Above all, ARRI is committed to inspiring and worked for ARRI over the past 100 years. Without enabling professionals to reach their goals. This was our talented and devoted staff, none of this would the ambition of our founders, and it will continue to have been possible. drive us in the future. Thank you for taking this To mark its 100th year, ARRI is hosting various journey with us; there are sure to be exciting times celebrations around the world and launching a ahead. -
Sharing Knowledge, Transforming Societies the Norhed Programme 2013–2020
SHARING KNOWLEDGE TRANSFORMING SOCIETIES The Norhed Programme 2013–2020 Edited by Tor Halvorsen, Kristin Skare Orgeret & Roy Krøvel Sharing Knowledge, Transforming Societies The Norhed Programme 2013–2020 Edited by Tor Halvorsen, Kristin Skare Orgeret & Roy Krøvel AFRICAN MINDS Published in 2019 by African Minds 4 Eccleston Place, Somerset West, 7130, Cape Town, South Africa [email protected] www.africanminds.org.za and UIB Global PO Box 7800 5020 Bergen http://www.uib.no/en/research/global Th is book has been published with fi nancial assistance from Norad. 2019 All contents of this document, unless specifi ed otherwise, are licensed under a Creative Commons Attribution 4.0 International License. Th e views expressed in this publication are those of the author(s) and should not be regarded as refl ecting the views or position of Norad. When quoting from any of the chapters, readers are requested to acknowledge the relevant author(s). ISBNs 978-1-928502-00-5 Print 978-1-928502-01-2 e-Book 978-1-928502-02-9 e-Pub Copies of this book are available for free download at www.africanminds.org.za and http://www.uib.no/en/research/global ORDERS For orders from Africa: African Minds Email: [email protected] For orders from outside Africa: African Books Collective PO Box 721, Oxford OX1 9EN, UK Email: [email protected] CONTENTS Foreword by Hirut Woldemariam vii Frequently used acronyms and abbreviations xi PREFACE Sustainable capacity development in higher education and research: Norad’s approach xv Jeanette da Silva & -
Pdf) Must Be Completed by the of the Genus and Species of the Probiotic Strain by Using a Manufacturer Or Distributor and Submitted to FDA
Peer-Reviewed Journal Tracking and Analyzing Disease Trends pages 1661–1826 EDITOR-IN-CHIEF D. Peter Drotman Managing Senior Editor EDITORIAL BOARD Polyxeni Potter, Atlanta, Georgia, USA Dennis Alexander, Addlestone Surrey, United Kingdom Senior Associate Editor Barry J. Beaty, Ft. Collins, Colorado, USA Brian W.J. Mahy, Atlanta, Georgia, USA Ermias Belay, Atlanta, GA, USA Martin J. Blaser, New York, New York, USA Associate Editors Christopher Braden, Atlanta, GA, USA Paul Arguin, Atlanta, Georgia, USA Carolyn Bridges, Atlanta, GA, USA Charles Ben Beard, Ft. Collins, Colorado, USA Arturo Casadevall, New York, New York, USA David Bell, Atlanta, Georgia, USA Kenneth C. Castro, Atlanta, Georgia, USA Corrie Brown, Athens, Georgia, USA Thomas Cleary, Houston, Texas, USA Charles H. Calisher, Ft. Collins, Colorado, USA Anne DeGroot, Providence, Rhode Island, USA Michel Drancourt, Marseille, France Vincent Deubel, Shanghai, China Paul V. Effl er, Perth, Australia Ed Eitzen, Washington, DC, USA David Freedman, Birmingham, AL, USA Daniel Feikin, Baltimore, MD, USA Peter Gerner-Smidt, Atlanta, GA, USA Kathleen Gensheimer, Cambridge, MA, USA K. Mills McNeill, Kampala, Uganda Duane J. Gubler, Singapore Nina Marano, Atlanta, Georgia, USA Richard L. Guerrant, Charlottesville, Virginia, USA Martin I. Meltzer, Atlanta, Georgia, USA Stephen Hadler, Atlanta, GA, USA David Morens, Bethesda, Maryland, USA Scott Halstead, Arlington, Virginia, USA J. Glenn Morris, Gainesville, Florida, USA David L. Heymann, London, UK Patrice Nordmann, Paris, France Charles King, Cleveland, Ohio, USA Tanja Popovic, Atlanta, Georgia, USA Keith Klugman, Atlanta, Georgia, USA Didier Raoult, Marseille, France Takeshi Kurata, Tokyo, Japan Pierre Rollin, Atlanta, Georgia, USA S.K. Lam, Kuala Lumpur, Malaysia Dixie E. -
Helsingin Kasv
FLOW-Lehti 1/2011 FLOW-Lehti 1/2011 FLOW-Lehti 1/2011 FLOW-Lehti 1/2011 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFLOW FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF KaLLiO & SuviLahti: ruuSuja janeLLe mOnáe: KaLLiO & SuviLahti: FLOW-Lehti 1/2011 heLSingin byrOKraateiLLe tuLeva Supertähti heLSingin KaSvuKOhteet KaSvuKOhteet O O O O O O O O O O O O O O O O O O O O O O O O O tanSSi Kuin mieStyyLit 2011 O O O O O O O O O O O O O O O O O O O O O O O O O “KuKa nää SuOSitut ChriStOpher WaLKen “KuKa nää SuOSitut O O O O O O O O O O O O O O O O O O O O O O O O O bändit määrää?” KOtiin ja möKiLLe: bändit määrää?” O O O O O O O O O O O O O O O O O O O O O O O O O danieL Wang x hOrSe puuhaOSiO O O O O O O O O O O O O O O O O O O O O O O O O O meat diSCO M a i n o s FLOW FESTIVAL 2011 sivu 2 MM_flow_ad_170x245.3mm.indd 2 5/19/11 1:05 PM © 2011 Vans, Inc. Vans, © 2011 Photo: Ane Jens - © 2011 Vans, Inc. Art: Mike Giant Photos: Acosta, MEMENTO, Colin Devin Moore © 2011 Vans, Inc. Photo: O’Meally © 2011 Vans, Inc. nokianjalkineet.fi/originals nj_originals_flow_170x245mm.indd 1 5/19/11 3:05 PM Nokia_Flow_ilmo_170 x 245.indd 2 7.6.2011 15.50 S i s ä l t ö Pääkirjoitus Miksi lehti? estarit julkaisevat festarilehtiä, joiden tarkoitus on myydä festarin ideaa ja Fsitä kautta festarilippuja yleisölle.