DOCSLIB.ORG

Page 1 LEONIDA LEATHERDALE NEEDLE ARTS LIBRARY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Page 1 LEONIDA LEATHERDALE NEEDLE ARTS LIBRARY LEONIDA LEATHERDALE NEEDLE ARTS LIBRARY SUBJECT AUTHOR TITLE PUBLISHER YEAR PRINTED ASSISSI Canetta, Alfredo (Editor) RICAMI D'ASSISI Mani Di Fata 1973 DMC Library ASSISSI EMBROIDERIES Editions Th de Dillmant 1974 Leszner, Eva Maria ASSISI EMBROIDERY B.T.Batsford Ltd 1988 Ness, Pamela Miller ASSISI EMBROIDERY Dover Publications, Inc 1979 Zimmerman, Jane D. ASSISI EMBROIDERY Self Published 1977 BANNERS Achen, Sven Tito SYMBOLS AROUND US Van Nostrand Reinhold 1978 Alexander, Eugene FABRIC PICTURES Mills & Boone Limited 1968 Anderson, R. W. BANNERS, BANNERS, BANNERS, ETC Christian Art Associates 1967 Babington, Audrey CREATIVE WALL HANGINGS & Arco Publishing Inc 1982 PANELS Ballarian, Anna FABRIC COLLAGE Davis Publications, Inc 1976 Banks, Dorothy BANNERS Self Published Beaney, Jan FUN WITH COLLAGE Kaye & Ward 1970 Binder, Pearl MAGIC SYMBOLS OF THE WORLD Hamlyn 1973 Blair, Margot BANNERS AND FLAGS Harcourt Brace Jovano 1977 Brooke-Little, J. P. AN HERALDIC ALPHABET Arco Publishing Inc 1973 Embroiderers' Guild of Victoria BANNER JOURNAL Self published 2012 Kay, Frances STARTING FABRIC COLLAGE Studio Vista 1969 Laliberte, Norman BANNERS AND HANGINGS Reinhold Book Corporation 1966 Lehner, Ernst THE PICTURE BOOK OF SYMBOLS Wm. Penn Publishing Co 1956 Metzig, William HERALDRY FOR THE DESIGNER Van Nostrand Reinhold Post, W. Ellwood SAINTS, SIGN & SYMBOLS Morehouse-Barlow Co 1974 Page 1 Shepherd, Walter SHEPHERD'S GLOSSARY OFOF GRAPHIC Dover Publications, Inc 1971 GRAPHIC SIGNS AND SYMBOLS Sherman, Vera WALL HANGINGS OF TODAY Charles T. Branford Co 1972 Sternau, Susan ART NOUVEAU SPIRIT OF THE BELLE Todtri Productions 1976 EPOQUE BEADWORK Baker, Arlene BEADS IN BLOOM Interweave Press 2002 Campbell, Jean BEADWORK CREATES BEADED Interweave Press 2003 BAGS Campbell, Jean BEADED CORDS CHAINS STRAPS & Beadwork Magazine 2001 FRINGE Campbell, Jean BEADWORK CREATES BEADED Interweave Press 2003 BEADS Campbell, Jean BEADWORK CREATES BRACELETS Interweave Press 2002 Campbell, Jean BEADWORK CREATES NECKLACES Interweave Press 2002 Clabburn, Pamela BEADWORK Shire Publications Ltd 1980 Cook, Jeannette BEADING WITH PEYOTE STITCH Interweave Press 2000 Dean, David BEADING IN THE NORTH AMERICAN Interweave Press 2002 TRADITION Edwards, Joan BEAD EMBROIDERY B.T.Batsford Ltd 1966 Fitzgerald, Diane NETTED BEADWORK Interweave Press 2003 Giltsoff, Natalie FASHION BEAD EMBROIDERY B.T.Batsford Ltd 1971 Kidd, Alexandra BEAUTIFUL BEADS Chilton 1994 Kliot, Jules & Kaethe BEAD WORK 2nd Ed Lacis 1996 Lacroix, Grethe CREATING WITH BEADS Sterling Publishing 1969 Olson, Gordon L. BEADS: THEIR USE BY UPPER Grand Rapids Public M 1977 GREAT LAKES INDIANS Pearce, Helen BEADED DIMENSIONAL EMBROIDERY Milner 2004 Page 2 Stradal, Marianne NEEDLECRAFT WITH BEADS AND Mills & Boone Limited 1971 CRYSTALS Sustrik, Mary WITH BEADS Gemstone Press 1987 Thompson, Angela EMBROIDERY WITH BEADS B.T.Batsford Ltd 1987 Vernon, Diana BEADING Clarkson Potter 1995 White, Mary HOW TO DO BEAD WORK Dover Publications, Inc 1972 Woodsmall, Annabel CONTEMPORARY APPLIQUED HTH Publishers 1979 BEADWORK BLACKWORK Altherr, Ilse REVERSIBLE BLACKWORK Self Published 1985 Altherr, Ilse BLACKWORK & HOLBEIN Self Published 1981 EMBROIDERY Altherr, Ilse BLACKWORK & HOLBEIN EMBROIDERY Self Published 1981 BOOK 2 Altherr, Ilse BLACKWORK: MAKE A JOYFUL Self Published 1983 STITCH! Altherr, Ilse BLACKWORK COMPANION BOOK 3 Self Published 1999 Altherr, Ilse REVERSIBLE BLACKWORK BOOK 1 Self Published 1978 Barnett, Lesley BLACKWORK Search Press Limited 1996 Coats Sewing Group EMBROIDERY FROM SPAIN Coats Sewing Group 1970 Cornelius, Rosemary EXPLORING BLACKWORK Self Published 1974 Day, Brenda BLACKWORK Guild Master Craftsman 2000 Drysdale, Rosemary THE ART OF BLACKWORK Charles Scribner's Sons 1975 EMBROIDERY Geddes, Elizabeth BLACKWORK EMBROIDERY Mills & Boone Limited 1966 Geddes, Elizabeth BLACKWORK EMBROIDERY Dover Publications, Inc 1973 Geddes, Elizabeth BLACKWORK EMBROIDERY Dover Publications, New York 1976 Page 3 Geddes, Elizabeth BLACKWORK EMBROIDERY Dover 1976/2013 Gostelow, Mary BLACKWORK B.T.Batsford Ltd 1976 Langford, Pat EMBROIDERY IDEAS FROM BLACKWORK Kangaroo Press, Sydney 1999 Nielen, Agnete Bech HOLBEINWORK Host & Sons Forlag 1960 Pascoe, Margaret BLACKWORK EMBROIDERY B.T.Batsford Ltd 1986 Perin,Laura BLACKWORK PATTERNS Self Published 2005 Pyman, Kit (editor) BLACKWORK Search Press Limited 1979 Scheuer, Nikki DESIGNS FOR HOLBEIN EMBROIDERY Doubleday & Company 1976 Scoular, Marion BLACKWORK Leisure Arts 1976 Scoular, Marion FOLIO OF BLACKWORK PATTERNS Self Published New York Scoular, Marion WHY CALL IT BLACKWORK? Self Published 1993 Skinner, Linn BLACKWORK FOR THE BEWILDERED Self Published 1999 Strite-Kurz THE HEART OF BLACKWORK Self Published 1992 White, A.V. BLACKWORK EMBROIDERY OF TODAY Mills & boon Ltd, London 1958 Wilkins, Lesley BEGINNER'S GUIDE TO BLACKWORK Search Press Limited 2002 Wilson, Erica THE CRAFT OF BLACKWORK & Scribner 1973 WHITEWORK Zimmerman, Jane D. BLACKWORK EMBROIDERY Self Published 1975 PATTERNS Zimmerman, Jane D. BLACKWORK EMBROIDERY Self Published 1985 PATTERNS BRAZILIAN Chapman, Virginia FLOSS FLOWERS – BOOK 1 Impact Presentations 1988 Chapman, Virginia FLOSS FLOWERS – BOOK 2 Self Published 2001 Clark, Mary THE BOSSA NOVA ROSE & FRIENDS Self Published 1980 Ferrell Ria JDR BRAZILIAN EMBROIDERY Self Published 1991 Page 4 Freitas, Maria THE ART OF DIMENSIONAL Edmar 2002 EMBROIDERY - 4th ed Freitas, Maria APPLES TO ZINNIAS Edmar 1999 Freitas, Maria BRAZILIAN EMBROIDERY BOOKBOOK 1 I Edmar 1982 Freitas, Maria BRAZILIAN EMBROIDERY BOOK II Edmar 1985 Johnson, Barbara Demke BRAZILIAN EMBROIDERY Hawkes Publishing Inc 1980 INSTRUCTIONS Kurbis, Mary DESIGNING WITH FLOWERS MBE Designs 1998 Levine, Patricia BRAZILIAN STITCHERY INSTRUCTION Amer. Crewel & Canvas BOOK I Schulhauser, Joyce BRAZILIAN EMBROIDERY: A P & G Enterprises BEGINNERS NOTEBOOK CANVAS WORK Aiken, Joyce THE PORTABLE NEEDLEPOINT Taplinger 1977 BOUTIQUE Alderson, Chottie STITCHIN' WITH CHOTTIE: Self Published 1975 NEEDLEPOINT STITCHES Alderson, Chottie STITCHIN' WITH CHOTTIE: Self Published 1978 COMPOSITE STITCHES Alderson, Chottie STITCHIN' WITH CHOTTIE: Self Published 1977 NEEDLEPOINT GARDENS Alderson, Chottie STITCHIN' WITH CHOTTIE: Self Published 1979 ALQUERQUE GAME Ambuter, Carolyn CAROLYN AMBUTER'S COMPLETE Thomas Y. Crowell Co 1972 BOOK OF NEEDLEPOINT Ambuter, Carolyn THE OPEN CANVAS Workman Publishing 1982 Ambuter, Carolyn CAROLYN AMBUTER'S EVEN MORE Harper and Row 1987 COMPLETE BOOK OF NEEDLEPOINT Ambuter, Carolyn CAROLYN AMBUTER'S NEEDLEPOINT Workman Publishing 1976 CELEBRATIONS Page 5 Ambuter, Carolyn OPEN CANVAS DESIGNS Carolyn Ambuter's Needleworks 1985 Archer, Kathy PERFECT NEEDLEPOINT PROJECTS St Martin's Press 1977 Arthur, Sandra SHAPES OF NEEDLEPOINT SERIES 1 Duo Designs Inc. 2010 Baker, Muriel NEEDLEPOINT: DESIGN YOUR OWN Charles Scribner's Sons 1974 Baker, Muriel L. THE ABC'S OF CANVAS EMBROIDERY Old Sturbridge, Inc 1968 Baker, Muriel L. THE XYZ'S OF CANVAS EMBROIDERY Old Sturbridge, Inc 1971 Barnes, Charles BARGELLO AND RELATED STITCHERY Hearthside Press, Inc. 1971 Barnes, Charles 120 NEEDLEPOINT DESIGN PROJECTS Crown Publishers, Inc 1974 Bates, Susan PILLOW TALK Susan Bates 1986 Bayles, Margaret BARGELLO FLORENTINE NEEDLEPOINT Columbia-Minirva, New York 1974 Bayles, Margaret THE NEW NEEDLEPOINT: STITCHES The Macmillan Co. New York AND DESIGNS Beinecke, Mary Ann BASIC NEEDLERY STITCHES ON Dover Publications, Inc 1973 MESH FABRICS Berman, Jennifer & THE MINATURE NEEDLEPOINT Ebury Press London 1994 Lazarus, Carole COLLECTION Blackburn, Robert FATHER B'S BOOK OF STITCHES Self Published 1988 Bodi, Jack et al A GARDENER'S BOOK OF Simon & Schuster 1978 NEEDLEPOINT Borssuck, B. 1001 DESIGNS FOR NEEDLEPOINT & Arco Publishing Inc 1977 CROSS STITCH Boyles, Margaret AMERICAN INDIAN NEEDLEPOINT Collier Books 1976 WORKBOOK Boyles, Margaret BARGELLO AN EXPLOSION IN Macmillan 1974 COLOR Boyles, Margaret THE MARGARET BOYLES BARGELLO Macmillan 1976 WORKBOOK Boyles, Margaret NEEDLEPOINT STITCHERY Macmillan 1972 Page 6 Brent, Eva ORIENTAL DESIGNS IN NEEDLEPOINT Simon & Shuster 1979 Brent, Eva NATURE IN NEEDLEPOINT Simon & Shuster 1975 Brittain, Mary, ed. VOGUE GUIDE TO NEEDLEPOINT Collins 1974 TAPESTRY Bucher, Jo COMPLETE GUIDE TO CREATIVE Creative Home Library 1973 NEEDLEPOINT Bucilla CANVAS EMBROIDERY STITCHES Bucilla 1975 Cammann, Nora NEEDLEPOINT DESIGNS FROM Charles Scribner's Sons 1973 AMERICAN INDIAN ART Carroll, Amy, ed. NEEDLEPOINT Ballantine Books 1981 Christensen, Jo Ippolito THE NEEDLEPOINT BOOK Fireside 1999 Christensen, Jo Ippolito THE NEEDLEPOINT SCRAPS BOOK Prentice-Hall, Inc 1982 Christensen, Jo Ippolito BARGELLO STITCHERY (VERTICAL Sterling Publishing 1972 STITCHERY) Christensen, Jo Ippolito THE NEEDLEPOINT BOOK Prentice-Hall, Inc 1976 Christensen, Jo Ippolito NEEDLEPOINT SIMPLIFIED Sterling Publishing 1971 Christensen, Jo Ippolito NEEDLEPOINT: THE THIRD DIMENSION Prentice Hall Press 1979 Cirker, Blanche NEEDLEWORK ALPHABETS AND Dover 1975 DESIGNS Coats Sewing Group 50 CANVAS EMBROIDERY STITCHES Coats Sewing Group 1977 Coats Sewing Group ANCHOR NEEDLEWORK TAPESTRY Coats Sewing Group 1965 Coats Sewing Group FLORENTINE EMBROIDERY Coats Sewing Group 1968 Coats Sewing Group 50 NEEDLEPOINT STITCHES Charles Scribner's Sons 1975 Costello, Carol SHALIMAR Fancy Work & Fantasie 1984 Coz, Hebe CANVAS EMBROIDERY Mills & Boon Ltd. London 1960 Davis, Mary Kay NEEDLEPOINT FROM AMERICA'S Workman Publishing 1974 GREAT QUILT DESIGNS Page 7 Davis, Mary Kay MORE NEEDLEPOINT FROM Workman Publishing 1977 AMERICA'S GREAT QUILT DESIGNS
Load more

Recommended publications
  • NEEDLE LACES Battenberg, Point & Reticella Including Princess Lace 3Rd Edition
    NEEDLE LACES BATTENBERG, POINT & RETICELLA INCLUDING PRINCESS LACE 3RD EDITION EDITED BY JULES & KAETHE KLIOT LACIS PUBLICATIONS BERKELEY, CA 94703 PREFACE The great and increasing interest felt throughout the country in the subject of LACE MAKING has led to the preparation of the present work. The Editor has drawn freely from all sources of information, and has availed himself of the suggestions of the best lace-makers. The object of this little volume is to afford plain, practical directions by means of which any lady may become possessed of beautiful specimens of Modern Lace Work by a very slight expenditure of time and patience. The moderate cost of materials and the beauty and value of the articles produced are destined to confer on lace making a lasting popularity. from “MANUAL FOR LACE MAKING” 1878 NEEDLE LACES BATTENBERG, POINT & RETICELLA INLUDING PRINCESS LACE True Battenberg lace can be distinguished from the later laces CONTENTS by the buttonholed bars, also called Raleigh bars. The other contemporary forms of tape lace use the Sorrento or twisted thread bar as the connecting element. Renaissance Lace is INTRODUCTION 3 the most common name used to refer to tape lace using these BATTENBERG AND POINT LACE 6 simpler stitches. Stitches 7 Designs 38 The earliest product of machine made lace was tulle or the PRINCESS LACE 44 RETICELLA LACE 46 net which was incorporated in both the appliqued hand BATTENBERG LACE PATTERNS 54 made laces and later the elaborate Leavers laces. It would not be long before the narrow tapes, in fancier versions, would be combined with this tulle to create a popular form INTRODUCTION of tape lace, Princess Lace, which became and remains the present incarnation of Belgian Lace, combining machine This book is a republication of portions of several manuals made tapes and motifs, hand applied to machine made tulle printed between 1878 and 1938 dealing with varieties of and embellished with net embroidery.
    [Show full text]
  • September 2Nd Fondafair.Com
    22019019 Pride of American Agriculture August 28th – September 2nd FondaFair.com • Oil Changes • On The Farm Service • Car & Truck Accessories • Construction Site Tire Services • Custom Wheels • Goodyear National • Tire Repair Accounts • New & Used Tires • Multi-Line Dealer • Truck Tire Services 518-673-5399 THETIRESHOP.BIZ OPEN MON.-SAT. 8am-6pm 155 Erie Blvd., Canajoharie, NY Montgomery County Agricultural Society Montgomery County Agricultural Society, Inc. Scholarship Program The Montgomery County Agricultural Society offers an annual scholarship program which is available to high school students who are residents of Montgomery or Fulton County and who plan to attend college in pursuit of a degree. Purpose: To provide financial assistance to those high school students who have been active exhibitors in the Montgomery County Agricultural Society (aka Fonda Fair) and who intend to pursue a degree. Awards: Up to two (2) $250.00 scholarships will be awarded for 2020. Eligibility: Applicants must be in his/her senior year of high school in Montgomery or Fulton County, New York and planning to pursue a degree at an accredited institution of higher learning. Deadline: Students must submit his/her complete application by April 1, 2020. Applications are available at www.fondafair.com. Page 1 Montgomery County Agricultural Society----Premium Listing IMPORTANT - Please Read The Fair Premium Book and other relevant documents are now available on-line. You can fine the entire premium book by going to: www.fondafair.com Entries are to be made with the Secretary’s office Second Saturday, and the following Monday, Tuesday & Wednesday of August Saturday, August 10, 2019 9 A.M.
    [Show full text]
  • August 2021.Indd
    Search Press Ltd August 2021 The Complete Book of patchwork, Quilting & Appliqué by Linda Seward www.searchpress.com/trade SEARCH PRESS LIMITED The world’s finest art and craft books ADVANCE INFORMATION Drawing - A Complete Guide: Nature Giovanni Civardi Publication 31st August 2021 Price £12.99 ISBN 9781782218807 Format Paperback 218 x 152 mm Extent 400 pages Illustrations 960 Black & white illustrations Publisher Search Press Classification Drawing & sketching BIC CODE/S AFF, WFA SALES REGIONS WORLD Key Selling Points Giovanni Civardi is a best-selling author and artist who has sold over 600,000 books worldwide No-nonsense advice on the key skills for drawing nature – from understanding perspective to capturing light and shade Subjects include favourites such as country scenes, flowers, fruit, animals and more Perfect book for both beginner and experienced artists looking for an inspirational yet informative introduction to drawing natural subjects This guide is bind-up of seven books from Search Press’s successful Art of Drawing series: Drawing Techniques; Understanding Perspective; Drawing Scenery; Drawing Light & Shade; Flowers, Fruit & Vegetables; Drawing Pets; and Wild Animals. Description Learn to draw the natural world with this inspiring and accessible guide by master-artist Giovanni Civardi. Beginning with the key drawing methods and essential materials you’ll need to start your artistic journey, along with advice on drawing perspective as well as light and shade, learn to sketch country scenes, fruit, vegetables, animals and more. Throughout you’ll find hundreds of helpful and practical illustrations, along with stunning examples of Civardi’s work that exemplify his favourite techniques for capturing the natural world.
    [Show full text]
  • 3Rd RED BANK FAIR BREAKS RECORDS for CROWDS AND
    J&X VOL. 9-NUMBER 208 LONG BRANCH, N. J., TUESDAY, SEPTEMBER 6, 1910. PftlCE ONE CENT RACING ATTRACTED 3rd RED BANK FAIR EXERCISES AT DRIVING HIGHLANDS INITIAL I BIG SOCIETY CROWD OF FIRSTJER PILING BREAKS RECORDS FOR One Accident at 2-Day Meet Music.Fireworks and Addresses CARNIVAL ATTRACTED Here and Rider Has Thrill- Part of Labor Day CROWDS AND EXHIBITS ing Escape Ceremonies OVER 100,000 PEOPLE Excellent racing WHH witnessed her Wilh appropriate ceremony, the firs yesterday afternoon at the horse show' piling for Long Branch's proposed ne\. Attendance Yesterday Estimated at 18,000 and is quartci'-inlie track, when the second million-dollar pier WHS driven jester 400 Babies in Baby Parade and 50 Floats in day of the Hollywood Polo Afswoeia day afternoon at half-past thiet Big Again Today-All Great Variety of Attrac- tiou meet was brought to a. close. The o'clock. The public celebration at Business Men's Procession Yesterday, While iciritf on Saturday was marred by ar Trolley Wrecks Carriage Con- tracted many visitors from different accident in the quarter-mile dash parti of the Stats, including M. F. M tions Remain With Exception of Dog when Veto, owi>ed by the Monmouth taining Eight, and Young Laughlln, of Newark, vice chairman of More Than 300 Boats Took Part in Park Slock Farm, at Eatonlown, Blip Woman is Stripped by Be- the State Riparian Commission, and J Show-Racing a Feature ed in making the turn and broke !:s C. Payne, of Jersey City, secretary and 'g. The animal was aflerward KIIO! ing Dragged -- Hoboken engineer of the commission.
    [Show full text]
  • The Bayeux Tapestry
    The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed
    [Show full text]
  • Stalking the Wild Assisi by Baroness Kathryn Goodwyn, O.L
    Stalking the Wild Assisi by Baroness Kathryn Goodwyn, O.L. (a.k.a. Kathryn Newell) This article was originally written in 1995, and submitted to Tournaments Illuminated, the journal of the Society for Creative Anachronism. It was eventually rejected. The West Kingdom Needleworker's Guild kindly printed it in their newsletter in 1998, for which I am grateful. I fell in love with Assisi work many years ago but researching and collecting patterns of it has proved an elusive task. At times I have felt like a detective, and so I decided to share some of my frustrations and experiences with you. My interest in the subject started when I was researching SCA period needlework, just over 20 years ago. I would occasionally see some fascinating designs pushed to the back or side of a page or an article. The technique was the opposite of regular counted cross-stitch, as the design was outlined, then the background filled in densely with cross stitch. The actual pattern was made by the unworked ground fabric. This "negative" effect gave the Assisi work a woodcut quality that I found very rich and unique (Figure 1.) Figure 1. In the style of 16th-17th century Italian work. Chart © 2001, C.K. Newell The zoomorphic chart of beasties is one I found in a Dover book (no longer in my possession) on the subject of historic Italian lace. To my informed eye the style resembled Italian designs of the 16th or 17th centuries. I have subsequently seen a runner embroidered with this exact pattern, appearing as a photo in the book Old Italian Lace by Elisa Ricci.
    [Show full text]
  • Fifteenth Century Literary Culture with Particular
    FIFTEENTH CENTURY LITERARY CULTURE WITH PARTICULAR* REFERENCE TO THE PATTERNS OF PATRONAGE, **FOCUSSING ON THE PATRONAGE OF THE STAFFORD FAMILY DURING THE FIFTEENTH CENTURY Elizabeth Ann Urquhart Submitted for the Degree of Ph.!)., September, 1985. Department of English Language, University of Sheffield. .1 ''CONTENTS page SUMMARY ACKNOWLEDGEMENTS ill INTRODUCTION 1 CHAPTER 1 The Stafford Family 1066-1521 12 CHAPTER 2 How the Staffords could Afford Patronage 34 CHAPTER 3 The PrIce of Patronage 46 CHAPTER 4 The Staffords 1 Ownership of Books: (a) The Nature of the Evidence 56 (b) The Scope of the Survey 64 (c) Survey of the Staffords' Book Ownership, c. 1372-1521 66 (d) Survey of the Bourgchiers' Book Ownership, c. 1420-1523 209 CHAPTER 5 Considerations Arising from the Study of Stafford and Bourgchier Books 235 CHAPTER 6 A Brief Discussion of Book Ownership and Patronage Patterns amongst some of the Staffords' and Bourgchiers' Contemporaries 252 CONCLUSION A Piece in the Jigsaw 293 APPENDIX Duke Edward's Purchases of Printed Books and Manuscripts: Books Mentioned in some Surviving Accounts. 302 NOTES 306 TABLES 367 BIBLIOGRAPHY 379 FIFTEENTR CENTURY LITERARY CULTURE WITH PARTICULAR REFERENCE TO THE PATTERNS OF PATRONAGE, FOCUSSING ON THE PATRONAGE OF THE STAFFORD FAMILY DURING THE FIFTEENTH CENTURY. Elizabeth Ann Urquhart. Submitted for the Degree of Ph.D., September, 1985. Department of English Language, University of Sheffield. SUMMARY The aim of this study is to investigate the nature of the r61e played by literary patronage in fostering fifteenth century English literature. The topic is approached by means of a detailed exam- ination of the books and patronage of the Stafford family.
    [Show full text]
  • RSN Annual Review 2018-2019 View
    RSN Annual Review 2018-2019 1 Mission The RSN’s mission is to teach, practise and promote the techniques of hand embroidery, in both historical and contemporary contexts, to keep the art of hand embroidery alive. Vision The RSN’s vision is to be the best school of hand embroidery in the world: a school which celebrates tradition and inspires the new, through its teachers, students, programmes and projects. An organisation that is recognised for its embroidery knowledge and reference resources as much as its teaching. Values The RSN’s core values, which underpin everything we do, are Quality, Tradition and Innovation. Aware of where we have come from, but always looking to the future in new ways and always operating at a high level of performance. Public Benefit The RSN believes that it is important to engage with the Court: Animals in Embroidery and The Embroidered public and does this in a number of ways. During 2018- Home both of which brought in a wide range of visitors 19 these have included: including WIs, Embroiderers’ Guilds, U3A, special interest groups, Arts Society groups and individual * Working with an increasing number of museum visitors from all over the world. partners including, new for this year, the D-Day Story * The CE has lectured nationally and internationally on Museum in Portsmouth which displays the Overlord the RSN’s history, the work of its Studio and especially Embroidery, made by the RSN in the late 1960s-early the work of its students including at Winterthur in the 1970s, and the Victoria and Albert Museum.
    [Show full text]
  • Ukrainian Embroidered PPE in the Time of COVID-19
    Pandemic, but Make It Fashion 27 Pandemic, but Make It Fashion: Ukrainian Embroidered PPE in the Time of COVID-19 Katya Chomitzky University of AlBerta Edmonton, CanaDa Abstract EmBroiDereD panDemic wear has Become one of the newest cultural fashion trenDs to emerge in Ukraine anD within its CanaDian Diaspora. Jis article explores the ways in which emBroidery as a traDitional form of culture retains meaning within moDern contexts, while also serving as a vehicle for experimenting with atypical applications of cultural symbols and representations. roughout the COVID-19 pandemic, cloth masks have been recommended by public health officials, including the World Health Organization, as a preventative measure to limit the spreaD of the virus. On the Basis of Digital fielDwork, I Discuss the meanings anD inspirations behind these emBroiDereD masks, while conDucting a material culture analysis of the oBjects themselves. I argue that, through a suBversion of their common purpose— to hide one’s identity— masks have been used in the pandemic as an open/performative display of culture. I contend that this Display acts as a means to promote traDition through ephemera anD assert cultural importance. Jis, coupled with the personal/private use of embroidery as a protective talisman, has fueled a trenD of emBroidereD personal protective equipment in popular culture. In this article, I examine the purpose, use, and form of these masks in order to bring light to the ways in which cultural traDitions anD objects act (and developed prevalence) as a form of pandemic response. IntroDuction As an integral part of Ukraine’s national cultural history, emBroidery retains a prolific heritage through its use in folklore, traditional costume, and various household and spiritual objects.
    [Show full text]
  • The Wonderful World of Brazilian Embroidery
    The Wonderful World of Brazilian Embroidery And Why You May Want to Know More The number one thing you should know is that if you know how to do surface embroidery, you already know how to do Brazilian Embroidery! Stitched by a Novice Brazilian Embroider Copyright BDEIG 2015 Brazilian Embroidery started in Brazil (but I bet you knew that) in the 1960’s Copyright BDEIG 2015 By the early 1990’s, B.E. was being done on all continents except Antartica. B.E. is recognized internationally as a unique type of embroidery. Copyright BDEIG 2015 It is the threads that make Brazilian Embroidery unique. B.E. threads are z-twist Rayon threads. These threads have a vibrancy and luster not found in other types of embroidery threads. Z-Twist S-Twist Copyright BDEIG 2015 These beautiful threads are not stranded, but come in different weights and textures. They are usually ‘straightened’ before being used. The Z-Twist only matters on three stitches – the Stem Stitch, the Outline Stitch, and the Bullion Stitch Copyright BDEIG 2015 Because it is washable, B.E. is great on clothing. Copyright BDEIG 2015 Individual designs can become quilt blocks. Copyright BDEIG 2015 B. E. is a great embellishment for Crazy Quilts . Copyright BDEIG 2015 . .or B.E. can be the primary theme of a Crazy Quilt Copyright BDEIG 2015 B.E. pieces can be Elegant . Copyright BDEIG 2015 . or B.E. Copyrightcan BDEIG be 2015 Whimsical Often the design subject is floral in nature . Copyright BDEIG 2015 . However food is also a favorite subject . Copyright BDEIG 2015 .
    [Show full text]
  • 186 C Ambuter the Open Canvas 286 Anchor
    186 C Ambuter The Open Canvas 286 Anchor Book of Stitches Crewel Stitches & Patterns 214 Anchor Crewel Stitches & Patterns 259 Anne Andrew Embroidery Skills – Smocking** 241 Lis Arthur Kathleen Whyte Embroiderer 350 D J Ashby Stumpwork 195 Ashley/Woolsey Creative Embroidery Techniques – Colour through Gold 332 N Askari/R Crill Colours of the Indus 404 Rhoda L Auld Mola – Ideas for Creative Applique 97 Banbury & Dewar Making Embroidered Bags & Purses 278 Banbury & Dewar How to design – Banners 282 Beadworkers Guild Introduction to Beadwork Earrings 283 Beadworkers Guild Introduction to Beadwork Bracelets 340 Margaret Beal Fusing Fabric 1 Jan Beaney Stitch Images ** 33 Jan Beaney The Art of the Needle 36 Jan Beaney Stitch Images II ** 88 Jan Beaney Design into Stitch ** 163 Jan Beaney Inspirations ** 353 Beaney/Littlejohn A Tale of Two Stitches 358 Beaney/Littlejohn A Sketch in Time – Book 12 359 Beaney/Littlejohn A sketch in Time – Book 12 360 Beaney/Littlejohn No Stone Unturned – Book 13 361 Beaney/Littlejohn Connections – Book 14 362 Beaney/Littlejohn Over the Line – Book 16 363 Beaney/Littlejohn Grids to Stitch – Book 17 364 Beaney/Littlejohn Seductive Surfaces – Book 18 365 Beaney/Littlejohn Red – Book 19 366 Beaney/Littlejohn Embellish & Enrich – Book 20 368 Beaney/Littlejohn Trees as a Theme – Book 7 380 Beaney/Littlejohn Location, Location, Book 21 381 Beaney/Littlejohn Seeing Double – Book 22 382 Beaney/Littlejohn Fragile Fabrics – Book 23 ** 383 Beaney/Littlejohn Constructions – Book 24 262 Beaney/Littlejohn New Dimensions 263
    [Show full text]
  • 1 Blackwork Journey © 'Sublime Stitches' Evenweave Part 11 Patterns 137 - 140
    1 Blackwork Journey © 'Sublime Stitches' Evenweave Part 11 Patterns 137 - 140 Full Sampler Design Area: 16.07 x 29.57 inches worked on 28 count evenweave 225 x 414 stitches Material: Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 28 count evenweave, white, antique white or cream Zweigart 25 count Lugana, white or cream There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown below. The evenweave sampler was worked in DMC Coloris floss in six shades plus DMC 310 as the base colour. Evenweave Sampler Threads: DMC 996 electric blue is used on the chart to show DMC Cotton Pérle No.12, ecru. Key- please note the threads can be adapted to suit your requirements. These are a guideline only! Page 11 is worked underneath Page 8. This is the first part of the final row. Instructions for the pulled thread work border will be included in Part 12. To help position the patterns correctly on the fabric and to see how they relate to each other look carefully at the embroidery. If only a small part of a pattern is shown on one page leave it until the following month and work the pattern as a whole.
    [Show full text]