Mario Fubini
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2012.Il Veliero Di Quasimodo. in Miscellanea Baroni Copy.Pdf
STUDIA ERUDITA * 16. Comitato promotore Anna Bellio, Cristina Benussi, Giorgio Cavallini, Ilaria Crotti, Davide De Camilli, Edoardo Esposito, Giuseppe Farinelli, Luigi Fontanella, Pierantonio Frare, Pietro Frassica, Vicente Gonzáles Martín, Renata Lollo, Bortolo Martinelli, Ermanno Paccagnini, Maria Pagliara, Paola Ponti, Angelo R. Pupino, Andrea Rondini, Giuseppe Savoca, Fabrizio Serra Hanno partecipato al lavoro redazionale Maria Cristina Albonico, Silvia Assenza, Paola Baioni, Elisa Bolchi, Rita Gianfelice, Enrica Mezzetta, Federica Millefiorini, Anna Pastore, Paola Ponti, Barbara Stagnitti, Francesca Strazzi LETTERATURA E OLTRE Studi in onore di Giorgio Baroni a cura di paola ponti PISA · ROMA FABRIZIO SERRA EDITORE MMXII La pubblicazione di questo volume ha ricevuto il contributo finanziario dell’Università Cattolica del Sacro Cuore sulla base di una valutazione dei risultati della ricerca in essa espressa (anno 2011) * Sono rigorosamente vietati la riproduzione, la traduzione, l’adattamento, anche parziale o per estratti, per qualsiasi uso e con qualsiasi mezzo effettuati, compresi la copia fotostatica, il microfilm, la memorizzazione elettronica, ecc., senza la preventiva autorizzazione scritta della Fabrizio Serra editore, Pisa · Roma. Ogni abuso sarà perseguito a norma di legge. Proprietà riservata · All rights reserved © Copyright 2012 by Fabrizio Serra editore, Pisa · Roma. Fabrizio Serra editore incorporates the Imprints Accademia editoriale, Edizioni dell’Ateneo, Fabrizio Serra editore, Giardini editori e stampatori in Pisa, -
History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). -
C O N N E C T I V I
Generali Group Magazine since 1893 Number 6 – Series 13 – March 2017 CONNECTIVITY connectivity CONNECTIVITY Everything is shrouded in a cloud of data and we can be anywhere, anytime. The Internet has upended our lifestyle and our interactions with others, connecting us in real time with remote contexts and faraway cultures. We have torn down physical barriers and obtained access to products and services everywhere, and we have built virtual communities with people we have never met. As individuals, employees and consumers, we have gained access to extraordinary opportunities. All this is possible thanks to the ease and immediacy that enable us to share information. Perhaps now we are just beginning to recognize the huge changes that have happened since the invention of the Internet over 25 years ago. Are we sure we can anticipate where connectivity will lead us to in the near future? —ak. OPENING REMARKS OPENING REMARKS Connectivity 99% of interesting things have“ not yet been invented” by Simone Bemporad —Sebastian Thrun Editor in Chief Connectivity has caught us up in rise of China and India, once among But in the world of complex Some Luddites consider connectivity a revolution that has reshaped the world’s poorest nations. connection systems technology and digitalisation as threats to job everything about how we live, love, is constantly evolving as this special creation. That is not really true. work, play, shop and share – how our There are many countries that are in the issue of il bollettino will show. Value creation doesn’t come from very hearts and minds encounter the course of transforming from a wholly Devoted to the various aspects of routine tasks or monotonous repetition world around us. -
Consensus for Mussolini? Popular Opinion in the Province of Venice (1922-1943)
UNIVERSITY OF BIRMINGHAM SCHOOL OF HISTORY AND CULTURES Department of History PhD in Modern History Consensus for Mussolini? Popular opinion in the Province of Venice (1922-1943) Supervisor: Prof. Sabine Lee Student: Marco Tiozzo Fasiolo ACADEMIC YEAR 2016-2017 2 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Declaration I certify that the thesis I have presented for examination for the PhD degree of the University of Birmingham is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of my words. 3 Abstract The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society. -
Prisoners & Partisans
Mauro de Agostini, Pietro de Piero, Italino Rossi, Marco Rossi, Giorgio Sacchetti PRISONERS & PARTISANS ITALIAN ANARCHISTS IN THE STRUGGLE AGAINST FASCISM Free download from www.katesharpleylibrary.net Kate Sharpley Library 1999 www.katesharpleylibrary.net 1 Mauro de Agostini, Pietro de Piero, Italino Rossi, Marco Rossi, Giorgio Sacchetti Prisoners and Partisans: Italian Anarchists in the struggle against Fascism ©1999 KSL & authors Translated by Paul Sharkey First published 1999 by the Kate Sharpley Library www.katesharpleylibrary.net What is Anarchism? Anarchism is a political theory which opposes the State and capitalism. It says that people with economic power (capitalists) and those with political power (politi• cians of all stripes left, right or centre) use that power for their own benefit, and not (like they claim) for the benefit of society. Anarchism says that neither exploi• tation nor government is natural or neccessary, and that a society based on freedom, mutual aid and equal share of the good things in life would work better than this one. Anarchism is also a political movement. Anarchists take part in day•to•day strug• gles (against poverty, oppression of any kind, war etc) and also promote the idea of comprehensive social change. Based on bitter experience, they warn that new ‘revolutionary’ bosses are no improvement: ‘ends’ and ‘means’ (what you want and how you get it) are closely connected. www.katesharpleylibrary.net 2 Anarchists against Mussolini THE ROOTS OF ANARCHIST OPPOSITION TO FASCISM 1920•1932 Anarchist opposition to fascism, as indeed the opposition from other political group• ings seeking to defend the exploited and their interests, began well before Mussolini took power and it took the form not only of actions but also of analyses of fascist ideology. -
'Outside Perspective' to the Works of Kosovel by Illustrating And
K.Pizzi, 17/11/07, 12:52 [article published in Kosovelova Poetika/ Kosovel’s Poetics, special issue of Primerjalna knjizevnost 28(2005), pp. 239-249] ‘QUALE TRIESTINITA`?’: VOICES AND ECHOES FROM ITALIAN TRIESTE Abstract: In focusing on Italian Trieste and, in particular, on as large as possible a corpus of Triestine poetry contemporary to S.Kosovel, my paper provides a perspective that is peripheral and ‘outside’. Special attention is paid to the Futurist avant-garde: the Futurist leader Marinetti considered Trieste as Futurist city par excellence and the first Futurist soirees took place at Teatro Rossetti between 1909 and 1910. Futurism attracted a large group of local artists, some of whom (e.g. Carmelich and Cernigoj) were personally known by and became close to Kosovel. The poets Sanzin and Miletti espoused enthusiastically the Futurist linguistic experimentalism, as well as the movement’s national/nationalist tendencies. Poetry of national and romantic inspiration is also of fundamental importance: Slataper’s vitalist approach to the rugged Karst region, though pre-Great War, provides scope for comparative approaches. Nationalist poetry, much of which officially compromised with the Fascist regime (Cambon, Corraj, Alma Sperante), is equally integral to the Triestine cultural landscape of the 1920s and ‘30s. By shedding light on a significant portion of poetry in Italian arising from the vibrant, if largely hostile, cultural environment of Trieste, my paper invites an implicit rather than explicit assessment of Kosovel’s role and contribution to the European avant-garde. 1 K.Pizzi, 17/11/07, 12:52 ‘QUALE TRIESTINITA`?’: VOICES AND ECHOES FROM ITALIAN TRIESTE In re-evaluating as large as possible a corpus of Triestine poetry in Italian, my article intends to court the poetics and production of Šrečko Kosovel. -
Rewriting Dante: the Creation of an Author from the Middle Ages to Modernity
Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _______________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _________________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Laura Banella 2018 Abstract Rewriting Dante explores Dante’s reception and the construction of his figure as an author in early lyric anthologies and modern editions. While Dante’s reception and his transformation into a cultural authority have traditionally been investigated from the point of view of the Commedia, I argue that these lyric anthologies provide a new perspective for understanding how the physical act of rewriting Dante’s poems in various combinations and with other texts has shaped what I call after Foucault the Dante function” and consecrated Dante as an author from the Middle Ages to Modernity. The study of these lyric anthologies widens our understanding of the process of Dante’s canonization as an author and, thus, as an authority (auctor & auctoritas), advancing our awareness of authors both as entities that generate power and that are generated by power. -
Bruno Benedetto Rossi
Intellectuals Displaced from Fascist Italy Firenze University Press 2019- Bruno Benedetto Rossi Go to personal file When he was expelled from the Università di Padova in 1938, the professor Link to other connected Lives on the move: of experimental physics from the Arcetri school was 33 years old, with an extraordinary international reputation and contacts and experiments abroad, Vinicio Barocas Sergio De Benedetti and had just married. With his young wife Nora Lombroso, he emigrated at Laura Capon Fermi Enrico Fermi once: first to Copenhagen, then to Manchester, and in June 1939 to the Guglielmo Ferrero United States. where their children were born. America, from the outset, was Leo Ferrero Nina Ferrero Raditsa his goal. Correspondence with New York and London reveals from Cesare Lombroso Gina Lombroso Ferrero September 1938 almost a competition to be able to have «one of the giants» Nora Lombroso Rossi of physics in the 20th century, whom fascism was hounding for the so-called Giuseppe (Beppo) Occhialini defence of the race. He was reappointed at the Università di Palermo in 1974, Leo Pincherle Maurizio Pincherle at the age of 70, when he was by then retired from MIT. Giulio Racah Bogdan Raditsa (Radica) Gaetano Salvemini Education Bruno was the eldest of three sons of Rino Rossi (1876-1927), an engineer who worked on the electrification of Venice, and of Lina Minerbi, from Ferrara (1868-1967). After attending the Marco Polo high school in Venice, he enrolled at the Università di Padova, and then at Bologna, where he graduated on 28 December 1927,1 defending a thesis in experimental physics on imperfect contacts between metals. -
Rhythmical Figures in Dante's Commedia: a Study of Memory And
Rhythmical Figures in Dante’s Commedia: A Study of Memory and Composition after Gianfranco Contini Ryan Robert Pepin Pembroke College This thesis is submitted for the degree of Doctor of Philosophy February 2020 This thesis is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my thesis has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. Abstract Rhythmical Figures in Dante’s Commedia: A Study of Memory and Composition after Gianfranco Contini Ryan Pepin This thesis takes Contini’s 1965 study ‘Un’interpretazione di Dante’, and its discussion of repeated lines and part-lines, as its point of departure in order to pursue new understanding of the compositional processes of Dante’s Commedia. It shows how the repetition of similar items, or ‘figures’, relates to orality both in a transmissional, or textual-critical sense, as well as in a compositional, or oral-formulaic, sense. -
Cs Il Gusto Di Una Citta' Trieste Capitale Del Caffe
22 JULY – 8 NOVEMBER 2015 SALONE DEGLI INCANTI, TRIESTE A CUTTING-EDGE MULTIMEDIA EXHIBITION CONCEIVED AS A GEOGRAPHICAL AND THEMATIC EXTENSION OF THE EXPO AND ITS COFFEE CLUSTER, SHOWCASING TRIESTE AND ITS ROLE AS THE CAPITAL OF COFFEE THROUGH HISTORY, ECONOMICS, TRADITION, LIFESTYLE AND BUSINESS, INCLUDING SHOWS, TASTINGS, A BOOKSHOP AND EVENTS AT THE SALONE DEGLI INCANT I THROUGHOUT THE EXHIBITION. Trieste, 21 July 2015 - One of the most widely-consumed beverages on the planet, coffee is an elixir with a thousand aromas and a sensorial experience whose roots go far back in time. It is also an inspiration for innovation, research and the future. Since 1719 a freeport for the Hapsburg Empire on the Mediterranean, Trieste’s wharves have been the landing point for millions of sacks of coffee bound for Mitteleuropa's most famous cafés. Trieste still maintains a strong, deep-rooted coffee-inspired culture built on work, business, research and “taste”, and to this day remains a point of reference on the international panorama. From 22 July to 8 November, the Salone degli Incanti plays host to the “Il gusto di una città - Trieste capitale del caffè" exhibition [The Taste of a City - Trieste, Capital of Coffee]. Open to the public free of charge, the exhibition tells the complex, multi-national and multicultural story of coffee and the role the city of Trieste has played over the centuries in making and selling coffee. Promoted by the Friuli Venezia Giulia Region government, the Municipality of Trieste, the Trieste Chamber of Commerce, illycaffè and the Trieste Coffee Cluster, the event is associated with Expo 2015, for which illycaffè is Official Coffee Partner and curator of the Coffee Cluster. -
It529/2000-2001 Mainstream and Marginality: the Literature of Trieste
IT529/2000-2001 MAINSTREAM AND MARGINALITY: THE LITERATURE OF TRIESTE -Part II (Final Year) Course code: IT529 -1 Unit, Teaching Period I (weeks 1-12) Title: Mainstream and Marginality in Italian Literature: The Literature of Trieste Department: S.E.C.L. (Italian) Convenor and Teacher: Dr.Katia Pizzi ; email: [email protected]; office: CNW 219; ext.7909. OFFICE HOURS: Tuesday 12-13 and Thursday 4-5 Relationship to Other Courses: A sound knowledge of Italian is a prerequisite for this course. Students must be finalists. The course is not compulsory and is available as a wild course. Aims and objectives: The course is designed as an introduction to Italian literature of the late XIX and XX century in a regional perspective. The focus will be on the city of Trieste and its hinterland. Students will concentrate on the close reading of texts in Italian and will develop skills to deal with different kinds of textual material: narrative fiction, poetry in Italian and dialect, film. Handbook entry: This course focuses on possibily the most interesting region in Italy on the North-Eastern border. The interest derives from the great variety of literary influences experienced locally, the anxiety generated by the proximity of the border, and the ‘difficult’ relationship established with the culture of the motherland Italy. The emphasis will be on literature, culture and history. Though not specifically linguistic, local varieties (i.e. dialects) will also be dealt with. Students will have a chance to become acquainted with a wide range of textual material: film, poetry both in Italian and dialect and narrative fiction. -
Introduction
Notes Introduction 1. Giuseppe Bottai, Diario 1935–1944, ed. Giordano Bruno Guerri, Milan: Rizzoli, 1982, p. 468. 2. Ibid. 3. Ibid., p. 149. 4. Ibid., p. 186 (April 15, 1940). 5. Reference should first of all be made to the classic studies by George L. Mosse, The Crisis of German Ideology: Intellectual Origins of the Third Reich, New York: Grosset & Dunlap, 1964; and Fritz Stern, The Politics of Cultural Despair: A Study in the Rise of Germanic Ideology, 2nd ed., Berkeley, Los Angeles, and London: University of California Press, 1974. 6. On Italy, see Mario Isnenghi, Il mito della grande guerra, new ed., Bologna: Il Mulino, 1997 and, for greater detail, Emilio Gentile, The Origins of Fasicst Ideology, 1918–1925, trans. Robert L. Miller, New York: Enigma Books, 2005 (orig. ed. Bologna, 1996). Gentile emphasizes the appeal to Mazzini in critiques of the liberal and Giolittian state in the context of what he refers to as “national radicalism” (“radicalismo nazionale”) in Id., Il mito dello Stato nuovo: Dal radicalismo nazionale al fascismo, 2nd ed., Rome and Bari: Laterza, 1999, pp. 5–9. 7. Gentile recalls these remote influences, yet with respect to the way Fascism appealed to them, and not in terms of their actual direct or historical influence. See Gentile, The Origins of Fasicst Ideology. They are examined as one of the myths of Fascism by Pier Giorgio Zunino, L’ideologia del fascismo. Miti, credenze e valori nella stabilizzazione del regime, Bologna: Il Mulino, 1995. By contrast, these roots of fascism have definitively been underestimated by Zeev Sternhell, Mario Sznajder, and Maia Asheri, The Birth of Fascist Ideology: From Cultural Rebellion to Political Revolution, trans.