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Editor Recommended Texts Here Are Some Ideas for Texts and Films That
Editor recommended texts Here are some ideas for texts and films that our language editors have recommended. These are just suggestions though so if there is a particular author or film you would rather look at, you may do so! English translations can be found in libraries and online bookstores but we encourage giving the texts in their original versions a go too - especially for 6th form submissions! Many of the films can be found online (Amazon, Mubi, Youtube, Netflix) or can be bought on DVD. FRENCH o TEXTS: Monsieur Ibrahim et les fleurs du coran, Eric Schmitt Stupeur et tremblements, Amélie Nothomb Le Petit Prince, Antoine de Saint Exupéry Boule de Suif, Guy de Maupassant Oran, langue morte Assia Djebar (collection of short stories) Le Silence de la mer, Vercors (Jean Bruller) (A-level) Candide, Voltaire (A-Level) o FILMS: Entre les murs, Laurent Cantet (15) https://www.imdb.com/title/tt1068646/ Portrait de la jeune fille en feu, Céline Sciamma (15) https://www.imdb.com/title/tt8613070/ Stupeur et tremblements, Alain Corneau (12A) https://www.imdb.com/title/tt0318725/ Les misérables (2019), Ladj Ly (15) https://www.imdb.com/title/tt10199590/?ref_=tt_pg Amélie, Jean-Pierre Jeunet (15) https://www.imdb.com/title/tt0211915/?ref_=tt_pg Populaire, Régis Roinsard (12A) https://www.imdb.com/title/tt2070776/ Les Choristes, Christophe Barratier (12A) https://www.imdb.com/title/tt0372824/?ref_=fn_al_tt_1 Kirikou et les bêtes sauvages, Michel Ocelot, Bénédicte Galup (U) https://www.imdb.com/title/tt0455142/?ref_=fn_al_tt_1 -
Filmkatalog IAI Stand Februar 2015 Alph.Indd
KATALOG DER FILMSAMMLUNG Erwerbungen 2006 - 2014 CATÁLOGO DE LA COLECCIÓN DE CINE Adquisiciones 2006 - 2014 Inhalt Argentinien............................................................................. 4 Bolivien....................................................................................18 Brasilien...................................................................................18 Chile.........................................................................................31 Costa Rica................................................................................36 Cuba.........................................................................................36 Ecuador....................................................................................43 Guatemala...............................................................................46 Haiti.........................................................................................46 Kolumbien...............................................................................47 Mexiko.....................................................................................50 Nicaragua.................................................................................61 Peru.........................................................................................61 Spanien....................................................................................62 Uruguay...................................................................................63 Venezuela................................................................................69 -
What Makes a Restaurant Ethnic? (A Case Study Of
FORUM FOR ANTHROPOLOGY AND CULTURE, 2017, NO. 13 WHAT MAKES A RESTAURANT ETHNIC? (A CASE STUDY OF ARMENIAN RESTAURANTS IN ST PETERSBURG) Evgenia Guliaeva Th e Russian Museum of Ethnography 4/1 Inzhenernaya Str., St Petersburg, Russia [email protected] A b s t r a c t: Using restaurants in St Petersburg serving Armenian cuisine as a case study, the article studies the question of what makes an ethnic restaurant ethnic, what may be learnt about ethnicity by studying a restaurant serving a national cuisine, and to what extent the image of Armenian cuisine presented in Armenian restaurants corresponds to what Armenian informants tell us. The conclusion is that the composition of the menu in these restaurants refl ects a view of Armenian cuisine from within the ethnic group itself. The representation of ethnicity is achieved primarily by discursive means. Neither owners, nor staff, nor customers from the relevant ethnic group, nor the style of the interior or music are necessary conditions for a restaurant to be accepted as ethnic. However, their presence is taken into account when the authenticity or inauthenticity of the restaurant is evaluated. Armenian informants, though, do not raise the question of authenticity: this category is irrelevant for them. Keywords: Armenians, ethnicity, ethnic restaurants, national cuisine, authenticity, St Petersburg. To cite: Guliaeva E., ‘What Makes a Restaurant Ethnic? (A Case Study of Armenian Restaurants in St Petersburg)’, Forum for Anthropology and Culture, 2017, no. 13, pp. 280–305. U R L: http://anthropologie.kunstkamera.ru/fi -
Jurado Ópera Prima
INFORMACIÓN 1. Punto de Información SOIFF. HOTELES ESPACIOS DEL CERTAMEN Módulo Tómate un corto. 23. Parador de Turismo de Soria. Plaza Herradores Parque del Castillo, Fortún López, s/n. INFORMACIÓN 2. Centro Cívico Bécquer: Sede 24. Hotel Alda Ciudad de Soria. oficial y oficina de producción. Zaragoza, s/n PRÁCTICA Infantes de Lara, 1. Tel. 975 233 069 25. Art Spa Soria. Navas de Tolosa, 23 OFICINA DE INFORMACIÓN en MÓDULO TÓMATE UN CORTO -Ext.2 26. Hotel Leonor. Mirón, s/n. (Plaza Herradores) del 17 al 30 de noviembre. 27. Hotel Apolonia. Puertas de Pro, 5 HORARIO: De 12.00 a 14.00 y de 17.00 a 21.00 horas. SEDES 28. Hotel Castilla. Claustrilla, 5 3. Palacio de la Audiencia. Plaza 29. Hostal Alvi. Alberca, 2 VENTA DE ENTRADAS Mayor, 9 30. Hostal Centro. Plaza Mariano · Para las sesiones en el Palacio de la Audiencia en taquilla una 4. Cines Mercado. Plaza Bernardo Granados, 2 hora antes del inicio de cada sesión. Robles 31. Hostal Solar de Tejada. · Para las sesiones en Cines Mercado en taquilla una hora antes 5. Espacio Alameda. Parque Alameda Claustrilla, 1 del inicio de cada sesión. de Cervantes [La Dehesa] 32. Hostal Viena. García Solier, 1 · Para resto de sesiones y actividades en Oficina de Información 6. Casino Amistad Numancia. 33. Hostal Vitorina. Paseo Florida, 35 del Festival (Plaza Herradores en Módulo Tómate un corto), Collado, 23 hasta dos horas antes del inicio de cada sesión y en la taquilla 7. Conservatorio de Música a la entrada de cada espacio. Oreste Camarca. -
Cuban and Russian Film (1960-2000) Hillman, Anna
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Carnivals of Transition: Cuban and Russian Film (1960-2000) Hillman, Anna The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9733 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Carnivals of Transition: Cuban and Russian Film (1960-2000) Anna M. Hillman Submitted in accordance with the requirements for the Ph.D. degree. Queen Mary, University of London, School of Languages, Linguistics and Film. The candidate confirms that the thesis does not exceed the word limit prescribed by the University of London, and that work submitted is her own and that appropriate credit has been given to research done by others. 2 ABSTRACT This thesis focuses on ‘carnivals of transition’, as it examines cinematic representations in relation to socio-political and cultural reforms, including globalization, from 1960 to 2000, in Cuban and Russian films. The comparative approach adopted in this study analyses films with similar aesthetics, paying particular attention to the historical periods and the directors chosen, namely Leonid Gaidai, Tomás Gutiérrez Alea, El’dar Riazanov, Juan Carlos Tabío, Iurii Mamin, Daniel Díaz Torres and Fernando Pérez. -
F I L M O T E C a E S P a Ñ O L A
F I L M O T E C A E S P A Ñ O L A Sede: Cine Doré C/ Magdalena nº 10 c/ Santa Isabel, 3 28012 Madrid 28012 Madrid Telf.: 91 4672600 Telf.: 913693225 Fax: 91 4672611 913691125 (taquilla) [email protected] 913692118 (gerencia) http://www.mcu.es/cine/MC/FE/index.html Fax: 913691250 Precio Normal: 2,50€ por sesión y sala 20,00€ abono de 10 sesiones. Estudiante: 2,00€ por sesión y sala 15,00€ abono de 10 sesiones. Horario de taquilla: MINISTERIO DE EDUCACIÓN, CULTURA Y DEPORTE 16.15h. hasta 15 minutos después del comienzo de la última sesión. PROGRAMACIÓN A los10 minutos de comenzada la sesión no se venderán entradas para la noviembre misma. 2014 Venta anticipada 1/3 del aforo para las sesiones del día siguiente. De 21.00 hasta cierre de taquilla (mínimo 21.30) Horario de cafetería: 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente hasta un tercio del aforo. 16.00 h. – 23.00 h. Horario de librería: 17.00h – 22.00h Tel.: 634595636 [email protected] Lunes(cerrado) (*) Subtitulado electrónico NOVIEMBRE 2014 Las sesiones anunciadas pueden sufrir cambios debido a la diversidad de la procedencia de las películas programadas. Las copias que se exhiben son las de mejor calidad disponibles. Las duraciones que figuran en el programa son aproximadas. Los títulos originales de las películas y los de su distribución en España figuran en negrita. Los que aparecen en cursiva corresponden a una traducción literal del original o a títulos habitualmente utilizados en español. -
Film, Philosophy Andreligion
FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H. -
The Semiotics of Advertising In
THE SEMIOTICS OF ADVERTISING IN POST-SOCIALIST RUSSIA: CULTURALLY SIGNIFICANT MEANINGS IN TELEVISION COMMERCIALS DURING THE PERIOD OF TRANSITION AND GLOBALIZATION By Alexander Minbaev Submitted to Central European University History Department In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Marsha Siefert CEU eTD Collection Second Reader: Professor György Endre Szönyi Budapest, Hungary 2013 Abstract This thesis aims to answer a research question of how television commercials appealed to Russian national identity using culturally significant meanings in post-socialist context. In order to do so the thesis examines television commercials adopting semiotic approach. Using of semiotics presupposes the analysis of advertisements as system of signs and as narratives. Commercials are analyzed within their historical context from the late 1980s to the early 2000s. Thesis focuses on the culturally significant meanings deployed in the television advertising through folklore, nostalgia, stereotypes and history in order to appeal to Russian national identity. Commercials chosen for semiotic analysis are taken from different periods of post- socialist Russian history and are examined as case studies, each of which appealing to Russianness using specific techniques, thus comprising a unique style of Russian advertising. Depending on a particular time period within the development of Russian post-socialist advertising, different methods were applied to appeal to potential consumers through exploitations of shared beliefs and values, including national identity that forms the continuous field within the frame of post-socialist advertising. Using semiotic tools from the studies of signs, such as binary opposition, the thesis examines commercials both interpretatively and within their historical context. -
Box-Oldies Por Amor
nn BIEL BIENNE Nummer: Seite: Buntfarbe: Farbe: CyanGelbMagentaSchwarz Gratis in 103 598 Haushalte Distribué gratuitement dans107 000 regelmässige Leser DIE GRÖSSTE ZEITUNG DER 103 598 ménages 107 000 lecteurs fidèles LE PLUS GRAND JOURNAL REGION AUFLAGE: 103 598 DE LA RÉGION ERSCHEINT JEDEN TIRAGE: 103 598 MITTWOCH/DONNERSTAG PARAÎT CHAQUE MERCREDI/JEUDI IN ALLEN HAUSHALTEN BIELS UND DANS TOUS LES MÉNAGES GRENCHENS, DES SEELANDES UND DES DE LA RÉGION BIENNE-JURA BERNOIS- BERNER JURAS. SEELAND-GRANGES. HERAUSGEBER: CORTEPRESS BIEL ÉDITEUR: CORTEPRESS BIENNE 032 327 09 11 / FAX 032 327 09 12 032 327 09 11 / FAX 032 327 09 12 INSERATE: BURGGASSE 14 5. / 6. OKTOBER 2005 WOCHE 40 28. JAHRGANG / NUMMER 40 5 / 6 OCTOBRE 2005 SEMAINE 40 28e ANNÉE / NUMÉRO 40 ANNONCES: RUE DU BOURG 14 032 329 39 39 / FAX 032 329 39 38 032 329 39 39 / FAX 032 329 39 38 INTERNET: http://www.bielbienne.com KIOSKPREIS FR. 1.50 INTERNET: http://www.bielbienne.com Seit Jahren diskutiert und Seeufer: Weg ohne Zukunft? immer noch unsichtbar: der fehlende Seeuferweg entlang des Bielersees lässt die Serpent des rives Bevölkerung in der Innenstadt schmoren. Seite AKTUELL. Le chemin des rives dans la baie de Bienne est un serpent de mer: on en parle beaucoup, mais on ne voit rien venir. Le point avec le directeur des Travaux publics Hubert Box-Oldies Klopfenstein. Page ACTUEL. Die strammen (und harten?) En 1905, le Boxclub de Bienne Männer des Bieler Boxclubs voyait le jour. Il célèbre le cen- stehen im Gründungsjahr tenaire d’une histoire faites de 1905 artig in Reih und Glied succès et de défaites, sans und blicken möglichst düster perdre une once de combati- in die Kamera. -
Saturday, December 8, 2018
Saturday, December 8, 2018 Registration Hours: 7:00 AM – 5:00 PM, 4th Floor Exhibit Hall Hours: 9:00 AM – 6:00 PM, 3rd Floor Audio-Visual Practice Room: 7:00 AM – 6:00 PM, 4th Floor, office beside Registration Desk Cyber Cafe - Third Floor Atrium Lounge, 3 – Open Area Session 9 – Saturday – 8:00-9:45 am Slovak Studies Association - (Meeting) - Rhode Island, 5 9-01 Genocide, Identity, and the Nation in the Nazi-Occupied Soviet Territories - Arlington, 3 Chair: Mark Roseman, Indiana U Bloomington Papers: Maris Rowe-McCulloch, U of Toronto (Canada) "August 1942—A Most Violent Month: Violence of Occupation and the Holocaust in German- Controlled Rostov-on-Don, Russia" Trevor Erlacher, UNC at Chapel Hill "Caste, Race, and the Nazi-Soviet War for Ukraine: Dmytro Dontsov at the Reinhard Heydrich Institute" Gelinada Grinchenko, V.N. Karazin Kharkiv National U (Ukraine) "How They were Performed: The ‘Dramaturgy’ of Trials of World War II Crimes in the Ukrainian SSR" Disc.: Mark Roseman, Indiana U Bloomington 9-02 Imagined Geographies II: Steppe and Forest: The Historical Dialectic Between Two Ecological Zones - (Roundtable) - Berkeley, 3 Chair: Christine Bichsel, U of Fribourg (Switzerland) Part.: Stephen Brain, Mississippi State U Christopher David Ely, Florida Atlantic U Ekaterina Filep, U of Fribourg (Switzerland) Michael Khodarkovsky, Loyola U Chicago Mikhail Yu. Nemtsev, Independent Scholar 9-03 Laughing Our Way through Soviet History - (Roundtable) - Boston University, 3 Chair: Mayhill C. Fowler, Stetson U Part.: Marilyn Campeau, U of Toronto -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
En Producción, Nuevo Filme De Fernando Pérez
PROMISING YOUNG WOMAN Oscar a mejor guion original EL MUNDO POR VENIR En La 7ma León Queer en Venecia Puerta En Amores Difíciles PÁGINA 6 PÁGINA 5 julio 2021 año 16 número 188 cartelera periódico mensual del icaic OTRA RONDA Oscar a mejor película extranjera En La 7ma Puerta PÁGINA 7 cine yvideo la realidad de la imaginación del protagonista-narrador. En producción, nuevo filme A juzgar por todos estos elementos, estaremos en pre- sencia de un filme no solo co- ral, sino también episódico, con de Fernando Pérez abundantes toques de humor negro, recurso este último po- cas veces pulsado por el reali- Riquimbili o el mundo de Nelsito contará con las actuaciones de José Raúl Castro, zador, más inclinado a la trage- dia, el melodrama, lo histórico Isabel Santos, Laura de la Uz y Jacqueline Arenal, entre otros intérpretes y lo onírico-surrealista. FOTO: En la documentación oficial JOEL DEL RÍO dece también un accidente de periencia actoral previa. Él se sobre el nuevo proyecto, Fer- tránsito en un momento trá- une a dos de las actrices de pre- GABRIEL GUERRA BIANCHINI nando Pérez asegura: “Riquim- Fernando Pérez ya se encuen- gico. sencia invariable en el cine de bili... aspira a ser un juego. Un tra trabajando en su nuevo fil- En la sinopsis oficial del pro- Fernando Pérez: Isabel Santos juego de estructuras narrativas me, que lleva como título provi- yecto se cuenta que la víctima (Clandestinos, La vida es silbar, y un juego de personajes. Am- sional Riquimbili o el mundo de del accidente automovilístico La pared de las palabras), que in- bos (estructuras narrativas y Nelsito, y está producido por el es Nelsito, un adolescente au- terpreta a Ana; y Laura de la Uz, personajes) se funden (y con- ICAIC en conjunto con la espa- tista de 16 años, quien ha logra- reconocida dentro y fuera de funden) en la realidad y en la ñola Wanda Films.