The Building of Consent: Initiation Rituals and Students' Power Relations in the University of Coimbra
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Information for Incoming Exchange Students
Information for incoming exchange students UNIVERSITY OF COIMBRA, PORTUGAL YOUR STUDY ABROAD DESTINATION › Proposals for new exchange agreements A LEADING should be sent by Departmental or Institutional INTERNATIONAL Coordinators to: [email protected] UNIVERSITY Free mover students Students coming from a non-partner institution THE UNIVERSITY OF COIMBRA (uc) is a Portuguese can apply for an exchange period of studies at public higher education institution with more than the University of Coimbra as free mover students. 700 years of experience in education, training and Applicable fees vary according to the course units research. The first and the only Portuguese-speak- selected by the applicant. ing university until the early 20th century, uc has affirmed its position over the years with a unique mix Key education and research of tradition, modernity and innovation. programmes and consortia uc is classified as World Heritage by theunesco for its unique tangible (historical buildings) and › Carnegie Mellon-Portugal (information and intangible (knowledge and culture) heritage, a communication technologies) key part of the history of European and global › Harvard-Portugal Clinical Scholars Research scientific culture. Training Program (clinical research) uc offers education and research in all study levels › MIT-Portugal (bioengineering, sustainable and in nearly all subject areas. Collaborative research, energy, transportation systems) business partnerships and student exchanges are all › UT Austin Portugal (digital media, advanced part of the internationalisation programme designed computing and mathematics, university to enhance the academic and cultural experience enterprise networking) for all. The majority of the education and research › Ageing@Coimbra activities take place within the framework of a large › Coimbra Health network of contacts and partnerships with higher › M8 Alliance education institutions from all over the world, from Europe to Africa, North and South America, Asia, Strategic university networks Middle East and Australia. -
BECAS SANTANDER WOMAN | W50 LEADERSHIP 2021” (11Th Edition)
Confidential TERMS AND CONDITIONS “BECAS SANTANDER WOMAN | W50 LEADERSHIP 2021” (11th Edition) London School of Economics with the financial support of Banco Santander, S.A., has developed the Santander Scholarship Programme Becas Santander Women | W50 Leadership 2021, which will facilitate and promote that the next generation of female leaders around the world will be equipped with training, tools and leadership skills required to advance and succeed in leadership positions. I. Objectives The “Becas Santander Women | W50 Leadership 2021” Programme (“the Programme”) will assist women possessing more than ten (10) years of work experience and fluent in English. The aim of the Programme is consider their own leadership characteristics and techniques in the context of robust analytic frameworks, in particular: • To emphasise the critical study of leadership and its implications for global leadership. • To introduce selected theoretical frameworks. • To apply leadership theories to practice. • To develop personal leadership skills and style. II. Recipients This Programme will be open to women possessing more than ten (10) years of work experience in any organization (corporates, startups, NGOs, universities and science institutions, etc), fluent in English and, also, nationals or residents of Spain, Portugal, United Kingdom, Germany, Poland, Colombia, Peru, Mexico, Argentina, United States, Chile, Uruguay and Brazil (hereinafter, the “Candidates”). These Candidates will have to meet the selection criteria set out below. Obtaining a free place on the training course that is offered under the Programme will be compatible with holding other classroom attendance scholarships of a different kind that may be available to the student engaging in work experience under the Programme, regardless of whether these are public or private in nature. -
Efervescência Estudantil Estudantes, Acção Contenciosa E Processo Político No Final Do Estado Novo (1956-1974)
Universidade de Lisboa Instituto de Ciências Sociais Efervescência Estudantil Estudantes, acção contenciosa e processo político no final do Estado Novo (1956-1974) Guya Accornero Doutoramento em Ciências Sociais Especialidade de Sociologia Histórica 2009 Universidade de Lisboa Instituto de Ciências Sociais Efervescência Estudantil Estudantes, acção contenciosa e processo político no final do Estado Novo (1956-1974) Guya Accornero Doutoramento em Ciências Sociais Especialidade de Sociologia Histórica Tese orientada pelo Prof. Doutor Manuel Villaverde Cabral 2009 Tese financiada pela Fundação para a Ciência e a Tecnologia (FCT), fundos nacionais do Ministério da Ciência Tecnologia e o Ensino Superior (MCTES), Referência SFRH/BD/23008/2005 Ao meu avô, Mario Cantele e a todos aqueles que, como ele, lutaram para abrir espaços de democracia. Efervescência Estudantil Resumo O movimento estudantil, um dos mais activos contra o Estado Novo nas suas últimas décadas, intensificou-se a partir de 1956, quando os estudantes conseguiram bloquear a tentativa do Governo de pôr as associações académicas sob o seu controlo. Isso coincidiu com uma conjuntura internacional que provocou profundas consequências na política contenciosa. O XXº Congresso do PCUS, com as consequentes crises nos países satélites da União Soviética e com a eclosão do conflito com a China, e o Civil Rights Movements nos Estados Unidos, foram os elementos mais salientes. A nível interno, os seus efeitos foram amplificados pela campanha eleitoral do General Humberto Delgado em 1958 e pelo início da guerra colonial em 1961. Estes factores contribuíram para a emergência em Portugal de um amplo ciclo de protesto, que concorreu para a politização do sector estudantil e na sua fase final, caracterizada por uma forte repressão, para a radicalização da oposição política, com o aparecimento das primeiras formações maoístas. -
International Students Pursuing Higher Education
DEPARTAMENTO DE EDUCACIÓN COMPARADA E HISTORIA DE LA EDUCACIÓN FACULTAD DE FILOSOFÍAY CIENCIAS DE LA EDUCACIÓN UNIVERSIDAD DE VALENCIA INTERNATIONALISATION IN HIGHER EDUCATION: A COMPARATIVE VIEW OF CROSS-BORDER TYPES 1 & 2 EDUCATION AND THEIR IMPACT ON DEVELOPING AND DEVELOPED COUNTRIES Jacqueline M. Taylor Trabajo de Investigación del Programa de Doctorado 120F. Director: Dr. Luis Miguel Lázaro Lorente Valencia, mayo de 2014 2 ACKNOWLEDGEMENT The journey has been longer than initially anticipated, and certainly a memorable one. Embarking on this journey was made possible when the Department of Comparative Education and the History of Education accepted my letter of application. Thus, I express my gratitude for having had the opportunity to pursue my studies within the department and by extension, the University of Valencia. The journey has been both challenging and very rewarding due to all the persons who have made this a worthwhile experience. I begin by expressing thanks to Dr. Luis Miguel Lázaro Lorente for having accepted to be director of my Doctoral thesis. His ongoing encouragement to publish articles and to co-author a chapter, as well as his administrative assistance in providing the necessary documents required of the department for the renewal of my student visa annually is greatly appreciated. I am also grateful for the interest in my progress shown by each person in the Secretary Office of the department, Dr. Joan Marie Senet and Dr. Maria Jesús Martinez Usarralde throughout the years. I also wish to thank all my classmates, especially Ana Garcia, who has enriched my international student experience. I would like to thank my all friends who have encouraged me along this trajectory; but special thanks to Noemi Martinez, Loida Sanchez, Danny Moreno and David Guaita who have been with me on this journey from the beginning and who have been most encouraging and very supportive when I needed it most. -
COLLEGE of POLYTECHNICS JIHLAVA Department of Travel/Tourism
COLLEGE OF POLYTECHNICS JIHLAVA Department of Travel/Tourism Comparison of Travel/Tourism Studies in the Czech Republic and Portugal Author: Jan Hasenkopf Supervisor: Zdislava Kratochvílová Jihlava 2010 Anotace Bakalářská práce si klade za cíl vystihnout podobnosti a odlišnosti dvou vysokoškolských institucí z dvou odlišných zemí – České republiky a Portugalska. Práce je rozdělena do třech částí. V první, teoretické části, se autor zabývá hodnocením kvality vysokých škol a portugalským vysokoškolským systémem. Druhá a třetí část je věnována prezentaci studia cestovního ruchu při Vysoké škole polytechnické v Jihlavě a Institúto politécnico de Viana do Castelo. Klíčová slova Obor cestovní ruch, Portugalsko, vysokoškolské vzdělávání, porovnání, ESTG, VŠPJ Annotation This bachelor thesis aims to describe the similarities and differences between the two higher education institutions from two different countries – the Czech Republic and Portugal. The work is divided into three parts. In the first, theoretical part, the author deals with assessing the quality of universities (colleges) and the Portuguese higher education system. The second and the third part are applied to the presentation of the Travel/Tourism studies at the College of Polytechnics Jihlava and the Viana do Castelo Polytechnic Institute. Key words Travel/Tourism course, Portugal, higher education, comparison, ESTG, VŠPJ 2 Acknowledgement First, I would like to thank to my supervisor of this thesis, Zdislava Kratochvílová, for her guidance and advice. I would like also to thank to Carlos Fernandes, the Head of the Travel/Tourism Department of the IPVC, and in addition, to Carlos Domingues, my former classmate from Viana do Castelo, for their helpfulness in answering my questions. 3 Prohlášení Prohlašuji, že předložená bakalářská práce je původní a zpracoval jsem ji samostatně. -
The Nature of Portuguese Cinema: Environment on the Silver Screen PATRÍCIA VIEIRA Georgetown University
The Nature of Portuguese Cinema: Environment on the Silver Screen PATRÍCIA VIEIRA Georgetown University Abstract: This article analyzes the representation of nature in Portuguese cinema from the silent era to contemporary productions. I argue that cinematic depictions of the environment reflect the socio-economic and political changes Portugal went through in the past century. Early films showcased natural beauty, together with local traditions, and created what I define as a “domesticated natural sublime.” Estado Novo filmography portrayed nature as a godlike entity that could both be the source of adversity and a loving, nurturing mother and presented authority figures as instantiations of this powerful force. Salazarist films also praised the countryside to the detriment of city life, a dichotomous view of the environment that continued in movies from the democratic period. In more recent work, we witness the development of an ecological consciousness, as films meditate upon the relation between humanity and the environment in late modernity. Keywords: Regionalism; domesticated natural sublime; environmentalism; ecology Nature inconspicuously creeps into film, insinuating itself into a shot, framing a sequence and ultimately coloring the entire movie as the backdrop for human action. Unlike literary works, where descriptions are optional, cinema cannot but depict the landscape—the sky, the sea or a mountain, plants and animals— 112 Journal of Lusophone Studies 2.1 (Spring 2017) as the background for events captured by the lens.1 Often out of focus, decorating the edges of the frame where humans take center stage, the representation of natural elements in many cinematic productions is symptomatic of a widespread attitude towards the environment, which is taken for granted as décor or as a commodity that is and always will be simply there, ready for human appropriation. -
CHAPTER 2 ‘From the Night and the Light, All Festivals Are Golden’: the Festivalization of Culture in the Late Modernity1,2
CHAPTER 2 ‘From the night and the light, all festivals are golden’: The festivalization of culture in the late modernity1,2 Paula Guerra Abstract Festivals have been stated as important forms of social and cultural participation. In the twenty‐first century, all countries have been faced with a number of annual2 festivals, but also by diversifying the type of festivals, its location and its audiences. The festival model has expanded all over the world and became globalize. With this model emerged the so‐ called ‘festivalization of culture’. Portugal was no different in this phenomenon. The main purpose of this chapter is to explore the Portuguese festival dynamics. These dynamics have the function of globalization coding, marketing and culture of media coverage, mobilizing thousands of actors on the supply side, in mediation and on the demand side. There are several elements that prove this in Portugal: unprecedented evolution in the number of festivals over the past two decades; the spread of festivals around the country, especially in its Atlantic coast and in metropolitan areas; the exponential increase of the habitués; the weight of the turnover of the festivals in the statement of accounts culture and cultural industries; the importance of festivals for the launch and projection of the bands; and, above all, the design of a new way of life in an environment marked by consumptions, appropriations and embodiments of practices, associated with experience and sociability of the festival. 1 This chapter result of an intensive research carried out since 2005, anchored in three projects. The first, developed between 2005 and 2009, Urban cultures and youth lifestyles: Scenery, sounds and aesthetic in contemporary Portuguese (SFRH / BD / 24614/2005), at the Institute of Sociology of the University of Porto (IS‐UP), coordinated by the author of this article and funded by the Science and Technology Foundation (FCT). -
Higher Education As a Bridge to the Future Triennial Report 2011-2014
INTERNATIONAL ASSOCIATION OF UNIVERSITY (IAUP) PRESIDENTS ASSOCIATION INTERNATIONAL INTERNATIONALHigher Education ASSOCIATION as OF a UNIVERSITY Bridge to PRESIDENTS the Future (IAUP) TRIENNIAL) TRIENNIAL) 2014 YOKOHAMA BAY BRIDGE, JAPAN ( JAPAN BRIDGE, BAY YOKOHAMA 2011-2014 TRIENNIAL TRIENNIAL REPORT 2011-2014 HIGHER EDUCATION AS A BRIDGE TO THE FUTURE TRIENNIAL REPORT 2011-2014 HIGHER EDUCATION AS A BRIDGE TO THE FUTURE TRIENNIAL REPORT 2011-2014 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing by the publisher. Copyright © 2014 by International Association of University Presidents Published in 2014 in the United States of America by the International Association of University Presidents, 809 United Nations Plaza, New York, NY 10017-3580. For more information please contact IAUP at [email protected]. Book design by Mahesh Nair, EssEmm Arts, Coimbatore, Tamil Nadu, India. Printed and bound in the United States of America by AlphaGraphics, Midland Park, NJ, USA. Bridge Image credits: Cover | Yokohama Bay Bridge, Japan (2014 Triennial) 1 | Sydney Harbour Bridge, Australia (2002 Triennial) CC- 25 | Baluarte Bridge, Mexico (1987 Triennial) CC-BY- CC BY 2.0 Skyseekerhttps://www.flickr.com/photos/ BY-SA 2.5 Adam.J.W.C.http://commons.wikimedia.org/wiki/ NC-SA 2.0 Gobierno Federalhttps://www.flickr.com/ skyseeker/13550426/in/photostream/ Modifications: Crop, File:Sydney_harbour_bridge_dusk.jpg Modifications: Crop, photos/30118979@N03/8232173545/ Modifications: -
University of Coimbra
University of Coimbra Erasmus page http://www.uc.pt/en/driic/mobilidade/in/ Erasmus code P COIMBRA01 Brief description of the University Established in 1290, it is the oldest university of Portugal. Contact person(s) Mrs. Teresa Silva [email protected] Field(s) of bilateral agreement Travel, tourism and leisure Academic and Administrative Matters Courses for exchange students in English www.uc.pt/en/ects/catalogo Language requirement(s) English (B1) and Portuguese (B1) Orientation Day To be determined each semester Semesters (including examination Fall semester: September-December period) Spring semester: February-June Application deadline Fall semester: 15th of July Spring semester: 15th of December Application procedure http://www.uc.pt/en/driic/estudantesIN/CandidatIN/ Accommodation www.uc.pt/go/accommodation Costs of living expenses €550-650 per month About the city Coimbra is considered to be the biggest student city of Portugal. UNIVERSITY INFORMATION SHEET FOR MOBILITY STUDENTS OF COIMBRA UNIVERSITY Name of the University University of Coimbra Rector João Gabriel Silva Vice-Rector for International Joaquim Ramos de Carvalho Relations University Code P COIMBRA01 Website www.uc.pt INTERNATIONAL RELATIONS UNIT Head of the Unit Filomena Marques de Carvalho Address Divisão de Relações Internacionais Universidade de Coimbra Colégio de São Jerónimo – Largo D. Dinis 3000-143 COIMBRA - PORTUGAL Tel. +351 239 857000 Fax +351 239 857002 E-mail [email protected] Website www.uc.pt/driic Mobility and reception Incoming student Mobility Tel. +351 239 857003 Fax. +351 239 857002 E-mail: [email protected] Incoming teaching and non-teaching staff mobility Tel. +351 239 857003 Fax. -
Sons De Abril: Estilos Musicais E Movimentos De Intervenção Político-Cultural Na Revolução De 19741
Revista Portuguesa de Musicologia 6, Lisboa, 1996, pp. 141-171 Sons de Abril: estilos musicais e movimentos de intervenção político-cultural na Revolução de 19741 MARIA DE SÃO ]OSÉ CORTE-REAL STE artigo consiste numa reflexão sobre o fenómeno «Sons Ede Abril», definindo-o numa perspectiva de relacionamento entre estilos musicais e movimentos de intervenção político• cultural associados à Revolução de 1974. Partindo de um corpus de música seleccionado de entre o vasto repertório designado correntemente por «música de intervenção» e «música popular portuguesa»/ foram consideradas três situações de relevância social, fortemente interligadas e concorrentes para a definição do fenómeno em estudo: o desenvolvimento político em Portugal sob o regime ditatorial marcadamente autoritário, a Guerra Colonial que mobilizou massivamente a geração da década de sessenta e a consequente fuga para o estrangeiro, nomeadamente para Paris, que tal como outros centros urbanos, albergou a juventude exilada de Portugal. Cada uma destas situações exerceu influências marcantes no desenvolvimento da cultura expressiva em geral e da música em particular em Portugal. A influência de compositores e intérpretes franceses, assim como o trabalho pontual de algumas editoras discográficas foram de importância capital no domínio da canção de intervenção em Portugal. Necessariamente, muitos compositores e intérpretes, assim como obras de relevo ficarão por citar. A inexistência de um estudo sistemático sobre esta matéria revela uma lacuna no conhecimento da cultura expressiva recente em Portugal. O texto original deste artigo foi apresentado numa conferência interactiva realizada na Fonoteca Municipal de Lisboa em 1995, integrada nas comemorações do 21.0 aniversário da Revolução de 1974. Ainda que adaptado ao novo suporte, a sua redução ao formato escrito acarreta necessariamente a amputação de um amplo leque de referências inerentes ao desempenho musical característico dos «Sons de Abril». -
Fado of Coimbra, Intangible Heritage with Touristic Value
Rosa dos Ventos ISSN: 2178-9061 [email protected] Universidade de Caxias do Sul Brasil Beyond Sight and Sound: Fado of Coimbra, Intangible Heritage with Touristic Value COSTA, JOANA; NOSSA, PAULO NUNO Beyond Sight and Sound: Fado of Coimbra, Intangible Heritage with Touristic Value Rosa dos Ventos, vol. 9, no. 4, 2017 Universidade de Caxias do Sul, Brasil Available in: https://www.redalyc.org/articulo.oa?id=473552032004 DOI: https://doi.org/10.18226/21789061.v9i4p557 PDF generated from XML JATS4R by Redalyc Project academic non-profit, developed under the open access initiative JOANA COSTA, et al. Beyond Sight and Sound: Fado of Coimbra, Intangible Heritage with Touristic Va... Artigos Beyond Sight and Sound: Fado of Coimbra, Intangible Heritage with Touristic Value Para além da Vista e do Som: Fado de Coimbra, Património Imaterial com Valor Turístico JOANA COSTA DOI: https://doi.org/10.18226/21789061.v9i4p557 Universidade de Coimbra, Portugal Redalyc: https://www.redalyc.org/articulo.oa? [email protected] id=473552032004 PAULO NUNO NOSSA Universidade de Coimbra, Portugal [email protected] Received: 20 March 2017 Accepted: 20 July 2017 Abstract: On June 22nd, 2013, the University of Coimbra – Alta and Sofia was classified as a World Heritage Site. e World Heritage Committee added a sixth criterion to the Unesco list, distinguishing a particular cultural asset “directly or tangibly associated with a set of events, living traditions, ideas or beliefs, with aesthetic or literary works of outstanding universal significance”: Fado of Coimbra. Over time, this tradition has proven to be an aesthetic expression of lyricism and musicality and, together with a culture devoted to the dissemination of knowledge and the Portuguese language, it has made an inestimable contribution to the distinction awarded to the University of Coimbra. -
Folk Or Fake: the Notion of Authenticity in Portuguese Fado
1 Folk or Fake: The Notion of Authenticity in Portuguese Fado James Patrick Félix Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music March 2015 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement © 2015 The University of Leeds and James Patrick Félix The right of James Patrick Félix to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgements Para a minha mãe Anne Marie Félix, meu pai Amorim Carvalho Félix, minha esposa Denise Sara Bryan e minha filha Emma Maria Félix. This thesis would not have been possible without the assistance and support of a large number of individuals. I wish to extend my thanks first to my supervisory team of Professor Derek Scott and Professor Kevin Dawe, whose input, encouragement and advice helped keep things moving. I would also like to thank friends and colleagues at the University of Leeds, including Dr Karen Burland, Dr Lauren Redhead and Tenley Martin, whose conversations and suggestions allowed me to focus my thoughts and research in the right direction. I would also like to thank Professor Peter Johnson and Dr Liz Garnett at Birmingham Conservatoire who first helped me develop my interest in authenticity and folk music.