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English Translation of the German by Tom Hammond
Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
The Wagner Society Members Who Were Lucky Enough to Get Tickets Was a Group I Met Who Had Come from Yorkshire
HARMONY No 264 Spring 2019 HARMONY 264: March 2019 CONTENTS 3 From the Chairman Michael Bousfield 4 AGM and “No Wedding for Franz Liszt” Robert Mansell 5 Cover Story: Project Salome Rachel Nicholls 9 Music Club of London Programme: Spring / Summer 2019 Marjorie Wilkins Ann Archbold 18 Music Club of London Christmas Dinner 2018 Katie Barnes 23 Visit to Merchant Taylors’ Hall Sally Ramshaw 25 Dame Gwyneth Jones’ Masterclasses at Villa Wahnfried Roger Lee 28 Sir John Tomlinson’s masterclasses with Opera Prelude Katie Barnes 30 Verdi in London: Midsummer Opera and Fulham Opera Katie Barnes 33 Mastersingers: The Road to Valhalla (1) with Sir John Tomlinson Katie Barnes 37 Mastersingers: The Road to Valhalla (2) with Dame Felicity Palmer 38 Music Club of London Contacts Cover picture: Mastersingers alumna Rachel Nicholls by David Shoukry 2 FROM THE CHAIRMAN We are delighted to present the second issue of our “online” Harmony magazine and I would like to extend a very big thank you to Roger Lee who has produced it, as well as to Ann Archbold who will be editing our Newsletter which is more specifically aimed at members who do not have a computer. The Newsletter package will include the booking forms for the concerts and visits whose details appear on pages 9 to 17. Overseas Tours These have provided a major benefit to many of our members for as long as any us can recall – and it was a source of great disappointment when we had to suspend these. Your committee have been exploring every possible option to offer an alternative and our Club Secretary, Ian Slater, has done a great deal of work in this regard. -
Swr2 Programm Kw 33
SWR2 PROGRAMM - Seite 1 - KW 33 / 16. - 22.08.2021 Joan Manén: Doch damit ist es vorbei: Forscher*in- Montag, 16. August Violinkonzert Nr. 1 op. A-7 nen geben Interviews, beraten als Ex- „Concierto español“ perten die Politik oder engagieren sich 0.03 ARD-Nachtkonzert Tianwa Yang (Violine) bei Kampagnen wie „Scientists for Felix Mendelssohn Bartholdy: Orquestra Simfònica de Barcelona i Future“. Genau dafür aber werden Wis- Sinfonie Nr. 1 c-Moll op. 11 Nacional de Catalunya senschaftler auch immer häufiger kriti- Gewandhausorchester Leipzig Leitung: Darrell Ang siert: Es wird vor Einseitigkeit und Leitung: Kurt Masur Selbstüberschätzung gewarnt. Und die Ralph Vaughan Williams: 5.00 Nachrichten, Wetter Befürchtung geäußert: Prinzipien der „The Lark Ascending“ Wissenschaftlichkeit würden dem Anne Akiko Meyers (Violine) 5.03 ARD-Nachtkonzert Populismus geopfert. (SWR 2020) MDR-Sinfonieorchester Robert Schumann: Leitung: Kristjan Järvi Toccata C-Dur op. 7 8.58 SWR2 Programmtipps Richard Wagner: Ivo Pogorelich (Klavier) „Siegfried-Idyll“ Gioacchino Rossini: 9.00 Nachrichten, Wetter MDR-Sinfonieorchester Allegro vivace aus der Streichersonate Leitung: Jun Märkl Nr. 5 Es-Dur 9.05 SWR2 Musikstunde Ferdinand David: Neues Berliner Kammerorchester Henryk Szeryng – Weltbürger und Streichsextett op. 38 Leitung: Michael Erxleben Weltklasse-Geiger (1) Barbara Hartmann (Violine) Antonio Rosetti: Mit Jörg Lengersdorf Susanne Raßbach (Violoncello) Notturno Es-Dur M B27 Hartmann-Quartett Klaus Wallendorf, Sarah Willis (Horn) In die Schublade „Groß B“ – Bach, -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
Program Aida
AÏDA ANNONSE Giuseppe Verdi AÏDA Opera i fire akter Libretto av Antonio Ghislanzoni Fremføres på originalspråket italiensk Sommeropera på Bergenhus Festning 14., 16., 18. og 20. august 2005 Regissør: Sandro Santillo Scenografi- og kostymedesigner: Kentaur Dirigent/kunstnerisk leder: Anne Randine Øverby Aïda: Galina Gorchakova Radames: Ernesto Grisales Amneris: Eugenie Grunewald Amonasro: Anooshah Golesorkhi Ramfis: Arutjun Kotchinian Konge: Balátz Póka Yppersteprestinne: Sylvia Skeie Vik Budbærer: Daniel Icobescu Prester, prestinner, tjenere, feltherrer, soldater, slaver, egyptiske fanger, egyptiske folk: Timisoara Filharmoniske Kor Bergen Operakor Fra VNOs Barnekor Ragazzi: Randi Emilie Dahlen, Marie Stølsbotn, Susanne Grønner, Ina Rokne Midtun, Teresia M. S. Aarskog, Laura Agathe Moberg, Ida Ludvigsen, Grete Iren Grønner, Alette Jervell Pettersen Små barn: Åshild Øyro, ,Laura Hagen Aadland, Kaja Rønning Statister: Birthe Gundersen, Alexandra Hoff, Korinnstudering: Anne Randine Øverby, Repetitør: Sabrina Trosje Orkester: Timisoara Filharmoniske Orkester Lysdesign: Lysteknikk: AVAB CAC Bergen; Jørgen Lystrup, Per Rye Ravnestad, Lyddesign: Peter Dan Lydteknikk: AVAB CAC Bergen; Karim Balgobin, Terje Ellefsen. Scenografiassistent: Peter Hala’sh Kostymeassistent: Antonia Baranyai Sceneteknikk: Sverre Hus, Stig Thorsen, Espen Tufta Søm/påkledning: Guri-Marie Johnsen, Aud Engevik, Gunn-Bente Solstrand Hår/maske: Tove Ingebrigtsen, Tonny Garmannslund, Kristine Fjose, Marit Pedersen Inspisient: Annlaug Hus Støttet av Norsk Kulturråd Bakgrunn AïDA er en stor opera med en forhistorie og tilblivelse som ikke står tilbake operaens handling når det gjelder dramatikk. I 1867 ble Egypt lagt under tyrkisk herredømme, en tilstand som vedvarte frem til 1914. 2 år senere ble Suez-kanalen åpnet, og i denne forbindelsen ønsket khediven Ismael Pasha å bestille en ny opera fra en av samtidens ledende operakomponister. Fremføringen av operaen skulle samtidig innvie den nye italienske operaen i Kairo, som khediven hadde latt bygge. -
Swr2 Programm Kw 49
SWR2 PROGRAMM - Seite 1 - KW 49 / 04. - 10.12.2017 Jean-Baptiste Marella: Verhältnisse als Michail Bulgakows Montag, 04. Dezember Suite Nr. 1 A-Dur Roman “Der Meister und Margarita”, in Alexandre Lagoya, Ida Presti (Gitarre) dem das Machtzentrum des 0.05 ARD-Nachtkonzert Samuel Wesley: aufsteigenden Staatskommunismus als Michael Haydn: Allegro molto aus der Sinfonie D-Dur Hort von Psychosen und Absurditäten Sinfonie G-Dur P 16 London Mozart Players gezeichnet wird. Es war das “neue”, MDR Sinfonieorchester Leitung: Matthias Bamert sozialistische Moskau, das Bulgakow Leitung: Howard Arman beschrieb – es hatte das kaiserliche St. Peter Tschaikowsky: 6.00 SWR2 am Morgen Petersburg abgelöst, das eher für Variationen über ein Rokoko-Thema darin bis 8.00 Uhr: Weltoffenheit und europäische op. 33 u. a. Globales Tagebuch, Ausrichtung stand. Moskau dagegen Claudio Bohórquez (Violoncello) Pressestimmen, Meinung, Heute in war die alte Hauptstadt, weit entfernt MDR Sinfonieorchester den Feuilletons und Kulturgespräch von den westlichen Metropolen, von Leitung: Hendrik Vestmann Napoleon und Hitler vergeblich Gioacchino Rossini: 6.00 SWR2 Aktuell belagert. Modest Mussorgsky hat die Streichersonate Nr. 1 G-Dur düstere Machtzentrale in seinem “Boris Thüringisches Kammerorchester 6.20 SWR2 Zeitwort Godunow” beschrieben – und natürlich Weimar 04.12.1926: Agatha Christie wird stattete sich der Moskauer Adel und Leitung: Martin Hoff vermisst die Kirche immer auch mit Musik aus. Franz Schubert: Von Ursula Wegener Im 19. Jahrhundert bekam Moskau 4 Impromptus -
MUSICWEB INTERNATIONAL Recordings of the Year 2019
MUSICWEB INTERNATIONAL Recordings Of The Year 2019 This is the seventeenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2018-November 2019). The 128 selections have come from 27 members of the team and 65 different labels, the choices reflecting as usual, the great diversity of music and sources; I say that every year, but still the spread of choices surprises and pleases me. Of the selections, one has received three nominations: An English Coronation on Signum Classics and ten have received two nominations: Gounod’s Faust on Bru Zane Matthias Goerne’s Schumann Lieder on Harmonia Mundi Prokofiev’s Romeo & Juliet choreographed by John Cranko on C Major Marx’s Herbstymphonie on CPO Weinberg symphonies on DG Shostakovich piano works on Hyperion Late Beethoven sonatas on Hyperion Korngold orchestral works on Chandos Coates orchestral works on Chandos Music connected to Leonardo da Vinci on Alpha Hyperion was this year’s leading label with nine nominations, just ahead of C Major with eight. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2300 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year one recording in particular put itself forward as the obvious candidate. An English Coronation 1902-1953 Simon Russell Beale, Rowan Pierce, Matthew Martin, Gabrieli Consort; Gabrieli Roar; Gabrieli Players; Chetham’s Symphonic Brass Ensemble/Paul McCreesh rec. -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
Georg Friedrich Händel (1685-1759)
Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella -
Roger Parker: Curriculum Vitae
1 Roger Parker Publications I Books 1. Giacomo Puccini: La bohème (Cambridge, 1986). With Arthur Groos 2. Studies in Early Verdi (1832-1844) (New York, 1989) 3. Leonora’s Last Act: Essays in Verdian Discourse (Princeton, 1997) 4. “Arpa d’or”: The Verdian Patriotic Chorus (Parma, 1997) 5. Remaking the Song: Operatic Visions and Revisions from Handel to Berio (Berkeley, 2006) 6. New Grove Guide to Verdi and his Operas (Oxford, 2007); revised entries from The New Grove Dictionaries (see VIII/2 and VIII/5 below) 7. Opera’s Last Four Hundred Years (in preparation, to be published by Penguin Books/Norton). With Carolyn Abbate II Books (edited/translated) 1. Gabriele Baldini, The Story of Giuseppe Verdi (Cambridge, 1980); trans. and ed. 2. Reading Opera (Princeton, 1988); ed. with Arthur Groos 3. Analyzing Opera: Verdi and Wagner (Berkeley, 1989); ed. with Carolyn Abbate 4. Pierluigi Petrobelli, Music in the Theater: Essays on Verdi and Other Composers (Princeton, 1994); trans. 5. The Oxford Illustrated History of Opera (Oxford, 1994); translated into German (Stuttgart. 1998), Italian (Milan, 1998), Spanish (Barcelona, 1998), Japanese (Tokyo, 1999); repr. (slightly revised) as The Oxford History of Opera (1996); repr. paperback (2001); ed. 6. Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 (Oxford, 2001); ed. with Mary Ann Smart 7. Verdi in Performance (Oxford, 2001); ed. with Alison Latham 8. Pensieri per un maestro: Studi in onore di Pierluigi Petrobelli (Turin, 2002); ed. with Stefano La Via 9. Puccini: Manon Lescaut, special issue of The Opera Quarterly, 24/1-2 (2008); ed.