DOCSLIB.ORG

Psychiatria Danubina PSYCHIATRIC

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Psychiatria Danubina PSYCHIATRIC cyan magenta yellow black C MYK MY CY CM 10 20 30 40 50 60 70 80 90 100 DANUBIAN ASSOCIATION psychiatria psychiatria danubina PSYCHIATRIC FACULTAS MEDICA UNIVERSITATIS danubina STUDIORUM 2018 supplement 7 volume 30 ZAGRABIENSIS UDC 616.89 ISSN 0353 - 5053 www.hdbp.org/psychiatria_danubina International Twined Congress Psychiatry beyond DSM-5 Vol. 30/Suppl. 7 pp 393-652 (2018 Vol. ) November 15-17, 2018 Iseo, Italy ISSN 0353 - 5053 Excerpta Medica (EMBASE), Psychological Abstracts/ PsycINFO, Chemical Abstracts, MEDLINE/PubMed, EBSCO, Cambridge Scientific Abstracts/Social Services Abstracts, Science Citation Index Expanded (SciSearch), Social Sciences Citation Index , Social SciSearch, Journal Citation Reports/ Social Sciences Edition, Journal Citation Reports/ Science Edition, SCOPUS, HRCAK, MEDICINSKA NAKLADA ZAGREB, CROATIA BioMedWorld.com, Research Alert, Google Scholar, Current Contents 9 770353 505002 - Social and Behavioral Sciences,, Web of Science (WoS), CiteFactor. PRO MENTE d.o.o. ZAGREB, CROATIA PSYCHIAT DANUB, 30(suppl. 7): S393-652 November 2018 korice DANUBINA_2018-Suppl-7 cyan magenta yelloww black C MYK MY CY CM 10 20 30 40 50 60 70 80 90 100 PSYCHIATRIA DANUBINA An Official Journal of Danubian Psychiatric Association Vol. 30, Suppl. 7 November, 2018 Acknowledgement to genuine initiative for founding Psychiatria Danubina Nenad Bohaþek Gustav Hofmann Honorary Editors - Ehrenredakteure Norman Sartorius, Association for the Improvement of Mental Health Programs 14 Chemin Colladon, CH-1209 Geneve, Switzerland Editors in Chief - Hauptredakteure Miro Jakovljeviü, Department of Psychiatry Werner Schöny University Hospital Centre Zagreb OÖ Landes - Nervenklinik Wagner Jauregg Kišpatiüeva 12, 10000 Zagreb, Croatia Wagner-Jauregg-Weg 15, 4020 Linz, Austria International Editorial Board – Internationale Redaktion Agius M. (Cambridge) Jukiü V. (Zagreb) Peþenak J. (Bratislava) Bitter I. (Budapest) Kapfhammer H.P. (Graz) Raboch J. (Prague) Bomba J. (Krakow) Kores Plesniþar B. (Ljubljana) Rakus A. (Bratislava) Dantendorfer K. (Vienna) Krasnov V. (Moscow) Sass H. (Aachen) Deckert J. (Würzburg) Lehofer M. (Graz) Tsygankov B. (Moscow) Hoschl C. (Prague) Libiger J. (Prague) Vlokh I. (Lvov) Jarema M. (Warsaw) Loga S. (Sarajevo) Voracek M. (Vienna) Jašoviü-Gašiü M. (Belgrade) Marksteiner J. (Graz) International Advisory Board – Internationaler Fachbeirat Bhugra D. (London) Gianacopoulos P. (Geneva) Kurimay T. (Budapest) Chiu H. (Hong Kong) Goldberg D. (London) Lazarescu M. (Timisoara) Dimsdale J. (San Diego) Herrman H. (Melbourne) de Leon J. (Lexington) Ferrero F. (Geneva) Hranov L. (Sofia) Oancea C. (Bucharest) Fleischacker W. (Innsbruck) Kasper S. (Vienna) Rossler W. (Zurich) Friedrich M.H. (Vienna) Koichev G. (Sofia) Svrakic D. (St. Louis) Gabriel E. (Vienna) Kua E.H. (Singapore) Veltischev D. (Moscow) Editor Assistants – Assistenten an der Redakteur Ivona Šimunoviü Filipþiü (Zagreb) Martina Rojniü Kuzman (Zagreb) Ena Iveziü (Zagreb) Guest Editor: Giuseppe Tavormina (Iseo) Computer service: UNIGRAF P. Heruca 6, Zagreb Printed by - Herstellung: MEDICINSKA NAKLADA Cankarova 13, Zagreb PSYCHIATRIA DANUBINA Psychiatria Danubina is cited/ abstrac- ted in Excerpta Medica (EMBASE), Psychological Abstracts/ PsycINFO, CONTENTS Chemical Abstracts, MEDLINE/ PubMed, EBSCO, Cambridge Scientific International Twined Congress - Psychiatry beyond DSM-5 Abstracts/Social Services Abstracts, Science Citation Index Expanded (SciSearch), Social Sciences Citation Iseo, Italy, November 15-17, 2018 Index, Social SciSearch, Journal Cita- tion Reports/ Social Sciences Edition, Editorials................................................................................................................ 396 Journal Citation Reports/ Science Tavormina G: HOW UNDERSTANDING THE TEMPERAMENTS Edition, SCOPUS, BioMedWorld.com, Research Alert, Google Scholar, CAN HELP CLINICIANS TO MAKE A CORRECT DIAGNOSIS HRýAK, Current Contents - Social OF BIPOLAR MOOD DISORDERS: 10 CASE REPORTS ........................... 398 and Behavioral Sciences, Web of Science (WoS). Zdanowicz N, Reynaert C, Jacques D, Lepiece B, Godenir F, Psychiatria Danubina (ISSN 0353-5053) Pivont V & Dubois T: DEPRESSION AND PHYSICAL HEALTH, is published quarterly by Medicinska naklada, Cankarova 13, 10000 Zagreb, THE THERAPEUTIC ALLIANCE AND ANTIDEPRESSANTS .................. 401 Croatia; Pro Mente d.o.o., 10000 Zagreb, Franza F, Solomita B, Pellegrino F & Aldi G: Croatia. The cost of a yearly subscription to RELATIONSHIP BETWEEN COGNITIVE REMEDIATION the journal is € 50.00 for institutions, AND EVALUATION TOOLS IN CLINICAL ROUTINE.............................. 405 € 40.00 for individual subscribers and € 30.00 for students - the prices are Patigny P, Zdanowicz N & Lepiece B: HOW SHOULD PSYCHIATRISTS without postage. (Payments in other currencies will be accepted on the basis AND GENERAL PHYSICIAN COMMUNICATE TO INCREASE of the official currency exchange rates). PATIENTS’ PERCEPTION OF CONTINUITY OF CARE AFTER Advertising enquiries, correspondence and copy requests should be addressed to THEIR HOSPITALIZATION FOR ALCOHOL WITHDRAWAL?............... 409 Prof. Miro Jakovljeviü, Psychiatric Therasse A, Persano HL, Ventura AD & Tecco JM: University Clinic, KBC Zagreb, Kišpatiüeva 12, HR-10000 Zagreb, Croatia INCIDENCE AND PREVENTION OF DEEP VEIN (tel: +385 1 23-88-394; THROMBOSIS IN RESTRAINED PSYCHIATRIC PATIENTS ................... 412 tel/fax: +385 1 23-88-329). E-mail: [email protected] Lantin C, Franco M, Dekeuleneer F-X, Chamart D & Tecco JM: All advertising material is expected to conform to ethical and medical NEUROLEPTIC MALIGNANT SYNDROME IN A PATIENT standards. No responsibility is assumed TREATED WITH CLOTIAPINE .................................................................... 415 by the publisher for any injury and/or damage to persons or property as a Jacques D, Maricq A, Dubois T, Lepiece B, Zdanowicz N & Zelgrange E: matter of products liability, negligence PARTIAL DENIAL OF PREGNANCY AT 32 WEEKS IN A DIABETIC or otherwise, or from any use or opera- tion of any methods, products, instruc- AND SUICIDAL PATIENT: A CASE REPORT. tions or ideas contained in the material What Are the Treatment Recommendations? ................................................... 418 herein. Because of the rapid advances in the medical sciences, the Publisher Naviaux A-F: TRIAGE OF CHILDREN WITH MENTAL HEALTH recommends that independent verifica- tion of diagnosis and drug dosages DIFFICULTIES PRESENTING IN A&E IN A GENERAL HOSPITAL ......... 422 should be made. Discussion, views and Tavormina D: STRESSFUL CHILDHOOD EVENTS: A RETROSPECTIVE recommendations as to medical proce- dures, choice of drugs and drug dosages JOURNEY INTO THE LIFE OF ADULTS WITH DEPRESSION; are the responsibility of the authors. A REPORT OF 5 CASES. The importance of maternal love........................... 426 ©2018 MEDICINSKA NAKLADA Zagreb, Cankarova 13, Croatia; Amorosi M: ECOSUSTAINIBILITY AND MENTAL HEALTH: FACULTAS MEDICA UNIVERSITATIS STUDIORUM FEMALE ASPECTS ........................................................................................ 431 ZAGRABIENSIS, Zagreb, Croatia; Del Buono G: THE PRECISION PSYCHIATRY. PRO MENTE d.o.o., Zagreb on the behalf of the Danube Psychiatric An Individualized Approach to the Diseases.................................................... 436 Association. de Ruffi T & Zdanowicz N: EFFECTS OF FINANCIAL Tel/fax: +385 1 37-79-444; Website: www.medicinskanaklada.hr PRECARIOUSNESS ON MENTAL HEALTH............................................... 439 E-mail: [email protected] Franco M, Lantin C, Dekeuleneer F-X, Bongaerts X & Tecco JM: All rights reserved. It is a condition of publication that manuscripts submited to A TRANSIENT PERSONALITY DISORDER INDUCED this journal have not been published and BY FOOTBALL MATCHES........................................................................... 443 will not be simultaneously submitted or published elsewhere. By submitting a Dubois T, Reynaert C, Jacques D, Lepiece B, Patigny P & Zdanowicz N: manuscript, the authors agree that the IMMUNITY AND PSYCHIATRIC DISORDERS: VARIABILITIES copyright for their article is transferred to the Publisher if and when the article is OF IMMUNITY BIOMARKERS ARE THEY SPECIFIC? ............................ 447 accepted for publication. No part of this publication may be reproduced, stored in Juli G, Juli R & Juli L: SLEEP DISORDERS: retrieval system, or transmitted, in any ARE THEY A GENETIC QUESTION? .......................................................... 452 form or by any means, electronic, mecha- nical, photocopying, recording or other- Spurio MG: REWRITING NEURAL PATHWAYS TO STOP wise, without the prior written permission of the Publisher. DEPRESSIVE DISTRESS IN A SUSPENDED SPACE AWAY .....................457 Printed in Croatia. Weatherby TJM & Agius M: ETHICAL AND ORGANISATIONAL Publication of the journal is suppor- ted by the Croatian Ministry of Science, CONSIDERATIONS IN SCREENING FOR DEMENTIA............................. 463 Education and Sport. McKeever A & Agius M: DEMENTIA RISK ASSESSMENT AND RISK IMPACT FACTOR: 1.34 REDUCTION USING CARDIOVASCULAR RISK FACTORS.................... 469 PSYCHIATRIA DANUBINA 2018 Ɣ supplement 7 Ɣ volume 30 Demont C, Zdanowicz N, Reynaert C, Jacques D & Dubois T: CORRELATIONS BETWEEN EVENT-RELATED POTENTIALS AND NK CELLS, B AND T LYMPHOCYTES .........................................................475 Tavormina MGM, Tavormina R, Franza F, Vacca A & Di Napoli
Load more

Recommended publications
  • On Modulation —
    — On Modulation — Dean W. Billmeyer University of Minnesota American Guild of Organists National Convention June 25, 2008 Some Definitions • “…modulating [is] going smoothly from one key to another….”1 • “Modulation is the process by which a change of tonality is made in a smooth and convincing way.”2 • “In tonal music, a firmly established change of key, as opposed to a passing reference to another key, known as a ‘tonicization’. The scale or pitch collection and characteristic harmonic progressions of the new key must be present, and there will usually be at least one cadence to the new tonic.”3 Some Considerations • “Smoothness” is not necessarily a requirement for a successful modulation, as much tonal literature will illustrate. A “convincing way” is a better criterion to consider. • A clear establishment of the new key is important, and usually a duration to the modulation of some length is required for this. • Understanding a modulation depends on the aural perception of the listener; hence, some ambiguity is inherent in distinguishing among a mere tonicization, a “false” modulation, and a modulation. • A modulation to a “foreign” key may be easier to accomplish than one to a diatonically related key: the ear is forced to interpret a new key quickly when there is a large change in the number of accidentals (i.e., the set of pitch classes) in the keys used. 1 Max Miller, “A First Step in Keyboard Modulation”, The American Organist, October 1982. 2 Charles S. Brown, CAGO Study Guide, 1981. 3 Janna Saslaw: “Modulation”, Grove Music Online ed. L. Macy (Accessed 5 May 2008), http://www.grovemusic.com.
    [Show full text]
  • Eduqas-Bach-Badinerie-Musical-Analysis.Pdf
    Musical Analysis Bach: Badinerie J.S.Bach: BADINERIE from Orchestral Suite No.2 Melodic Analysis The entire movement is based on two musical motifs: X and Y. Section A Bars 02 – 161 Sixteen bars Bars 02 – 21 The movement opens with the first statement of motif X, which is played by the flute. The motif is a descending B minor arpeggio/broken chord with a characteristic quaver and semiquaver(s) rhythm. Bars 22 – 41 The melodic material remains with the flute for the first statement of motif Y. This motifis an ascending semiquaver figure consisting of both arpeggios/broken chords sand conjunct movement. Bars 42 – 61 Motif X is then restated by the flute. Music | Bach: Badinerie - Musical Analysis 1 Musical Analysis Bach: Badinerie Bars 62 – 81 Motif X is presented by the cellos in a slightly modified version in which the last crotchet of the motif is replaced with a quaver and two semiquavers. This motif moves the tonality to A major and is also the initial phrase in a musical sequence. Bars 82 – 101 Motif X remains with the cellos with a further modified ending in which the last crotchet is replaced with four semiquavers. It moves the tonality to the dominant minor, F# minor, and is the answering phrase in a musical sequence that began in bar 62. Bars 102 – 121 Motif Y returns in the flute part with a modified ending in which the last two quavers are replaced by four semiquavers. Bars 122 – 161 The flute continues to present the main melodic material. Motif Y is both extended and developed, and Section A is brought to a close in F# minor.
    [Show full text]
  • Transfer Theory Placement Exam Guide (Pdf)
    2016-17 GRADUATE/ transfer THEORY PLACEMENT EXAM guide! Texas woman’s university ! ! 1 2016-17 GRADUATE/transferTHEORY PLACEMENTEXAMguide This! guide is meant to help graduate and transfer students prepare for the Graduate/ Transfer Theory Placement Exam. This evaluation is meant to ensure that students have competence in basic tonal harmony. There are two parts to the exam: written and aural. Part One: Written Part Two: Aural ‣ Four voice part-writing to a ‣ Melodic dictation of a given figured bass diatonic melody ‣ Harmonic analysis using ‣ Harmonic Dictation of a Roman numerals diatonic progression, ‣ Transpose a notated notating the soprano, bass, passage to a new key and Roman numerals ‣ Harmonization of a simple ‣ Sightsinging of a melody diatonic melody that contains some functional chromaticism ! Students must achieve a 75% on both the aural and written components of the exam. If a passing score is not received on one or both sections of the exam, the student may be !required to take remedial coursework. Recommended review materials include most of the commonly used undergraduate music theory texts such as: Tonal Harmony by Koska, Payne, and Almén, The Musician’s Guide to Theory and Analysis by Clendinning and Marvin, and Harmony in Context by Francoli. The exam is given prior to the beginning of both the Fall and Spring Semesters. Please check the TWU MUSIc website (www.twu.edu/music) ! for the exact date and time. ! For further information, contact: Dr. Paul Thomas Assistant Professor of Music Theory and Composition [email protected] 2 2016-17 ! ! ! ! table of Contents ! ! ! ! ! 04 Part-Writing ! ! ! ! ! 08 melody harmonization ! ! ! ! ! 13 transposition ! ! ! ! ! 17 Analysis ! ! ! ! ! 21 melodic dictation ! ! ! ! ! harmonic dictation ! 24 ! ! ! ! Sightsinging examples ! 28 ! ! ! 31 terms ! ! ! ! ! 32 online resources ! 3 PART-Writing Part-writing !Realize the following figured bass in four voices.
    [Show full text]
  • MUS 211/211L Advanced Music Theory II and Lab MUS 313 Form and Analysis MUS 420
    South Dakota State University MUS 211/211L Advanced Music Theory II and Lab MUS 313 Form and Analysis MUS 420 Concept: Music Theory "Compositional organization, such as pitch, including scale types and harmony; rhythm; texture; form; expressive elements, such as dynamics, articulation, tempo, and timbre; and basic aural skills: intervals, chords, scales, rhythms, melodies" MUS 211/211 L: Advanced Music Theory II and Lab (Note: since the skills and information regarding basic undergraduate music theory are taught in a "spiraling" manner through MUS 110, 111, 210, and 211, and MUS 211 is considered to be the course in which these materials are presented at a level commensurate with the level of the material as it appears on the Praxis test, this study guide reviews compositional organization as it was taught throughout the entire two-year theory sequence, and refers to pages in both the fall semester [MUS 210] and spring semester [MUS 211] class packets you purchased during the sophomore theory year.) Compositional Organization Students should refer to: The specific pages listed below from the class packets mentioned above, as well as Joe Dineen and Mark Bridge's Gig Bag Book of Theory and Harmony and Robert Ottman's Music for Sight Singing, 6th ed. (Note: the material and the page numbers in your class packets may vary slightly from what is listed below, depending on which year you took the course.) Specifically, students should review: From the fall semester of Sophomore Theory (MUS 210): o Rudiments (notation, scales/key, intervals,
    [Show full text]
  • Descargar Programa
    AGÈNCIA VALENCIANA DE SALUT PRIMUM NON NOCERE PRIMERO NO HACER DAÑO XXXII REUNIÓN CIENTÍFICA DE LA SEE IX CONGRESSO DA APE 3-5 SEPTIEMBRE 2014 · UNIVERSIDAD DE ALICANTE www.reunionanualsee.org CRONOGRAMA MIÉRCOLES 3 DE SEPTIEMBRE DE 2014 SALA ED/0-02 ED/0-03 ED/0-04 ED/0-09 ED/0-10 ED/0-11 ED/0-12 ED/0-13 ED/TALLER1 ED/TALLER2 Salón de Grados 08:00 - 09:00 Acreditación y entrega de documentación Primum non nocere Determinantes y Actividades de Sesión especial Nutrición, Epidemiología del Desigualdades de Vigilancia en salud 09:00 - 11:00 Gripe en la actividad estado de salud de la prevención y candidatas premio alimentación y Cáncer I género en salud pública clínica I población inmigrante promoción I “Emilio Perea” ejercicio físico 11:00 - 11:30 Pausa-Café 11:30 - 12:00 Inauguración 12:00 - 13:30 Conferencia Inaugural Tapas y Gurús Tapas y Gurús 13:30 - 15:00 Comida I (sala ED/1-19) II (sala ED/1-18) 15:00 - 17:00 Comunicaciones pre- seleccionadas a premios SEE-CIBERESP 17:00 - 17:30 Pausa Actividades de Beneficios y efectos Protección y Mesa Alianza Nutrición y Problemas Legionelosis y Brotes de origen Vigilancia Enfermedades 17:30 - 19:30 prevención y Vacunas adversos del cribado actividades Sociedades alimentación específicos de salud registros alimentario epidemiológica I raras promoción II de cáncer colorrectal preventivas Iberoamericanas 19:30 - 21:30 Sesión APE Asamblea SEE 21:30 Recepción de Bienvenida y exposición sobre la Historia de la SEE PLENARIA MESA ESPONTÁNEA COMUNICACIONES ORALES ACTOS SOCIALES SESIONES ESPECIALES JUEVES
    [Show full text]
  • The Augmented Sixth Chord
    CHAPTER24 The Augmented Sixth Chord Characteristics, Derivation, and Behavior The two excerpts in Example 24.1 are from different style periods, yet they share several features. In terms of form and harmony, both divide into two subphrases and close with strong half cadences. Further, the pre-dominant harmony in both examples is the same: an altered iv6 chord. Indeed, we hear not a Phrygian cadence (iv6-V), but rather some chromatic version, where the diatonic major sixth above the bass is raised a half step to create the strongly directed interval of the augmented sixth (+6). The new half-step ascent (#4-5) mirrors the bass's half-step descent (6-5). We refer to such chromatic pre-dominants as augmented sixth chords because of the characteristic interval between the bass 6 and the upper-voice #4. Listen to both excerpts in Example 24.1, noting the striking sound of the augmented sixth chords. EXAMPLE 24.1 A. Schubert, WaltzinG minor, Die letzte Walzer, op. 127, no. 12, D. 146 472 CHAPTER 24 THE AUGMENTED SIXTH CHORD 473 B. Handel, "Since by Man Came Death," Messiah, HWV 56 Example 24.2 demonstrates the derivation of the augmented sixth chord from the Phrygian cadence. Example 24.2A represents a traditional Phrygian half cadence. In Example 24.2B, the chromatic F# fills the space between F and G, and the passing motion creates an interval of an augmented sixth. Finally, Example 24.2C shows the augmented sixth chord as a harmonic entity, with no consonant preparation. EXAMPLE 24.2 Phrygian Cadence Generates the Augmented Sixth Chord Given that the augmented sixth chord also occurs in major, one might ask if it is an example of an applied chord or a mixture chord? To answer this question, consider the diatonic progression in Example 24.3A.
    [Show full text]
  • Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice&
    DOI: 10.1111/musa.12085 BRAD OSBORN ROCK HARMONY RECONSIDERED:TONAL,MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD A great deal of the harmony and voice leading in the British rock group Radiohead’s recorded output between 1997 and 2011 can be heard as elaborating either traditional tonal structures or establishing pitch centricity through purely contrapuntal means.1 A theory that highlights these tonal and contrapuntal elements departs from a number of developed approaches in rock scholarship: first, theories that focus on fretboard-ergonomic melodic gestures such as axe- fall and box patterns;2 second, a proclivity towards analysing chord roots rather than melody and voice leading;3 and third, a methodology that at least tacitly conflates the ideas of hypermetric emphasis and pitch centre. Despite being initially yoked to the musical conventions of punk and grunge (and their attendant guitar-centric compositional practice), Radiohead’s 1997– 2011 corpus features few of the characteristic fretboard gestures associated with rock harmony (partly because so much of this music is composed at the keyboard) and thus demands reconsideration on its own terms. This mature period represents the fullest expression of Radiohead’s unique harmonic, formal, timbral and rhythmic idiolect,4 as well as its evolved instrumentation, centring on keyboard and electronics. The point here is not to isolate Radiohead’s harmonic practice as something fundamentally different from all rock which came before it. Rather, by depending less on rock-paradigmatic gestures such as pentatonic box patterns on the fretboard, their music invites us to consider how such practices align with existing theories of rock harmony while diverging from others.
    [Show full text]
  • Anziani E Alcol: Perché E Come Prendersi Cura
    Anziani e alcol: perché e come prendersi cura Sabato 16 settembre 2017 ore 8.30 – 13.45 UNA Hotel Scandinavia Via Fauchè 15 – Milano Evento 1834 204571 Crediti 5 Il nostro Ordine è particolarmente impegnato nell’ambito della formazione e dell’aggiornamento dei propri iscritti. Questo evento che rappresenta una tappa del percorso e dell’impegno profuso da parte degli organizzatori merita il nostro ringraziamento e plauso. Numerosi sono gli altri corsi in programma a testimonianza della vitalità e dell’impegno dei nostri iscritti per far crescere e rendere sempre più vicina la nostra professione ai bisogni dei nostri ammalati. Non sfugge ad una attenta riflessione che tali eventi rappresentano non solo opportunità di aggiornamento scientifico ma vitali strumenti per una crescita professionale ed etica. Questo obiettivo verrà perseguito con particolare determinazione e il nostro Ordine sarà sempre pronto ad accogliere suggerimenti e proposte per poter migliorare la professione medica. Il Presidente dell’Ordine dei Medici Chirurghi e Odontoiatri Dott. Roberto Carlo Rossi Anziani e alcol: perché e come prendersi cura Sabato 16 settembre 2017 – ore 8.30 – 13.45 UNA Hotel Scandinavia Via Fauchè 15 – Milano Coordinatori Luciana Bovone Consigliere Ordine dei Medici Chirurghi e Odontoiatri – Milano Antonio Sarassi Dirigente Medico – Nucleo Operativo Alcologia (NOA) di Via Perini – Milano ASST Fatebenefratelli Sacco PROGRAMMA 8.30 - 9.00 Registrazione Partecipanti 9.00 - 9.15 Saluto del Presidente dell’Ordine dei Medici Chirurghi e degli Odontoiatri
    [Show full text]
  • Music Theory 2010 - 2011
    Music Theory 2010 - 2011 Brief Description of Course The AP Music Theory course is designed to provide the student with an adequate instruction in the rudiments and terminology of music including, but not limited to: notational skills, intervals, scales, keys, chords, meter and rhythm. The course will start with basic concepts such as notation and progress quickly to more sophisticated topics such as harmonization of a melody, scale analysis, understanding tonality and triadic harmony, phrase construction and structure and forms. In addition to notated music, students will also develop skills in listening critically to various intervals and scales and practice dictation of various melodies as well as sight-singing such melodies. Additionally, through this course a wide variety of Western tonal music will be explored. Unit Information Unit Name or Timeframe: 1st Nine Weeks Week 1-2 Music Theory: Elements of Pitch Sight Singing: Simple Meters; The Beat and Division into Two Parts Content and/or Skills Taught: Music Theory: Elements of Pitch -The Keyboard -Notation on the Staff -Major and Minor Scales -Major and Minor Key Signatures -Scale Degree Names -Intervals (Perfect, Major, Minor, Augmented and Diminished) -Inversion of Intervals -Consonant and Dissonant Harmonic Intervals Sight Singing: Simple Meters; The beat and its division into two parts -Quarter note as a beat unit, beat note values -Dotted and tied notes -Note values other than quarter notes as beat value Major Assignments and/or Assessments: Daily assessments through student workbook will allow for the student and teacher to ensure that progress is being made and concepts are being fully understood.
    [Show full text]
  • ONLINE CHAPTER 2 CHROMATIC CHORDS FUNCTIONING AS the PREDOMINANT Artist in Residence: Jacqueline Du Pré
    ONLINE CHAPTER 2 CHROMATIC CHORDS FUNCTIONING AS THE PREDOMINANT Artist in Residence: Jacqueline du Pré • Demonstrate how the Neapolitan and augmented sixth chords function as predominant • Notate Neapolitan and augmented sixth chords in various keys • Recognize Neapolitan and augmented sixth chords in musical context • Resolve Neapolitan and augmented sixth chords using proper voice leading Chapter Objectives NEAPOLITAN CHORDS In Chapter 8, we identified the importance of the relationship between tonic, subdominant, and dominant. Many of the progressions we have studied follow this movement throughout the entire composition. Study the following progression, and play it several times on your guitar or keyboard. G minor: i VI iv V i Both the tonic and submediant chords function as tonic, followed by the subdominant and the dominant chord leading to the cadence. Chromatic Chords Functioning as the Predominant |OL2-1 As we have seen in previous chapters, the use of chromaticism adds color, tension, and dissonance to a tonal composition. Using the previous progression, let’s add a few altered pitches to the subdominant chord. Instead of fa-le-do (4, ♭6, 1), how would the sound change if the do was raised and spelled enharmonically as a ra? What quality of chord would be created? Using the same progression above, realize both line 1 and line 2 on your guitar or keyboard. Gmin: i VI iv V i G- E ! C- D G- Gmin: i VI N6 V i G- E ! A !/C D G- Notice how the A♭ major chord is functioning as a predominant chord, leading to the D. The same principle works in major keys.
    [Show full text]
  • CG36(2019)12Final 3 April 2019
    36th SESSION Report CG36(2019)12final 3 April 2019 Social rights of young people: the role of local and regional authorities Current Affairs Committee Co-rapporteurs:1 Liisa ANSALA, Finland (L, ILDG) and Piero FASSINO, Italy (L, SOC) Resolution 442 (2019) ................................................................................................................... 2 Recommendation 433 (2019) ........................................................................................................ 5 Explanatory memorandum ............................................................................................................ 7 Summary Following a series of debates, resolutions and other instruments to strengthen the integration, participation and engagement of young people at the local and regional level, this report focuses on the social rights of young people guaranteed by the European Social Charter. It underlines the essential role that local and regional authorities play by virtue of their competences in the social field, in facilitating the access and effective exercise of social rights by young people, as well as the implementation of the Social Charter and its jurisprudence as being a source of inspiration for local and regional authorities to take action in this field. The report calls on local and regional authorities to encourage their national authorities to sign and ratify the revised European Social Charter, and to accept the collective complaints procedure. It also invites them to disseminate the text of the Charter through their own communication channels and social networks, and raise awareness of the social rights of young people through various initiatives. It further recommends the governments of member States to develop and co-ordinate actions with other levels of governance to raise awareness of young people’s social rights, and invites governments of the States’ Parties to the Charter to involve local and regional authorities throughout the implementation of this legal instrument.
    [Show full text]
  • Progressive Chromatic Processes in Rachmaninoff's ÛTude-Tableau Op
    Nota Bene: Canadian Undergraduate Journal of Musicology Volume 7 | Issue 1 Article 5 Progressive Chromatic Processes in Rachmaninoff 's Étude-Tableau op. 33, no. 8 Tegan G. E. Niziol Queen's University Recommended Citation Niziol, Tegan G. E. (2014) "Progressive Chromatic Processes in Rachmaninoff 's Étude-Tableau op. 33, no. 8," Nota Bene: Canadian Undergraduate Journal of Musicology: Vol. 7: Iss. 1, Article 5. Progressive Chromatic Processes in Étude-Tableau no. 8 N NB B Progressive Chromatic Processes in Rachmaninoff’s Étude-Tableau op. 33, no. 8 Tegan G. E. Niziol Year IV – Queen’s University In the nineteenth century, many composers expanded the function and implementation of chromaticism within the context of tonality. Sergei Rachmaninoff greatly contributed to this development, as is evident in his Étude-Tableau op. 33, no. 8. Rachmaninoff composed the Études-Tableaux op. 33 in 1911 during his most productive years as a composer. They are considered an example of his mature style of piano composition.1 As suggested by the title, the Études-Tableaux are studies, each presenting a specific technical challenge; however, in them Rachmaninoff includes a great sense of artistry. In addition, the term “tableaux” implies they are studies of tone painting, as exemplified through his use of colourful sonorities.2 In Rachmaninoff: Life, Works, Recordings, Max Harrison states that “while exploring a variety of themes, [the Études-Tableaux] investigate the transformation of rather 1. Pamela Wright Wilder, “Sergei Rachmaninoff: Understanding the Composer through the Études-Tableaux, Op. 33” (DMA diss., University of Alabama, 1988), 1. 2. Ibid., 3–4. 61 Nota Bene specific climates of feeling via piano textures and sonorities.”3 A thorough analysis of this work reveals how expanded chromatic processes infuse the music and create a varied palette of tone colours.
    [Show full text]