Archaeological Report Madagascar 2010
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Table of Contents
Table of Contents Welcome from the Dais ……………………………………………………………………… 1 Introduction …………………………………………………………………………………… 2 Background Information ……………………………………………………………………… 3 The Golden Age of Piracy ……………………………………………………………… 3 A Pirate’s Life for Me …………………………………………………………………… 4 The True Pirates ………………………………………………………………………… 4 Pirate Values …………………………………………………………………………… 5 A History of Nassau ……………………………………………………………………… 5 Woodes Rogers ………………………………………………………………………… 8 Outline of Topics ……………………………………………………………………………… 9 Topic One: Fortification of Nassau …………………………………………………… 9 Topic Two: Expulsion of the British Threat …………………………………………… 9 Topic Three: Ensuring the Future of Piracy in the Caribbean ………………………… 10 Character Guides …………………………………………………………………………… 11 Committee Mechanics ……………………………………………………………………… 16 Bibliography ………………………………………………………………………………… 18 1 Welcome from the Dais Dear delegates, My name is Elizabeth Bobbitt, and it is my pleasure to be serving as your director for The Republic of Pirates committee. In this committee, we will be looking at the Golden Age of Piracy, a period of history that has captured the imaginations of writers and filmmakers for decades. People have long been enthralled by the swashbuckling tales of pirates, their fame multiplied by famous books and movies such as Treasure Island, Pirates of the Caribbean, and Peter Pan. But more often than not, these portrayals have been misrepresentations, leading to a multitude of inaccuracies regarding pirates and their lifestyle. This committee seeks to change this. In the late 1710s, nearly all pirates in the Caribbean operated out of the town of Nassau, on the Bahamian island of New Providence. From there, they ravaged shipping lanes and terrorized the Caribbean’s law-abiding citizens, striking fear even into the hearts of the world’s most powerful empires. Eventually, the British had enough, and sent a man to rectify the situation — Woodes Rogers. In just a short while, Rogers was able to oust most of the pirates from Nassau, converting it back into a lawful British colony. -
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Captain William Kidd
Captain William Kidd Name: William Kidd. Born: Dundee, 1654. Occupation: Sea captain. Defending English and American trade routes First ship: Antigua. He emigrated to New York in the 1680’s. Married: Sarah Bradley Cox Oort, a wealthy widow. On 6 September 1696, Kidd and 150 crew members went to capture a pirate called Robert Culliford in the Indian Ocean. aboard the Adventure Galley. His crew took over his ship on the way. This is called mutiny. Kidd was forced to become a pirate himself. In 1698, Kidd and his crew attacked and took a ship: the cargo was silk, muslin, calico, sugar, opium, iron and salt peter and a worth rumoured to be £70,000 . The Quedah Merchant, renamed the Adventure Prize, was kept by Kidd, as he was forced to abandon and sink his now leaking ship. Being a pirate was now against the law in England and America but Kidd did not know this on his return to America in 1699. He buried the treasure on his way to Boston in Gardiner Island and Block Island. The New England governor, Lord Richard Bellomont, had him arrested on 7 July 1699 in Boston. He was sent to England in February 1700. The trial started on 8 May and was completed the next day – the verdict was that Kidd was guilty of the murder of one of his crew and guilty of multiple acts of piracy. Captain William Kidd was hanged on 23 May 1701. His corpse was left to rot at the Thames River as an example to other would-be pirates. -
17 Pirates.Cdr
8301EdwardEngland,originunknown, Pirates’ flags (JollyRoger)ofthe17thcenturypiracy. wasstrandedinMadagaskar1720 byJohn Tayloranddiedthere Someofthepirateshadsmallfleetsofships shorttimelaterasapoorman. thatsailedundertheseflags. Lk=18mm=1,80 € apiece Afterasuccessfulcounteractionbymanycountries Lk=28mm=2,20 € apiece thiskindofpiracyabatedafter1722. Lk=38mm=3,60 € apiece Lk=80mm=6,50 € apiece 8303JackRackam(CalicoJack), wasimprisonedtogetherwith 8302HenryEvery, theamazones AnneBonnyand bornaround1653,wascalledlater MaryRead.Washangedin1720. BenjaminBridgeman,wasnevercaught Lk=18mm=1,80 € apiece anddiedinthefirstquarter Lk=28mm=2,20 € apiece of18thcenturysomewhereinEngland. Lk=38mm=3,20 € apiece Lk=18mm=1,80 € apiece Lk=45mm=3,80 € apiece Lk=28mm=2,20 € apiece Lk=50mm=4,20 € apiece Lk=38mm=3,20 € apiece 8305 Thomas Tew, piratewithaprivateeringcommision fromthegovernorofBermuda, 8304RichardWorley, hedied1695inafightwhile littleisknownabouthim. boardinganIndianmerchantship. Lk=18mm=1,80 € apiece Lk=18mm=1,80 € apiece Lk=28mm=2,20 € apiece Lk=28mm=2,20 € apiece Lk=38mm=3,20 € apiece Lk=38mm=3,20 € apiece Lk=70mm=5,60 € apiece 8306ChristopherCondent, hecapturedahuge Arabshipwitharealtreasure in1719nearBombay. Asaresultheandmostof hiscrewgaveuppiracyandnegotiatedapardon withtheFrenchgovernorofReunion.Condent marriedthegovernor’ssisterinlawandlater 8307Edward Teach,namedBlackbeard, settledaswelltodoshipownerinFrance. oneofthemostfearedpiratesofhistime. Lk=15mm=1,90 € apiece Hediedin1718inagunfight Lk=18mm=2,25 € apiece duringhiscapture. Lk=28mm=2,60 -
Flying the Black Flag: a Brief History of Piracy
Flying the Black Flag: A Brief History of Piracy Alfred S. Bradford Praeger The Locations and Chronological Periods of the Pirate Bands Described in This Book 1. The Greeks (800–146 bc) 2. The Romans (753 bc to ad 476) 3. The Vikings (ad 793–1066) 4. The Buccaneers (1650–1701) 5. The Barbary Pirates (1320–1785) 6. The Tanka Pirates (1790–1820) 7. America and the Barbary Pirates (1785–1815) FLYING THE BLACK FLAG A Brief History of Piracy Alfred S. Bradford Illustrated by Pamela M. Bradford Contents Preface xi Part I. Greek Piracy 1. Odysseus: Hero and Pirate 3 2. Greeks and Barbarians 12 3. Greek vs. Greek 19 4. Greek vs. Macedonian 25 Part II. The Romans 5. The Romans Take Decisive Action 35 6. The Pirates of Cilicia 38 7. The Scourge of the Mediterranean 43 8. The End of Mediterranean Piracy 49 Part III. The Vikings 9. “From Merciless Invaders ...”57 viii Contents 10. The Rus 65 11. Conversion and Containment 71 Part IV. The Worldwide Struggle against Piracy 12. The Buccaneers 81 13. Tortuga and the Pirate Utopia 90 14. Henry Morgan 97 15. The Raid on Panama 105 16. The Infamous Captain Kidd 111 Part V. The Barbary Pirates 17. Crescent and Cross in the Mediterranean 121 18. War by Other Means 129 Part VI. Pirates of the South China Coast 19. Out of Poverty and Isolation 137 20. The Dragon Lady 144 Part VII. To the Shores of Tripoli 21. New Nation, New Victim 151 22. “Preble and His Boys” 160 23. -
The Lost Treasure of Tortuga
The Lost Treasure Of Tortuga CAlliope Theatre Company Study Guide The Lost Treasure of Tortuga Welcome to The Lost Treasure of Tortuga by Calliope Theatre Company. Our touring production of The Lost Treasure of Tortuga, an original one hour presentation, has been designed to “Educate, Enlighten & Entertain!” In this study guide, developed by professional educators and English-language teachers, you will find Pre- and Post-Performance Activities and Discussion Topics, as well as teacher and student resources. For students who are learning English we have also included key vocabulary so that your students will get the most out of our performances. This study guide may be reproduced and distributed to students. It can be found on our website https://www.calliopetheatrecompany.pt/the-lost-treasure-of-tortuga Calliope Theatre Company’s The Lost Treasure of Tortuga is an interactive performance and we encourage your students’ participation and we will be asking a number of your students to join us on stage. Calliope Theatre Company welcomes your opinion & suggestions on our performances and Study Guides, so that we can continue to provide teachers and students with the finest in- school, educational theatre experience. We love hearing from students and teachers. Please encourage your students to leave a comment on our Facebook page https://www.facebook.com/calliopetheatreportugal/ , follow us on Twitter or write us letters and tell us what you thought of the show! Sincerely, Meg and Matthew Calliope Theatre Company 2 The Lost Treasure of Tortuga TABLE OF CONTENTS The Vocabulary and Activities that are highlighted in red are the most important in ensuring that your students understand and enjoy The Lost Treasure of Tortuga. -
Blood & Bounty
A short life but a merry one! A 28mm “Golden Age of Piracy” Wargame by DonkusGaming Version 1.0 Contents: Setting up a Game pg. 2 A very special “Thank You” to my art resources: Sequence of Play pg. 3 http://www.eclipse.net/~darkness/sail-boat-01.png https://math8geometry.wikispaces.com/file/view/protractor.gif/3 3819765/protractor.gif Vessel Movement Details pg. 7 http://brethrencoast.com/ship/sloop.jpg, Vessel Weapon Details pg. 8 http://brethrencoast.com/ship/brig.jpg, Vessel Weapons & Tables pg. 9 http://brethrencoast.com/ship/frigate.jpg, http://brethrencoast.com/ship/manofwar.jpg, Vessel Classes & Statistics pg. 11 http://en.wikipedia.org/wiki/British_ensign, Vessel Actions pg. 16 http://www.crwflags.com/fotw/flags/fr~mon.html, http://www.crwflags.com/fotw/flags/es~c1762.html, Crew Actions pg. 22 http://www.crwflags.com/fotw/flags/es_brgdy.html, http://en.wikipedia.org/wiki/Jolly_Roger, Crew Weapons (Generic) pg. 26 http://www.juniorgeneral.org/donated/johnacar/napartTD.png Crew Statistics pg. 29 https://jonnydoodle.files.wordpress.com/2012/06/alp ha.jpg http://www.webweaver.nu/clipart/img/historical/pirates/xbones- Famous Characters & Crews pg. 34 black.png Running a Campaign pg. 42 http://www.imgkid.com/ http://animal-kid.com/pirate-silhouette-clip-art.html Legal: The contents of this strategy tabletop miniatures game “Blood & Bounty” (excluding art resources where listed) are the sole property of myself, Liam Thomas (DonkusGaming) and may not be reproduced in part or as a whole under any circumstances except for personal, private use. They may not be published within any website, blog, or magazine, etc., or otherwise distributed publically without advance written permission (see email address listed below.) Use of these documents as a part of any public display without permission is strictly prohibited, and a violation of the author’s rights. -
British Flags Permission to Copy for Personal Gaming Use Granted GAME STUDIOS
St AndrewsSt. Andrews Cross – CrossEnglish - Armada fl ag of the Era Armada Era St AndrewsSt. Andrews Cross – Cross English - Armada fl ag of the Era Armada Era St AndrewsSt. Andrews Cross – EnglishCross - flArmada ag of the Era Armada Era EnglishEnglish East IndianIndia Company Company - -pre pre 1707 1707 EnglishEnglish East East Indian India Company - pre 1707 EnglishEnglish EastEast IndianIndia Company Company - - pre pre 1707 1707 Standard Royal Navy Blue Squadron Ensign, Royal Navy White Ensign 1630 - 1707 Royal Navy Blue Ensign /Merchant Vessel 1620 - 1707 RoyalRoyal Navy Navy Red Red Ensign Ensign 1620 1620 - 1707 - 1707 1st Union Jack 1606 - 1801 St. Andrews Cross - Armada Era 1st1st UnionUnion fl Jackag, 1606 1606 - -1801 1801 1st1st Union Union Jack fl ag, 1606 1606 - 1801- 1801 1st1st Union Union fl Jackag, 1606 1606 - -1801 1801 English East Indian Company - 1701 - 1801 English East Indian Company - 1701 - 1801 English East Indian Company - 1701 - 1801 Royal Navy White Ensign 1707 - 1801 Royal Navy Blue Ensign 1707 - 1801 RoyalRed Navy Ensign Red as Ensignused by 1707 Royal - 1801Navy and ColonialSEA subjects DOG GAME STUDIOS British Flags Permission to copy for personal gaming use granted GAME STUDIOS . Dutch East India company fl ag Dutch East India company fl ag Dutch East India company fl ag Netherlands fl ag Netherlands fl ag Netherlands fl ag Netherlands Naval Jack Netherlands Naval Jack Netherlands Naval Jack Dutch East India company fl ag Dutch East India company fl ag Dutch East India company fl ag Netherlands fl ag Netherlands fl ag Netherlands fl ag SEA DOG Dutch Flags GAME STUDIOS Permission to copy for personal gaming use granted. -
Going on the Account: Examining Golden Age Pirates As a Distinct
GOING ON THE ACCOUNT: EXAMINING GOLDEN AGE PIRATES AS A DISTINCT CULTURE THROUGH ARTIFACT PATTERNING by Courtney E. Page December, 2014 Director of Thesis: Dr. Charles R. Ewen Major Department: Anthropology Pirates of the Golden Age (1650-1726) have become the stuff of legend. The way they looked and acted has been variously recorded through the centuries, slowly morphing them into the pirates of today’s fiction. Yet, many of the behaviors that create these images do not preserve in the archaeological environment and are just not good indicators of a pirate. Piracy is an illegal act and as a physical activity, does not survive directly in the archaeological record, making it difficult to study pirates as a distinct maritime culture. This thesis examines the use of artifact patterning to illuminate behavioral differences between pirates and other sailors. A framework for a model reflecting the patterns of artifacts found on pirate shipwrecks is presented. Artifacts from two early eighteenth century British pirate wrecks, Queen Anne’s Revenge (1718) and Whydah (1717) were categorized into five groups reflecting behavior onboard the ship, and frequencies for each group within each assemblage were obtained. The same was done for a British Naval vessel, HMS Invincible (1758), and a merchant vessel, the slaver Henrietta Marie (1699) for comparative purposes. There are not enough data at this time to predict a “pirate pattern” for identifying pirates archaeologically, and many uncontrollable factors negatively impact the data that are available, making a study of artifact frequencies difficult. This research does, however, help to reveal avenues of further study for describing this intriguing sub-culture. -
From Captain Kidd's Treasure Ghost to the Angel Moroni: Changing Dramatis Personae in Early Mormonism
From Captain Kidd's Treasure Ghost to the Angel Moroni: Changing Dramatis Personae in Early Mormonism Ronald V. Huggins ONE DAY IN LATE MARCH 1697, a ship named the Adventure Galley arrived at the Island of Mohilla, one of the Comoro Islands. Its fever-stricken crew careened the vessel for cleaning and then proceeded to die off one by one, fifty men dead in about a week. The Adventure Galley had come to the Comoros the previous month, after stopping first at the neighboring Island of Johanna. It would not de- part again until April 18. Its captain, William (a.k.a. Robert) Kidd, did not know he would soon become one of history's most famous, and notorious, pirates. In those days pirates, even famous ones, were no oddity in the Comoros. Anyone who read, for example, the popular two-volume A General History of the Robberies and Murders of the Most Notorious Pyrates (1724 and 1728) by Daniel Defoe (a.k.a. Captain Charles Johnson), would find the Comoro Islands figuring into the accounts of Captains England, Misson, Tew, Kidd, Bowen, White, Condent, Cornelius, Howard, Williams, Burgess, North,1 and la Bouche.2 The pirate to whom Defoe dedicated his first chapter, Henry Avery (Every), also had a connection with the Comoros, which the author fails to men- 1. The edition used here is Daniel Defoe, A General History of the Pyrates, ed. Manuel Schon- horn, (Columbia, S.C.: University of South Carolina, 1972). Johanna is mentioned in the accounts of Captains England, 118, 130, 132; Misson, 407-16; Tew, 424-26; Kidd, 443; Bowen, 461; White, 478; Condent, 584; Cornelius, 605; Williams, 503; Burgess, 510; and North, 516. -
Archaeology of Piracy Between Caribbean Sea and the North American Coast of 17Th and 18Th Centuries: Shipwrecks, Material Culture and Terrestrial Perspectives
Journal of Caribbean Archaeology Copyright 2019 ISBN 1524-4776 ARCHAEOLOGY OF PIRACY BETWEEN CARIBBEAN SEA AND THE NORTH AMERICAN COAST OF 17TH AND 18TH CENTURIES: SHIPWRECKS, MATERIAL CULTURE AND TERRESTRIAL PERSPECTIVES Jean Soulat Laboratoire LandArc – Centre Michel de Boüard, Craham UMR 6273 Groupe de Recherche en Archéométrie, Université Laval, Québec 29, rue de Courbuisson 77920 Samois-sur-Seine – France [email protected] John de Bry Center for Historical Archaeology 140 Warsteiner Way, Suite 204 Melbourne Beach, Florida 32951 – USA [email protected] The archaeology of piracy in the 17th and 18th centuries remains a poorly developed discipline in the world. American universities in connection with local authorities were the first to fund and support such research programs on the east coast of the United States and the Caribbean. The study of the shipwreck of the pirate Edward Teach (Blackbeard), the Queen Anne's Revenge 1718, is a very good example of this success. However, a work of crossing archaeological data deserves to be carried out for all the sites brought to light, in particular in the Caribbean area, on the North American coast, without forgetting the Indian Ocean. The synthetic work of Charles R. Ewen and Russell K. Skowronek published in 2006 and 2016 by the University of Florida is an important first step. They treat shipwrecks as well as land occupations, and go back for a long time on the percceived ideas related to the true image of Pirates. However, there is a lack of material culture studies from these sites probably related to the lack of scientific publications of these objects. -
Scottish Pirates Introduction-What Is a Pirate? Spùinneadair-Mara (Spoo-Nuder Mara) in Gaelic Means Plunderer, Spoiler, Or Robber on the Sea
The SAMS Lyceum of Martial and Societal Antediluvian Chronicles An addendum to The SAMS Sporran – April 2020 Scottish Pirates Introduction-What is a pirate? Spùinneadair-mara (spoo-nuder mara) in Gaelic means plunderer, spoiler, or robber on the sea. Or more specifically, a pirate.There are two words most associated with these unscrupulous adventurers of the high seas: one is pirate, the other is buccaneer. The word pirate comes down to us from Latin pirata, which the Romans took from the from Greek word peiratēs, from peirein ‘to attempt or attack’. The Romans applied it to any ship that attacked a Roman vessel on Mare Nostrum (Our Sea - their term for the Mediterrean Sea.) The word buccaneer originated in the West Indies. The boucaniers were the native inhabitants of the West Indies who had developed a method of preserving meat by roasting it on a barbecue and curing it with smoke. The finished strips of meat were also known as boucan. Today we refer to this form of meat as jerky. Since there was no refrigeration of ships of that time. So many pirates ate jerky or boucan. Hence the name buccaneer began to be applied to them also. Besides, buccaneer sounds alot better than jerkyneer. There were a number of minor pirates of Scottish descent. Mostly they had very short careers or crewed under another captain. A Scotch buccaneer; John Alexander was sailing on a ship captained by a Captain Sharp. He and his captain were returning to their ship in a dory full of their captured prize or booty when it overturned.