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George Morlan Plumbing Supply
Selling Soul’d Out YOUR ONLINE LOCAL Onward, upward Organizers make festival more Winterhawks enter next musically eclectic DAILY NEWS series happy with game — See LIFE, B1 www.portlandtribune.com — See SPORTS, B8 Portlandthursday, april 4, 2013 • twice chosen the nation’s best nondaily paperTribune • www.portlandtribune.com • published thursday PCC lands SUN(n)Y East side squeaky wheel catch for top post gets city’s funding grease Candidate Jeremy Brown rises to the top of president search By JENNIFER ANDERSON The Tribune Portland Community Col- lege began negotiations this week with one of the three candidates vying to replace President Preston Pulliams, who will retire in June. The candidate, Jeremy Brown, hasn’t been waiting by the phone. Two weeks ago, he accept- ed an offer to serve as acting president of SUNY (State University of BROWN New York) Canton, a two- and four-year college in North- ern New York for about 6,000 students studying technology, health, management and public service. “We were aware of this,” says Deanna Palm, co-chair- Jose Estrada smooths pavement for a new woman of the PCC board and sidewalk in front of storefronts being president of the search commit- remodeled on Southeast 92nd Avenue in tee. “Obviously, (SUNY) wasn’t Lents. East Portland is getting a healthy sum his first choice, and he made us of city urban renewal funds, including the aware of that during the entire current project to make the commercial interview process.” heart of Lents more walkable. Brown was named as acting president of SUNY when its president left to take a job in Washington state. -
Gay and Transgender Communities - Sexual And
HOMO-SEXILE: GAY AND TRANSGENDER COMMUNITIES - SEXUAL AND NATIONAL IDENTITIES IN LATIN AMERICAN FICTION AND FILM by Miguel Moss Marrero APPROVED BY SUPERVISORY COMMITTEE: __________________________________________ Michael Wilson, Chair __________________________________________ Adrienne L. McLean __________________________________________ Robert Nelsen __________________________________________ Rainer Schulte __________________________________________ Teresa M. Towner Copyright 2018 Miguel Moss Marrero All Rights Reserved -For my father who inspired me to be compassionate, unbiased, and to aspire towards a life full of greatness. HOMO-SEXILE: GAY AND TRANSGENDER COMMUNITIES - SEXUAL AND NATIONAL IDENTITIES IN LATIN AMERICAN FICTION AND FILM by MIGUEL MOSS MARRERO BA, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES THE UNIVERSITY OF TEXAS AT DALLAS August 2018 ACKNOWLEDGMENTS Latin American transgender women and gay men are part of my family. This dissertation is dedicated to them. It would have not been possible without their stories. I want to give my gratitude to my mother, who set an example by completing her doctoral degree with three exuberant boys and a full-time job in mental health. I also want to dedicate this to my father, who encouraged me to accomplish my goals and taught me that nothing is too great to achieve. I want to thank my siblings who have shown support throughout my doctoral degree. I also want to thank my husband, Michael Saginaw, for his patience while I spent many hours in solitude while writing my dissertation. Without all of their support, this chapter of my life would have been meaningless. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Warner Music Latina (2002) 16
Audio CD ~ Cover Art Info & Track Listings 1. La Negra Tiene Tumbao - Celia Cruz 2. Mentira - La Ley 3. Se Me Olvido - Gian Marco 4. Y Solo Se Me Ocurre Amarte - Alejandro Sanz 5. Dejame Entrar - Carlos Vives 6. Morenamia - Miguel Bose 7. Vivo Sonhando/Triste - Ivan Lins 8. Celos - Marc Anthony 9. Me Libere - El Gran Combo De Puerto Rico 10. Mi Nostalgia - Giro 11. Te Lo Pido Senor - Tito Rojas 12. Eso No Es De Hombres - Ana Barbara 13. Siempre Te Amare - Aida Cuevas 2002 Latin Grammy Nominees 14. Si Tu No Vuelves - Alejandro Fernandez Various Artists 15. A Dios Le Pido - Juanes Label: Warner Music Latina (2002) 16. Yo No Soy Esa Mujer - Paulina Rubio 17. Suerte - Shakira Combinacion Perfecta; Various Artists Label: Rmm Records (2002) 1. Introduccion Por Paco Navarro - Combinacion Perfecta 2. R.M.M Ritmo Mundo Musical - Celia Cruz 3. Tu Por Aqui Y Yo Por Alla - Tito Nieves 4. Tributo A Hector Lavoe - Van Lester 5. No Vale La Pena - Johnny Rivera 6. Llego El Sabor - Jose Alberto 'El Canario' 7. Recordando A Louie - Cheo Feliciano 8. Soneros De Bailadores - Cheo Feliciano 9. Vivir Lo Nuestro - Marc Anthony 10. El Son De Celia & Oscar - Celia Cruz 11. R.M.M. Ritmo Mundo Musical - Celia Cruz 1. Quiero Morir En Tu Piel Willie Gonzalez 2. Noche De Mar Pedro Conga 3. Quiero Volver Contigo Puerto Rican Power 4. Tanto Amor Willie Gonzalez 5. Tu Manera De Amar Pedro Conga 6. No Me Acostumbro Puerto Rican Power 7. Pequeñas Cosas Willie Gonzalez 8. Te Quiero Amor Pedro Conga 9. -
FRI FRAKT!* Uppge Erbjudandekod Fram- 20B136A Knäppt Vid Din Bh! Beställning! A
FRI FRAKT!* Uppge erbjudandekod Fram- 20B136A knäppt vid din bh! beställning! A. * Max 1 gång/kund när du handlar för 300,-. Gäller t.om 2020.12.12. Kan ej kombineras med 299,- andra erbjudanden eller rabatter. 0,- Värde 399,- 3-PACK B. Från Max 1/order - så långt lagret räcker! 199,- C. Från 179,- Bra och prisvärda underkläder på www.ashild.se A. Framknäppt bh. Formsydd framnknäppt bh som sitter Plånbok och fantastiskt skönt och bekvämt. Brett ryggparti med korslagda sjal. band för bättre support. Fin spets fram. 90% polyamid, 20-0002 0,- 10% elastan. Tvätt 40°. 26-0474 vit B, C, D, E-kupa 75 - 115 cm 299,- B. Stretchtrosa. Spetsinfällning. Välsittande med mjuk resår i midja och benslut. 95% bomull, 5% elastan. Tvätt 60°. 26-0620 vit Stl. 38/40, 42/44 199,-/3-pack Stl. 46/48, 50/52 209,-/3-pack Stl. 54/56, 58/60 219,-/3-pack C Bh-topp. Skålad som en lättare bh. Mjuk micro-fiber utan sömmar ger utmärkt passform. Mycket behaglig. Snabbtorkande. 97% polyamid, 3% elastan. Fintvätt 40°. 26-0124 svart 26-0126 skin 26-0695 vit Stl. 38/40, 42/44 179,- Stl. 46/48, 50/52 189,- Stl. 54/56, 58/60 199,- Uppge kod 20B136A när du beställer! 033 - 41 80 00 www.ashild.se För att betala mot faktura, uppge personnummer. Aviavgift tillkommer med 19,-. I annat fall sänds ditt paket mot postförskott, f.n. 182,-. Lägsta ordervärde: 200,-. Frakt- och expeditionsavgift: 65,-. # 14 dagars returrätt. Fullständiga köpvillkor på www.ashild.se ART. NR STORL. ANTAL VARUSLAG FÄRG PRIS Namn: Frankeras ej Jag har handlat för 300,- och vill utnyttja mitt erbjudande Mottagaren betalar om FRI FRAKT på min order. -
Save Me HV PK
SAVE ME Directed by Robert Cary Story by Craig Chester and Alan Hines Screenplay by Robert Desiderio Starring Chad Allen, Robert Gant, Judith Light 96 minutes, color, 2007 First Run Features 630 Ninth Avenue, Suite 1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 www.firstrunfeatures.com 1 of 18 SYNOPSIS 1 Save Me is a love story about Mark, a sex and drug addicted young man who after an accidental overdose finds he’s been checked into a Christian retreat for ‘Ex-Gays’. Gayle, the director of the ministry run together with her husband Ted, believes she can help cure young men of their ‘gay affliction’ through spiritual guidance. At first, Mark resists, but soon takes the message to heart. As Mark’s fellowship with his fellow Ex-Gays grow stronger, however, he finds himself powerfully drawn to Scott, another young man battling family demons of his own. As their friendship begins to develop into romance, Mark and Scott are forced to confront the new attitudes they’ve begun to accept, and Gayle finds the values she holds as an absolute truth to be threatened. A complex and deeply sympathetic look into both sides of one of the most polarizing religious and sexual debates in America. SYNOPSIS 2 Though there is no sound scientific evidence that sexual orientation can be changed, the ex-gay movement has been at the polarizing center of religious and sexual debates in the U.S. since the 1970s. In Save Me , an exceptionally layered, intelligent and sensitive drama brought to life by director Robert Cary, Mark (Chad Allen) a self-destructive addict hooked to anonymous sex and narcotics finally hits bottom. -
Education Report FY20 Welcome
Education Report FY20 Welcome 2020 has been an unprecedented year for us all. With the performing arts industry grinding to a halt, we see the importance of keeping music alive in our community, starting at the grass roots level – through education! We wish to celebrate PopsEd making a difference in the lives of close to 3,000 New York City students this past school year. Though we were not able to serve as many students through Kids in the Balcony this year due to COVID-19 and the cancellation of our March concert and Annual Birthday Gala in April, our PopsEd Residency portfolio expanded this year, with the addition of six new residencies. When COVID-19 struck the city and school sites closed, we adapted our programming to suit the needs of program partners requesti ng remote learning opportunities. Teaching Artists were granted access to Google Classrooms/Meets and were able to facilitate a variety of sessions, covering topics such as breathing technique, critical analysis and listening activities, and exploring rhythm with kitchen items like pots and pans. To round out our Virtual Programming, we wanted to give our Kids on Stage students a chance to shine this year. As they were not able to perform at Carnegie Hall as planned, Kids on Stage Director Brian Worsdale, Music Director and Conductor Steven Reineke, and Education and Operations Manager Analisa Bell, facilitated the Kids on Stage Virtual Snowman project. Students participated in Q&A sessions with Steven Reineke, members of Disney’s Frozen pit orchestra, and Kristen and Bobby Lopez (the multi-award-winning husband and wife song-writing team). -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
THE Austin Chronicle Into Them
FREE APRIL 3, 2020 VOL. 39 • NO. 31 BUT NOT CHEAP paint the town A Guide to Some of Austin’s Most Notable New Murals That You May Have Missed BY ROBERT FAIRES • P.22 Feeding Austin’s Homeless Regenerative Farming: Ackles and Padalecki on Andy Bianculli’s Star Parks During COVID-19 A Love Story 15 years of Supernatural During Dark Days P.16 P.28 P.32 P.37 APRIL 3, 2020 Austin Media Getting the Job Done VOL. 39, NO. 31 I’m not exactly one to grouse about nity relief efforts in Central Texas. Wherever “coastal elites” but it’s New York and Los you get your local news on Friday, you’re like- PUBLISHER Nick Barbaro Angeles papers writing these “the death ly to see a call for donations. If you can spare ASSOCIATE PUBLISHER Cassidy Frazier of local news is nigh” stories, and I for one some change, please consider donating. FREE 22 BUT NOT CHEAP EDITORIAL Cover Story APRIL 3, 2020 VOL. 39 • NO. 31 am pretty ticked off they keep roping The EDITOR Kimberley Jones MANAGING EDITOR James Renovitch CAN’T STOP THE Austin Chronicle into them. We’ve inten- Just a reminder: We’ve gone to a biweek- NEWS EDITOR Mike Clark-Madison MURALS A guide to tionally been transparent with our readers ly printing schedule during this stretch of ASSISTANT NEWS & QMMUNITY EDITOR Beth Sullivan some of Austin’s most ARTS Robert Faires notable new murals that about how we’re doing and what our strat- intense hunkering down at home. -
2021 Creative Engagement Grantees
2021 CREATIVE ENGAGEMENT GRANTEES DANCE Accidental Suite: B orn from raw experimentation and wrangled through structured improvisation, BARKIN/SELISSEN builds relational tension through increasing levels of connection. Evoking chance encounters, Project near misses, and the magnetic push and pull of intertwined lives, this evening-length ensemble work taps into the most essential of human needs: relating to one another. Expressions: Black Lives Matter - An Arts Collaboration Black lives inspire, Black lives create, Black lives collaborate, Black lives matter: Black lives have always mattered at Clark Center. Clark Center NYC Artists from all disciplines were invited to submit images of original works that speak to “Black Lives Matter”, diversity, anti-racism and inclusion. Dancers then selected a work which inspired. These collaborations will be the centerpiece of a concert and art exhibition. Danzas Caribeñas Presenting Series 2021: This year C4AMD will showcase a series of virtual performances titled “Danzas Caribeñas”. This series will include, at the end of each concert, Collectives for Arts Music engaging conversations on the history of each dance performed. This year, we propose seven & Dance, inc virtual shows and the possibility for three in-person performances, throughout Washington Heights/Inwood. RUNNING OUT OF TIME: A 45-minute, outdoor dance experience occurring at Jackie Robinson DanceBoissiere Park in Harlem. Against the backdrop of exploitative labor, civil unrest, a pandemic, and police brutality, 6 performers of DanceBoissiere navigate joy and rest as acts of resistance. Create Choreography, Community Ceili, and specially-priced Family Shows: Darrah Carr Dance creates new work in their ModERIN style – a blend of traditional Irish step and contemporary Darrah Carr Dance, Inc. -
Bc Salsa: Identity,Musicianshipand Performance in Vancouver’Safro-Latinorchestras
BC SALSA: IDENTITY, MUSICIANSHIP AND PERFORMANCE IN VANCOUVER’S AFRO-LATIN ORCHESTRAS by MALCOLM Al KEN B.Mus., The University of British Columbia, 2004 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2009 © Malcolm Aiken, 2009 11 ABSTRACT For over twenty-five years, musicians, dancers and singers of Afro-Latin music have maintained an active presence in the culturally diverse music scene of Vancouver, BC. During this time, the music performed and created by this group of artists has undergone dynamic changes in sound and function, reflecting a new transcultural music identity. This music, commonly referred to as salsa, is being created, performed and transformed by musicians of all backgrounds and social classes. Local composers are incorporating a variety of musical influences into their music and assimilating elements of the city’s music cultures. Today, an eclectic mix of musicians in Vancouver are creating new forms of music rooted in the Afro-Latin music traditions, and are establishing a unique contemporary musical scene. At the forefront of salsa’s local history are the Afro-Latin dance bands prominent in the city’s dance community. Their impact on the musicians and local music culture has been paramount and pivotal to the exposure of salsa to a mainstream Canadian audience. One prominent factor in the continued growth of the music has been the influence of the many non—Latino musicians who have assimilated into the salsa community as performers. Their musical and cultural influences have helped push the music in new directions and maintained the music’s relevance within the wider arts community. -
Programme Notes
Programme Notes Monday 7th June 7.30pm And Then We Danced (15) This vibrant and intense love story set in the world of traditional Georgian dance comes from Swedish filmmaker of Georgian descent, Levan Akin, whose rose-tinted perspective of his family’s homeland was challenged by a disturbing 2013 event in the nation’s capital, Tbilisi. Around 50 LGBTQ+ activists had congregated for a Pride event, and were met with violence as thousands of far-right counter-protesters swarmed to throw stones and beat them up. Horrified, and inspired to present a counter-narrative to the conservative nation’s widely accepted homophobic attitudes, he visited Georgia in 2016 with a camera to interview anyone he could about Georgian society and the experiences of queer youth in the country. The idea for And Then We Danced grew from those meetings, and blossomed into this fictional story of Georgian folk dancer Merab (Levan Gelbakhiani), who has been training since an early age, and comes from a family of dancers. When charismatic newcomer Irakli (Bachi Valishvili) joins his troupe, Merab’s initial concern at having extra competition for an elusive spot with the National Georgian Ensemble soon gives way to feelings of desire towards the other man. What follows is a beautifully handled coming-of-age tale that sets the stifling social values of Tbilisi against the energy and engaging physicality of the dancers, as Merab navigates the competitive world of dance, the demands of working class life, and his sexual awakening in a society that does not welcome it. Akin too navigated many difficulties - in getting the film made (and seen) - but can proudly stand tall for having succeeded in making art that challenges preconceptions of tradition, masculinity, and national identity.