Introduction in Malayalam There Are Two Prevailing Orthographies - Traditional and Reformed - Both Are Written Using Same Malayalam Character Set
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ka И @И Ka M Л @Л Ga Н @Н Ga M М @М Nga О @О Ca П
ISO/IEC JTC1/SC2/WG2 N3319R L2/07-295R 2007-09-11 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal for encoding the Javanese script in the UCS Source: Michael Everson, SEI (Universal Scripts Project) Status: Individual Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Replaces: N3292 Date: 2007-09-11 1. Introduction. The Javanese script, or aksara Jawa, is used for writing the Javanese language, the native language of one of the peoples of Java, known locally as basa Jawa. It is a descendent of the ancient Brahmi script of India, and so has many similarities with modern scripts of South Asia and Southeast Asia which are also members of that family. The Javanese script is also used for writing Sanskrit, Jawa Kuna (a kind of Sanskritized Javanese), and Kawi, as well as the Sundanese language, also spoken on the island of Java, and the Sasak language, spoken on the island of Lombok. Javanese script was in current use in Java until about 1945; in 1928 Bahasa Indonesia was made the national language of Indonesia and its influence eclipsed that of other languages and their scripts. Traditional Javanese texts are written on palm leaves; books of these bound together are called lontar, a word which derives from ron ‘leaf’ and tal ‘palm’. 2.1. Consonant letters. Consonants have an inherent -a vowel sound. Consonants combine with following consonants in the usual Brahmic fashion: the inherent vowel is “killed” by the PANGKON, and the follow- ing consonant is subjoined or postfixed, often with a change in shape: §£ ndha = § NA + @¿ PANGKON + £ DA-MAHAPRANA; üù n. -
Pos. KE QA GE GA Initial ᠬ ᠭ Medial Final
Proposal to encode two Mongolian letters Badral Sanlig [email protected] Jamiyansuren Togoobat [email protected] Munkh-Uchral Enkhtur [email protected] Bolorsoft LLC, Mongolia 1 Introduction This is a proposal to encode two additional mongolian letters that are most actively used for writing texts in traditional Mongolian writing system. These letters are at the present partially implemented as variant forms of correspond- ingly QA, GA. The first letter is Mongolian KE, which is known as feminine form of QA and second letter is Mongolian GE, which is known as feminine form of GA. Pos. KE QA GE GA ᠬ ᠭ initial medial final - Table 1: Forms of KE(QA) and GE(GA). In current encoding scheme, only final and medial form of GE are encoded and all other forms of GE, KE (such as initial GE, KE, medial KE) can be illustrated only through open type font algorithms. On top of that, those cur- rently encoded forms of GE are only as variant of GA (medial form of GE is second variant by FVS1, whereas final form of GE is fourth variant by FVS3) implemented. QA, KE, GA, GE are most frequently used characters in Mongol script, as most of the heading words are started by these letters, all nominal forms of verb are built by these letters and all long vowels are illustrated by these letters. To back up our argument, we have done the frequency analysis of Mongol script letters in our lexical database, which contains 41808 non-inflected distinct words (lemma), result of our analysis are shown in Table 2. -
Ahom Range: 11700–1174F
Ahom Range: 11700–1174F This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
2016 Semi Finalists Medals
2016 US Physics Olympiad Semi Finalists Medal Rankings StudentMedal School City State Abbott, Ryan WHopkinsBronze Medal SchoolNew Haven CT Alton, James SLakesideHonorable Mention High SchoolEvans GA ALUMOOTIL, VARKEY TCanyonHonorable Mention Crest AcademySan Diego CA An, Seung HwanGold Medal Taft SchoolWatertown CT Ashary, Rafay AWilliamHonorable Mention P Clements High SchoolSugar Land TX Balaji, ShreyasSilver Medal John Foster Dulles High SchoolSugar Land TX Bao, MikeGold Medal Cambridge Educational InstituteChino Hills CA Beasley, NicholasGold Medal Stuyvesant High SchoolNew York NY BENABOU, JOSHUA N Gold Medal Plandome NY Bhattacharyya, MoinakSilver Medal Lynbrook High SchoolSan Jose CA Bhattaram, Krishnakumar SLynbrookBronze Medal High SchoolSan Jose CA Bhimnathwala, Tarung SBronze Medal Manalapan High SchoolManalapan NJ Boopathy, AkhilanGold Medal Lakeside Upper SchoolSeattle WA Cao, AntonSilver Medal Evergreen Valley High SchoolSan Jose CA Cen, Edward DBellaireHonorable Mention High SchoolBellaire TX Chadraa, Dalai BRedmondHonorable Mention High SchoolRedmond WA Chakrabarti, DarshanBronze Medal Northside College Preparatory HSChicago IL Chan, Clive ALexingtonSilver Medal High SchoolLexington MA Chang, Kevin YBellarmineSilver Medal Coll PrepSan Jose CA Cheerla, NikhilBronze Medal Monta Vista High SchoolSan Jose CA Chen, AlexanderSilver Medal Princeton High SchoolPrinceton NJ Chen, Andrew LMissionSilver Medal San Jose High SchoolFremont CA Chen, Benjamin YArdentSilver Medal Academy for Gifted YouthIrvine CA Chen, Bryan XMontaHonorable -
1 PASANGAN DAN SANDHANGAN DALAM AKSARA JAWA Oleh
PASANGAN DAN SANDHANGAN DALAM AKSARA JAWA1 oleh: Sri Hertanti Wulan [email protected] Jurusan Pendidikan Bahasa Daerah FBS UNY Aksara nglegena yang digunakan dalam ejaan bahasa Jawa pada dasarnya terdiri atas dua puluh aksara yang bersifat silabik Darusuprapta (2002: 12-13). Masing-masing aksara mempunyai aksara pasangan, yakni aksara yang berfungsi untuk menghubungkan suku kata mati/tertutup dengan suku kata berikutnya, kecuali suku kata yang tertutup dengan wignyan (.. ), layar (....), dan cecak (....). Pasangan – pasangan tersebut antara lain: a) Aksara pasangan wutuh, ditulis di bawah aksara yang diberi pasangan dan tidak disambung, yaitu antara lain: Tabel 1 Pasangan Wutuh pasangan Wujud Contoh Ra … dalan ramé= Ya … tumbas yuyu = Ga … dalan gĕdhé = .… dolan ngomah = nga b) Aksara pasangan tugelan ditulis di belakang aksara yang diberi pasangan dan tidak disambungkan dengan aksara yang diberi pasangan, yaitu antara lain: 1Disampaikan dalam PPM PelatihanAksaraJawadan PendirianHanacaraka Centre sebagaiRevitalisasiFungsiAksaraJawa kerjasama FBS UNY dan Dinas Dikpora DIY. Dilaksanakan di Dikpora DIY, Senin 28 Oktober 2013. 1 Tabel 2.1 Pasangan Tugelan pasangan Wujud Contoh ha … adhĕm hawané = pa … bakul pĕlĕm = sa … dalan sĕpi = c) Aksara pasangan tugelan ditulis di bawah aksara yang diberi pasangan dan tidak disambungkan dengan aksara yang diberi pasangan, yaitu antara lain: Tabel 2.2 Pasangan Tugelan pasangan Wujud Contoh kilèn kalen= ka … wis takon = ta … tas larang = la … Pasangan – pasangan tersebut, bila mendapatkan sandhangan -
Source Readings in Javanese Gamelan and Vocal Music, Volume 2
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES MICHIGAN PAPERS ON SOUTH AND SOUTHEAST ASIA Editorial Board Alton L. Becker Karl L. Hutterer John K. Musgrave Peter E. Hook, Chairman Ann Arbor, Michigan USA KARAWITAN SOURCE READINGS IN JAVANESE GAMELAN AND VOCAL MUSIC Judith Becker editor Alan H. Feinstein assistant editor Hardja Susilo Sumarsam A. L. Becker consultants Volume 2 MICHIGAN PAPERS ON SOUTH AND SOUTHEAST ASIA; Center for South and Southeast Asian Studies The University of Michigan Number 30 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 82-72445 ISBN 0-89148-034-X Copyright ©' 1987 by Center for South and Southeast Asian Studies The University of Michigan Publication of this book was assisted in part by a grant from the Publications Program of the National Endowment for the Humanities. Additional funding or assistance was provided by the National Endowment for the Humanities (Transla- tions); the Southeast Asia Regional Council, Association for Asian Studies; The Rackham School of Graduate Studies, The University of Michigan; and the School of Music, The University of Michigan. Printed in the United States of America ISBN 978-0-89-148034-1 (hardcover) ISBN 978-0-47-203819-0 (paper) ISBN 978-0-47-212769-6 (ebook) ISBN 978-0-47-290165-4 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ CONTENTS PREFACE: TRANSLATING THE ART OF MUSIC A. -
ISO/IEC JTC1/SC2/WG2 N 2005 Date: 1999-05-29
ISO INTERNATIONAL ORGANIZATION FOR STANDARDIZATION ORGANISATION INTERNATIONALE DE NORMALISATION --------------------------------------------------------------------------------------- ISO/IEC JTC1/SC2/WG2 Universal Multiple-Octet Coded Character Set (UCS) -------------------------------------------------------------------------------- ISO/IEC JTC1/SC2/WG2 N 2005 Date: 1999-05-29 TITLE: ISO/IEC 10646-1 Second Edition text, Draft 2 SOURCE: Bruce Paterson, project editor STATUS: Working paper of JTC1/SC2/WG2 ACTION: For review and comment by WG2 DISTRIBUTION: Members of JTC1/SC2/WG2 1. Scope This paper provides a second draft of the text sections of the Second Edition of ISO/IEC 10646-1. It replaces the previous paper WG2 N 1796 (1998-06-01). This draft text includes: - Clauses 1 to 27 (replacing the previous clauses 1 to 26), - Annexes A to R (replacing the previous Annexes A to T), and is attached here as “Draft 2 for ISO/IEC 10646-1 : 1999” (pages ii & 1 to 77). Published and Draft Amendments up to Amd.31 (Tibetan extended), Technical Corrigenda nos. 1, 2, and 3, and editorial corrigenda approved by WG2 up to 1999-03-15, have been applied to the text. The draft does not include: - character glyph tables and name tables (these will be provided in a separate WG2 document from AFII), - the alphabetically sorted list of character names in Annex E (now Annex G), - markings to show the differences from the previous draft. A separate WG2 paper will give the editorial corrigenda applied to this text since N 1796. The editorial corrigenda are as agreed at WG2 meetings #34 to #36. Editorial corrigenda applicable to the character glyph tables and name tables, as listed in N1796 pages 2 to 5, have already been applied to the draft character tables prepared by AFII. -
The Unicode Standard, Version 4.0--Online Edition
This PDF file is an excerpt from The Unicode Standard, Version 4.0, issued by the Unicode Consor- tium and published by Addison-Wesley. The material has been modified slightly for this online edi- tion, however the PDF files have not been modified to reflect the corrections found on the Updates and Errata page (http://www.unicode.org/errata/). For information on more recent versions of the standard, see http://www.unicode.org/standard/versions/enumeratedversions.html. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Addison-Wesley was aware of a trademark claim, the designations have been printed in initial capital letters. However, not all words in initial capital letters are trademark designations. The Unicode® Consortium is a registered trademark, and Unicode™ is a trademark of Unicode, Inc. The Unicode logo is a trademark of Unicode, Inc., and may be registered in some jurisdictions. The authors and publisher have taken care in preparation of this book, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode®, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. Dai Kan-Wa Jiten used as the source of reference Kanji codes was written by Tetsuji Morohashi and published by Taishukan Shoten. -
An Introduction to Indic Scripts
An Introduction to Indic Scripts Richard Ishida W3C [email protected] HTML version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.html PDF version: http://www.w3.org/2002/Talks/09-ri-indic/indic-paper.pdf Introduction This paper provides an introduction to the major Indic scripts used on the Indian mainland. Those addressed in this paper include specifically Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Oriya, Tamil, and Telugu. I have used XHTML encoded in UTF-8 for the base version of this paper. Most of the XHTML file can be viewed if you are running Windows XP with all associated Indic font and rendering support, and the Arial Unicode MS font. For examples that require complex rendering in scripts not yet supported by this configuration, such as Bengali, Oriya, and Malayalam, I have used non- Unicode fonts supplied with Gamma's Unitype. To view all fonts as intended without the above you can view the PDF file whose URL is given above. Although the Indic scripts are often described as similar, there is a large amount of variation at the detailed implementation level. To provide a detailed account of how each Indic script implements particular features on a letter by letter basis would require too much time and space for the task at hand. Nevertheless, despite the detail variations, the basic mechanisms are to a large extent the same, and at the general level there is a great deal of similarity between these scripts. It is certainly possible to structure a discussion of the relevant features along the same lines for each of the scripts in the set. -
Specifying Optional Malayalam Conjuncts
Specifying Optional Malayalam Conjuncts Cibu Johny <[email protected]> Roozbeh Poornader <[email protected]> 2013Jan28 Current status Indic conjunct formation scheme currently favors the full conjunct for a given set of characters. Example: क् + ष → is prefered as opposed to क् ष. (KAd + SSAl → K.SSAn ) क् ष can be obtained by क् + ZWJ + ष which is KAd + ZWJ + SSAl → KAh + SSAn The Need In Malayalam there are two prevailing orthographies traditional and reformed both written with same Malayalam character set. The difference between them is typically manifested only by the font. Traditional orthography fonts accomodate lot more full conjuncts, while reformed orthography fonts would use visibile virama (Chandrakkala) separated sequences for many of those full conjuncts. For the vowel signs of U, UU, and Vocalic vowels and also for the RAsign, reformed orthography font would use visually separate conjoining form. However, there is a definite need for the ability in a reformed orthography font to display the traditional full conjuncts on demand. As of now there is no mechanism specified in the standard to suggest a full conjunct of a cluster. The reverse case is also needed a traditional orthography font might want to display reformed othrography grapheme clusters optionally. Following proposal uses ZWJ and ZWNJ insertions to achieve this need. However, potentially Chillu forming sequence <Consonant + Virama + ZWJ> is not used for any of the cases listed below. Proposal Case 1 1 The sequence <Consonant + ZWJ + Conjoining Vowel Sign> has following fallback order for display: 1. Full Conjunct 2. Consonant + nonconjoining vowel sign Example with reformed orthography font (in a reformed orthography Malayalam font that can allow optional traditional orthography) SA + Vowel Sign U → SA + ZWJ + Vowel Sign U → Case 2 <Consonant1 + ZWJ + Virama + Consonant2> has following display fallback order: 1. -
UTC L2/20-061 2020-01-28 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale De Normalisation
UTC L2/20-061 2020-01-28 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Doc Type: Working Group Document Title: Final Proposal to encode Western Cham in the UCS Source: Martin Hosken Status: Individual contribution Action: For consideration by UTC and ISO Date: 2020-01-28 Executive Summary. This proposal is to add 97 characters to a block: 1E200-1E26F in the supplementary plane, named Western Cham. In addition, 1 character is proposed for inclusion in the Arabic Extended A block: 08A0-08FF. The proposal is a revision of L2/19-217r3. A revision history is given at the end of the main text of this document. Introduction. Eastern Cham is already encoded in the range AA00-AA5F. As stated in N4734, Western Cham while closely related to Eastern Cham, is sufficiently different in style for Eastern Cham characters in plain text to be unintelligible to Western Cham readers and therefore a separate block is required. As such, the proposal to encode Western Cham in a separate block from (Eastern) Cham can be considered a disunification. But since Western Cham was never supported in the (Eastern) Cham block, it can be argued that this is a proposal for a new script. This is further discussed in the section on disunification. The Western Cham encoding follows the same encoding model as for (Eastern) Cham. There is no halant or virama that calls for a Brahmic model. The basic structure is a base character followed by a sequence of marks as described in the section on combining orders. -
Introduction to Old Javanese Language and Literature: a Kawi Prose Anthology
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES THE MICHIGAN SERIES IN SOUTH AND SOUTHEAST ASIAN LANGUAGES AND LINGUISTICS Editorial Board Alton L. Becker John K. Musgrave George B. Simmons Thomas R. Trautmann, chm. Ann Arbor, Michigan INTRODUCTION TO OLD JAVANESE LANGUAGE AND LITERATURE: A KAWI PROSE ANTHOLOGY Mary S. Zurbuchen Ann Arbor Center for South and Southeast Asian Studies The University of Michigan 1976 The Michigan Series in South and Southeast Asian Languages and Linguistics, 3 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 76-16235 International Standard Book Number: 0-89148-053-6 Copyright 1976 by Center for South and Southeast Asian Studies The University of Michigan Printed in the United States of America ISBN 978-0-89148-053-2 (paper) ISBN 978-0-472-12818-1 (ebook) ISBN 978-0-472-90218-7 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ I made my song a coat Covered with embroideries Out of old mythologies.... "A Coat" W. B. Yeats Languages are more to us than systems of thought transference. They are invisible garments that drape themselves about our spirit and give a predetermined form to all its symbolic expression. When the expression is of unusual significance, we call it literature. "Language and Literature" Edward Sapir Contents Preface IX Pronounciation Guide X Vowel Sandhi xi Illustration of Scripts xii Kawi--an Introduction Language ancf History 1 Language and Its Forms 3 Language and Systems of Meaning 6 The Texts 10 Short Readings 13 Sentences 14 Paragraphs..