Feudal Japan Buddhism
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Estudo E Desenvolvimento Do Jogo Karuchā Ships Invaders
UNIVERSIDADE FEDERAL DO RIO GRANDE DO NORTE CENTRO DE CIÊNCIAS EXATAS E DA TERRA DEPARTAMENTO DE INFORMÁTICA E MATEMÁTICA APLICADA PROGRAMA DE PÓS-GRADUAÇÃO EM SISTEMAS E COMPUTAÇÃO MESTRADO ACADÊMICO EM SISTEMAS E COMPUTAÇÃO Aprendizagem da Língua Japonesa Apoiada por Ferramentas Computacionais: Estudo e Desenvolvimento do Jogo Karuchā Ships Invaders Juvane Nunes Marciano Natal-RN Fevereiro de 2014 Juvane Nunes Marciano Aprendizagem da Língua Japonesa Apoiada por Ferramentas Computacionais: Estudo e Desenvolvimento do Jogo Karuchā Ships Invaders Dissertação de Mestrado apresentado ao Programa de Pós-Graduação em Sistemas e Computação do Departamento de Informática e Matemática Aplicada da Universidade Federal do Rio Grande do Norte como requisito final para a obtenção do grau de Mestre em Sistemas e Computação. Linha de pesquisa: Engenharia de Software Orientador Prof. Dr. Leonardo Cunha de Miranda PPGSC – PROGRAMA DE PÓS-GRADUAÇÃO EM SISTEMAS E COMPUTAÇÃO DIMAP – DEPARTAMENTO DE INFORMÁTICA E MATEMÁTICA APLICADA CCET – CENTRO DE CIÊNCIAS EXATAS E DA TERRA UFRN – UNIVERSIDADE FEDERAL DO RIO GRANDE DO NORTE Natal-RN Fevereiro de 2014 UFRN / Biblioteca Central Zila Mamede Catalogação da Publicação na Fonte Marciano, Juvane Nunes. Aprendizagem da língua japonesa apoiada por ferramentas computacionais: estudo e desenvolvimento do jogo Karuchā Ships Invaders. / Juvane Nunes Marciano. – Natal, RN, 2014. 140 f.: il. Orientador: Prof. Dr. Leonardo Cunha de Miranda. Dissertação (Mestrado) – Universidade Federal do Rio Grande do Norte. Centro de Ciências Exatas e da Terra. Programa de Pós-Graduação em Sistemas e Computação. 1. Informática na educação – Dissertação. 2. Interação humano- computador - Dissertação. 3. Jogo educacional - Dissertação. 4. Kanas – Dissertação. 5. Hiragana – Dissertação. 6. Roma-ji – Dissertação. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Identification of Asian Garments in Small Museums
AN ABSTRACTOF THE THESIS OF Alison E. Kondo for the degree ofMaster ofScience in Apparel Interiors, Housing and Merchandising presented on June 7, 2000. Title: Identification ofAsian Garments in Small Museums. Redacted for privacy Abstract approved: Elaine Pedersen The frequent misidentification ofAsian garments in small museum collections indicated the need for a garment identification system specifically for use in differentiating the various forms ofAsian clothing. The decision tree system proposed in this thesis is intended to provide an instrument to distinguish the clothing styles ofJapan, China, Korea, Tibet, and northern Nepal which are found most frequently in museum clothing collections. The first step ofthe decision tree uses the shape ofthe neckline to distinguish the garment's country oforigin. The second step ofthe decision tree uses the sleeve shape to determine factors such as the gender and marital status ofthe wearer, and the formality level ofthe garment. The decision tree instrument was tested with a sample population of 10 undergraduates representing volunteer docents and 4 graduate students representing curators ofa small museum. The subjects were asked to determine the country oforigin, the original wearer's gender and marital status, and the garment's formality and function, as appropriate. The test was successful in identifying the country oforigin ofall 12 Asian garments and had less successful results for the remaining variables. Copyright by Alison E. Kondo June 7, 2000 All rights Reserved Identification ofAsian Garments in Small Museums by Alison E. Kondo A THESIS submitted to Oregon State University In partial fulfillment of the requirements for the degree of Master ofScience Presented June 7, 2000 Commencement June 2001 Master of Science thesis ofAlison E. -
Artful Adventures JAPAN an Interactive Guide for Families 56
Artful Adventures JAPAN An interactive guide for families 56 Your Japanese Adventure Awaits You! f See inside for details JAPAN Japan is a country located on the other side of the world from the United States. It is a group of islands, called an archipelago. Japan is a very old country and the Japanese people have been making beautiful artwork for thousands of years. Today we are going to look at ancient objects from Japan as well as more recent works of Japanese art. Go down the stairs to the lower level of the Museum. At the bottom of the steps, turn left and walk through the Chinese gallery to the Japanese gallery. Find a clay pot with swirling patterns on it (see picture to the left). This pot was made between 2,500 and 1,000 b.c., during the Late Jōmon period—it is between 3,000 and 4,500 years old! The people who lived in Japan at this time were hunter-gatherers, which means that they hunted wild animals and gathered roots and plants for food. The Jomon people started forming small communities, and began to make objects that were both beautiful and useful— like this pot which is decorated with an interesting pattern and was used for storage. Take a close look at the designs on this pot. Can you think of some words to describe these designs? Japanese, Middle to Late Jōmon period, ca. 3500–ca. 1000 B.C.: jar. Earthenware, h. 26.0 cm. 1. ............................................................................................................. Museum purchase, Fowler McCormick, Class of 1921, Fund (2002-297). -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
My Year of Dirt and Water
“In a year apart from everyone she loves, Tracy Franz reconciles her feelings of loneliness and displacement into acceptance and trust. Keenly observed and lyrically told, her journal takes us deep into the spirit of Zen, where every place you stand is the monastery.” KAREN MAEZEN MILLER, author of Paradise in Plain Sight: Lessons from a Zen Garden “Crisp, glittering, deep, and probing.” DAI-EN BENNAGE, translator of Zen Seeds “Tracy Franz’s My Year of Dirt and Water is both bold and quietly elegant in form and insight, and spacious enough for many striking paradoxes: the intimacy that arises in the midst of loneliness, finding belonging in exile, discovering real freedom on a journey punctuated by encounters with dark and cruel men, and moving forward into the unknown to finally excavate secrets of the past. It is a long poem, a string of koans and startling encounters, a clear dream of transmissions beyond words. And it is a remarkable love story that moved me to tears.” BONNIE NADZAM, author of Lamb and Lions, co-author of Love in the Anthropocene “A remarkable account of a woman’s sojourn, largely in Japan, while her husband undergoes a year-long training session in a Zen Buddhist monastery. Difficult, disciplined, and interesting as the husband’s training toward becoming a monk may be, it is the author’s tale that has our attention here.” JOHN KEEBLE, author of seven books, including The Shadows of Owls “Franz matches restraint with reflexiveness, crafting a narrative equally filled with the luminous particular and the telling omission. -
Methodology for Analyzing the Genealogy of Ancient Japanese Clans
Methodology for Analyzing the Genealogy of Ancient Japanese Clans Methodology for Analyzing the Genealogy of Ancient Japanese Clans Masanobu SUZUKI Abstract The genealogies of ancient Japanese clans were created to declare their political positions and claim legiti- macy for their service to the great kings in the Yamato sovereignty. Their genealogies, which include a great deal of semi-fictional content, and they are closely related to the “logic of rule”. In other words, they are representa- tions of the view of the world created by the ancient clans and used to support each other. By analyzing the genealogies, we can understand the actual situations of the ancient clans that we were not able to illuminate by using well-known historical materials. In addition, we can reveal the formation process of ancient Japan. How- ever, these points are not well known to Japanese researchers, much less to foreign researchers. Furthermore, until now, the history of genealogical studies was compiled as necessary in case studies, or classified from a research- er’s own particular viewpoint. Therefore, in this article, I have presented previous research in chronological order and by various categories, confirmed each category’s respective significance, and advocated three methodologies for analyzing the genealogies. These will help us progress beyond previous studies. the characteristics of genealogy in the field of the 1 Introduction paleography. The ancient Japanese clans made many genealo- However, these points are not well known to Jap- gies for themselves⑴. The purpose was not simply for anese researchers, much less to foreign researchers. them to record their ancestors. -
Conversations on Japan and England
CONVERSATIONS ON JAPAN AND ENGLAND All of these conversations between Kenichi and Toshiko Nakamura and Sarah Harrison and Alan Macfarlane. Others were present at some of the conversations, especially the last set in 2006. 1. Conversations in Sapporo, July 1990 1 2. Conversations in Oxford, 27-28 October 1991 8 3. Conversations in Cambridge, 27-28 June 1992 19 4. Conversations in Oxford, 14-15 September 1992 31 5. Conversations in Cambridge, 27 July 2005 50 6. Conversation in Cambridge, 26th August 2005 54 7. Conversation in Cambridge, 2nd September 2005 55 8. Notes and Conversations in Japan, March-April 2006 61 CONVERSATIONS IN SAPPORO, JULY 1990 Double standards and the two meanings of truth. Toshiko said that Japan was noted for its 'double standards', for instance in relation to war (where the constitution said one thing, de jure, and the de facto situation was very different). There is an 'inside' and an 'outside' truth, what one might call a 'surface' and 'deep' truth. This she also expressed as a clash between true desire (honne) and principle (hatemai). An example of this would be as follows. Businessmen only deal in the principles of the matter when talking to the head of a company during the day. But in the evening in the bar they will tell him their real desire, what is in their heart, their feelings. This may be entirely different. Ritual, ethics, etiquette, ceremonial and icons The progress towards 'modernization', to extend Jesse L. Weston's famous title, but be described as 'From ritual to romance to etiquette'. -
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická Fakulta
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra asijských studií Estetické vnímání krásy ženy v Japonsku Aesthetic perception of woman´s beauty in Japan Bakalářská diplomová práce Autor práce: Pomklová Lucie Vedoucí práce: Mgr. Sylva Martinásková - ASJ Olomouc 2013 Kopie zadání diplomové práce Prohlašuji, že jsem diplomovou práci vypracovala samostatně a uvedla veškeré použité prameny a literaturu V Olomouci dne _______________________ Poděkování: Na tomto místě bych chtěla velice poděkovat Mgr. Sylvě Martináskové za konzultace, ochotu, flexibilitu při řešení jakýchkoliv problémů a odborné vedení mé práce. Díky jejím cenným radám a podnětům mohla tato práce vzniknout. Ediční poznámka Ve své práci používám anglický přepis japonských názvů společně se znaky nebo slabičnou abecedou, které budu užívat u ér, období, uvedených japonských termínů a jmen osob. Japonská jména uvádím v japonském pořadí čili první příjmení a za ním teprve následuje jméno osobní, ženská jména jsou uvedena v nepřechýlené podobě. Pro obecně známá místní jména či termíny, u kterých je český přepis již pevně stanoven pravidly českého pravopisu, používám tento do češtiny přejatý tvar. Kurzívu budu používat pro méně známé termíny, názvy ér a období a také pro citace. Používám citační normu ISO 690. Obsah 1 Úvod ................................................................................................................................... 8 2 Protohistorické období .................................................................................................. -
Final-God's Footprint 11-14-2014
! GOD’S FOOTPRINT IN THE MEDIA A Daily Devotional Neil Verwey ! ! ! GOD’S FOOTPRINT IN THE MEDIA A Daily Devotional ! By Neil Verwey ! ! ! ! ! ! ! ! God’s Footprint in the Media A Daily Devotional ! © 2014 by Neil Verwey, Japan Mission 7-40 Monzen Cho, Ikoma, Nara, Japan 630-0266 Tel: (0)743-73-1754 Fax: (0) 743-73-1681 E-mail: [email protected] URL: www.japanmission.org ! ! Published by ICM Press 983-2 Tawaraguchi-cho, Ikoma Nara, Japan 630-0243 ! Cover design by SonShine Works ! ISBN 978-0-900748-53-0 ! ! Scripture citations are from The Holy Bible, New King James Version (NKJV) Copyright © 1982 by Thomas Nelson, Inc. Holy Bible, New International Version®, NIV® Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc.® Used by permission. All rights reserved worldwide. New International Reader’s Version (NIrV) Copyright © 1996, 1998 by Biblica. The Living Bible (TLB) copyright © 1971 by Tyndale House Foundation. Used by permission of Tyndale House Publishers Inc., Carol Stream, Illinois 60188. All rights reserved. Contemporary English Version (CEV) Copyright © 1995 by American Bible Society. The Holy Bible, English Standard Version (ESV), copyright © 2001 by Crossway Bibles, a division of Good News Publishers. The Holy Bible, King James Version (KJV) by Public Domain. The Holy Bible, New Living Translation (NLT) Copyright© 1996, 2004, 2007 by Tyndale House Foundation. Used by permission of Tyndale House Publishers Inc., Carol Stream, Illinois 60188. All rights reserved. The Message (TMSG) Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Used by permission. All rights reserved. ! ! ! ! ! ! ! Acknowledgments Many friends contributed to the completion of this book. -
A Semi-Trapezoidal Tunic with Curved Warp Borders; the Pica-Tarapaca Complex of North Chile (900-1450A.D.) and Strategies of Territorial Control
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 Abstracts Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons "Abstracts" (2008). Textile Society of America Symposium Proceedings. 286. https://digitalcommons.unl.edu/tsaconf/286 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Abstracts A A Semi-Trapezoidal Tunic with Curved Warp Borders; The Pica-Tarapaca Complex of North Chile (900-1450A.D.) and Strategies of Territorial Control Carolina Agüero During the time in the Andes known as the Late Intermediate Period (900-1450 AD), the Tarapacá region was socially integrated with societies that articulated resources from different areas through numerous strategies of exploitation. Dispersed settlements in the region suggest methods of habitation like those known to llama caravan traders. 1 Although it has been explained how, in this period, the Pica-Tarapaca Complex controlled the territory, it has not been studied how the inhabitants of the area understood their common identity. It might be assumed that if identity is recognized as one aspect of sociopolitical connection, then affiliation with the Pica-Tarapaca Complex would be expressed in specific aspects of material culture, in this case, in a shared textile technology. A type of semi-trapezoidal tunic with curved borders is a garment style known to have been used in the Pica-Tarapaca region during the Late Intermediate Period. -
The Last Samurai: the Life and Battles of Saigo Takamori
THE LAST SAMURAI The Life and Battles of Saigo- Takamori MARK RAVINA John Wiley & Sons, Inc. THE LAST SAMURAI THE LAST SAMURAI The Life and Battles of Saigo- Takamori MARK RAVINA John Wiley & Sons, Inc. This book is printed on acid-free paper. Copyright © 2004 by Mark Ravina.All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada Design and production by Navta Associates, Inc. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as per- mitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 750-4470, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, e-mail: [email protected]. Limit of Liability/Disclaimer of Warranty:While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accu- racy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials.The advice and strategies contained herein may not be suit- able for your situation.You should consult with a professional where appropriate.