2 April 2021 Page 1 of 24

Total Page:16

File Type:pdf, Size:1020Kb

2 April 2021 Page 1 of 24 Radio 3 Listings for 27 March – 2 April 2021 Page 1 of 24 SATURDAY 27 MARCH 2021 First movement (Allegro) from Concerto for trumpet and orchestra (H.7e.1) SAT 01:00 Through the Night (m000tgbf) Tine Thing Helseth (trumpet), Vienna Symphony Orchestra, Haydn's London Symphony Christian Arming (conductor) The Finnish Radio Symphony Orchestra conducted by Herbert Blomstedt in music by Haydn and Brahms. Jonathan Swain SAT 05:00 Downtime Symphony (m000rb2n) presents. Take time out with these meditative ambient and orchestral melodies 01:01 AM Joseph Haydn (1732-1809) An hour of wind-down music to help you press pause and reset Symphony No. 104 in D, Hob. I:104 'London' your mind. With music by Erik Korngold, Felix Mendelssohn, Finnish Radio Symphony Orchestra, Herbert Blomstedt Mother Ivy, Camille Yarborough and more. (conductor) 01:29 AM SAT 06:00 Downtime Symphony (m000tm7b) Johannes Brahms (1833-1897) Wind down and charge up with a classic mix from Celeste Symphony No. 2 in D, Op. 73 Finnish Radio Symphony Orchestra, Herbert Blomstedt An hour of wind-down music to help you press pause and reset (conductor) your mind - featuring tracks from Susumu Yokata, East of Underground and Mendelssohn to power your downtime. 02:15 AM Wolfgang Amadeus Mozart (1756-1791) Quartet for Strings in D minor (K.421) SAT 07:00 Breakfast (m000tm7d) Artemis Quartet, Natalia Prischepenko (violin), Heime Muller Saturday - Elizabeth Alker (violin), Volker Jacobsen (viola), Eckart Runge (cello) Classical music for breakfast time, plus found sounds and the 02:47 AM odd unclassified track. Dietrich Buxtehude (1637-1707) Alles, was ihr tut mit Worten oder mit Werken, Bux WV 4 Klaus Mertens (bass), Amsterdam Baroque Orchestra, SAT 09:00 Record Review (m000tm7g) Amsterdam Baroque Chorus, Ton Koopman (conductor) Building a Library on Mozart's Piano Concerto No 24 in C minor with Lucy Parham and Andrew McGregor 03:01 AM Ludwig van Beethoven (1770-1827) 9.00am Concerto for piano and orchestra No 2 Op 19 in B flat major Henri Sigfridsson (piano), Warsaw Philharmonic Orchestra, Jerzy Beyond the Limits - CPE Bach: Complete String Symphonies Semkow (conductor) Gli Incogniti Amandine Beyer (violin & conductor) 03:30 AM Harmonia Mundi HMM905321 Maurice Ravel (1875-1937) https://store.harmoniamundi.com/release/223246-amandine-be Miroirs yer-and-gli-incogniti-cpe-bach-beyond-the-limits-complete- Pedja Muzijevic (piano) symphonies-for-strings-and-continuo 04:00 AM Mozart/Jones: Violin Sonatas Fragment Completions Fernando Sor (1778-1839) Rachel Podger (violin) Introduction and variations on Mozart's 'O cara armonia' for Christopher Glynn (fortepiano) guitar (Op 9) Channel Classics CCSSA42721 (Hybrid SACD) Xavier Diaz-Latorre (guitar) https://www.channelclassics.com/catalogue/42721-MozartJones- Violin-Sonatas-Fragment-Completions-World-Premieres/ 04:09 AM Giovanni Pierluigi da Palestrina (c.1525-1594) Lise Davidsen: Beethoven - Wagner - Verdi Stabat Mater Lise Davidsen (soprano) Camerata Silesia - Katowice City Singers, Anna Szostak London Philharmonic Orchestra (director) Sir Mark Elder (conductor) Decca 4851507 04:19 AM https://store.deccaclassics.com/*/*/Beethoven-Wagner- Peggy Glanville-Hicks (1912-1990) Verdi/6V2A0000000 Three Gymnopedies Sydney Symphony Orchestra, Myer Fredman (conductor) Heinrich Albert's Pumpkin Hut Dorothee Mields (soprano) 04:28 AM Hathor Consort Johann Sebastian Bach (1685-1750) Romina Lischka (viol & direction) Six Chorales from the Schemelli Collection Ramée RAM1913 Bernarda Fink (mezzo soprano), Marco Fink (bass baritone), https://outhere-music.com/en/albums/Heinrich-Albert-s-Pumpkin- Domen Marincic (gamba), Dalibor Miklavcic (organ) Hut-RAM1913 04:40 AM 9.30am Building a Library: Lucy Parham on Mozart Piano Richard Rodney Bennett (1936-2012), David Lindup (arranger) Concerto No. 24 in C minor K491 Murder on the Orient Express - music from the film (arr. Lindup) BBC Philharmonic, Rumon Gamba (conductor) Mozart composed his much-loved Piano Concerto in the winter of 1785-86, shortly before the premiere of the Marriage of 04:52 AM Figaro. Despite the compositional proximity of the two works, Joseph Haydn (1732-1809) they reveal very different sides to Mozart's compositional Supported by bbc.co.uk/programmes/ Radio 3 Listings for 27 March – 2 April 2021 Page 2 of 24 personality, the opera being bright and upbeat while the piano Pergolesi: Stabat Mater & Rossell: Salve Regina concerto is much darker and is one of only two minor key piano Giulia Semenzato (soprano) concertos in his entire output. The Piano Concerto in C minor is Lucile Richardot (mezzo-soprano) also different from the earlier concertos because it uses a much Ensemble Resonanz larger orchestra including oboes and clarinets. The premiere is Riccardo Minasi (director) thought to have taken place at Vienna's Burgtheater in April Harmonia Mundi HMM902637 1786. Beethoven is known to have greatly admired Mozart's https://store.harmoniamundi.com/format/673901-pergolesi- Piano Concerto No 24 and exclaimed to his friend, Cramer, that stabat-mater-rossell-salve-regina he would never be able to do anything like that. Settecento: Baroque Instrumental Music from the Italian States 10.15am New Releases Tabea Debus (recorders) La Serenissima Guerrero: Magnificat, Lamentations & Canciones Adrian Chandler (director) El León de Oro Signum SIGCD663 Peter Phillips (conductor) https://signumrecords.com/product/settecento-baroque- Marco Antonio García de Paz (conductor) instrumental-music-from-the-italian-states/SIGCD663/ Hyperion CDA68347 https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68347 11.20am Record of the Week Rediscovered: British Clarinet Concertos by Dolmetsch, Beethoven: Symphony No.9 Maconchy, Spain-dunk & Wishart Christina Landshamer (soprano) Peter Cigleris (clarinet) Jennifer Johnson Cano (mezzo-soprano) Deian Rowlands (harp) Werner Güra (tenor) BBC National Orchestra of Wales Shenyang (bass-baritone) Ben Palmer (conductor) Mendelssohn Choir of Pittsburgh Signum SIGCD656 Pittsburgh Symphony Orchestra https://signumrecords.com/product/rediscovered-british-clarinet Manfred Honeck (conductor) -concertos-by-dolmetsch-maconchy-spain-dunk- Reference Recordings FR-741 (Hybrid SACD) wishart/SIGCD656/ https://referencerecordings.com/recording/beethoven- symphony-no-9/ Cello Music From Proust's Salons: Hahn, Fauré, Saint-Saëns, Duparc, Isserlis and Franck Steven Isserlis (cello) SAT 11:45 Music Matters (m000tm7j) Connie Shih (piano) Music under threat in Kabul BIS BIS2522 (Hybrid SACD) https://bis.se/performers/isserlis-steven/cello-music-from- Kate Molleson is joined by musicians in Kabul to discuss the prousts-salons new restrictions on women singing - the ban, from the Afghan Ministry of Education, has caused concern that the Taliban is Andriessen: The only one increasing its influence in the Afghan government as western Nora Fischer (soprano) forces prepare to pull out of the country. With contributions Los Angeles Philharmonic from Ahmad Sarmast, Director of the Afghanistan National Esa-Pekka Salonen (conductor) Institute of Music, and pianist Maram Abdullah. Nonesuch 7559791733 https://www.nonesuch.com/albums/the-only-one Following the death earlier this month of the conductor James Levine, Kate hears from the American music critic Anne 10.40am Simon Heighes on New Baroque Releases Midgette and conductor Kenneth Woods as they discuss the moral questions surrounding Levine’s recorded legacy in the Simon Heighes reviews new and recent recordings of Baroque light of the controversy over his personal life. music including a new release of Pergolesi's Stabat Mater. Ahead of World Autism Awareness Week, Kate talks to Adam Songs of Solitude: Music by J. S. Bach and others Ockleford, who has worked extensively in the field of autism Hiyoli Togowa (viola) and music, and to Joe Stollery, a composer who regards his own BIS BIS2533 (Hybrid SACD) autism as both a help and a hindrance in his musical life. https://bis.se/performers/togawa-hiyoli/songs-of-solitude And, the broadcaster Jennifer Lucy Allan speaks about her new JS Bach: The Well-Tempered Consort II book 'The Foghorn's Lament', which documents the role this Phantasm coastal 'music' has played in our life and culture. Laurence Dreyfus (director) Linn CKD657 https://www.linnrecords.com/recording-js-bach-well-tempered- SAT 12:30 This Classical Life (m000tm7l) consort-ii Jess Gillam with...Benson Wilson JS Bach: Cantatas Nos. 45 & 198 & Motet 'O Jesu Christ, mein Jess Gillam and baritone Benson Wilson share the music they Lebens Licht' love, including the voices of Johnny Mathis, Dmitri Dorothee Mields (soprano) Hvorostovsky, and Samoan gospel singer Lani Alo. Alex Potter (counter-tenor) Thomas Hobbs (tenor) Today we played…. Peter Kooij (bass) Collegium Vocale Gent Copland – Appalachian Spring: Allegro (Leonard Bernstein, New Philippe Herreweghe (director) York Phil) PHI LPH035 Erroll Garner - Misty (Johnny Mathis) https://www.linnrecords.com/recording-bach-meins-lebens-licht- Pulp – Common People cantata-bwv-45-198-motet-bwv-118 Verdi – Don Carlos: "O Carlo, ascolta" from Act IV Scene 2 (Dmitri Hvorostovsky, BBC Welsh SO, Richard Armstrong, Supported by bbc.co.uk/programmes/ Radio 3 Listings for 27 March – 2 April 2021 Page 3 of 24 recorded at 1989 Cardiff Singer of the World final) Prelude a l'apres-midi d'un faune Interpol – Untitled (from Turn on the Bright Lights) Performer: Timothy Hutchins John Rutter – What sweeter music (Choir of King’s College Orchestra: Orchestre symphonique de Montréal Cambridge Stephen Cleobury, Robert Quinney
Recommended publications
  • Download Article
    International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Russianness in the Works of European Composers Liudmila Kazantseva Department of Theory and History of Music Astrakhan State Concervatoire Astrakhan, Russia E-mail: [email protected] Abstract—For the practice of composing a conscious Russianness is seen more as an exotic). As one more reproduction of native or non-native national style is question I’ll name the ways and means of capturing Russian traditional. As the object of attention of European composers origin. are constantly featured national specificity of Russian culture. At the same time the “hit accuracy” ranges here from a Not turning further on the fan of questions that determine maximum of accuracy (as a rule, when finding a composer in the development of the problems of Russian as other- his native national culture) to a very distant resemblance. The national, let’s focus on only one of them: the reasons which out musical and musical reasons for reference to the Russian encourage European composers in one form or another to culture they are considered in the article. Analysis shows that turn to Russian culture and to make it the subject of a Russiannes is quite attractive for a foreign musicians. However creative image. the European masters are rather motivated by a desire to show, to indicate, to declare the Russianness than to comprehend, to II. THE OUT MUSICAL REASONS FOR REFERENCE TO THE go deep and to get used to it. RUSSIAN CULTURE Keywords—Russian music; Russianness; Western European In general, the reasons can be grouped as follows: out composers; style; polystyle; stylization; citation musical and musical.
    [Show full text]
  • Contents: 1000 South Denver Avenue Suite 2104  Biography Tulsa, OK 74119  Critical Acclaim
    Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Mailing Address: Contents: 1000 South Denver Avenue Suite 2104 Biography Tulsa, OK 74119 Critical Acclaim Website: DIscography http://www.pricerubin.com Testimonials Indiana University Review Video LInks Complete artist information including video, audio and interviews are available at www.pricerubin.com Grzegorz Nowak – Biography Grzegorz Nowak is the Principal Associate Conductor of the Royal Philharmonic Orchestra in London. He has led the Orchestra on tours to Switzerland, Turkey and Armenia, as well as giving numerous concerts throughout the UK. His RPO recordings include Mendelssohn’s ‘Scottish’ and ‘Italian’ Symphonies, Shostakovich’s Symphony No.5, Dvořák’s Symphonies Nos. 6–9, all the symphonies of Schumann and complete symphonies and major orchestral works of Brahms and Tchaikovsky. He is also the Music Director & Conductor of the Orquesta Clásica Santa Cecilia and Orquesta Sinfonica de España in Madrid. Recordings of Grzegorz Nowak have been highly acclaimed by the press and public alike, winning many awards. Diapason in Paris praised his KOS live recording with Martha Argerich and Sinfonia Varsovia as ”indispensable…un must”, and its second edition won the Fryderyk Award. His recording of The Polish Symphonic Music of the XIX Century with Sinfonia Varsovia won the CD of the Year Award, the Bronze Bell Award in Singapore and Fryderyk Award nomination; the American Record Guide praised it as “uncommonly rewarding… 67 minutes of pure gold” and hailed his Gallo disc of Frank Martin with Biel Symphony as “by far the best”.
    [Show full text]
  • Annual Report on the BBC 2019/20
    Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
    [Show full text]
  • 904-4 BBC NR AC Wales 210612.Indd
    WALES AUDIENCE COUNCIL REVIew 2011/12 a 01 Foreword by the National Trustee 02 Audience Council activity 04 Audience Council Wales report on BBC performance 09 BBC performance against Public Purposes 14 Audience priorities for 2012/13 17 Audience Council Wales 18 Contacts Cover image BBC National Orchestra of Wales at one of its concerts for special schools. FORewORD BY THE NaTIONal TRUSTee announced. This has been hugely welcomed by audiences. The Roath Lock drama production facility in Cardiff Bay, which now provides a home for Pobol y Cwm, Casualty and Doctor Who, was delivered on budget and on time. It potentially provides a huge boost for the creative industries in Wales. Following the Westminster Government’s announcement that S4C would be funded from the licence fee from 2013, I strongly welcome the new agreement reached with S4C and I look forward to the BBC and S4C exploiting future opportunities for co-operation for the creative, social, educational and “The Roath Lock drama economic benefit of audiences in Wales. production facility in Cardiff Bay, The year under review saw the departure which now provides a home for of Keith Jones as Director BBC Wales Pobol y Cwm, Casualty and Doctor and the appointment of Rhodri Talfan Davies to that post. I am grateful to Keith Who, was delivered on budget for his substantial support for the work of and on time.” Audience Council Wales and contribution to BBC Cymru Wales over many years. I warmly welcome Rhodri’s appointment The BBC’s Audience Councils advise the and look forward to working closely with Trust on how well the BBC fulfils its Public him during the months and years to come.
    [Show full text]
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]
  • Easter Around the World with Kate & Mack
    Easter Around the World with Kate & Mack Hi kids! It’s me, Kate, and my friend, Mack. Easter is couple days, everyone mourned (that means just five weeks away, and we’ve been traveling they were super sad) that Jesus was dead. to learn some of the different ways people But then, three days later, Jesus rose from celebrate this holiday. We’re going to make the dead! And that’s why we can celebrate — quick stops in all parts of the world — Africa, because Jesus loved us so much that he died Americas, Asia, Europe and the Pacific. We and rose again so that one day we can live know you’re busy with school and all the with him in heaven! How amazing is that? learning you have to do every day, so this But you’ll be able to read all about that over should be a fun break for you. the next few weeks with your family. After all, When you think of Easter, what’s the first it’s really important that we understand why thing that comes to mind? Maybe it’s the Jesus died for us, and what he went through Easter bunny, because you get baskets full of so that we can be forgiven of our sins. And yummy candy. Or maybe it’s dyeing Easter there’s no better time to talk about it a lot eggs with your family. than around Easter, right? Hopefully you also think of the true reason So are you ready to travel the world with us? that we celebrate Easter! After all, it doesn’t Let’s get started! really have anything to do with bunnies or candy.
    [Show full text]
  • The Seven Major Fasts in the Orthodox Tewahedo Church
    The Seven Major Fasts In The Orthodox Tewahedo Church By: Tigist Lakew 1. The Fast Of Nativity/ Advent ( Tsome Nebiyat) The fast that precedes Christmas. Christmas is celebrated on January 7th. This fast is to commemorate the fast that Moses fasted in the Mount of Sinai. He fasted for 40 days before receiving the Ten Commandments which hosted the word of God in it. As a lesson from Moses, he fasted prior to Christmas for 40 days before receiving the word of God, so we do the same and fast for 40 days before receiving the word of God. 2. The Fast Of Nineveh ( Tsome Nineveh) Precedes the great lent by 2 weeks. This Fast is held on Monday, Tuesday and Wednesday. This Fast commemorates the fast the people living in the city of Nineveh did because the city was full of sins . God sent the prophet Jonah to the city of Nineveh , to repent and pray because their city was about to get destroyed. The King and the whole city began fasting and God heard their prayers and he forgave them. And taking that as a lesson we fast the three day fast so we can repent and be forgiven by God. 3. The Fast Of Great Lent ( Abiy Tsom) Proceeds the Fast of Nineveh. It begins on a Monday and ends on Easter ( Faskia, Abiy Tsom) Within this Fast each week is broken down into specific themes. 3. The Fast Of Great Lent First Week: Zewerede To come, mission of Christ when he came here. To give us salvation.
    [Show full text]
  • LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
    LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.
    [Show full text]
  • IV Międzynarodowy Konkurs Muzyczny Im. Michała Spisaka
    IV Międzynarodowy Konkurs Muzyczny im. Michała Spisaka Specjalności: skrzypce, altówka, wiolonczela Pałac Kultury Zagłębia 5-14 września 2010 ...myślę stale o Zagłębiu i Dąbrowie Górniczej, bo przecież nie zapomina się nigdy swego rodzinnego miasta (słowa Michała Spisaka z listu do Jana Ziemby) The 4rd Michał Spisak International Music Competition Disciplines: violin, viola, cello Pałac Kultury Zagłębia 5-14 September 2010 ...I constantly think of Zagłębie and Dąbrowa Górnicza, because, after all, you can never forget your hometown (Michał Spisak’s words from a letter to Jan Ziemba) Patronat Honorowy Konkursu The Honour Patronage of the Competition: Bogdan Zdrojewski Minister Kultury i Dziedzictwa Narodowego Minister of Culture and National Heritage prof. Tomasz Miczka Rektor Akademii Muzycznej im. Karola Szymanowskiego w Katowicach Rector of the Karol Szymanowski Academy of Music in Katowice Zbigniew Podraza Prezydent Miasta Dąbrowa Górnicza Mayor of Dąbrowa Górnicza Organizatorzy Konkursu / Organizers of the Competition: Urząd Miejski w Dąbrowie Górniczej City Hall in Dąbrowa Górnicza www.idabrowa.pl, www.spisak.idabrowa.pl Akademia Muzyczna im. Karola Szymanowskiego w Katowicach Karol Szymanowski Academy of Music in Katowice www.am.katowice.pl Pałac Kultury Zagłębia w Dąbrowie Górniczej Zagłębie Palace of Culture in Dąbrowa Górnicza www.palac.art.pl prof. Zygmunt Tlatlik Dyrektor Artystyczny Konkursu / Artistic Director of the Competition Zastępca Sekretarza Jury / Deputy Secretary of the Jury prof. Paweł Głombik Przewodniczący Jury
    [Show full text]
  • Trick Film: Neil Brand's Radio Dramas and the Silent Film Experience
    Trick film: Neil Brand’s radio dramas and the silent film experience McMurtry, LG http://dx.doi.org/10.1386/iscc.10.1-2.1_1 Title Trick film: Neil Brand’s radio dramas and the silent film experience Authors McMurtry, LG Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/51763/ Published Date 2019 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Trick Film: Neil Brand’s Radio Dramas and the Silent Film Experience Leslie McMurtry, University of Salford Abstract At first glance, silent film and audio drama may appear antithetical modes of expression. Nevertheless, an interesting tradition of silent film-to-radio adaptations has emerged on BBC Radio Drama. Beyond this link between silent film and radio drama, other radio dramas have highlighted that Neil Brand, a successful silent film accompanist, radio dramatist, and composer, links the silent film experience and audio drama in two of his plays, Joanna (2002) and Waves Breaking on a Shore (2011). Using theories of sound and narrative in film and radio, as well as discussing the way radio in particular can stimulate the generation of imagery, this article examines layered points of view/audition as ways of linking the silent film experience and the use of sound within radio drama.
    [Show full text]
  • Krzysztof Penderecki : Concertos Clarinet
    DUX 1186 / 2015 _______________________________________________________________________________________ KRZYSZTOF PENDERECKI : CONCERTOS CLARINET CONCERTO FLUTE CONCERTO CONCERTO GROSSO No.1 *** Krzysztof PENDERECKI : * Clarinet Concerto (1984, a transcription of Concerto per viola ed orchestra, 1983) * Concerto per flauto ed orchestra da camera (1992) * Concerto Grosso No.1 per tre violoncelli e orchestra (2001) *** Michel LETHIEC - clarinet Łukasz DLUGOSZ - flute Arto NORAS - cello Bartosz KOZIAK - cello Rafał KWIATKOWSKI - cello THE POLISH SINFONIA IUVENTUS ORCHESTRA Krzysztof PENDERECKI - conductor ______________________________________________________________________________ DUX Małgorzata Polańska & Lech Tołwiński ul. Morskie Oko 2, 02-511 Warszawa tel./fax (48 22) 849-11-31, (48 22) 849-18-59 e-mail: [email protected], www.dux.pl Aleksandra Kitka-Coutellier – International Relations kitka@dux Krzysztof PENDERECKI Born in Dębica on 23 November 1933, he studied composition with Artur Malawski and Stanisław Wiechowicz at the State Higher School of Music in Kraków (1954-58). Earlier he took lessons from Franciszek Skołyszewski. In 1959 three of his works ( Strophes , Emanations and Psalms of David ) won him the top prizes at the Young Composers’ Competition of the Polish Composers’ Union. A year later, he captured the attention of Western critics with Anaklasis , performed at the Donaueschingen Festival. Penderecki’s international position was consolidated in the 1960s thanks to such pieces as Threnody for the Victims of Hiroshima (UNESCO Award, 1961), the St Luke Passion (the Grand Arts Award of the Land of North Rhine-Westphalia, 1966, and the Prix Italia, 1967) and Dies irae (Prix Italia, 1968). His first opera, The Devils of Loudun (after Aldous Huxley), was premiered at the Hamburg Staats-oper in 1969 and in later years successfully performed at theatres throughout the world, as were the composer’s three successive operas: Paradise Lost (premiered in Chicago, 1978), Die Schwarze Maske (Salzburg, 1986) and Ubu Rex (Munich, 1991).
    [Show full text]
  • 29 September 2017 Page 1 of 20
    Radio 3 Listings for 23 – 29 September 2017 Page 1 of 20 SATURDAY 23 SEPTEMBER 2017 White Mist Patches Polish Radio Choir, uncredited pianist, Marek Kluza (director) SAT 01:00 Through the Night (b0952b1p) Vivaldi's Gloria and Mozart's first Violin Concerto 4:48 AM Jonathan Swain presents a performance from Romanian Radio of Rossini, Gioachino (1792-1868) Vivaldi's Gloria and Mozart's first violin concerto. Introduction and Theme and Variations László Horváth (clarinet), Hungarian Radio Orchestra, Géza 1:01 AM Oberfrank (conductor) Joseph Haydn (1732-1809) Overture to 'L'isola disabitata', Hob.XXVIII:9 5:01 AM Romanian Radio Chamber Orchestra, Gabriel Bebeselea Donizetti, Gaetano (1797-1848) (conductor) Aria 'Quel guardo il cavaliere', Norina's Cavatina from Act 1, scene 2 of "Don Pasquale" 1:09 AM Adriana Marfisi (soprano), Oslo Philharmonic, Nello Santi Wolfgang Amadeus Mozart (1756-1791) (conductor) Violin Concerto No.1 in B flat, K.207 Cristina Anghelescu (violin), Romanian Radio Chamber Orchestra, 5:07 AM Gabriel Bebeselea (conductor) Turina, Joaquín (1882-1949) Rapsodia sinfonica for piano and string orchestra, Op.66 1:30 AM Angela Cheng (piano), Calgary Philharmonic Orchestra, Hans Graf Antonio Vivaldi (1678-1741) (conductor) Gloria in D major, RV.589 Rodica Vica (soprano), Maria Jinga (mezzo-soprano), Romanian 5:16 AM Radio Academic Chorus, Dan Mihai Goia (director), Romanian Vivaldi, Antonio (1678-1741) Radio Chamber Orchestra, Gabriel Bebeselea (conductor) Concerto da camera in C major, RV.87 Camerata Köln 1:58 AM Bach, Johann
    [Show full text]