The Lace Dictionary

Total Page:16

File Type:pdf, Size:1020Kb

The Lace Dictionary I n th e tim e o f M a rie A n to in e tt e . The Lace Diction ary POCKET E D ITION I N CLU DING HI ST OR I C A N D CO M M E RC IA L E M E N A T R S , T CH IC L E E F E T RMS , NATIV AND OR IGN . ‘ ki ‘ a ” B Y R C . CLI FFOR D 3 N E W Y O R K C L F F O R D L A T O B S E R I W N , PU LI H S 1 E AS T T WE NTY - E I G HT H S T R E E T o r t 1913 ffor awton . C py igh , , Cli d L I NTRODUCTION N PREPA RI NG thi s book it has been our ob j ect to give not on ly a complete diction ary o f rm hi s r n mm ial to so ar te s , to ic a d co e rc , but range th e matt er that on e m ay be able to an alyz e an iece o f lace and wi h li le ifficult ive it it s y p , t tt d y, g r r l s ifi n p ope c as catio . ' I t i s un fo rtun ate that lace te rm s are ve ry con fu sing becau se so frequen tly coin e d arbit rarily an d w ithou t any reason an d the list m ultiplie d beyon d all c alculation by adj ective an d g eogr aphical te rm s an d r i thei r fo eign equ valen ts . Thousan ds o f year s be fore th e Ch ristian Era n n T F n h r plai ets we re u se d . h e re c te rm fo n et was l e h n k e r n am nte i as c ll in fi t . W e wor d o o r e d t w a e d Italy lacis . We defi n e lace as an open - wo rk fabric an d di vi e th e subj ect in to eight m ain varieties ' d A rawn - w or k a m an i ulation o f th e h ea s ( ) D , p t r d o f a woven mesh by drawing or tying to form pat t e rn s . B arn ed Wor k em roi e in or arn in ( ) D , b d r g d g u on a mesh rovi in th us th e a te n . Run work p , p d g p t r n h l fi a i n may go u der t is c assi c t o . C Cu t - w or k formin a at e n b cu tin ( ) , g p t r y t g r h f ri away pa ts o f t e ab c . D N e le - n Th e m ak in o f h l ( ) ed p oi t . g t e ace di rect with the n eedle . 5 ‘ 1 Q 1 01 fl 6 Th e Lace Di cti onary B o A lai in or in erweavin . (E) bbi n . p t g t g F Kn tt ( ) o ed w or k . (G) Cr oche t wor k (H ) M achi ne lace. Th s arie ies a r s ill fu h i i n d ea e e v t e t rt e r d v de d , a ch i n l l s sifi an n l z divi s o i s prope r y c a ed d a a y ed . - D RAWN WORK . ’ Pnn to Ti ra to ( I t ) ; Op us Ti ratn m ; Fil Ti re (A ) The re are thre e offshoots o f dr awn - work ' lain rawn - wo k embroi e re awn - work an d p d r , d d d r , awn - work wi h colo effec s : m roi er ed Sim d r t r t E b d , le D awn T on er . p r , d D ARNED LACE . Op us Fi latorimn ( I t ) ; Fil et Br odé ( B) The re are two offshoot s o f d arn ed lace s imple darn ing on a simple groun d o f coun t able s i ch es an d arn e work o un coun a l e ch a ac e r . t t , d d f t b r t oin nté cou n a l n i hi P t Co ( t b e da r ed s t tc ng) . Spider Wo rk ( Op us A ran eum or Ou r/rag es M as ches ) . n i r M n A n u Clu y Gu pu e ( od e r tiq e ) . - CUT WORK . Op us S ci ss um (It ) ; P a n to Tagliato P oin t Coupe. ( C ) Cut - wo rk prope r i s simply th e form whe rein th e d esign is obtai n ed by cut ting away pa rt o f h e fa r t b ic . I n tr odu cti on 7 - NEEDLE POI NT . ' ’ Pu n to i n A co Pain t a l aiguill e (D ) There are practi cally t en off shoot s o f - n ee le oin t . e icella is th e e in n in an evolu ion d p R t b g g , t o f cut - work ; but th e mak ing ' o f lace with the n eedle alon e in e en en t o f a cu t - ou t ack rou n fabri c , d p d b g d , i A ia an d en wi h n et l c began with Pun to n r de d t a e . lla reek r om an . Retice , G o R a n to i n A r ia P Pun t a Reli evo Poi n t de M edi ci s o ( , ais e t l t F o a R d Pun o Tag i a o a g li mi . Veni ce . G i n d R s P in Pt r os Po t an o e o t. T ape Lace . ’ D A nglete rre ( combination of N eedle an d Bob Alen n in co . b ) B ru s A r n ll s el s . ge te a . A n A li n rge tan . pp qué o N et . BOBBI N . D e n tell e an Fus eau M erl etti F us clli e I M rle tti a Pi ombi ni ( t ) . ( E) We fi x seventeen varie ties or off shoots o f h in ran h n r m a n i f in la s the t e bobb b c . U de a g y g g s diff e ren ce be tween n eedle - poin t an d bobbin i s ve ry clea r the n eedle - oin ein a se ie s o f loo s while , p t b g r p , th e bobbin is always a da rn e d - lik e or plait e d m esh h n wit out tyi g. l e l n im le Bo in . A o . C u y. S p bb D Appliqué on Net . uchesse . T ape L ace . Binche . Lille . T rolle Kan t . Black Silk . M altese . Valen c ien n es . Blond e Silk ; M echlin . H on iton . r s l lai B us e s . P ted . ° 8 Th e La ce Di cti onary T KNO TED . Pun to a Gr opp o ( F ) Knotted lace is eith e r o f the mac ramé or in h ta tt g off s oot . M a ram c é . T atti ng. T CROCH E . ro h e is a b ran h h s ( G) C c t ch t at has off s oot . rm fi n The te is sign i ca t . H M h n La ( ) ac i e ce . DI CTIONARY - A P N T A c . a an for nee e o n . co. U o IN o It li dl p i t r n n o o a e AFI COT. French nam e fO an i strume t t p lish r is d o portion s f lace. G an s for nee e - o n AGU'A . PUNTO DE A U'A . Sp i h dl p i t. ’ - E G E. re n for nee e o n . AIGUILL . POINT A L AI UILL F ch dl p i t G . ro n ce o f a oas ra was in th e m e ALA OAS P vi Al g , B zil, , iddl r o f h ne een en r th e c e cen e r of th e o n ace t e Ni t th C tu y, hi f t b bbi l in dustry . Th e w ork wa s cotton an d rath e r coar se .
Recommended publications
  • Swisstulle AG
    Cinte Techtextil China is the ideal trade fair for technical textile and nonwoven products in Asia. This Swisstulle AG year the fair welcomes Swisstulle AG and Swisstulle (Qingdao) Co Ltd from Switzerland to showcase their warp knitted fabric for automobile Swisstulle (Qingdao) Co Ltd sunshade. at Cinte Techtextil China 2021 (Detailed product info featured on page 2.) Visit them at E1 - D01 Swisstulle AG Swisstulle (Qingdao) Co Ltd Company website: https://swisstulle.ch/ Swisstulle is since more than 35 years an important participant in the technical textiles market as a producer of knitting fabrics, as well as a specialist in various finishing processes. In each department well educated and specialized staff is at your disposal in order to realize your specific requirements and specifications. Due to the deep connections between production, product management and sales we are able to fulfill customer requests just in time. Cinte Techtextil China 22 – 24 June 2021 Shanghai New International Expo Centre Developing unique and exclusive Meet Swisstulle AG & Swisstulle products for niche markets (Qingdao) Co Ltd Technical textiles: at Cinte Techtextil China 2021! - Automotive/ Aviation industry (sunblind – safety net) - Medical Textiles - Substrates for coating & gumming- Reinforcement - Silver bobbinet for electro-magnetic "We now have a stable customer group. On the premise of maintaining the current customers, we also hope to get more cooperative relations with enterprises, so as to Swisstulle, the specialist when it comes expand the awareness of our products. We hope to show to textiles! our products to more countries through international trade shows like Cinte Techtextil China, so as to expand our Swisstulle has been present in the worldwide market for reputation and find more potential customers." technical textiles for more than 35 years as a manufacturer and supplier of knitted fabrics.
    [Show full text]
  • Bobbin Lace You Need a Pattern Known As a Pricking
    “Dressing” a Lace Pillow © Jean Leader 2014 pricking pin-cushion this edge should be a selvage if possible — the other edges lace in progress should be hemmed. cover cloth between bobbins and lower part of pricking cover cloth ready to cover pillow when not in use The pillow, a square or round piece of polystyrene (preferably high density) about 40 cm (16 in) across and 5 cm (2 in) thick, should be covered with a firmly woven dark cotton material. Avoid synthetic materials as these will attract dust and fluff. Cut a piece of material so that it is about 8-10 cm (3-4 in) wider than the pillow all round. Make a hem (with an opening) round the edge and thread either tape or elastic through it. Fit the cover over the pillow and pull the tape or elastic tight. (If you’re in a hurry just pin the cover in place.) This cover should be removed and washed occasionally. You will also need at least two cover cloths about 40 cm (16 in) square made of the same sort of material as the cover (they should be hemmed so no bits of thread can catch in the lace). One of these is placed over the lower part of the pricking and the bobbins lie on top of it. The other cloth is placed over the whole pillow when it is not in use so that the lace you’re working on stays clean. Making a Pricking In order to make bobbin lace you need a pattern known as a pricking.
    [Show full text]
  • Hedgehog Lacers 20Th Annual Lace-In
    Hedgehog Lacers 20th Annual Lace-In September 9-10, 2017 The members of the Hedgehog Lace Guild invite you to attend our annual lace workshop. We have a wonderful group of teachers offering a variety of classes. Classes 100 Chrysanthemum — All levels ~ Sylvia Fellows Chrysanthemum Lace is a tape lace that has some elements resembling Brugges Lace. It is characterized by the "Split Spider" stitch on one side of each tape. The "petals" formed can look like a chrysanthemum flower, a popular motif in this lace. It uses, usually, only 8 pairs of bobbins or less. 101 Milanese Lace — All levels ~ Louise Colgan Milanese Lace is characterized by special decorative stitches that become integral features of each design. The creative nature of this type of lace makes it suitable for both traditional and contemporary interpretation. A variety of projects will be offered to cover all levels of Milanese techniques. Students will be given the option of using colored threads to make their own unique pieces from the selected patterns. A solid foundation in basic Bobbin Lace skills is required. Diagram-reading skills are also recommended. NOTE: Continuing “Louise” projects are also welcome. 102 Tatting — All levels ~ Randy Houtz There are several methods and applications for tatting split rings. Class time will be spent examining a different technique and/or application: the basic split ring; woven split rings; adding a ring to the split ring; and adding rings to both sides are examples. Prerequisites: Students should be comfortable with tatting rings, chains and joins. It is helpful to know other tatting methods but not necessary.
    [Show full text]
  • Catalogue of the Famous Blackborne Museum Collection of Laces
    'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR.
    [Show full text]
  • Powerhouse Museum Lace Collection: Glossary of Terms Used in the Documentation – Blue Files and Collection Notebooks
    Book Appendix Glossary 12-02 Powerhouse Museum Lace Collection: Glossary of terms used in the documentation – Blue files and collection notebooks. Rosemary Shepherd: 1983 to 2003 The following references were used in the documentation. For needle laces: Therese de Dillmont, The Complete Encyclopaedia of Needlework, Running Press reprint, Philadelphia, 1971 For bobbin laces: Bridget M Cook and Geraldine Stott, The Book of Bobbin Lace Stitches, A H & A W Reed, Sydney, 1980 The principal historical reference: Santina Levey, Lace a History, Victoria and Albert Museum and W H Maney, Leeds, 1983 In compiling the glossary reference was also made to Alexandra Stillwell’s Illustrated dictionary of lacemaking, Cassell, London 1996 General lace and lacemaking terms A border, flounce or edging is a length of lace with one shaped edge (headside) and one straight edge (footside). The headside shaping may be as insignificant as a straight or undulating line of picots, or as pronounced as deep ‘van Dyke’ scallops. ‘Border’ is used for laces to 100mm and ‘flounce’ for laces wider than 100 mm and these are the terms used in the documentation of the Powerhouse collection. The term ‘lace edging’ is often used elsewhere instead of border, for very narrow laces. An insertion is usually a length of lace with two straight edges (footsides) which are stitched directly onto the mounting fabric, the fabric then being cut away behind the lace. Ocasionally lace insertions are shaped (for example, square or triangular motifs for use on household linen) in which case they are entirely enclosed by a footside. See also ‘panel’ and ‘engrelure’ A lace panel is usually has finished edges, enclosing a specially designed motif.
    [Show full text]
  • Identifying Handmade and Machine Lace Identification
    Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4.
    [Show full text]
  • October 2004 CLASSIFICATION DEFINITIONS 87 - 1
    October 2004 CLASSIFICATION DEFINITIONS 87 - 1 CLASS 87, TEXTILES: BRAIDING, NETTING, 245, Wire Fabrics and Structure, particularly sub- AND LACE MAKING classes 7 and 8 for wire fabrics even though for a structure provided for in this class (87) hav- SECTION I - CLASS DEFINITION ing claimed additional features of wire fabric structure. Processes and apparatus for forming strands or fabrics 427, Coating Processes, pertinent subclasses as from yarns, filaments or strands, by braiding, knotting determined by schedule review for processes and/or intertwisting the strands; and the corresponding of coating, per se, not combined with a textile products or fabrics. operation. SECTION II - LINES WITH OTHER CLASSES AND WITHIN THIS CLASS SUBCLASSES The line between this Class (87) and Class 428, Stock 1 Coated or impregnated: Material or Miscellaneous Articles, is that any plural This subclass is indented under the class defini- layer product or stock material which includes a compo- tion. Processes involving the applying of a nent classifiable in this Class (87) will be placed in this coating or impregnating material to the product Class; a plural layer stock material or product in general by application to the strand material at any time with no structure of the Class 87 type will be classified (i.e., before, during and/or after) relative to the in Class 428, Stock Material or Miscellaneous Articles. mechanical interrelation of the strands; and the See also reference to Class 87 in the main definition of resulting products. Class 428, Lines With Other Classes, Intermediate Arti- cles, and subclass 592 for metallic stock material having SEE OR SEARCH THIS CLASS, SUB- a helical component.
    [Show full text]
  • Fashion in Paris; the Various Phases of Feminine Taste and Aesthetics from 1797 to 1897
    EX LIBRIS Cooper Union Museum for the Arts of Decoration GIVEN BY The Hospital Book and News Socle IN 1900 FASHION IN PARIS THE VARIOUS PHASES OF FEMININE TASTE AND ESTHETICS FROM 1797 TO 1897=^ By OCTAVE UZANNE ^ from the French by LADY MARY LOYD ^ WITH ONE HUNDRED HAND- COLOURED PLATES fc? TWO HUNDRED AND FIFTY TEXT ILLUSTRATIONS BY FRANCOIS COURBOIN LONDON : WILLIAM HEINEMANN NEW YORK: CHARLES SCRIBNER'S SONS MDCCCXCVIII (pr V All rights reserved CHAP. PAGE I. The Close of the Eighteenth Century ... i Licentiousness of Dress and Habits under the Directory of the Nineteenth II. The Dawn Century . 23 The Fair Sex in the Tear VIII First Empire III. Under the ...... +5 Feminine Splendour in Court and City IV. Dress, Drawing - rooms, and Society under the Restoration ....... 65 1815-1825 V. The Fair Parisian in 1830 ..... 85 Manners, Customs, and Refme?nent of the Belles of the Romantic Period VI. Fashion and Fashion's Votaries, from 1840 to 1850 103 VII. Fashion's Panorama in 1850 . 115 The Tapageuses and the Myst'erieuses in under VIII. Life Paris the Second Empire . .127 Leaders of the Gay World, and Cocodettes IX. The Fair Sex and Fashions in General from 1870 till 1880 ....... 147 X. The Parisian, as She is . .165 Her Psychology, Her Tastes, Her Dress MM. kmmi X<3 INTRODUCTION he compilation of a complete bibliography, even the most concise, of the works devoted to the subject of Costume, T and to the incessant changes of Fashion at every period, and in every country, in the world, would be a considerable undertaking—a work worthy of such learning as dwelt in the monasteries of the sixteenth century.
    [Show full text]
  • Techniques Represented in Each Pattern
    (updated) November 12, 2020 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$12.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form.
    [Show full text]
  • {DOWNLOAD} Lace Kindle
    LACE PDF, EPUB, EBOOK Shirley Conran | 768 pages | 19 Jul 2012 | Canongate Books Ltd | 9780857863904 | English | Edinburgh, United Kingdom Lace - Wikipedia Test Your Knowledge - and learn some interesting things along the way. Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free! Whereas 'coronary' is no so much Put It in the 'Frunk' You can never have too much storage. What Does 'Eighty-Six' Mean? We're intent on clearing it up 'Nip it in the butt' or 'Nip it in the bud'? We're gonna stop you right there Literally How to use a word that literally drives some pe Is Singular 'They' a Better Choice? Name that government! Or something like that. Can you spell these 10 commonly misspelled words? Do you know the person or title these quotes desc Login or Register. Save Word. Keep scrolling for more. Much handmade lace continued to be produced until World War I , despite increasing competition from machine-made types. A great deal of bobbin, needle, and filet lace was made in China for export to Europe and the United States. But by the industry was dying everywhere. In the second half of the 20th century, lace was still being made at such centres as Burano and Bruges , but chiefly as souvenirs. Lace Article Media Additional Info. Home Visual Arts Decorative Art. Print Cite. Facebook Twitter. Give Feedback External Websites. Let us know if you have suggestions to improve this article requires login. External Websites. Articles from Britannica Encyclopedias for elementary and high school students.
    [Show full text]
  • Tom Fisher, Julie Botticello, Nottingham Trent University, Nottingham, United Kingdom
    Tom Fisher, Julie Botticello, Nottingham Trent University, Nottingham, United Kingdom. [email protected] 3D Representations of Heritage – understanding the Leavers lace machine through documents, ethnography and animation The lace industry in the East Midlands of the UK was a major feature of the local, and wider, economy from the invention of the ‘Leavers’ process in 1813 to the end of mass manufacturing of lace early in the 21st century. The industry grew out of innovations in machine knitting technology that date back to William Lee’s invention of the stocking frame in 1589. In 1816 it was exported to northern France, under conditions of trade embargo, where the industry grew in the towns of Calais and Caudry. In both Nottingham and northern France it generated parallel industries in machine manufacture and textile finishing. Three firms survive in the UK, and one of these is Cluny Lace in Ilkeston, near Nottingham http://www.clunylace.com . Although the industry has shrunk from approximately 2600 machines in the first decade of the twentieth century to the 16 that remain at Cluny Lace, this important part of the region’s industrial heritage does survive. Working closely with the company’s owners over some years, researchers at Nottingham Trent University have conducted research since 2009 to understand this heritage and effectively represent it as the important element in the region’s identity that it is. Collaborators in this work have included the Victoria and Albert Museum in London, as well as Nottingham’s City Museums and Galleries, which has some examples of Leavers machines in their Industrial Museum collection.
    [Show full text]
  • Caste Eng Crè Log
    SUMARI 7 PREÀMBUL Neus Ribas i Eulàlia Morral 8 L ’EXPOSICIÓ ITINERANT 28 LA MEMÒRIA DELS TELERS: ELS MOSTRARIS TÈXTILS Sílvia Carbonell Basté 54 LÚA IND STRIA tèXTIL A CATALUNYA TEVIS A D S DE LA INFORMACIÓ ESTADÍSTICA Jordi Maluquer de Motes 70 ESLS FON DELS MUSEUS COM A EINA INDISPENSABLE PER ALS DISSENYADORS Dra. Sílvia Rosés Castellsaguer 84 L A I+D EN EL SECTOR tèXTIL. ESTAT ACTUAL, TENDènCIES Ariadna Detrell / Sergi Artigas 97 AnnEXOS TRADUCCIÓN AL CASTELLANO ENGLISH TRANSLATION PREÀMBUL Neus Ribas i Eulàlia Morral Al llarg d’aquest procés de recollida i documentació que hem anat fent, ens hem adonat que a vegades arribà- vem tard, perquè durant o després del tancament de les empreses –ja fos per la crisi o per trasllat– s’havien llen- çat molts mostraris, en bona part perquè no se’ls con- sidera una documentació interessant o valuosa. També urant un llarg període, hem pogut constatar que moltes empreses conserven a Catalunya el tèxtil ha estat la indústria, i les caracte- aquesta informació en pèssimes condicions i controla- rístiques físiques i socials del nostre país no es poden des per persones, generalment d’edat avançada, que són entendre sense tenir en compte aquest fet; però tot can- els únics que tenen els coneixements indispensables per via molt de pressa. Les modificacionsD urbanístiques de a la correcta identificació i interpretació d’aquests ob- les poblacions, la diversificació de la indústria i el relleu jectes. Finalment, hi ha empreses i persones conscients generacional han anat desdibuixant la memòria fins al del valor d’aquest patrimoni, que el conserven o fins i tot punt que els propis habitants de ciutats que van ser de realitzen els tràmits necessaris per donar-los als equipa- referència obligada per al sector tèxtil fins als anys se- ments museístics que els podem conservar, documentar tanta sovint desconeixen aquest fet, o en tenen una no- i difondre.
    [Show full text]