The Mixtape: a Case Study in Emancipatory Journalism
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Greater Antilles
PART I The Greater Antilles Jamaica: The Wages of Love chapter 1 BRANDING on tv, it looked like the others were jogging. Halfway through the Olympic 100-meter final, Usain Bolt— Jamaican hero, fastest man in the world, performing in London before eighty thousand flashbulb-popping fans— pulled away. At six-foot- five, hurtling down the tile- red track, Bolt stretched his stride in a way none of his rivals— compact, muscular men all— could match. One moment, eight Lycra- clad figures were sprinting in a pack. Then there was one: long legs churning, face calm. In Beijing four years before, he’d turned this race, as one oft-quoted account had it, into “a palette on which an emerging and transcendent talent could splash his greatness.”1 Slap- ping his chest before the line, exulting as he crossed— Bolt charmed the world with his brash joie de vivre. Now, as he pulled away, TV replays caught him glancing at the stadium clock: in Beijing, he’d entered his- tory; here, he wanted to make it. And so he did. The clock showed the time— a new Olympic record. And Jamaica’s pride, his nation’s black, yellow, and green flag draped over his broad back, grinned and danced as he circled the stadium, soaking up its warm lights’ love. For most of the few hundred million around the globe watching on TV, the scene showed what the Olympic Games, Visa-sponsored cor- porate dross aside, could still be. Here was a beautiful human, from a little nation, moving with supernal grace on the world stage. -
Hanging on to the Edges Hanging on to the Edges
DANIEL NETTLE Hanging on to the Edges Hanging on to the Edges Essays on Science, Society and the Academic Life D ANIEL Essays on Science, Society I love this book. I love the essays and I love the overall form. Reading these essays feels like entering into the best kind of intellectual conversati on—it makes me want and the Academic Life to write essays in reply. It makes me want to get everyone else reading it. I almost N never feel this enthusiasti c about a book. ETTLE —Rebecca Saxe, Professor of Cogniti ve Science at MIT What does it mean to be a scien� st working today; specifi cally, a scien� st whose subject ma� er is human life? Scien� sts o� en overstate their claim to certainty, sor� ng the world into categorical dis� nc� ons that obstruct rather than clarify its complexi� es. In this book Daniel Ne� le urges the reader to unpick such DANIEL NETTLE dis� nc� ons—biological versus social sciences, mind versus body, and nature versus nurture—and look instead for the for puzzles and anomalies, the points of Hanging on to the Edges connec� on and overlap. These essays, converted from o� en humorous, some� mes autobiographical blog posts, form an extended medita� on on the possibili� es and frustra� ons of the life scien� fi c. Pragma� cally arguing from the intersec� on between social and biological sciences, Ne� le reappraises the virtues of policy ini� a� ves such as Universal Basic Income and income redistribu� on, highligh� ng the traps researchers and poli� cians are liable to encounter. -
Reducing Stress Via Three Different Group Counseling Styles
The Journal for Specialists in Group Work ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/usgw20 The Critical Cycle of Mixtape Creation: Reducing Stress via Three Different Group Counseling Styles Ian Levy & Raphael Travis To cite this article: Ian Levy & Raphael Travis (2020) The Critical Cycle of Mixtape Creation: Reducing Stress via Three Different Group Counseling Styles, The Journal for Specialists in Group Work, 45:4, 307-330, DOI: 10.1080/01933922.2020.1826614 To link to this article: https://doi.org/10.1080/01933922.2020.1826614 Published online: 15 Oct 2020. Submit your article to this journal Article views: 76 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=usgw20 THE JOURNAL FOR SPECIALISTS IN GROUP WORK 2020, VOL. 45, NO. 4, 307–330 https://doi.org/10.1080/01933922.2020.1826614 RESEARCH The Critical Cycle of Mixtape Creation: Reducing Stress via Three Different Group Counseling Styles Ian Levya and Raphael Travisb aManhattan College; bTexas State University ABSTRACT ARTICLE HISTORY While significant attention has been given to student learning loss Received October 09, 2019 across summer, much less attention is given to student stressors and Accepted September 09, 2020 mental health concerns. To assist youth in processing and coping with KEYWORDS emotional stress, research explores approaches to group counseling Hip Hop; school counseling; wherein youth write, record, and perform emotionally themed hip hop social work; multicultural mixtapes. Hip hop, counseling, and social work literature lack studies counseling; group work comparing the effectiveness of different group types. -
University of Education, Winneba
University of Education, Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA DEPARTMENT OF HEALTH PHYSICAL EDUCATION, RECREATION AND SPORTS THE ROLE OF HIPLIFE MUSIC IN THE DEVELOPMENT OF PHYSICAL FITNESS AMONG STUDENTS OF MABANG SENIOR HIGH TECHNICAL SCHOOL ASHANTI REGION ASARE-OWUSU ERIC 2013 University of Education, Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA THE ROLE OF HIPLIFE MUSIC IN THE DEVELOPMENT OF PHYSICAL FITNESS AMONG STUDENTS OF MABANG SENIOR HIGH TECHNICAL SCHOOL ASHANTI REGION BY ASARE-OWUSU ERIC 7100090003 THESIS IN THE DEPARTMENT OF HEALTH PHYSICAL EDUCATION, RECREATION AND SPORTS, FACULTY OF SCIENCE EDUCATION SUBMITTED TO THE SCHOOL OF GRADUATE STUDIES, UNIVERSITY OF EDUCATION, WINNEBA IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE AWARD OF MASTER OF EDUCATION. (PHYSICAL EDUCATION) AUGUST, 2013 University of Education, Winneba http://ir.uew.edu.gh DECLARATION Student’s Declaration I, Eric Asare-Owusu hereby declare that this thesis, with the exception of quotations and references contained in published works which have all been identified and duly acknowledged, is entirely my own original work, and it has not been submitted, either in part or whole, for another degree elsewhere. Signature ……………………………. Date…………………………….. Supervisor’s Declaration I hereby declare that the preparation and presentation of this work was supervised in accordance with the guidelines for supervision of Thesis as laid down by the University of Education, Winneba. Name of Supervisor: Dr. Henry Augustine Pufaa Signature ……………………………. Date………………………….. University of Education, Winneba http://ir.uew.edu.gh DEDICATION This work is dedicated to my dear wife Selina Baidoo who has supported me thus far and my children Hanna Owusuaa Duben, Felix Duben Asare, Kofi Asamoa Asare and Yaw Ofori Asare. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Makin' It Magazine's Member 50% Off Nerve Djs Promotion Packages
#NERVE DJS NerveDJs.Com was established by four prominent disc jockeys in Cleveland, Ohio. Not satisfied with simply getting music from a local record pool, these four disc jockeys established a union where local and regional disc jockeys could benefit from a union or an association of DJs and musicians in the area for the purpose of economic empowerment. The Association was incorporated in 2003. Nerve Djs realized that bringing disc jockeys together under one roof, an economic force to be reckoned with would be established in northern Ohio. After achieving immediate success, this philosophy was used to branch out to other states. Today, NerveDJs.Com has members around the world. The purpose of the Nerve DJs is not to just distribute promotional MP3s for establishing a music library, but again, to create an organization were both artists and disc jockeys would benefit economically by partnerships with each other and industry giants such as Monster Products, Rane, Stanton, Pioneer, Numark, Native Instruments, and other industry giants, audio manufacturers and software suppliers. Unlike record pools and MP3 pools that simply distribute promotional tracks to disc jockeys and those who claim to be disc jockeys, NerveDJs.Com boasts that they are providing a service that far outweighs anything that a MP3 pool and a record pool could ever provide. Since the early days of NerveDJs.com, we have presented showcases, conferences, tours, conference calls and workshops that demonstrate hands-on techniques from some of the biggest manufacturers of DJ Products. At our 2007 event Rane sponsored us and sent DJ Jazzy Jay to present the new TTM 57 Rane. -
Dj Drama Mixtape Mp3 Download
1 / 2 Dj Drama Mixtape Mp3 Download ... into the possibility of developing advertising- supported music download services. ... prior to the Daytona 500. continued on »p8 No More Drama Will mixtape bust hurt hip-hop? ... Highway Companion Auto makers embrace MP3 Barsuk Backed Something ... DJ Drama's Bust Leaves Future Of The high-profile police raid.. Download Latest Dj Drama 2021 Songs, Albums & Mixtapes From The Stables Of The Best Dj Drama Download Website ZAMUSIC.. MP3 downloads (160/320). Lossless ... SoundClick fee (single/album). 15% ... 0%. Upload limits. Number of tracks. Unlimited. Unlimited. Unlimited. MP3 file.. Dec 14, 2020 — Bad Boy Mixtape Vol.4- DJ S S(1996)-mf- : Free Download. Free Romantic Music MP3 Download Instrumental - Pixabay. Lil Wayne DJ Drama .... On this special episode, Mr. Thanksgiving DJ Drama leader of the Gangsta Grillz movement breaks down how he changed the mixtape game! He's dropped .. Apr 16, 2021 — DJ Drama, Jacquees – ”QueMix 4′ MP3 DOWNLOAD. DJ Drama, Jacquees – ”QueMix 4′: DJ Drama join forces tithe music sensation .... Download The Dedication Lil Wayne MP3 · Lil Wayne:Dedication 2 (Full Mixtape)... · Lil Wayne - Dedication [Dedication]... · Dedicate... · Lil Wayne Feat. DJ Drama - .... Dj Drama Songs Download- Listen to Dj Drama songs MP3 free online. Play Dj Drama hit new songs and download Dj Drama MP3 songs and music album ... best blogs for downloading music, The Best of Music For Content Creators and ... SMASH THE CLUB | DJ Blog, Music Blog, EDM Blog, Trap Blog, DJ Mp3 Pool, Remixes, Edits, ... Dec 18, 2020 · blog Mix Blog Studio: The Good Kind of Drama.. Juelz Santana. -
ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 100 ALBUMS CHART 2018 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 THE GREATEST SHOWMAN Soundtrack <P>3 ATL/WAR 7567865927 2 ÷ Ed Sheeran <D> ATL/WAR 9029585903 3 A STAR IS BORN Lady Gaga & Bradley Cooper <P> INR/UMA B002872502 4 BEERBONGS & BENTLEYS Post Malone <P> UNI/UMA B002821802 5 BOHEMIAN RHAPSODY (THE ORIGINAL SOUNDTRACK) Queen <G> VIR/UMA 6798870 6 KAMIKAZE Eminem <G> INR/UMA 7704621 7 SCORPION Drake <G> REP/UMA 6787918 8 GREATEST HITS Queen <P>15 UNI/UMA 2758364 9 BEAUTIFUL TRAUMA P!nk <P>4 RCA/SME 88985474692 10 X Ed Sheeran <D> WAR 2564628590 11 REPUTATION Taylor Swift <P>2 BIG/UMA 3003310 12 ? XXXTentacion <G> CAR/UMA 1210673 13 STONEY Post Malone <G> UNI/UMA 5726167 14 LOVE MONSTER Amy Shark <G> WRC/SME LICK021 15 THE PLATINUM COLLECTION Queen <P> UNI/UMA 2772417 16 SWEETENER Ariana Grande UNI/UMA 6783809 17 SHAWN MENDES Shawn Mendes <G> ISL/UMA 6755089 18 NATION OF TWO Vance Joy <G> LIB/UMA LRCD0001 19 GRAFFITI U Keith Urban <G> CAP/EMI 6741357 20 BLACK PANTHER: THE ALBUM Soundtrack <G> INR/UMA 6736430 21 EVOLVE Imagine Dragons INR/UMA 5768084 22 MAMMA MIA! HERE WE GO AGAIN Soundtrack PDR/UMA 6742623 23 + Ed Sheeran <D> WAR 5249864652 24 GUARDIANS OF THE GALAXY: AWESOME MIX VOL. 1 Soundtrack <P>2 HWR/UMA 8731446 25 CURTAIN CALL: THE HITS Eminem <P>6 INR/UMA 9887893 26 GREATEST HITS...SO FAR!!! P!nk <P>9 SME 19075855342 27 24K MAGIC Bruno Mars <P> ATL/WAR 7567866273 28 MOANA Soundtrack <P> WALT/UMA 8734913 29 THE BEST OF COLD CHISEL: ALL FOR YOU Cold Chisel <P>2 CC/UMA CCC002 30 CHRISTMAS Michael Buble <D>2 RPS/WAR 9362494697 31 REVIVAL Eminem INR/UMA B002776202 32 AMERICAN TEEN Khalid <G> RCA/SME 88985414322 33 ASTROWORLD Travis Scott SME G0100039717811 34 INVASION OF PRIVACY Cardi B ATL/WAR 075679873682 35 THE VERY BEST INXS <P>6 PET/UMA 5335934 36 1989 Taylor Swift <D> BIG/UMA 3799890 37 DAMN. -
BOONE-DISSERTATION.Pdf
Copyright by Christine Emily Boone 2011 The Dissertation Committee for Christine Emily Boone Certifies that this is the approved version of the following dissertation: Mashups: History, Legality, and Aesthetics Committee: James Buhler, Supervisor Byron Almén Eric Drott Andrew Dell‘Antonio John Weinstock Mashups: History, Legality, and Aesthetics by Christine Emily Boone, B.M., M.M. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Acknowledgements I want to first acknowledge those people who had a direct influence on the creation of this document. My brother, Philip, introduced me mashups a few years ago, and spawned my interest in the subject. Dr. Eric Drott taught a seminar on analyzing popular music where I was first able to research and write about mashups. And of course, my advisor, Dr. Jim Buhler has given me immeasurable help and guidance as I worked to complete both my degree and my dissertation. Thank you all so much for your help with this project. Although I am the only author of this dissertation, it truly could not have been completed without the help of many more people. First I would like to thank all of my professors, colleagues, and students at the University of Texas for making my time here so productive. I feel incredibly prepared to enter the field as an educator and a scholar thanks to all of you. I also want to thank all of my friends here in Austin and in other cities. -
Muck Vegetable Cultivar Trial & Research Report 2010
Muck Vegetable Cultivar Trial & Research Report 2010 M.R. McDonald S. Janse L. Riches M. Tesfaendrias K. Vander Kooi Office of Research & Muck Crops Dept. of Plant Agriculture Research Station Report No. 60 Kettleby, Ontario Research and Cultivar Trial Report for 2010 University of Guelph Office of Research & Department of Plant Agriculture Muck Crops Research Station 1125 Woodchoppers Lane R.R. # 1 Kettleby, Ontario L0G 1J0 Phone (905) 775-3783 Fax: (905) 775-4546 www.uoguelph.ca/muckcrop/ INDEX Page Index .............................................................................................................................................................................. 1-3 Staff .................................................................................................................................................................................. 4 Co-operators ..................................................................................................................................................................... 5 Seed Sources – 2010 ......................................................................................................................................................... 6 Legend of Seed Sources ................................................................................................................................................... 7 Introduction and Acknowledgements .............................................................................................................................. -
Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi Ethiraj Gabriel Dattatreyan University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Social and Cultural Anthropology Commons Recommended Citation Dattatreyan, Ethiraj Gabriel, "Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi" (2015). Publicly Accessible Penn Dissertations. 1037. https://repository.upenn.edu/edissertations/1037 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1037 For more information, please contact [email protected]. Aesthetic Citizenship: Popular Culture, Migrant Youth, and the Making of 'World Class' Delhi Abstract Delhi has nearly doubled in population since the early 1990s due to in-migration (censusindia.gov, 2011). These migrants, like migrants around the world, strive to adapt to their new surroundings by producing themselves in ways which make them socially, economically, and politically viable. My project examines how recent international and intranational immigrant youth who have come to Delhi to partake in its economic possibilities and, in some cases, to escape political uncertainty, are utilizing globally circulating popular cultural forms to make themselves visible in a moment when the city strives to recast its image as a world class destination for roaming capital (Roy, 2011). I focus on two super diverse settlement communities in South Delhi to explore the citizenship making claims of immigrant youth who, to date, have been virtually invisible in academic and popular narratives of the city. Specifically, I follow three groups of ethnically diverse migrant youth from these two settlement communities as they engage with hip hop, a popular cultural form originating in Black American communities in the 1970s (Chang, 2006; Morgan, 2009; Rose, 1994).