PROPERTY OF
VI TA LL BEN UI AT MR . G
EXPERT IN TEXTILES
T O BE SOLD ON T HE AFT ERNOONS OF
DECEMBE R 6TH , 7T H AND 8TH
’ BE G IN N I NG EA CH AFT E RN OON AT 3 O CLOCK
AT T H E AM E R I CAN A R T GAL L E R IE S
ON U E SOU N EW Y K M ADIS SQ AR TH , OR
RENAISSANCE EMBROIDERIES
B E AU TIFU L TEX TIL E S
E X CE E D INGL Y F INE OL D L ACE S
E C CL E S IAS TI CAL R E L I C S
S IL V E R S ANCTU ARY L AM P S
P O ONS OF 16T R 17T H 18T H C R S R DUCTI THE , AND ENTU IE
T H E CO LLECTION T O BE SOLD BY ORDER OF T H E
WE LL- K NOWN E XPERT
VI TAL- L REN GUI AT
AB S OL UTE PUB L I C SAL E
ON T H E D A TE S HE RE IN S TA TE D
T HE SALE WILL BE CONDUCTED BY
CONDIT IONS OF SALE
1 . The hi hest B i e to b e the B u e and i an dis u aris g dd r y r, f y p te e b etwe en two or mo e B id e s th e L ot s in i r d r , o d spute shall b e im
me iatel ut u a ain and re- s l d y p p g o d .
2 Th A uc i n . e t o eer reserv es the right to rej e ct any bid which is mere l a nominal or racti nal adv ance and the e o e in his y f o , r f r , ud ment likel to a ect the a le in uri l j g , y ff S j ous y .
3. Th e Purchas e s to iv e their ames and a r ss s n r g n dd e e , a d to
a own a cash e osit or the whole o the Pu chase- mone p y d d p , f r y, if e i e d in de aul t o which th e L ot or ots s u r qu r , f f L o p rchased to b e
immediatel ut u a ain and re - s ld y p p g o . ’ 4« The L ots to b e taken away at the B uyer s E xp ens e and Risk it t e t - o o o the o o o f the S l e and the w hin w n y f ur h urs fr m c nclusi n a ,
emain er o th e Pu chase - mone t o b e absol utel aid or othe r d f r y y p , _ r “ wis e settled or t o the s atis ac tion o the A uctioneer on or b e ore f f f , f deliv ery; in default of which the undersigned will not h old them s elv es r es onsible i the ots b e l ost s tolen dama e d or est o e p f l , , g , d r y d, but the ill b l e a th s o e isk u chas y w e ft t e l r of the P r er. e the de ed o ol d l l 5 . Whil un rsign will n t h themse ves resp onsib e f or the o e t e Of the de t o e ui e e or authen c rr c n ss scrip i n, g n n n ss, ticit or an l t or de e t an L ot and ke no War y Of, y fau f c in, y , ma t te e t e o e e e i o to d te o f ran y wha v r, h y will, up n r c iving pr v us a S ale trustworthy exp ert opinion in writing that any Painting or ot e Wo k of A rt not t it e e e te d to be use h r r is wha is r pr s n , e ve ry e ff ort on their part t o furnish p roof to the contrary ; fail in in ch the Ob - ect or ob e t in e t o l be ol d b e t g whi , j j c s q u s i n wi l s su j c the de t o of th e o e d e e t he b e l abl e to to clara i n af r sai xp r , ing i he e or e t e e o f o d a e or o o ed t Own r Own rs h r f, r am g injury ccasi n the reby. 6 T o ev ent inaccurac in eliv e and inconv enience in the . p r y d ry, n th urchas es no ot can on an acc un b s ettleme t of e P , L , y o t, e re i th ale mov ed dur ng e S . ilure to com l with the abov e con itions h n 7 . U on a t e mo e p f p y d , y dep osited in p ar t p ayment shall be forfeited; all —L ots u ncleared within one day from conc l usion of S ale shall b e re s old by publ ic or riv ate sale without u ther notice and the de icienc i an p , f r , f y (f y ) attending such re- sale s hall b e made good by the defaulter at
his S ale to ethe with all char es attendin the s am e . This Con t , g r g g dition is without prej udice t o the right of the A uc tioneer to en cont act ma e at this S a e without such re- sale i he force the r d l , , f thinks fit . un e si ne are in no manner connecte with the 8 . The d r g d d ar a e or ackin and shi in o u chas es and business of the c t g p g p p g f p r , although they will af ord to purchasers ev ery facility for em ar u l car ie s and acke s the will not h ol them p loying c ef r r p r , y d s elv es resp onsib le for the acts and charges of the p arties engaged for such services .
N A RT SS CIA TION M N GERS . T H E AME RICA A O , A A
T S K IRBY U CT ON EER. HOMA E . , A I
CA T A L OG U E
’ F IRS T AF ‘TE RNO ON S S AL E
H ECE E m 1 0 T URSDAY, D MB R 6 , 9 6
AT T H E AME RICAN ART GALLE RIES
’ ‘ BEGINNING PR OM PT L-Y AT 3 O CLOCK
ANTIQUE TEXTILES AND E MB ROID E RI ‘E S — 1 SPANISH BROCADE CUSH ION COVER
S evente e nth c entury . — Q SI C ILIAN B ORDER . M ~ e e e e J Embroidered in colore d silks and silver . S v nt nth
century . — — 3 S PANISH DUTCH BROCADE COVER . — 8 BEAUTIFUL RUBY RE D VELVET CHAIR PANEL .
Fifteenth century . — 9 PoRT U GUE s-E RENAISSAN CE ALTAR FRONTAL .
b o e e e e e e e me o Em r id r d mb llishm nts , arab squ s , dalli ns
and p or traits Of saints .
— E 1 0 E MBROID RED FREN CH BANNERET . ”) Jr Louis XVI .
1 1— C SPE IMEN OF GOLD BRO C ADE . M o R yal P ortugues e .
1 2~ E R MB OIDERED ITALIAN ARRAs TAPESTRY PANEL . 5 0? e e e e r 0 2 6 S v nt nth centu y . — l 3 RE D E RICH ITALIAN RUBY V LVET SEAT COVER . fl {a ' o e e l 7 Embr id r d in si ver .
I l — RE D RICH ITALIAN RUBY VELVET SEAT COVER .
o e e in Embr id r d silver . — 1 5 RE D PORTUGUESE RENAISSANCE VELVET CHASUBLE . N Orphreys embroidered with medallions and conv en
tional scrolls . — 6 SADDLE SET .
‘ a fl o is e e e . ee e , J L u Quinz v lv t Thr pi ces . ol 7 5 o ue 3 £ P rtug se R enai ss ance .
1 8— E RICH VENETIAN MBROIDERED D OOR LAMBREQUIN . 7) x5 o e ee l e o O f the e e en e 3 2 C nv nt n d w rk arly s v t enth century .
1 — E 9 Y LLOW SPANISH BROCADE C OVER .
5 ? The de sign consists Of monume nts and conventional
o e . e e ee e fl w rs S v nt nth c ntury . — ”QO VENETIAN CLOTH OF SILVER PANEL . e o el f Classical d sign in g ld . — 2 l SICILIAN LINEN CLOTH . M
e . ee e 4 Embr oider d in colors S event nth c ntury .
— R E 22 S IE RA N VADA LACE COVER . v Fifteenth century . — QS LACE B ORDER .
0 e Spanish R enaissanc .
—‘ 24s BEAUTIFUL M i L AN E sE ALBA FLOUNCE . f M /o Conventional scrolls . — —r - 25 RARE SPANISH PRIE D IEU COVER .
' 0 f l o or of k . 2 Embr oidere d in be autifu c l s sil s — 26 RIC H SPANISH LINEN VA L AN cE .
( 7 ) 5 e o e e e n e o conv en $ 7. With mbr id r d R naissa c scr lls and tional fl owers . — — 27 ITALIAN GREEK LACE BABY BAG. — 30 SPANISH LACE COVER .
fl B o es of o e o al e . 1 2 , ld d igns c nv nti n chim ras
3 1— SPECIMEN OF PERSIAN E MBROIDE RY . M S ixte enth century .
— - 32 EMBROIDERED PUN T o HUN GARO TAPESTRY . fl e o Conventional zigzag de sign in varie gat d c lors . — 33 DAINTY FRENCH E MBROIDERED LAMBRE QUIN .
o e e e o . Q, L uis S iz p ri d — 345 RICH BROCADE .
C onventional scrolls typical of the Louis Treiz e
e o e e of the e e e e e p ri d ; sp cim n s v nt nth c ntury . — 35 S GENOESE RENAIS AN CE CHAIR PANEL .
M B o o e r n D ed o e . J J ld fl ral d sign in silv r
36— A — P IR OF PRIE DIEU CUSHION COVERS . M Got e et . M, hic v lv — 37 PAIR OF D O OR PANELS . M M Venetian R enaissance . — 38 PAIR OF CURTAINS . 3 —E O 9 MBROIDERED FREN CH C PE . ” 4 o e on o e o n e Lo e e e C nv nti al fl w rs in g ld o cr am . uis S iz
p e riod . — A D os - O DE . RIC H VELVET _ FAUTEUIL ? J o e e e o o the e e Embr id r d in rais d bulli n scr lls . In c ntr ’ e e o —of— o is a ch vali r s c at arms with li n rampant .
fi — — l l T w o PUNTO H UN GARO TAPESTRY SEAT COVERS . N T h e e e of the e a ,2 d sign is charact ristic Elizab th n
e p riod . — 42 HENRI DEUX BACK AND S E AT CHAIR COVERS . m — 4 Ric hl y embroide re d with coat- of arms of the double e e e e h ad d agl .
— ‘ ”’ "g 4 3 0 9 35 fi R YAL SPANIS H VELVET PANEL . 0 22 7 Tf ? M ' — — 7fl Classical design of arch es and coat of arms of the
e e e . Hous e of Castile . Sixt nth c ntury
44— MUSC OVITE SILVER AND GOLD DRESS CLOTH . M et f o K/j R elieve d by b ouqu s o r s e s . — 4 5 RICH ITALIAN BANN E R .
Embroider e d with gold . — 46 ITALIAN MEDICI APPLE GREEN TAPESTRY COVERLET .
o e o flo e o e o C nv nti nal w rs f rming m dalli ns .
' — - 4 7 PAIR OF ITALIAN WINE COLORED VELVET PORTIERES. JV ? -1 d S eve nte enth century p er 0 . — 4 8 S E T OF FINE EMBROIDERED TAPESTRY D OOR PANELS .
i n e a e o o . e e - M Geom etr cal de sign i vari g t d c l rs Sixt nth 5 7
e e e e . century . Thr pi c s ’ — - - 4 9 SPANIS H DRAP D OR PORTIERE PANEL .
- M e o e e t e o o o et fi Richly mbr id r d wi h m dalli ns , c r n and — Co t o f r n t o e 1 5 70 . a a ms , and an i scrip i n dat d
— ’ 5 O SPANISH DRAP D OR P ORTIERE PANEL .
m C o o to th e e e d . X31 mpani n pr c ing
WROUGH T—SI LVE R AN D PLATE D H ANGING LAMP S
— L 5 1 INDIAN SILVER SANCTUARY AMP .
S e e ee cen Rep oussé work with Cupid h e ads . v nt nth
' tury .
— w ‘ — “ 5 2 ITALIAN FL o E R SHAPED SILVER LAMP . M D esign typical of th e Spanish R enaissanc e period . — 5 —~ R 3 U N SHAPED SILVER LAMP . M R e o o R o e C 3 fl p ussé w rk in classical man d sign, with upid e e h ad handl s and oval link chains .
5 4—URN — SHAPED SILVER LAMP . J fl 7 C ompanion to th e pre ceding . — 5 5 S PA N IS -H E ” RENAISSANCE PLAT D METAL LAMP . af ' 3 He av y rep oussé work with classical scrolls typical
he e t p riod . — — - 5 6 ROM AN . VAS E E SHAPED REPOUSS SILVER LAMP . S f . D e of o sign tulips and f liage . — 5 7 —H ROMAN VASE S APED S ILVER LAMP . 1 W — (35 R ep oussé work with classical design ; leaf shap e d
e . e e o handl s Empir p ri d . B e t e o a o e ; e of e f a au iful r p ussé j ur pan ls d signs m dal 4 d o t o e e o e o 4 li ns wi h saints, c ckl sh lls and c nv nti nal
o f o scr lls o f liage . — 5 9 SPANISH REPOUSSE METAL PLATED LAMP . J U T he e are of e o e o e o — e d signs lab rat scr lls , m dalli n shap d
an e e o e f he h dl s , and quatr f il chains , charact ristic o t
Sp anish R enaissance pe riod .
60 REPOUSSE METAL PLATED LAMP . 5 v %7 C ompanion to th e pre ceding .
N ' E E E E ‘ E E A D A TIQU T XTIL S , MB ROID RI S N T AP E ST'RI E S
’ i fi- - - Gl CARDINAL S COAT OF ARMS .
S e vente enth century .
’ — - - 6 2 CARDINAL S COAT OF ARMS . N l e o e e o . e e ee e . g, Richly mbr id r d in g ld S v nt nth c ntury
— - - 6 3 COAT OF ARMS . M
7 Of a Crusader . S evente enth century . — 64 AN E MBROIDERED ITALIAN RELIC . M " o . ee e u . Z St . J hn baptizing Christ Sixt nth c nt ry — 6 5 UNIQUE VENETIAN E MBROIDERED BORDER .
ee e t . N et and linen ground . Sixt nth c n ury — 66 E MBROIDERED FRENCH PILLOW COVER .
o e e . . M G ld lac dging 0 1 j — OF 67 SPE CIMEN FRENCH BRO CADE .
A con i T e e e o . D e of e . 2 5 1 Lou s r iz p ri d sign a landscap 4 0 ’ - e e noisseur s pi c .
— 6 8 SPANISH LAMBRE QUIN or FERDINAND AND ISABELLA /{TN PERIOD . the e e Embroide re d in colored silks , d sign b ing bas
kets of flowers compos e d of s olid needlework . — 69 GREEN VELVET PERSIAN TABLE COVER .
4 A study of the lotus in red silk and silve r .
— C OL L ARs 7O PAIR OF RIC H .
M Renal ssance embroidery . o z2 — 7 1 AN ITALIAN RELIC OF T H E SIXTEENTH CENTURY.
M An oval e mbroide re d me dalli on with a miniature p or
trait of a saint .
— 72 ITALIAN EMBROIDERED PICTU RE . ” ) T h n of A F . e o the . e . 7 Cr w ing Vir in Sign d " . Sev / d g 7 enteen h e t c ntury .
3— E D 7 ITALIAN MBROI ERED PICTURE .
/ e . e s d Mary Magdal n Sign d "Marianno Elno . S even {Q ’ n h tee t century .
4— E O 7 ITALIAN MBR IDERED PICTURE .
- ”A ou e 3a" cardinal surr nd d by angels carrying various 0 '
e e . e " R . F . e e t e e mbl ms Sign d S v n nth century .
5— E 7 ITALIAN MBROIDERED PICTURE .
T he A n o . e en e e e M nnu ciati n S v t nth c ntury . $4 I
FI NE ANTIQUE LACE S AND LI NE N — 86 SPANISH SALAMANCA LACE AND E MBROIDERED LAM 0 - 4 B RE QUI N .
T h e design is characteristic of th e sixteenth century .
8 — 7 SPANISH FILET LACE B ORDE R.
, e n h 6 2 B old floral design and arabe sque scroll s . Sixt e t
century . — - 88 PAIR OF VENETIAN GREEK LACE S LEEVES . M
S ixteenth century . — 89 MILANESE FL OUN C E . " d M o e e ee . / Scr lls of flowers and foliag e . S v nt nth century
O—E N Q MBROIDERED SICILIAN LINE COVER . ” 0 o e our o e W rk d a J with scall p d lac e e dging . Sixteenth 0 1 5
century .
1— 9 FINE REN—AISSANCE SERVIETT E . With lac e work de sign o f cornucopias and winge d
chime ras .
2— 9 SPANISH LACE B ORDER .
2, o t e f $17 $ Elab ra e d sign o me dal lions containing portraits o n e o a e and cr w d li ns, char ct ristic of th e H ous e of
e . e e e Castil Sixt nth c ntury .
— PIL L Ow LACE COVER . i fi n. Sixteenth century .
4 — L “ 9 BELGIAN GUIPURE LACE PIL OW COVER .
e a S eventeenth c ntury . M f o o o e nd o . Scr lls fl w rs a f liage S eventeenth Century .
8— E 9 BEAUTIFUL R NAISSANCE LACE BORDER .
fl S di e of ine . /3 7 r tu s v s
— T 9 9 I ALIAN FILET LACE AN D CUT WORK BORDER . — T h e e e is o e of mo e e c ntr f rm d dia nd shap d pan ls , and the border is Of ribbon with a pattern of conventional
anchors .
I OO— RICH VENETIAN SILVER AND GOLD LACE FLOUNCE .
e en e e e S v t nth c ntury . — I OI RICH VENETIAN GOLD LACE FLOUNCE .
e n M S event e th c entury .
ANTIQUE E MB RO‘IDE RIE S AND TE XTILE S
— I OQ E MBROIDERED FREN CH CHASUBLE . fl a’ Q This Chasuble has th e artistic design of the pane ls and holy off erin gs characteristic of the period of the
r eign of Louis Quinz e . 103—OL D RED VELVET EMBROIDERED PANEL . M Th e e e io e s e o f o . % e d sign is in c onv nt nal arab qu s g ld een Sixt th century . — — l o4¢ PAIR OF RARE GREEN AND YELLOW SPANIS H DUTCH 0 1) BROCATELLE CURTAINS .
Th e design is typical of the highest p oint re ache d
in the R enaissance pe riod .
l o5—E MBROIDERED SPANISH PANNEAU .
he e o f o o of e T d sign is b ld scr lls fl ow rs, birds and
the e t e e o t animals . In c n r is a m dalli n wi h a hunts
ee e t . man . Eight nth c n ury
1 06— OF O PAIR D OR PANELS . e s 7 e e o e e e t Early M dici mbr id r d v lve . — 1 0 OF OS 7 PAIR SPANISH VELVET D DE FAUTEUIL .
E o e e o" of th e i e D e e od mbr id r d l tus Ph lipp ux p ri .
1 0 8- OF - O PAIR VENETIAN PRIE D IEU CUSHI N COVERS .
e e o e are e o e e t th e e o M Th s c v rs mbr id r d wi h sacr d fl we r, and have me dallions with e mblems in colore d silks
o e t o e e ad rn d wi h c ral b ads . Th y are rare sp e cim ens Of
the e e ee e t s v nt nth c n ury . — l o RE D S L g SPANI H VE VET BANNER . M th i In e centre s an e scallope d shield with the arms of e A o Castil and rag n .
l l O— I C H R FRENCH BROCADE PANEL . V J This panel has a large de sign of baskets fille d with A4 2 7 o e and o e o fl w rs, a trail f rming m dalli ns, and is of the o e e e o L uis Tr iz p ri d . i 8 feet 3 inches by 3 feet 5 nches.
1 1 — 2 OL D GOLD VELVE T PORTIERE . J ‘U e oo . e e e t e Lin d and gall n trimm d . Eight n h c ntury — 1 1 3 PAIR O F CARDINAL RE D VELVET LAMBREQUINS .
e e e e e fl Trimme d with h avy silk pass em nt rie . Sixt nth
c entury.
A — H L RICH EMBROIDERED CHAIR PANEL .
? i e Of e o e . e e l g W th d sign vas s , fruits and fl w rs Sixt nth
ce ntury .
1 1 RE 5 D ITALIAN SAT IN PANEL . ”3 7 /¢l Embroide re d with Flore ntine scrolls in colore d silks .
E CCLE S IAST ICAL B OOK COVE RS HANGING LAMPS AND OTHE R OBJE CTS IN RE P OUSSE S ILVE R AND OTHE R ME T ALS — 1 1 6 BEAUTIFUL RENAISSAN C E S ILVER REPOUSSE A JOUR JD LAMP .
T he e is e e o d sign in pan ls, m dalli ns and classical
o e a o on the to . b rd rs, with a Russi n inscripti n p
‘ — - - 1 1 7 RENAISSANCE REPOUSSE S IL VE R LAMP . 4 1 19 RICH REPOUSSE SILVER PRAYER B OOK COVER .
Companion to the pre ceding .
— l QO PAIR OF SILVER REPOUS SE BRACKET CANDLESTICKS . I ” Of classical Roman de sign '
— l Ql BEAUTIFUL SILVER REPOUSSE CHALI C E CUP .
T he e of e o te e oo e d 7 d sign is lab ra f st ns , pan ls and / °2 / scrolls characteristic o f th e R enaissance p eriod . — 122 SILVER CHALICE CUP .
M B of ( e autifully chas ed in artistic de signs classical scrolls e mb ellished with Cupid h e ads and amorini
e t o o e . holding emblems . Silv r gil b wl and c v r
— ' - 1 23 RENAISSANCE REPOUSSE S IL VE R L AM P .
o e o e e e e C nv nti nal pan ls, silv r handl s and wir chain,
characte ristic of th e p eriod .
24 — 1 VASE SHAPED P LATED METAL LAMP .
- 7 7 ” Classic de sign with Cupid he ads and scroll - le ave d 0 6 “ handle s .
— 125 E - E MPIRE VASE SHAPED PLAT D METAL LAMP . 1 ” 5 o o to, th e e e C3 C mpani n pr c ding .
— - 1 2 S P - S E A 6 ANISH REPOUS P L TED METAL LAMP . “ M e t e 6 C onv n ional d sign .
— — 12 s- R L 7 BEAUTIFUL ROMAN AMPHORA HA ED METAL AMP .
04 ) This lamp is ornamente d with fi ne bronz e f e stoo-ns
e ese V e an or r pr nting in s and ac n . ” 4 7 ”” T his lamp has heavy rep oussé wo rk forming round
o e on C e and val m dalli s , upid h ad handles and s eal
o e ha . e n l p d link c ins R naissa ce per iod . — 12 GRAE C O - 9 RARE ROMAN METAL GILT LAMP .
$1 Convention classical de sign o f flo we rs and various
. e t e . emblems in rep oussé work . Early sixte n h c ntury
1 3 - 0 BEAUTIFUL SILVER TRIP OD LAMP . M /M , This lamp is exquisite ly chas ed and worked in re
o t two o o the . T he e p ussé, wi h am rini h lding cup bas has s callop e d m e dallions and an inscription or th e
l o M avI e of th e o o e " D . A e nam d n r, which r ads ng ” i gel a dono.
‘ ' E E H O E AND V L EMB ROID RI S , RIC BR CAD S E
‘ ' VE TS AND CO'ATS—OF—ARMS — 1 8 1 EMBROIDERED CHALICE CUP COVER . M This cover has a medallion showing th e Madonna and
is e o f th e e e ee e . Child, and a r lic s v nt nth c ntury
' — - 1 32 PAIR OF E MBROIDERED RUSSIAN GRE E K CH AL I C E CUP
C OVERS .
h e e o f o e o o or T d sign is a cr ss m dalli n, c ntaining p
e St . e . traits Of S t . Matth w and Luk e e h e . silks on yellow. Sixt nt c ntury
— 1 36 FREN CH COURT BROCADE .
' ’ M J Convention al flowe rs in s oft colors on a bufl groun d .
Eighteenth century . — 1 37 E MBROIDERED IRIS COVER .
H ’ A lovers knot and a bouquet form th e centre .
—‘ 1 38 CARDINAL RED VELVET COVER .
' - e e d 7 M Finishe d with gold Pass ementerie edging . S v n ol
t eenth century .
— - - SPANISH COAT OE ARMS . - M Qd Embroidered in colored Silks .
— ‘ 140 E MBROIDERED SPANISH ALTAR FRONTAL .
o e o f floWers o e This has a b ld d sign and f liag , making
f h e e e . an esp ecial fe ature o t e tulip . Eight nth c ntury
R 14 ] HE B EW TORAH COVER AND S CARF .
- N Early M e dici cut velvet .
e o -assem n Trimm d with rich g ld p e terie .
— 144 2 BEAUTIFUL FRENCH PANEL .
Thi e em o e e o an d col H , s pan l is richly br id r d with g ld
o e k e o m e a o o r d sil s , in a d sign which f r s m d lli ns , c rnu
o e e on o S c pias and arab squ s , a gr und of ilve r cloth .
T of the o ypical L uis Quinz e p eriod .
FI NE OLD LACE S AND D RAWN WORK — 5 l LENGTH OF SILVER LACE FLOUNCIN G. [L /f i S e vente enth c entury . — 1 52 S PANISH RENAISSANCE LA C E PANEL . 7 5 U o n o e o et i e o the 0 2 7 nic r s, carnati ns and g m r cal figur s f rm
de sign . — 1 5 3 EMBROIDERED LIN EN SPECIMEN .
D e o e o o e e . sign c mpris s unic rns , carnati ns and arab squ s
i e e e . Early Sixtee nth century . This s a mus um sp cim n
— 1 54 FINE SICILIAN DRAWN LINEN CURTAIN .
hi a e e e T s curtain is in p n ls with archaic arab squ s ,
birds an d animals . Sixteenth century .
1 T 5 5 I ALIAN LACE AND C UT WORK PANEL .
T he e is of eo e e an d the e M lac g m trical d sign, pan l has 64 (f r
s o e e e . e e t call p d lac dging Sixt n h century . — 1 5 ~ C O F E 6 SPE IMEN ITALIAN LINEN MBROIDERY .
Of e e e e e A e b autiful Rapha l squ d sign . mus eum pi ec . — 1 S P AN IS IH R S C 7 ENAIS ANCE FILET LA E . g5
( . 9 Th e e o f t e e of e o 7 d sign his pi c is m dalli ns and tulips . — 1 5 8 S B E D DRAWN LINEN ICILIAN COVER . — Of o e o fleur de - c nv nti nal lis , birds and foliage in a
e d e g ometrical sign .
1 5 —E 9 MBROIDERED ITALIAN LINEN COVER .
O e e o S e . e e t p n lac w rk with ilk dging Sixt n h c entury . N E E C AND O H E A TIQU VELV TS, BRO ADES T R EX E E E R E A D ' E S E T TIL S , MBROID I S N TAP TRI S — 1 6 1 CARDINAL RE D VELVET CUS HION TOP .
Sixteenth century .
e e R naissanc . — — - 1 63 SPECIMEN OF RARE GOTHI C CLOTH OF GO LD VELVET . “5 1 2 A mus eum piec e . — u 1 64 GRE E N SPANISH BRO C ADE COVER .
’ e e te e cen Large de sign o f lace trellis efi ect . S v n nth
tury .
1 5— S 6 PER IAN COVER . —fl e e Si d Richly embroide r ed in Silver on gre en . S v nteenth
century . — - L 1 66 SPE CIMEN OF ORrE N T A SILK TAPESTRY . M A good exampl e of the work of the s eventeenth cen
tury .
— ‘ 1 67 LOUIS SETZ E E MBROIDE RED COVER . M , T he e mbro ide ry on this cover consists of dainty bouquets in c olor ed Silks and gold scrolls on a cream
moiré ground . — 16 8 ROYAL VEN ETIAN GOLD AND S ILVER BRO C ADE .
7 T e - O e t e o o o e g his is a s mi ri n al d sign f c rnuc pias , vas s,
o e t e e of th e e e e p m grana s and foliag , and is arly s v n
t e enth century . — 1 69 RICH E MBROIDERED ITALIAN RENAISSANCE PANEL .
T he design is Of arab e sque surrounding me dallions
which contain miniatur e p ortraits of the Saints .
“ I f 5 1 — 70 E MBROIDERED P ORTUGUESE PANEL .
fi T h e bo F o e t e ro o e o flf ’ ld l r n in sc lls up n this pan l f rm medallions j oine d by co re -nets and conventio nal fl eurs
— i e l e m e of th e S ee de lis . This s a b autifu xa pl ixt nth ’
e t e e . c n ury, and is an artist s pi c
l —SE E - ' y T OF PORTI RE s AND LAMBREQUIN . B e ld re e F o e . ee autiful d v lv t ift nth century .
1 2— 7 GOTHIC LAMBRE QUIN . M e t e o Trimm d wi h h avy g ld pass ementerie . — 1 73 S E T OF ARRAS TAPESTRY CHAIR COVERS .
T he e s et i s d sign Of this. characteristic of the Eliza
e b than period .
1 74— PAIR OF LOUIS XI I I CURTAINS .
d B e o e e e 7 autiful f r st gr n damask .
175— SET OF RENAISSANCE VELVET CHAIR COVERINGS . 2
e e o e o - of - Pan l, s at c v r and c at arms .
1 76— PAIR OF CHAIR COVERS . M o e e A e of eo e Embr id r d rras tap stry g m trical de sign .
h e i the e C aract rist c Of Elizab than period .
1 77— E E PAIR OF MBROIDERED SCUTCHEONS . M o e e . e e e e e P rtugu s S v nt nth c ntury . 1 - E E D OS E 79 EMBROID R D FRENC H DE FAUT UIL . M ou o e e fé L is Quat rz p riod.
1 80— E OF E E SP CIMEN MBROID RY. M ’
e n e and o . e e t ee t h e J P rsia silv r g ld S v n n c nt ury .
E E E E B OFRDER ' N A D S RVI TT S, LAC S, CUR TAI S N PANELS
1 8 1 —E T MBROIDERED LINEN GO HIC B ORDER .
M T h e de sign consists of ge ome trical arab e sque-S in
brown silk .
1 82 - S C S T SPANI H LA E ERVIET E ,
M - 7 T h e patte rn of th e panels is of archaic flowers and
c o e e . e e e t birds . S all p d dging Sixt nth c n ury . — 1”83 FINE SPANISH LACE PANE L . , F e e o e e e f iv designs Of m dalli ns and mbl matical figur s . i ” t T he o e of Inscription in cen r e LAUNA . b rd r is — e —de A o o e e of the six conventional fl ur lis . g d xampl
tenth ce ntury p eriod . — 7" 184 ITALIAN LIN EN PORTIERE WITH LACE PANELS . M 4 T h e e th e o at o t n me . 6 02, d sign is unic rn a f un ai with chi ras
th o e o . ee e and is typi cal Of e G thic p ri d Sixt nth c ntury . — 1 85 FINE RENAISSAN CE LACE SERVIETTE .
o i V e T h e de sign i s th e conventional cornuc p a and in . l —E C 8 F . 6 X EPTIONAL ILET LACE CURTAIN .
a e e e e two o e M Itali n R naissanc . This pi c has r und m dal
on e e t e o e li s , mbl ma ical figur s and initials surr und d
b b o F ore ti e s o s o e e y ld l n n cr ll , f liag , ang ls and chi
e n e o e h v m ras, and has a u iqu b rd r wit satyrs and ari
A e t e o f e o a o ous animals . charact ris ic d sign L n rd da
Vinci .
— 187 SICILIAN DRAWN LINEN CURTAIN .
”M eo e r e e g d G m trical a ab squ s and archaic animals . Six n te e th century .
— 1 88 UNIQUE ITAL IAN LINEN TABLE CLOTH .
- th e e t e are th e e e A jOur e mbroidery . In c n r mbl ms
h o T he or e is e t l e e Of t e Crucifixi n . b d r b au ifu ly d tail d ” i i f h a forming the S . Th s piece s o t e R aph el school
e e e e . d sign, and is a mus um sp cim n
1 89 SPANIS H BROWN LACE AND GREEN SILK COVER .
' M S e e e f the Scallop e d e dgings . A sp cim n charact ristic o
e e e e arly sixt nth c ntury .
l o— N L A g SIERRA EVADA FILET c E B ORDER . ” 7 - - w e T he d e sign is of bold fleur de Iis in an alternating e t e e patt rn . Six nth c entury .
1 1— 9 RARE GOTHIC LACE PANEL .
T he e on o f e e patt rn c sists figur s, ang ls and tr ee s .
tee t Spanish . Fif n h century
1 2—E 9 MBROIDERED LINEN SERVIETTE .
e o - Of classical d sign c mprising chime ras vas e s and 6 1 24 , . ee e S . A e e e birds ixt nth c ntury mus um sp cim n . - A JOUR L INEN SERVIETTE E MBR OIDERED IN S ILK .
B eautiful cla-S S i cal de signs consisting of Gr ecian
o . e e e A e e e . scr lls Sixt nth c ntury . mus um sp cim n
—‘ N T 19 4 SIERRA EVADA GO HIC LACE PANEL .
as e o f h- nt en n t e M H an archaic d sign u sm hu ting h stag . I ’ 02' A connoiss eur s pie ce .
— 1 95 LINEN DRAWN WORK PANEL .
- e 0 0 Byzantine m dallions and guipure lace e dging .
ente enth century .
1 —H — S6 ISPANO MORESQUE LACE COVER . M
eo e e . e e t G m trical d sign Sixt n h century .
— 197 FINE SPECIMEN OF DRAWN LINEN WORK
BROIDERY .
T h e design i s a study of th e o ak tree and le ave s
te ne o al rnately produce d . Fi scall p e d silk lace edg ’
. ee t A o e . o e e e ing Sixt n h c ntury c nn iss ur s pi c .
1 8+E 9 CCLESIASTICAL LACE S ERVIETTE . ‘Z ”I d / 7 T he p att ern Shows the pelican fe eding its young
ee e . from its bre ast . Sixt nth c ntury
— 199 ITALIAN LACE PANEL . M Z. This piece has a design showing a knight fully clad
in armor and has a quaint pass ementerie b order .
Sixte enth c entury .
— - Z OO PAIR OF H i sp AN o MORESQUE DRAWN LINE N C UR
TAINS .
Sarac enic design . Sixteenth century. — 20 1 ITALIAN LA CE BORDER .
M F a O the e ive panels illustrating biblic l subj ects . f arly 2 4 / ’ A o o e e e sixteenth century . c nn iss ur s pi c .
E E T NE AN D S E RAR COP S , DALMA I CS , PA LS P C I “ MEN S OF NEE DLE PAI N TIN G — 202 RI C H SPANISH RENAISSANCE DALMATIC .
M e e e o e on l o e V lv t pan ls with c nv nti a scr lls , and m dal
an d . uk e lio ns with portraits of St . Mark St L in
n e edl e painting .
203— E R RARE ME ALD GREEN VELVET GOTHIC TENTURE . M
/gj - — ie e the o n o Of This p c has r yal Spa ish c at arms, sur
oun e a e e i e o n r d d by drap ry Of rm n , and surm u te d by
a coron et .
204— ” MAGNIFICENT GOTHIC VELVET COPE . J O R e e A é J f apha l d sign and unusual coloring . connois ’ e scur s pi ce .
205— C E PAIR OF RI HLY MBROIDERED VELVET PANELS .
” o e W. Has r und m dallions with p ortraits of th e Evangel ists in nee dlework painting surrounde d wi th classical
o l te f o . S scr lls and c us rs fruits panish . S ixte enth cen
tury . — Z OO E RARE AND UNIQU ANTEPENDIUM .
7 ” oi e e o 73 Embr d r d in g ld and silver . In the centr e is a c o e e e e e the A n t o s r ll d pan l r pr s nting nnu cia i n, toge ther o en o o with c nv ti nal G thic palmettes and scrolls in cor donne t . Th e o e b rd r is of re d velvet embe llishe d with
e e e o or Rapha l squ scr lls , c nucopias and various eccl e si astical em e bl ms . This is a good specimen of the e hoo Rapha l sc l .
— — 2 12 FLOWER SHAPED SILVER LAMP
M R e poussé and chas ed with round me dallions and
l e e s ne . u e an cla sical pa ls C pid h ad h d s, and wir link
chains with ball ornaments . — 2 1 3 ITALIAN REN AISS ANCE SILVER S ANCTUARY LAMP . { 7 e UI’ W h o e e o e . R p ussé and chas d JO , it Cupid rnam nts
~ - 2 14 BEAUTIFUL AMPHORA SHAPE D LAMP .
' ' J O e 7 Classical Roman de sign with curv d handle s . — £5 ITALIAN RENAISSANCE SILVER LAMP . e o o e R p ussé w rk with Cupid h ad handl e s .
— — ’ ‘ 2 16 LILY SHAPED SILVER RE POUSSEJ LAMP .
T he e o e th e e are o l e d sign is Of f liag , handl s scr l d, and
h are t e chains formed of barr e d link s . — 2 1 7 F W - S E LARGE COPPER GILT LO ER HAP D LAMP . " 3 F o o n e o s e s e —S ur r u d r p u sé pan l , l af hap e d handles and
u h h he q aint c ain wit Cupid ads . — QI S N URN - GRECIA SHAPED METAL LAMP .
e o n e and e h Has m dalli n ha dl s quaint shap d c ain links . — 2 1 A M 9 LARGE PL TED ETAL LAMP . N hi e e e ou s o and the C?Q T s lamp has v ry h avy r p s é w rk, design is characteristic Of the Spanish R enaissance
period .
MAGNIFICENT PLATED METAL RENAISSAN CE LAMP . hl R epo e e h the o ic y r ussé and ngrav d wit h ly flowers . u e e l C pid h ad and m dal ion handle s and dentelé linke d chain. e e c e of the en e e arab squ s chara t ristic R aissanc p riod .
222— E VERY LARGE P LATED METAL REPOUSS LAMP .
Comp anion to th e pre ceding . — L - Q23 BEAUTIFUL SI VER CU P WITH COVER .
e an d e o th s e o 7 fl Richly chas d r p ussé wi a clas ical d c ra e c of the o i z tion charact risti L u s S e i e p eriod .
L‘ — QQ ARTISTIC FRENCH SILVER LAMP . M é A’ é A fi gii re mounte d on a marble pe destal holds a Cup ’ o e e a he s o whi h the es rnam nt d with r ms ad , fr m c acc a sories of the lamp hang by ch ins . — 2 25 S EXAGONAL P LATED METAL SANCTUAR Y LAMP .
o e o t o e o o e Italian G thic, r p ussé, wi h c nv nti nal fl w rs,
f h e e o a ac e o t e o . arch s, and c lumns ch r t ristic p ri d
/ A M "" é L Q' d J.
S E COND AF TE RN O ON ’S SAL E
E E E FRIDAY, D C MB R 7m 1906
AT T HE AME RI CAN ART GALLE RIE S
’ BE GINNIN G PROMPTL Y AT 3 O CLOCK
E E EX MB ROIDERI S, T TILES AND OTH E R OBJE C TS — 226 C o ER SPANISH BROCADE CUSHION v . M
Go e e . e e e e t ld lac dging S v nt n h century .
22 — — 7 SPANISH D UTCH BROC ADE C OVER .
T he e o t f t e t d sign c nsis s o s udi s of ulips . S
e c ntury . — T E E SPECIMEN OF ORIEN AL MBROID RY. M ' e e e W Eight nth c ntury .
— R 229 S E T OF E D VELVET GOTHIC CHAIR COVERINGS .
M E o e e —f - e T wo e . mbr id r d in cloth O gold . pi c s — 231 BEAUTIFUL MEDICI BROCADE COVER .
B e o n e e c e e M lue and silv r gr u d, with an xquisit la lik
' e flect typical Of the period . — 232 RICH E CCLESIASTICAL BANNERET (LABARUM). M h Embroide re d in rais e d Silver and gold bul lion . Eig
teenth century. — 233 G OTHIC RELIC . M Christ on the cross .
— — - 234 E MBROIDERED COAT OE AR MS .
M - - or e This coat Of arms has f its insignia a shi ld, a
e ho e o e in coronet and a wing d rs , and als b ars an
o e e ee e tu . scripti n . S v nt nth c n ry
— — — fi 35 PAIR OF EAGLE COATS OE ARMS .
S eventeenth ce ntury .
— 236 SPECIMEN OF CIRCASSIAN VELVET AND SILVER CLOT H .
r e ’ A o o e e e c nn iss ur s pi c .
—E Q MBROIDERED RENAISSANCE B ORDER . IZ E — o e o - Of o the e n This b rd r is in cl th g ld, and d sig is
e hi e o o o . f rm d by am rini, c m ras, masks and scr lls It
e o e e e e has a h avy g ld pass m nt ri trimming .
38— 2 SET OF SPANISH VELVET CHAIR COVERINGS . f - v if set o of t e e e e one of t e e d This c nsists hr pi c s , h m b ing
e e in shi ld Shap . It is richly embroider e d with con — v entional fleur e ~ o o e d lis in c l r d silks and gold . Six
teenth century . 240— E I RAR FRANCOIS CUT VELVET PANEL . — C onventional fl eur de - lis in a geometrical design form
h e t e . A oo e e th e ee e patt rn g d xampl Of sixt nth c ntury .
— Mi l R I RA E FRANC OIS CUT VELVET PANEL . " M o o to th e e e g6 C mpani n pr c ding .
242—E MBROIDERED FRENCH CREAM ALTAR FRONT . ”W th e e e th e e 51 ( Has a sunburst in c ntr surrounding e l tt rs I H S e e o e and is mb llishe d with stone s . L uis S iz e
e o p ri d .
243— ’ RARE GOTHIC APPLE GREEN VELVET PRIEST S ROBE . M 5 J s et o of C e o e m l e This c nsists hasubl , st l and aniP 9 and
is e o S v e e e richly trimm d with g ld and il r pass ment rie.
244— — VENETIAN SILVER GOLD CLOTH . 7 U T h e de sign is Of vas es and flowers s urrounded by
o e e e scrolls and cor n ts forming medallions . A sp cim n
of th e ee e sixt nth c ntury . — 247 FINE CASTILIAN GOT HIC LINEN CUT WORK PANEL .
Th e armoirie s of th e two Castile s are embroide re d on 6 7 1 4 “ 2 o o e h as o e 7 this piece with c l r d silk, and it a scall p d
ee e . A o guipure lace e dging . Early sixt nth c ntury r yal
mus eum sp ecime n . — ) 248 SPECIMEN OF OPEN NEEDL EWORK . 0 fl~ in r ed on i e the This piece is e mbroide re d silk l n n,
e design b eing Of conventional scroll s and foliag . Six
teenth century .
A U E DRAWN WORK A D NTIQ E LAC S , N S’ERVIET‘T E S — 249 SIERRA NEVADA FILET LACE B ORDER . fl Bo o of o e o e o the ld scr lls f liag , fl w rs and birds f rm
e e e is th e e e e h patt rn Of this pi c , which Of arly sixt nt
e c ntury .
50— 2 COLORED ITALIAN FILET LACE AND SILK PANEL .— fi T h - /7 e lace is Of ge ometrical design with fleurs de lis . e e t e Sixt n h c ntury .
1— 2 5 LACE BORDER . N f fl This has a most intere stin g patte rn r e pre s enting o the o e e of falc n hunting, b rd r b ing guipur e lace .
. F ee e Spanish ift nth c ntury .
252 W E I SPANISH DRAWN LINEN ITH MBRO DERY .
e e e e e met This pi c has an archaic d sign, arrang d g o
ricall of e F e y, birds, animals and castl s . ift enth cen
tury .
century .
— - 263 RICH SILVER TAZ Z A SHAPED LAMP .
T his lamp is be autifully chase d and r ep ousséd in conventional floral design and the chains have lyre
shape d links .
ITALIAN PLATED METAL SAN CTU ARY LAMP .
T he decorations Of this lamp consist of oval an d
T he h dl e are roun d me dallions in r ep oussé work . an s
o e of e th e e the fol f rm d Cupid h ads, and lamp b ars R X X R E lowing in scription " P . A O C N E
P R and is date d 1 769 .
—- v 265 SILVER REPOUSSE SPANISH PRAYER BOOK COVER . - d o ' oz —- 9 2 This cove r b e ars the Castilian coat Of arms in a panel ” h e . . e e r with t initials J R S ev nt enth centu y .
266— U E BEAUTIF L SILVER REPOUSS WORK ARCHED D OOR . M Elaborate and artistic Florentine scroll s form the
e o f i e s e e . he e pan l this un qu pi c In t c ntr e St . J ohn the B t ap ist as an infant is shown. It is a fi ne specimen
e n e o Of R naissa c w rkman ship .
—' - 267 BEAUTIFUL MELON SHAPED S ILVER REPOUSSE WO-R K N JEWEL B ox .
T he e of i box o e o e d sign th s c mpris s tr phi s , musical
e t o e t o o instrum n s and c nv n i nal fl wers . J ewel b oxes of
this description have be en us e d by Eastern p otentates
f or o e two e e v r hundr d y ars . 268— N ITALIAN RE AISSAN CE SILVER CHALICE CUP .
T he e e of the o e o h d mbl ms Crucifixi n app ar up n t is cup e o in artistic r p ussé work and chasing . Cupid heads
o l th T h and classical scr l s form e panels . e cup b ears ”
the l A . initia s J . — OF 269 PAIR SILVER CANDLESTICKS .
M T h e b e or e e is o nd and o is /7 / . as p d stal r u up n it an Egyptian fig ur e in bronz e supporting a vas e on its — he . F o e o o th dl o ad l w rs and scr lls f rm e can e h lder .
T he design is characteristic of the Empire period .
270 RUSSIAN RELIC .
This is a round medallion with a miniature portrait
‘ h e o e e o e of Christ . It is ric ly mbr id r d in g ld and silv r
e ee thr ead and e mbe llishe d wi th pearls . Early s vent nth
e e e . c entur y . A mus um sp cim n
B EAUTI FUL AN TIQUE EMB R OIDE RIES AND TEXT ILE S — 2 71 TWO CHALICE CU P COVERS . ”fl “i d e o e They consist of richly embroidered Byzantin cr ss s,
with me dal lions in the centre s with p ortraits of St .
o n . Mark and St . J h 2 4— ’ 7 MILANESE GOLD AND S ILVER FLOUNCE . 5 - 0 e e t . 3 7 S evente nth c n ury
— 2 75 PAIR OF RARE PRIE DIEU CUSH I oN COVERS . M ’ d e The s e cover s have me dallions bearing a che valier s
- - e e e . c oat of arms . Spanish . Sixt nth c ntury
ER T 276 GENOESE JARDINI E CU VELVET CHAIR COVERINGS . ”0 e e . TWO piece s . S event enth c ntur y
— 277 EMBROIDERED S PANISH RENAISSAN CE RE D VELVET fi ‘” PANEL . — Hispano Mor e sque ar ab esque s and me dallions with — — n h coats Of arms . T e C ordun et nee dlework is char ac
ri h t e stic of t e p eriod .
— 278 VENETIAN PANEL O F SILVER BROCADE ON GREEN
DAMASK .
T h e e of o e o em d sign is r s s, carnati ns and hyacinths, — 2 83 OF S CUT E PAIR RARE GENOE E VELVET P ORTI RES . ” T he e o e o f e e o or ) , patt rn is comp s d larg m dalli ns f me d O M o e o o e o e e by c nv nti nal fl w rs and f liag , charact ristic Of
the e e sixt nth century .
2 83A— E GREEN FREN CH MBROIDERED PANEL . PM { e R e o l This pan l has apha l scr l s, with studies of the
o off e o i e o l h ly rings in s ft p nk, y ll w and cr e am . S X n h tee t century p eriod . — 2 84 E E GREEN FRENCH MBROIDER D PANEL . N . o n on. he n C mpa i to t pr ecedi g .
5 - 2 8 RED VELVET REN AISSANCE CHASUB LE .
n) T h e e ar f o ed o f o e e e . ' pan ls rm arab squ scr lls It has d / oval medallions with picture s Of the Madonna and
and one of th e e i s o e Child Evang l st , and f ur tabl ts i t t t o . . ee wi h La in inscrip i ns Span sh Sixt nth century .
- + - 2 86 S PA N I sH E T E N DARD OR B ANNER .
' Thi s banne r h as an escutcheon and cor onet and is i trimme d With he avy gold pass ementerie . It s em
r broidered in the r oyal Sp an ish colors . — 2 87 SET OF ITALIAN VELVET SADDLE CLOTHS .
1 ” ee e u . 7 6 Richl y e mbroidere d in silver . Sixt nth c nt ry Three pieces. B EAUTI FUL O‘LD LACE S — 29 1 SIERRA NEVADA LACE B ORDER . f " Th e e n is o e d of the uni- o th e conven d sig f rm —c rn and l - a ee tional acorn forming fleurs de lis . E rly sixt nth
e r c ntu y .
T - 292 GO HIC FILET LACE HUMERAL VEIL .
De o f e s on an e o e e . signs ang l , m str c s and vari us mbl ms
29 3 FINE ITALIAN RENAISS AN CE LACE SERVIETTE . [J This piece is forme d of interlace d conventional scrolls — — o e de and ha e f rming fl urs lis, it s a scall op ed lac
e dging .
ITALIAN FILET LACE SERVIETT E .
N T h e e of the e are of d signs pan ls birds and monkeys ,
the e e e e o e and pi c has an arab squ b rd r . Sixtee nth cen the edging is scallop e d lace .
— - - L E S . Q f SPANISH F M I H LACE TABLE COVER . f . fi d f eo et es h" l o e e e ee h O g m rical d ign wit scal p d dg . Sixt nt
c entury .
F 297 FIN E RENAISSAN CE LACE COVER .
Th e design of this pie ce is form-cd of emblematical
heads and it has a croc het lace e dging . — 29 8 SPANISH FILET LACE BORDER .
Thi s piece has bold scrolls characteristic of Hispano
ee Ce t . M ore sque art . Sixt nth n ury
— 299 EMBROIDERED LINEN B ORDER .
A e n archaic ge ometrical patt rn in brown silk .
t eenth c entury .
— - 300 SPANI-SH DUTCH GUIPURE LACE FLOUNCE . M e en e e e d J D entelé le af patte rn. S v t nth c ntury . — 301 CHALICE CU P COVER . A /Z) IL Dainty lace .
— 302 S IERRA N EVADA FILET LACE BORDER. 6 7 e n of oun e o s e e Has a d sig r d m dalli n , figur s , vas s m —Saracenic tterns .s e .9 — 3045 SILVER LACE FLOUN CE .
S evente enth century . 305— AN D I E GOLD S LV R LACE FLOUNCE . 4 ‘5 S eventeenth century . — 306 SILVER LACE TORAH COVER .
6 7 a . e e e e r Sp nish S ev nt nth c ntu y .
N E N N E E ORK E A CI T E D L W , P ICTUR S , MI SSALS , E MBR OIDE RIE S AND T E XTILE S
—E ‘ 307 MBROIDERED FRENCH P ICTURE .
" Th e e o in the e ha e s c e of S . {5 7 m dalli n c ntr a pi tur t
Jose ph ho lding a child . A sp e cimen of th e L ouis
Quinze p eriod .
308—E MBROIDERED FRENCH PICTURE . ”7 Has an oval scallop e d me dallion with the de sign Of
the S e e t and th e o o acr d H art, ini ials h ly fl we rs . In
C r e oo e an artistically a v d gilt w d fram . Eighteenth
century .
— ' — S A P - Q F T Iss E . flQO RARE LEMISH GOTHIC ERIE P ICTUR “ ” os e -lr B e o B J p ing S ld by His rothe rs . In the origi
nal gilt frame .
— C RE D o 310 RI H VELVET B x . W m ro e e o o o e e E b id r d, with m n gram in g ld, and lac pass
mente ri e finish .
— 31 l ITALIAN MISSAL . N T h e o e D ated 1 7 1 2 . c v rs are of rich red velvet artis
al e o e ed in l e tic ly mbr id r si v r .
t — 32 1 PORTUGUE S-E RENAISSANCE E MBROIDE RE D PANE L. W o o C re d o y , Classical scr lls n ardinal gr und .
322—E ‘ E MBROID RED ORIENTAL COVER. ) fi “ J' 0 This cove r has a large me dalli on forming t he centre
w o e e o e has th e e of ith f ur small r on s utsid , and d sign
the o h o e o o e Cr ss Of t e H ly S pulchre, a c mbinati n rar ly m i et n e s e i e . e e e with thes p c m ns Sixt nth c ntury .
+ T T . 323 PAIR . OF SILK APESTRY SEA PANELS
- o j v he i l oz PuntO Hungaro embroidery . T de sign s of
e e e o . e ng s in varie gat d c lors Sixt enth century .
‘ —— e « - 324 PAIR OF E N GLI SH COATS OF A R MS .
N o e O th e ee h Richl y embroidere d . Go d specim ns f eight nt
’ — + - 325 EMBROIDERED CARDINAL S COAT OF ARMS . fl T s hle aV r e e ed e o fi ne e i his ha y ais d n l w rk, and is a sp c
n h e e e e e me of t e S v nt nth c ntury .
— O ggfi VELVET D S DE FAUTEUIL . — - e t . With e mbro idere d c oat of arrns . Fifte nth cen ury
’
— - — £27 CARDINAL S COAT OF ARMS .
r in o e e co d et . e e Embr id r d in Sixt nth century .
— E RE D C 328 SET OF THR E VELVET GOTHI B ORDERS .
e W e o a e en e e Trimm d ith h avy g ld p ss m t ri . — 329 PORTRAIT OF S T . JOHN .
e o e ed e e B eautiful mbr id r Italian R naissanc . ANTIQUE S ILVE R SANCTUARY LAMPS — 330 S rLVER REPOUSSE LAMP . M
z d - - fi R oman Vas e shaped with leaf handles .
1— 33 CURIOUS SILVER LAMP . fl e e o s o w h Pan ls in r p u sé w rk and chasing, it
e w o lbo s and curi us s olid chains .
— — 332 BEAUTI FUL ITALIAN URN SHAP ED SILVER LAMP
”79 Artistic re poussé work with a classical design of
e s o Cl i id e nd e o o arch s and cr lls, p h ads a m dalli ns, f rm
n F o - e l i e e . S i o t g mbl ms l wer hap d nks f rm he chains . n Silve r tass e l fi ish .
33—B R — P i EAUTIFUL ITALIAN U N SHAPED S ILVER LAM .
334— L I TALIAN PLATED METAL SANCTUARY AM P.
R epoussé work in oval and round medallions Ai d w e . cupid h ads Wire link chains .
335— I BEAUT FUL LARGE PLATE D METAL SANCTUARY LAMP . — fi S PAIR OF SILVER REPOUSSE CANDLESTICKS .
R ococo p eriod . — 339 PAIR OF ROCOC O SILVER REPOUSSE CANDLESTICKS . ”r, to th e e e e . L[j Similar pr c ding, but tall r / /
BEAUTI FUL AN T IQUE LACE S
— O R E SAG FINE SPE CIMEN OF GOTHIC A J U MBROIDERY . “57 o e on e o k e e 2 W rk d lin n with br wn sil in a d sign Of vas s,
e e . A e e e figur s and chim ras mus um pi c . — {M l N A L O VE ETIAN LBA LACE F UN C E . flr t) 7 T h e geometrical panels of this piece are forme d by o e th t ribb ns ti d in e cen r e, togethe r with conventional
sc o of V e l of th thi e o e o . r lls in s, all typica G c p ri d
34 . 2 MILANESE GUIPURE ALBA LACE FLOUN CE . a T he e of l o e e e e h d sign is tu ips and carnati ns . S v nt nt
e c ntury . — 343 S E SPANI H LAC AND LINEN ALTAR PANEL . f ” Archaic de sign of birds and flowe rs and quaint pas
sementerie borde r .
l — ls S S . fi BEAUTIFUL PANI H LACE B ORDER .
e of o e o e r - de—li in P att rn c nv nti nal fl u s bold foli age .
ee e Sixt nth c ntury ;
RICH E MB ROIDE RIE S AND B EAUT I FUL OLD TEXTILE S
345— ’ CURIOUS DRAP D OR D ONATION . PURS E . 6 U
r o e . e e ee t With papal a m iri s S v nt n h century . — 34 CU P 7 PAIR OF RICH CHALICE COVERS . M 4 4 ‘ o e e o and S e on Embr id r d in g ld ilv r, e having an enam
l m e c l ed of St . e th iniatur Matth w, and e other an
e e e e o . nam ll d miniatur f S t Luke .
4 — 3 8 MANUSCRIPT COVER .
red e e t e o e e - - 4 Italian v lv t, wi h mbr id r d coats Of arms
and e e . ee mbl ms Eight nth century .
34 —H 9 EBREW RELIC .
N e e o o e e o e e o e V lv t cushi n c v r mbr id r d in g ld and silv r . In the centr e is a group repr es enting the twelve
e of e o es t his rod the trib s Isra l, M s wi h , lamb and
- the a e of the o e . A e e s crific P ass v r uniqu sp cimen . — o CHAIR PANEL . 5 ag Early M edi ci cut velvet .
35 1 T wo CHAIR COVER INGS . 1 ”0 7 Louis Treiz e j ardiniere cut velvet . — 352 PAIR OF RICH GOTHIC BROCADED CHAIR PAN ELS . f g M O e n o f Raphael de sign in cr am o g ld .
— - — 35 3 E MBROIDERED COAT OE ARMS .
“M “ (9 0 Aux Armes de Saint Pierre in an oval medallion sur
o te e e . rounde d by an inscripti n . Six nth c ntury ‘ 35 5— PAIR OF BEAUTIFUL VENETIAN P ORT IERES .
— A e ee o te e Re a e e o f e l a ppl gr n br ca ll n issanc d sign vas s t e ort o s of fill ed with tul ips and carnati ons . O h r p i n the pattern are birds and large floral de signs fo rming ’
e e . medallions . An artist s pi c — 356 UNIQUE S E T OF CHAIR AND S OFA COVERIN GS . M This set c onsis ts of fi v e piece s and is of the Loui s
T h e i e - e l Quinz e pe riod . e d sign s s mi Ori nta in Char acter and consists of all e gorical subj ects artistically
l r ' ilk n e e e mbroidere d in co o e d s s o turquois e satin . Th r is a similar set in th e P etit Trianon Palace at Ver
e saill s .
— R 35 7 RICH E D VELVET CAFTAN . fl L7 ' 7 Embroidered . — 35 8 S CI E ROYAL PE MEN OF SPANISH MBROIDERY . f ” e en the F 6 7 This sp cim is Of erdinand and Isabella e o is of th e e p ri d and tulip d sign .
— ’ 35 —OF - 9 BEAUTIFUL CHEVALIER S COAT ARMS . M o e e e e o A Embr id r d in h avily rais d g ld and silve r . fi ne
e e of the te e e sp cim n six nth c ntury .
360 T wo F O OT ST OOL ROYAL S PANISH VELVET COVERS . d g The s e covers are worke d in he avily rais e d n eedlework are o f the e e o and Isab lla p ri d .
FI NE OLD LI NE N E MB ROID E RIE S AND LACE S — 36 1 SIERRA NEVADA E MBROIDERED LINEN AND LACE 6 7 COVER .
T his is . o s a curi us p ecimen of th e sixte enth c entu y r . f h o e . F ee e arly Egyptian art ift nt c ntury .
—E M B R OIDE RE D 363 LINEN B ORDER .
N The de sign of this piece is a ge ometrical one of ara
es ues o e o e o A oo ex b q , w rk d a j ur, in y ll w silk . g d
f h e ample o t fifteenth century .
— 364 MILANESE ALBA FLOUNCE OF GUIPURE LACE .
e e e of o o e fl B autiful xampl s classical scr lls, f liag and Jf 7 as e e flowe rs form the de sign . It h d nt lé e dging
f e e e e e is o th e e arly s v nt nth c ntury .
5 — 36 CURIOUS GOTHIC LACE CURTAIN .
fi T he e e o f o e of e e ) / ' c ntr this curtain is f rm d nin larg 0 fi J e e e l r o e e the pictur pan ls, ach il ust ating s m incid nt in
f t Th e e o e is of life o Chris . inn r b rd r archaic scroll s — — e de the o e of e and fl urs lis, and ut r lac panels and
e e e t e lin n with mbl ma ical figur s and animals .
C 366 LACE AND U T WORK PANEL .
T h e e of e e o of h d sign this pi c c nsists arc aic birds,
e e o e n animals and arab squ s . Has a scall p d edgi g with
— “39zFILE T LACE PANEL . e e of e e Italian R naissanc classical d sign .
—E OUR T 36 8 MBROIDERED A J SERVIET E .
79 L5 R aphaelesque de sign of scrolls and flowers in red
x e e e . and cream . Si t nth c ntury AN TIQUE RE P OUSS E S ILVE R HANGING LAMP S — - 373 Li L Y SHAPED SILVER REPOUSSE LAMP . 3 ‘fl o - e e nd o o Scr ll l af handl s a bar link chains . C mpani n
to N O . 2 16 .
4 - 7 ROMAN AMPHORA SHAPED LAMP . [2 This lamp h as classical de corations and Gre ek k ey
shap e d handle s . — 375 MAGNIFICENT ITALIAN S ILVER SANCTUARY LAMP
ARTISTICALLY CHASED AND REPOUSSE. Q é ‘Q’ With boss e d me dallions and figure s of th e saints
t o o wi h inscripti ns . Als inscribe d S e ntu and dated
1 74 8 . — 376 MAGNIFICENT I TALIAN SILVER SANCTUARY LAMP
H E ARTISTICALLY C ASED AND R POUSSE.
o n o to the e e i C mpa i n pr c d ng .
M ’ T h e e e e of o e o e /L J d sign Of this pi c is fl w rs and f liag , 7 e with inte rlaced ribb on forming m edallions . S ven
n e tee th c ntury .
38 — RE E 7 ITALIAN D VELVET CCLESIASTICAL BANNER . ” I R e o e e o S e w e W ichly mbr id r d in g ld and ilv r, ith a m dal o in th e e e e o e ee li n c ntr b aring a m nstranc . Sixt nth
e c ntury .
— - 388 FRENCH CREAM SATIN DALMATIC . N Yd Artistically e mbroide re d in gold and color e d silks with conventional de signs and th e h oly flowe rs in
o o ee e natural c l rs . Eight nth c ntury .
38 — 9 SET OF SAPPHIRE BLUE VELVET CAPARISONS .
T set o e e are emb roid w his consists Of f ur pi c s, which
— - ere d with coats of arms and dainty sprays of flowe rs
o e and e and f liag , trimm d with quaint gold pass e
me e e . ee e nt ri Eight nth c ntury .
— C RI H VELVET ALTAR FRONTAL .
rfl Thi s piece is embroide r e d in color ed silks and silve r
e th e e fo o e thr ads, d sign rming f ur pan ls, which con
e e e o of St . o the B tain r pr s ntati ns J hn aptist, Christ
on th e ro th e A e n C ss, rchang l, a d th e Virgin and e e Child . Oth r mb ellishments are columns forming
o o e e t o p rtic s with mbl ma ical symb ls . Early sixte e nth
e . A e S e e c ntury mus um p cim n . o e l o in the e e th e f rming m dal i ns c ntr s, pictur e up on
’ th e me dallions re pre s enting Christophe r C olumbus
e e carave l . Th s royal historic al s ecimens b e aring the —— p , e de lis are e e e e fl ur , xc dingly rar , and we r e e mb roid
e e o o Of th e e o e r d in h n r r n wn d naviga tor .
— L j RARE FOREST GREEN VE VET CAPARISON TENTURE . q 2 d gg 7 s et o fi v e e e are t e This c nsists Of pi c s, rimm d with
o d e e e e e . o h avy g l pass m nt ri L uis Quinz e period .
3 3— — 9 INDO SPANISH BALDAQUINO .
the This is most unique pie ce in this exhibition . It is
M e o e e fi ne t t th e mbr id r d in chain s i ch on linen . In c entre i s a p e ndant With a cardinal s armoirie s and th e image s surr ounding th e p endant ar e alle gorical
t t o o of o o sub illus ra i ns, b th myth l gical and biblical
he t e t o jects . T ou r borde r illus rate s vari us modes of
e e e h e t hunting in the tropics . Oth r mb llis m n s are curi ous scrolls with chimeras and symbols characte ristic
Of the s e islands .
3 4 - E 9 —RARE AND BEAUTIFUL NGLISH LAMBREQUIN . OQ J d i T e i is in two e e are art stie M his lambr qu n pi c s, which
e ar e cally embroide red in color e d silks . Th re e nin
e e e th e e squar s illustrating v nts in lif Of Christ, and e sp e cial atte ntion is called to th e face s Of th e char
Ot e e l e are e acte rs . e h r mb l ishm nts studi s Of animals,
r e o e e t birds, eptil s, fruits and fl w rs, all charact ris ic
th e e e o . e Of Elizab than p ri d This lambr quin is, with
e e o th e e ex n of its a nd out xc pti n, fin st isti g class, is ’
- i A conno ss eur s e e . date d 1672 . pi c are e of o e e clust rs fruit, birds and fl w rs in th ir natural
o o o e ee e o of the e te e t e . c l rs . C nv nt n dl w rk igh n h c ntury
396—RICH PROPHET GREEN VELVET E MBROIDERED PRAYER
R G. r ?) U T he de sign is of o rnamente d c olumns which form an
e o o o m . O e arch d p rtic , fr m which hangs a la p th r parts
of the e ar e e e t e d sign form d by minar ts , s ars and cr s
oo e cents and arab e sque scrolls . This is a g d sp cimen
o e art of th e e e te e e t r Of M hamm dan s v n nth c n u y .
— 397 RARE S E T OF RE D VELVET EMBROIDERED PANELS .
M T he medallions on thes e panels are forme d by cornu
o e t o er th e e re c pias fill d wi h fruits and fl w s , and in c nt
e i Of ach s a mermai d holding a Shi e ld . In addition
er e is e i e e e o r th a castl and sh ld, with an agl , f ming
the o —of— f c at arms o th e family . This set is a go od
e e of the e sp cim n arly sixtee nth century .
— 3 8 S 9 FINE CASTILIAN TAPE TRY PANEL .
- — This panel has a large scroll me dallion or coat of
r T he o e a ms . b rd r is comp ose d Of classical R enaissance
o e o li ns, vas s and c lumns with masks , and is typical h O the e o . T e col orin e e and e l o f p ri d _ g is azur blu y l w _ , th e o Spanish r yal colors . Piece s o f thi s description
wer e us ed in pr ocessions by knights as caparisons f or e o e th ir h rs s . 8 feet 6 inch es by 8 feet — — ROYAL H i sPAN o M O-RE S QUE VE LVE T BALDAQUINO OR ” DAIS COVER . 5 1 20 Embroidere d with gold pass emente ri e in conventional
e T he a o—o e - ue e e ar arab squ es . s e Hisp n M r sq sp cim ns e e xceedingly rare and have f or many ye ars been use d n as ceili g decorations .
40 0 AN EXCEPTI O NAL GOTHIC CH ASUBLE .
ee o o he e e e s Gr n and g ld br cade . T c ntr pan l Of thi chasuble is most gorge ously and artistically emb roid
e e e o T he r d in rais d gold bullion and c lore d silks . me dallions up on the chasuble contain fi v e figure s of
t o h e o o sain s dr e ss e d in elaborate fl wing robe s . T c l r ing and drawing ar e worthy of th e e arly Italian
school .
1— 40 LARGE RED VELVET BALDAQUINO . — Th e deco rations of thi s piece consist of a coat of i r o o e o e t o a o of o e em a ms, c r n t, and c nv n n l scr lls f liag
ee t e . broidered in silver . S ixt n h c ntury
4 — 02 UNIQUE IMPERIAL YELLOW VELVET COVERLET .
ro e e o e o a o flo e N Emb id r d with c nv nti nal dr g ns , w rs, fi d e f e of clouds and various emblems . V ry w thes e sp eci
i e e e e ee or e o h o n b e m ns hav v r b n imp t d , int t s c u try, ing loo te d from the palace at P ekin during th e last
War . M T he conventional flower s and foliage forming the de 5 7 Sign of this pie ce are typ ical of the Me dici p eriod .
This is an e xce ptional sp ecimen . — 4 AR -IN IERE CU 405 BEAUTIFUL GENOESE J D T VELVET PANEL . fl
C ompanion to th e pre ceding .
— 4 06 SUPERB P ORTUGUESE VELVET DALMATIC .
M T h e orphr eys or panels on this piece are most elabo
' rately e mbroidere d in gold bulli on characte ristic Of
T h e de o o f o e o the coun try . sign c nsists r und m dalli ns
e of s o e al e o c with figur s aints, surr und d by l g ri al chi
me ras holding tazza containing fruits . Sixteenth cen
tury .
— E UNIQUE NGLISH ANTEPENDIUM ALTAR FRONTAL . M ’ o e e o o e 1 Embr id r d, with c lumns c ntaining figur s Of 74 M o e e e o e of vari us saints with th ir mbl ms, s m them
e e o e c e h e dr ss d in c stum s chara t ristic of t e ep och . Lat
e e e . A e e e fift nth c ntury mus um sp cim n .
408— RED VELVET DALMATIC .
M T he orphr eys are embroide r e d in the shap e of a cross / 7 e o f th e and with pictur s saints . Thi s style of em
o e e e o e n O br id ry is xc pti nally rar , and is k own as pus
A . B e o to th e e e i and nglicanum l ngs pr c d ng . — 409 S RARE FLORENTINE SILK TAPE TRY PANEL .
f " 4 This panel has e scutche ons - with a lion rampant hold
ing a crown . T h e bordure Oonsists o f scrolls of foli age
and o e the o t o o fl w rs in r yal I alian c l rings . C ove rlets
of i e e e e o th s styl w r us d as caparis ns in tourneys .
F ee e t ift nth c n ury . foliage de signe d t o r e s emble wood .
B E AUTI FUL ANTIQUE LACES AND LINEN E MBROID E RY — i l l CURIOUS ITALIAN GOTHIC LACE DRESS . we T he pan els of this dre ss are forme d by Byzantine
e e me dallions Of the chain design . Fift enth c ntury A
mus e um sp ecimen .
— ' 4 12 GOTHIC LACE CARE CLOTH .
This piec e cont ains thirty - six squar e panels with e m
bl ems e an e e . A , figur s and imals, and is daintily dg d
fine e xample of th e p eriod .
- 4 1 3 ITALIAN CU T LINEN CURTAIN .
T h e borde r of this pie ce consists of a patte rn of d 2 6 fl - archaic birds at a fountain and arabesque scrolls .
A fi ne e e . —Fifte enth century . sp cim n 4 1 4 RICH ITALIAN CARE CLOTH . “
1 N hi e e e of fi l et c e out o the 7 d T s pi c is mad la and w rk, and con patte rn is of geometrical Byzantine designs . A ’ noisseur s piece . — 4 1 5 MAGNIFICENT SPANISH RENAISSANCE LACE COVERLET.
r e o e a o i e e There a e eight en r un d m d lli ns in th s pi c , M ort t Of te e e e e e 02 i d with p rai s a cha lain, r li v d by int rlac d scr olls o f foliage; T h e borde r is Of fl owing scrolls
- - with fleur de lis . 1 —“ ' " 4 8 UNIQUE SILVER CHALICE CU P . M “ o a e e o Wo o mi e d con Elab r t r p ussé rk f r ng cupid h a s,
v entiona o O men s e wi h o e . l scr lls, rna ts , and tudd d t st n s
en h. e Six te t c ntury . — 4 19 BEAUTIFU L FRENCH S IL VER PANEL .
T h e ect is e m a of the u umn e n e subj mble atic l a t v nda g ,
C e woo e worke d in very heavy rep oussé . arv d d fram
an er e . d silv hang r A mus e um sp ecimen. — 420 O S O CURI U R MAN SILVER LAMP .
T h e e e o o o the o u A w p d stal has f ur li ns supp rting c l mn, d which is surmounte d by a Vas e de corate d with Bac
h e e o h i the c e o e of the c ant h ads, fr m w ch hang a c ss ri s
he lamp . T lamp als o has th e figure Of an ange l hold
‘ —- o Of on th e e ing a c at arms, and side a b autiful but
te r fly shade . — B-E AU T I F UL C U LASSICAL ROMAN COL MN S ILVER LAMP . ’ T he ou V e o e e o e o H r nd as is rnam nt d with li ns h ads , fr m
wh h the a es o e th e ic cc s ri s Of lamp hang by chains . Othe r ornaments are a spher e on which stands a p eli
k l a e ee can il ing snak , and a gr n shade with a frame of er silv .
TH IRD A N D L AS T AF TE RNO ON ’S SAL E
E E E 8 1 SATURDAY, D C MB R , 906
AT THE AMERICAN ART GALLE RIES
’ BEGINNING PROMPTLY AT 3 O CLOCK
ANTIQUE E MB ROIDE RI E S AND TEXTILE S — 4 26 E MBROIDERED ORIENTAL CUSHION COVER . M 5 S eventeenth century . — 427 PAIR OF CARDINAL RE D VELVET D OS DE FAUTEUIL .
~ M S eventeenth century . — 428 BEAUTIFUL COVER .
M Crims on Muscovite gold brocade . /JT — 429 E MBROIDERED FRENCH D os DE FAUTEUIL . — - 4431 RUSSIAN GRE EK RELIC .
M e o This is a medal lion embroider ed in silv r and g ld,
with the portrait of a saint . — —— 432 PAIR OF E MBROIDERED C O AT s OF ARMS . 7 ” 5 The s e two pie ces originally forme d an Old manuscript 0 1 7 o b ok cover . — 433 BEAUTIFUL RUBY RE D VE LVET COVER . T ” e en e e e W S v t nth c ntury . — 434 MAGNIFICENT FREN CH B ANNER . M In the centre stand the figur es Of two warri ors e ach
e e ar e o or ti holding a cross . Th r als angels supp ng a crown and a Latin inscription surrounde d by curious
e e . e e s qui n and j ewel le d embroid ry Eight enth c ntury .
A mus eum sp e cimen .
— ’ SE T OF SPANIS H PRIE ST s ROBES .
0 9 i set o s of e t o e n e l e Th s c n ists chasubl , s l , ma ipl , cha ic
o e b e and ar e e oi e e in o cup c v r and urs , mbr d r d g ld and
silver in the dentelé design .
— ' ‘ 4336 SE 1 OF RENAIS SANCE CHAI R PANELS .
f ofl i set ons of e e es th e e a Th s c ists thr piec , and d sign is of baske ts of flowers an d birds in s olid ne edlework
of s oft colorin gs . — 4 37 PAIR OF SPLENDID MEDICI CHAIR PANELS .
7 011 E o e e e o th e or e o e of 8 (5 mbr id r d in rais d bulli n in fav it fl w r
the M e dici famil y .
—E E 438 MBROIDER D SPANISH RENAISSANCE PANEL . 4 7 - a e of e (3 01 T he p tt rn this pan l is a set geome trical design
reli e ved by carnations . M Embro idere d with the conventional lotus in gold
thr e ad . The s e coverlets we re gre atly in vogue in
F e h e ranc during t e r ign of Louis Quinz e .
' A — E M I BEAUTIFUL JAR DINI RE CU T VELVE T PANEL .
- ” 7 6 2 The de sign is characteristic of the p eriod of the reign
e e ee e u . of Loui s Treize . S v nt nth c nt ry
— 443 R N 2 PO TUGUESE RE AISSANCE LAMBREQUIN .
T he embroidery up on this pie ce forms a de sign of classical scrolls with a coronet and is in the royal
colors .
— 443 SPANISH BROCADE COPE . “ I ? The e is e e o rea on o 7d d sign in blu , y ll w and c m salm n
n e ee t e . pin k grou d . S ev nt n h c ntury
— 44443 PAIR OF E MBROIDERED RENAISSANCE B ORDERS . M {at Beautiful and art istic conventional de sign of foliage and flowers in cre am and yellow on silk fi l et net . ’ e Connoisse ur s pi ce .
— 445 E N GLISH PETIT POINT TAPES - TRY PICTURE . “ d £L Elizab ethan p eriod . — 45 4 —47 FILET LACE SERVIETTE . “5 a It alian R enaissance .
H - SPANIS GOTHIC FILET LACE PANEL .
T he e or e of a e d sign is f m d rchaic figur s, birds and
o e e e i e . f liag , and finish d with h avy fr ng
O E PAIR F MBROI DER ED AN D DRAWN LINEN BORDERS . dw e o—o e eo e a e e e o Hispan M r sque . G m trical ar b squ s in y ll w
e or the e of e e and cr am f m d sign this pi ce . Sixte nth
e c ntury .
' l o— BEAUTIFUL ITALIAN DRAWN LINEN COVERLET . fi z’g T he e th e — d sign is e arly Grmco C eltic .
’ - G L A C E T IL L O W VENETIAN REEK T OP . “ 7 l O eo e a e . e e /d f g m tric d sign Sixt nth century .
4 52— C GOTHIC LA E PANEL .
d ‘d This panel is fo rmed of Byzantine round me dallions 01, 7 o e e e and has a scall p d lac dging .
45 3— BEAUTIFUL SPANISH DRAWN LINEN PANEL . m P o do o e er of the m mpa ur b uqu ts in a trail, charact istic
p erio d . — 456 OF E. RED PAIR RENAISSANC VELVET D OOR PANELS . W Ai r/ Embroidered in conventional scrolls ; characteristic e f h d sign o t e period .
4 5 — OF R 7 PAIR RENAISSANCE ED VELVET D OOR PANELS .
M ' —7 / f 3 27 C am omp on to the above .
5 ~ 4 9 MAGNIFICENT GOTHIC RE D VELVET PANEL .
Artistically embr oidere d in ne edle painting with fig
e a e e e of the ur s of saints an d emblems . R r sp cim n
p eriod . — A R R . P IR OF BEAUTIFU L RUBY E D VELVE T D 0 0 PANELS
M Most artistically embroide re d in gold and colored
Silks in m e dallions with portraits o f the evangelists .
ee The s e are of exceptional drawing . From a G r k
church .
—' 4 6 1 PAIR OF BEAUTIFUL RUBY RED VELVET D OOR PANELS . JM ' d C omp anion to the above . — ’ 462 MAGNIFICENT SE T OF UNIQUE DRAP D OR .
f e ali o T wo o ie e and e . De o M p rt r s lambr quin sign m d l ns , " o e o forming cro ss es characteristic o f the G thic p ri d .
Specimen we ave of the fifteenth century . h i s T ree p ece .
— - 463 BEAUTIFUL O L D RE D VE L VET PANEL P ORTIERE .
D aintily and artistically e mbroide re d in s oft colored ( M - — C7 3 0 k o h e a th e e e wi h o - Of sil s and g ld t r ds, c ntr t c at arms and coronet surrounde d by sprays and scroll s form f . Bo e t o ing medalli ons rd r with s udy tulips .
— - 464 PAIR OF RARE LOUIS XII I P ORTIEREs . H ‘ e t e t c e of the G re e n damask . L—arg charac ris i d sign e io t i o e o i e e . p r d wi h b rds d v h ld ng, mbl m — 465 ITALIAN S ET OF T HREE P IE CES . 4“ T wo ort e e an d m e . R re d e e em L 7 9 p i r s la br quins ich v lv t e a e t e broide re d in R naiss nc s yl .
— —OF - RICH CLOTH GOLD PILLOW COVER . T " An example of the fi ne Damascus weave of th
eight eenth Century . — 4 CAL L O-PE 67 S D LAMBREQUIN . ”a /{J. Rich j ardiniere cut velvet . Thi s pie ce has studie s of carnation an d is finishe d with he avy silk p assemen
te rie e . e e ee ent fring S v nt nth c ur y .
468— - E GOTHIC DAMASK PORTI RE PANEL .
f a T he ornamentation of this pan e l Consists Of large
o o e o o one o s u c e ctag n m dalli ns, c r ts and scr ll , b t hi f among them is a b e autifull y e mbroidere d Gothi c n cross . A fi e sp ecimen Of English ne e dlework of the
fifte enth c entury .
— 477 CURIOUS EMBROIDERED PANEL .
M —- Embroidere d with various emblems and coats Of ar ms
characteristic of th e Louis Quinz e pe riod . — 4 78 UNIQUE SPECIMEN OF VENETIAN BROCADE . 7 e e e e ee e r . J Landscap es and hunting sc n s . S v nt nth c ntu y — 4 79 BEAUTIFUL SPE CIMEN OF FRENCH BROCADE . N Louis Treiz e p eriod . — 4 8O RED VELVET VENETIAN LAMBREQUIN . " M
ee e . Richly e mbroid ered in silve r . Sixt nth c ntury
1— E 48 UNIQUE SPECIMEN OF MBROIDERY . — — This piece has a coat of arms with th e arm oiries of a
e e o e e in chevalie r Of the Order of St . Hub rt mbr id r d ” o e h F e t e G . g ld and silv r, and b ars initials and
Sixteenth century .
’ 4 — - ~ 8”2 CARDINAL S COAT OF ARM S . ;L f , g B e fl r—- e en tee aring the lion and eu de lis . S v nth centur — 4 83 MASS BOOK COVER .
l e e e o n Rich y mbroid r d in g ld o cardinal red. — - 4 84 EMBROIDERED MISSA L .
T h e e f i d sign forms a me dallion and symbols in silver (9 7 on e e o . D e 1 gr n m iré at d 772 .
—E H 485 MBROIDERED EBREW COVER .
N o e e e w h o o o n ' This c v r is pan ll d it a li n h lding a cr w 44 d , and als o has an inscription . — 4 87 D T T E COLORE I ALIAN FILE LAC PANEL . " / i f k e o e O n o . the e di g Sil ce tr and c nv ntional scr lls f R nais
sance pe riod .
4 88 - - P SPANISH DUTCH GUI URE LACE COLLARET . ” f e e e e e S v nt nth c ntury .
4 8 — - L A cE . 9 ITALIAN GR_ EEK B ORDER 1 5 nt B e e . yzantin d sign S ixtee h century .
4 0— 9 SIERRA NEVAD A DRAWN LINEN PANEL .
' M Of geometrical design with the chain and the letter
S alternating . —
4 1 . L 9 ITALIAN FI ET LACE B OR DER .
r d Th e e s o 'e b e t F o e e o 0, d ign is f rm d y b au iful l r ntin scr lls e e re of foliage and flowers . Oth r mb ellishments a
B e e e o e . irds Of P aradis , and an int rlac d b rdur Six
te enth century . — — r 4gQ S PAN ISII LACE BORDER . ”J ? i Th s piec e has the armoirie s of th e house s of Leon
ee ce u . and Castile . Sixt nth nt ry — 49 3 FINE ITALIAN RENAISS AN CE L A cE PANEL . ’
h e e t of the e o . A o o e r 1 1rd T . d sign is ypical p ri d c nn iss u s
piece . — 494 SICILIAN DRAWN LINEN PANEL .
' x‘ fl - Early Roman design .
- 49 5 RENAISSANCE LACE PANEL .
fl Fine scal l op ed edging .
E C E E E MAGN IFICE NT ANTIQU B RO AD S , V LV TS
AND E MB ROI DE RI E S . — — 496 ITALIAN GOTHIC CARE CLOTH . m " — J' This pi e ce is made of sixty three squar e pan els Of
e o t e of e i e lac and cut w rk, wi h d signs figur s, ch m ras
and arabe sques . — — 497 INDO PORTUGUESE EMBROIDERED TABLE COVER . “ Z N e A un ique pi ce . — 49 8 EARLY MEDICI CU T VELVET CHAIR PANELS . M T h e design of this piece is for med of bold scrolls of
n - —o foliage an d flowers in re d o cloth Of g ld . — 499 RICH LOUIS TREIZ E SILVER BRO CADE TABLE COVER .
F i flo e e t ral o e t e ru t, w rs and archit c u m num n s charact r
istic of t e i o Or the e of e e h hat p r d f d sign this pi c , whic
has silver lace e dging . — 5“00 ROYAL SPANISH COURT BROCADE . 6 T Butt erflie s and flowe rs are e mbroide re d Upon this
e e e e on c r o pi ce in blu , purpl and silv r, a ana y yell w
e e e en . ground . S ev nt nth c tur y
50 1 — S GREEN SPANI H D OOR LAMBRE QUIN . B eautifully embroide re d and b ordere d with s croll s ) 1 M /0 d o e o er o e e f rm d by fl w s , f liag and chim ras Of classical
e R enaissanc de sign . o peri d .
—‘ 5 4e 0 BEAUTIFUL RENAISS AN CE D OOR LAMBREQUIN .
D I A e o e e o o e l on . 5 rtistically mbr id r d in c l r d si ks canvas / A fin e e e o T he e e xampl of p tit p oint embr idery . d sign
i ee is a splend d example of the Rapha el school . S ixt nth
5 5—E 0 MBROIDERED RENAISSANCE PANEL . M ( J i /7 This panel has four me dall ions w th b eautiful exam e ple s Of nee dle painting . T h centr e is embroidered
in the favorite fl ower of the Medici .
— L C 506 PAIR OF O D RE D ME DICI UT VE L VET PORTIERES .
’ 7 d T h e pattern of these portie res forms me dal lions char act eristic of th e period . — 507 . RICH VELVET DOOR LAMBREQUIN .
”fl e e ee h Embroidere d in rais e d bullion n dlework . Sixt nt
r cent u y .
— 508 BEAUTIFUL AZ URE B LUE VELVET BANNER .
i nn e rti e o e e e orm W Th s ba r is a stically mbr id r d in silv r, f the e t e o r of the ing a medal lion in c n r , with a p rt ait
r e e e e t cen Virgin surrounde d by a sunbu st . S v nt n h
tury . They are of th e L ouis Quin z e period . — — — 5 12 PA1R OF MARQUIS COAT OF ARM S . 4 0 e e e . 1 Richly embroider e d. Sixt nth c ntury d { — 5 13 RARE RUBY VELVET BALDAQUINO .
e e M With go ld passe menterie trimming . A p rf ct
e men of th e e arly sixte nth century .
— - 5 14 BEAUTIFUL SILK E MBROIDE RED DIVAN COVER .
" This de sign has an octagon - shape d medal lion rep re s enting e ight pointed stars togethe r with cart ouch e
i a el e co en o l e e s an d a et oe p n s, larg nv t na l av p lm t s in
i is ee e . A onno ol d collod on Coloring . Sixt nth c ntury c
’ scur s piece . — — 5 15 CURIOUS E MBROIDERED I N Do PORTUGUESE COVERLET . A round me dallion in th e cent re of this piece contains
T he ro ar a n a bird of paradis e . sur undings e illustr tio s Of the various pa stime s in th e isl ands during th e se v
h e ent e enth century . T is sp cimen is in an ex ce ptionally ’ o a e of e e o o o e e go d st t pr s rvati n and is a c nn iss ur s pi ce . fruits and flowe rs . Thes e ét endards were us ed in pro
e o s e the ee e c ssi n and cavalcad s in sixt nth c ntur y .
5 1 7— E UNIQUE NGLISH GROS POINT TAPESTRY PANEL . é M 1 T he e o o f e é d sign c nsists figur s, animals and birds . — 5 1 8 G OTHIC VELVET BALDAQUINO .
— - ‘ we A e o t of r o of o o o e 6 larg c a a ms c nsisting a li n, c r n t, and (5 s; other ecclesiastical e mblems forms th e striking design f “ o this piece .
AN T‘IQUE LACE AN D LI NE N E MBROIDE RY — 1 - E L 5 9 CURIO U S MBROIDERED INEN CUSHION COVER .
M e Embroidere d with diff erent symbols . Sixt enth cen
tury . — 5 20 S PANIS H REN AISS AN CE FIL ET LACE PANEL .
o e o the e hi e . Stags, birds and fl w rs f rm d sign Of t s pan l — 52 1 PAIR O F MILANE SE GUIPURE LACE SLEEVES .
A " T h e patte rn is forme d of artistic scrolls of foliage 2, 2
e e t ee e . and flowers . S v n nth c ntury — 522 ITALIAN FILET LACE PANEL .
- d Archaic de sign Of chimeras with Venetian Greek e g
e e e . ing . Sixt nth c ntury
523 - FINE ITALIAN RENAISSANCE FILET LACE COVER .
' d 7 T he main fe ature Of the design of this piece consists z, (3 o — o e e e ee of conventional tulips . Scall p d V n tian Gr k
e dging . 524— ITALIAN LACE COVERLET .
Al te rnated pane ls o f lace with various designs of run
T h e or e ning Vine s form th e design o f thi s pie ce . b d r
r e es e c Of a chaic birds and tr , and finish d with a s al
e e r . lop e d lace e dging . Sixte nth c ntu y
— 52 5 BEAUTIFUL RENAISSANCE LACE COVER .
f 0 This cover is forme d of thi rty- fi ve alter nate square
n e of e cut o h i l i r t ions pa ls lac and w rk, wit b b cal, illust a
and emble matical figures .
AN TIQUE S ILVE R SAN CTUARY LAMP S — 52 E SSE JOUR . 6 RENAISSANC S ILVER LAMP, REPOU A ” J T hi s lamp has Cupid he ad handle s and a very cur i ous
chain .
' 52 — S S L 7 CHA ED AND REPOUS E SI VER LAMP .
M o a e - h R m n vas shaped . T is lamp h as a clas sical design
of the e o w o en o p ri d ith p w rk chains .
528 S N S S L SPANI H RE AI SANCE I VER REPOUSSE LAMP . “3 D e o e h e w h e i c rat d wit Cupid h ads , it wir l nk ch ains
o e e rnam nt d with balls .
— E OUR FINE ITALIAN REPOUSS A J SILVER LAMP .
M T he de sign of thi s lamp is char acte ris ticof Venetian art
530— RI E CU OUS SILVER REP OUSS SANCTUARY LAMP . H . O e o o e lli o f artistic d sign c mp sing m da ns, scroll s and ink h cupids . Bar l c ains . Sixteenth century
— 538 ORIENTAL RE D VELVET DRESS . "I d 1 4 e o e as 7 4 Embroidere d and trimm d with g ld and silv r p
sementerie . — 5 39 MAGNIFICENT VENETIAN C OVER .
W —— e e e the Cloth of gold brocade . This is a rar sp cim n Of
s eventee nth century .
EXCEPTIONALLY BEAUTIFUL S E T OF E CCLESI AST ICAL
VESTMENTS .
t e e e o e e This se compris s chasubl , chalic , st l , manipl
e t e o e e e and burs , and is artis ically mbr id r d in silv r
n nk o th e e o e o e . o a pi gr und, mbr id ry f rming pan ls
o e It is als o e mbellishe d With apple gre e n br cad .
S evente e nth century .
— 5 4 1 E MBROIDERED FRENC H PANEL .
M T he e o o e of o en o o em ( “ d sign is c mp s d c nv ti nal scr lls, f bl e ms ed o o o e and m alli ns, with initials and c r n ts in
e o n o o o o o silv r and g ld o a pink m iré gr und . R c c
p e riod .
542— MAGNIFICENT TAPESTRY D OOR LAMBRE QUIN . —M o e e o s e /dfl Embr id r d with fl we rs and fruit in th ir natural o o and o f o e T h e e c l rs scr lls o f liag . d sign is typical of
“ he t e oo . e e e R apha l sch l Sixt nth c ntury . — 5 43 OF - E PAIR RICH WINE C OLORED P ORTI RES . H a e e o e e are e e o Li N Th s p rti r s silk lin d and trimm d with g ld p ass eme N ff o we 5 45— TABLE COVER .
B e t e oe e ne e e e A au iful G n s j ardi i r cut v lv t . b old floral
e of the e e e e e d sign typical s v nt nth c ntury . A richly embroide re d cross with miniature s re re N p s enting the Last Sup -per and incidents in the live s Of
o are th e e e e t e vari us saints chi f f atur Of his pan l . Sup
l ementin are e p g this archit ctural monuments . T his
e e e of e e e o pi c is charact ristic arly English n dlew rk .
— 548 RE P MAGNIFICENT SPANISH D SILK CO E .
o e is o eo e o e e o o e M This c p g rg usly mbr id r d in c l r d silks / Z O 2 o e e has e de and g ld and silv r thr ad, and a b autiful
F o e t e o nd o e e n sign Of l r n in scr lls a f liag , which d sig
e e e e th e o o e is r li v d by figur s Of birds and h ly fl w rs .
is e e e e e o This a r markabl sp cim n, and was us d at r yal ’
e e e . o o e e e . weddings . Sixt nth c ntury A c nn iss ur s pi c
— 5 49 HENRY D E Ux TAPESTRY CHAIR PANEL . ' W . l //d Th e design of this pie ce is compos ed of bib ical illus trations the e of th e o e of o e , and d sign b rd r is fl w rs
and fruits . — 5 5O RIC H VENET IAN D OGE VELVET PANEL .
L e o o o e o o e o N arg b ld fl wing fl w rs f rming a c nv nti nal 3 7 3 — - i o e the e e e fleur de l s comp s d sign Of this pi c , which is a rare sp ecime n Of cut velve t Of th e Sixte enth cen
tury .
— —— 5 5 1 PAIR O F COATS OF ARMS SEVENTEENTH CENTURY .
f aB e autifully embroide r ed . d fi — 5 5 3 CURIOUS E NGLISH JAC OBIAN COVERLET .
, m This cove rlet is finely e mbroide r ed with r epr es enta x5 3 o of o e e e on e ti ns animals, fl w rs and mbl ms a cr am
ground . — 5 5 4 O F J E MUSEUM SPECIMEN A OUR MBROIDERED LINEN . ?” dd Has a me dallion in the ce ntre with archaic he ads and
e . F t e t e Ce u . a castl Spanish . if n h nt ry — 5 5 5 E —O - RICHLY MBROIDERED COAT F ARMS .
T he work up on this pie ce is in he avil y rais e d nee dle
in h e hi e o e . T s el d which w rk gold and silv r , _ is uph ld
o e the of he e of eru by li ns , b ars insignia a c vali r J
e . e e t c e t sal m Sixt n h n ury .
N E E A TIQU LAC S , D RAWN WORK AND LI NEN E MB ROID E RY
5 56— BEAUTIFUL RENAISSANCE LACE PANEL . “ I ” 76 T he medallions in the ce ntre have figure s an d birds " the e the o e of as d sign, and b rd r is classical scrolls an d figure s .
— 5 5 OF H - 7 PAIR ISPANO MORESQUE DRAWN LINEN PANELS . ” 7 e e e e are of th e e ee e 0 Th s pi c s arly sixt nth c ntury, and the e is o e of o e o e d sign f rm d c nv nti nal arab sques . — 5 5 8 S FINE RENAIS ANCE FILET LACE CURTAIN .
ee a e t I , w the e of the n o o n M n thr p n ls i h d sign u ic rn , f u /fld and o e t o o . o e tain c nv n i nal ac rn S call p d e dging .
5 5 — 9 SICILIAN DRAWN LINEN PANEL . T his piece is worke d in strips with a medal l ion in the I n ” e e e e , e n n a c ntr r pr s nting archaic birds dri ki g, and also
has o e o al e e . F e e e t A c nv nti n arab squ s ift nth c n ury . oo g d example .
— 560 L UNIQUE ITA IAN LACE PANEL .
T he e e has t —o f - h ”fl c ntr a coa arms . T e gener al design o f c nsists o me dall ions cont aining e mblematical fi g
e a and . T he ur s, nimals birds t wo side s have classical e e hi R naissanc columns . T s is a good sp ecimen of the ’ fi n f the e o e o . A o o e drawing p ri d c nn iss ur s piece .
— 5 1 C 6 SPANISH LA E COVERL ET . — O a o o e e t er ac e et M f Hisp n M r squ in l d r icul ate d de sign .
A e e e o e e s . ee t v ry xc pti nal p cim n Sixt n h century.
— 5 2 - 6 BEAUTIFUL ITALIAN CARE CLO T H .
This cloth is forme d of one hundre d and fifty alter
an W h e i nate squares of lace d cut ork . T e d sign s
i e e of the ee u . A charact ristic sixt nth cent ry conno s ’ e -r e s u s p iec .
— 5 63 AN INTERE STIN G LACE AND CUT WORK PANEL .
M This panel is made of nume r ous squar e s containing 8 d e e t e of e o e mbl ma ical figur s p rs nag s, animals and
tee t e ur . birds . E arly six n h c nt y — 5 64 SUPERB MILANE SE GUIPURE LACE FLOUNCE .
O e e o e i flounce o o m f xc pti nal d pth, th s has fl wing scr lls
he which make an e sp e cial feature of the tulip . T design is characteristic of the R apha el school and the piece is an exc eptionally good spe cimen of th e six
t en h e t century .
EXTRAORD I NARY SPE CI ME N S OF AN TIQU E TE XTILE S AND EMB ROID E RIE S
5 8— 6 SUPERB APPLE GREEN VELVET CHASUBLE .
N T he orp hreys of this chasuble are mos t art istically
e o e mbr id r ed in minute ne e dle painting . The re is a s eries of s ix me dal lions whi ch Show th e Asce nsion of th e t e of th e t . Virgin, and pic ur s sain s T he me dallions
are e e e w a ol o i mb llish d ith classic l scr ls f rm ng frames . This S p ecimen de s e rves classing among the works of
h e t great masters and is worthy of the clos e st insp ec
56 — 9 VERY RARE GOTHIC COPE .
A i t emb o e e o h e hi rt s ically r id r d rp r ys, w ch form panels
ure f th e with fig s o saints standing under arche d p or t o o the i e o e o of ic s, f rm ch f rnam ntati n this piece . This Specime n is characteristic of the Gothic p eriod in Eng
land .
— 5 O O-F 7 PAIR CURTAINS .
Ro e e e e e fl yal M dici j ardini r cut v lv t . Th e design is of e b d o e f , , red el o r s s tulips and hyacinths in , y l w, pink and e of e e o o o blu xc pti nal c l ring . — 5 2 OF 7 PAIR SPANISH BANNERS . M Th ese banners are richl y embroider ed in gold and
S e the e e of o t - — ilv r, d sign b ing c a s of arms and trophi e s
on o n of e a gr u d r d dama sk .
' 5 3—T WO H 7 CURIOUS ISTORICAL SPANISH MEDIEVAL RELICS .
e e e are o e fi v e e e e Th s r lics v r hundr d y ars Old . Th y are royal red velvet pillows us e d by knights of by gone days to place their we apons up on when having — — t e h e - - h m bless e d in chap e ls . T coats of arms Sho w that
they are of Spanish origin . T h e Shi eld with the cross — and the eight po inte d M o-sl em stars denote them to
have been th e propert y of a Crusader . They have cur i — ous turban shaped tass e ls and from t heir st ate of pr es ervation it can b e Se en that they have be e n kept T h with gr eat car e and r everenc e . e marks upon them “ S o the th e e o e e e o e h w way w ap ns w r plac d up n th m,
the o of T h e us which was invariably in f rm a cross . c tom of having their we apons bless ed was gr eatly in
e e e s the r ad e vogue in m di val tim by C us rs . — 5 74 OL D T E . ” LARGE APESTRY PORTI RE o e e a hi e b e o n e in C?M This p rti r has sapp r lu gr u d b aring th e e e an e c eo i o s c ntr s utch n with artist c scr lls, mask
o o e s o e as t o e e en oo and a c r n t, arrang d r pr s t w d carv
O e o o of the e om e W e ing . th r p rti ns d sign c pris a ing d
l s o e o e T he e e is hors e and a classica ly cr ll d b rd r . pi c
he e e characteristic Of t b st R naissance pe riod . This tap estry was designed f or and us ed as a hangin g in
th e town hall of a Sp anish city . — ’ 5 5 - 7 DAINTY E MBROIDERED S RANISH VALAN CE .
T h e design is of bouquets in colore d silks on a cr e am 5 L h e e e o . 7 satin groun d . P ilipp D ux p ri d
— ‘ 5 76 PA IR O E RE D VE LVET P ORTIERES . ” Gorge ously e mbroider e d in he avily raise d gold and f silver bull ion with c onventional fl owe rs and foliage . Thes e are good Sp ecimens Of th e p ort ieres us ed by
Orient al p otentates in S pain .
—R E 577 E D SATIN RENAISSANCE P ORTI RE .
B eautifully embroide re d e lab orate scrolls of flowe rs
o e o e o th e e t th e and f liag f rming m dalli ns , r s Of pat
f e e e e . o o s o t rn c nsisting bird , mbl ms and arm iri s with
h e o e e e inscriptions . T t ut ns mbl h as a magnificent j ar
e e e f e t dini r f c . — 5 8 E S 7 R D SATIN RENAI SANCE P ORTIERE . “ M f o o t the e 37 C mpani n o prec ding .
— 579 MAGNIFI C EN T D OUBLE P ILE RE D VELVET GOTHI C
M COPE . T h e design of this pie ce consists of conventional me dallions forme d by palme ttoe s which ar e attrib
ut ed to Rapha el . T he o rphr e ys are artistically e m
broide r e d - with cordonnet Silk in a s erie s of me dallions
m e e t o th e B . T h e the life of S . J hn aptist iniatur fac s . e e e e e e o are in thes e picture s d s rv sp cial att nti n, and ,
o t the o o f e e . T h e de without d ub , w rk a gr at mast r signs forming the frame s o f the s e pictur es are of
e e o arabe sques in gold ne dl w rk .
— 5 84 GRA ND SILK FLORENTINE TAPESTRY BALDACHIN .
T he de sign o f this piece consists of large armoirie s
forme d of two oval panels upheld by two hors e s . Sur ’ o t is o o e in m un ing this a marquis c r n t which is , turn,
e e T h e or surmounte d by a r oyal drap ry ncarpus . b
de r or e of e e o o the is f m d arab squ s and c rnuc pias,
it t o e e latter be ing fi ll ed w h frui . This w nd rful sp ci
men in the o o o one o f the is r yal Italian c l rs , and is
finest e xisting examples of the fifte enth century .
PAIR OF UNIQUE AND E XTRAORDINARY E NGLISH
PAN ELS .
This is a r emarkable Sp e cim en of has re lie f he avily rais e d embroide ry accomplished by means of small
o S e o e e th e r und ilv r rnam nts, which giv pie ce a scale
e e f e of e e o lik f ct silv r r p ussé work. P ortraits of S ix
e e e e e o t saints, ach s at d und r an arch d p r ico, holding
e e e e e o e o o e an mbl m and dr ss d in lab rat fl wing r b s,
are o . On e a is a sh wn ch a L tin inscriptio n . Mus eum
specime ns . ELAB ORATE SAN CTUARY LAMPS AND OTHE R AN TIQUE OBJE CTS WROUGHT IN SILVE R
5 88— BEAUTIFUL SILVER GOTHIC SANCTUARY LAMP . This lamp is most artistically chas e d and rep ousséd 'd f fl a j our in de signs which form round and oval medal 7 7O o e o li ns . Quatr f ils and flamb oyant columns complete
e a e f th a d sign which is char ct ristic o e period . This
e o lamp w ighs sixty p unds . — 5 8 C 9 ARTISTI SILVER GILT MONSTRANCE .
o e of o e o a e e r This m nstranc is a m st lab r t d sign, cha i acterist c o f the Louis S eiz e period . It is richly em
ll i h o b e s ed t o e e e . a wi h diam nds, m ralds and p arls It ls has an inscription on th e inside Of the vas e and is
e i e the o o Signe d . On the handl s inscrib d f ll wing ” ld " Ce sv a o e o e . V sc , f cit
RARE ME D IEVAL PYx S TAND .
T h e of e e Silve r gi lt and ename l . e d sign this pi c is
T he e is o e e forme d o f winge d chime ras . bas rnam nt d with stone s and emblems and b ears a cabalistic in
e e B t e e are e e e e . scription . Th s yzan in r lics xc dingly rar ’ A connoiss e ur s sp ecimen . — 59 1 MAGNIFICENT SILVER CANDELABRUM . f e o o This is a most elab orate Sp ecimen o r p ussé w rk,
17 r es of e to an d formi ng myt hological figu ang ls, tri ns
o e e w t o e em e at l e the fauns, t g th r i h th r bl m ica figur s,
whole being characteristic Of the R enaissance perio d .
T he details of the de sign of this piece are so nume r t e e o ous that lack of space precludes a writ n d scripti n
the e e e e e e the o e of them, but pi c its lf d s rv s m st minut
insp ection . 592? UNIQUE TRIAN GULAR SILVER CATHEDRAL LAMP .
The design of thi s pie ce is of r epo ussé work forming “ f ? e l o o a o ai t o f the m m dal i ns which c nt in p rtr s s aints, and T e e are h e e als o includes th e various offerings . h r t r
t o e o e h e e most artis ically scr ll d gilt br nz andl s , ach — o e n l e o e th e s are o ed with d ubl ca d h ld rs, and chain f rm
of dentelé links .
— 59 3 UNIQUE TRIANGULAR SILVER CAT HEDRAL LAM P . r" ' no t o the r e e i . m A co mpa i n lamp p c d ng
— ' 5 94 CHAS ED AND RE P oUSsE A JO UR S IL VE R LAMP .
a B t F e e oll e e . e l o s d R naiss nce au ifu l r ntin cr sign, with - M T St u e of th e off e i i e o e and ol d di s r ngs, Cup d h ad rnam nts
dentelé link chains with ball orname nts .
— ’ 59 5 RARE GOTHIC E CCLE SI ASTICAL SILVER CENSOR . M T hedesign is of arched windows and column s charac i e t erist c of th e p riod .
— T 596 VERY LARGE CA HEDRAL L AMP .
P e e e o o h lat d m tal r p ussé aj ur . This lamp as a clas
sical e of th e e d sign R naissance p e riod .
5 — 9 7 VERY LARGE CATHEDRAL LAMP .
te et e o s Pla d m al r p u sé a j our . Comp anio n to th e p re
ce ding .
E N A O N AM RI CA RT ASS CIATI O ,
MANAGERS . K THOMAS E . IRBY,
AUCTIONEER .