DOCSLIB.ORG

44Th Annual Smithville Fiddlers' Jamboree and Crafts Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
44Th Annual Smithville Fiddlers' Jamboree and Crafts Festival 44 th Annual Smithville Fiddlers’ Jamboree and Crafts Festival Friday, July 3, 2015 Winners 1) Old Time Appalachian Folk Singing (Solo): First Place- Amanda McKenney of Cullman, Alabama Second Place-Kelcy Tomlin of Springfield Third Place-Josiah Tyree of Carthage 2) Junior Clogging (Ages 13-39): First Place-Chris Stewart of Lebanon Second Place-Shelby Dunn of Fairview Third Place-Jamie Hash of Walland 3) Junior Buck Dancing (Ages 13-39): First Place- Jason Wade of Paris, Tennessee Second Place-Chris Stewart of Lebanon Third Place-Sierra Tomlin of Springfield 4) Old Time Appalachian Folksinging (Duet, Trio, Quartet) First Place- Sierra and Kelcy Tomlin of Springfield Second Place- The McKenneys of Cullman, Alabama Third Place-Short Mountain Strangers of Smithville 5) Dobro Guitar: First Place-Joey Gipson of Manchester Second Place-Ivy Phillips of Chapmansboro Third Place-Robbie Harris of Rockvale 6) Mountain Dulcimer: First Place-Rob Pearcy of Smyrna Second Place-Tyler Andal of White House Third Place-Daniel Amick of Centerville 7) Hammer Dulcimer: First Place-Pamela Sanders of Sparta Second Place- Mac Garner of Maryville 8) Novelty Event: First Place- Kurt and Joey of Manchester Second Place-Haint Hollow Hootenanny of Unionville Third Place-Hillary Klug of Shelbyville 9) Autoharp: First Place- Austin Derryberry of Shelbyville Second Place-Pamela Sanders of Sparta Third Place-Bettye Kash of Cookeville 10) Gospel Singing (Solo): First Place-Amanda McKenney of Cullman, Alabama Second Place- Elizabeth Koegler of Smithville Third Place-Kurt Stephenson of Dyersburg 11) Country Harmonica: First Place-Rob Pearcy of Smyrna Second Place- Daniel Amick of Centerville Third Place- Tyler Martelli of Chattanooga 12) Old Time Banjo: First Place- Josiah Tyree of Carthage Second Place- Tyler Andal of White House Third Place- Austin Derryberry of Shelbyville 13) Youth Square Dancing: First Place-Jackson Hollow of Franklin Second Place- Main Stage Revolution of Springfield Third Place- Main Stage Explosion of Springfield 14) Gospel Singing (Duet, Trio, & Quartet): First Place- The Jenkins Family of Wilder, Tennessee Second Place- Sandi Kay's New Hickory of Lebanon Third Place- Kurt and Andrea of Dyersburg 15) Mandolin: First Place-Daniel Amick of Carthage Second Place- Tyler Andal of White House Third Place- Kurt Stephenson of Dyersburg 16) Old Time Fiddle Band: First Place-Uncle Shuffelo and His Haint Hollow Hootenanny of Unionville Second Place- Flat Rock String Band of Manchester Third Place- The P&J String Band of Nashville Saturday, July 4, 2015 Winners National Championship for Country Musician Beginners (Age 12 and under) Beginner Buck Dancing: First Place- Isabella McCoy of Brush Creek Second Place- Kaelin Wade of Paris, Tennessee Third Place- Gracie Parrish of Pleasant View Beginner Clogging: First Place- Kaelin Wade of Paris, Tennessee Second Place- Isabella McCoy of Brush Creek Third Place- Lexi Huntley of Loretto Beginner Dobro Guitar: First Place- Giri Peters of Nashville Second Place- Maddie McKenney of Cullman, Alabama National Championship for Country Musician Beginners (Age 12 and under) (Continued) Beginner Mandolin: First Place-Giri Peters of Nashville Second Place-Isabella McCoy of Brush Creek Third Place- Evan Morse of Smithville Beginner Five String Banjo: First Place- Uma Peters of Nashville Second Place- Lexi Huntley of Loretto Third Place- Noah Aikens of Cookeville Beginner Flat Top Guitar: First Place- Giri Peters of Nashville Second Place- Noah Aikens of Cookeville Third Place- Robert Wheeler of Smithville Beginner Fiddle (James G. “Bobo” Driver Award): First Place- Giri Peters of Nashville Second Place- Uma Peters of Nashville Third Place- Kate Ward of Kuttawa, Kentucky Entertainer of the Year Award: Giri Peters of Nashville, TN 17) Junior Old-Time Appalachian Flatfoot Dance (Ages up to 39): First Place-Matthew Campbell of Smyrna Second Place- Chris Stewart of Lebanon Third Place- Hillary Klug of Shelbyville 18) Senior Old-Time Appalachian Flatfoot Dance (Ages 40 & Over): First Place- Tommy Scruggs, Jr. of Hartsville Second Place- Stanley Reece of Gainesboro Third Place- Darrin Stryker of Crossville 19) Senior Buck Dancing (Ages 40 & Over): First Place- Thomas Maupin of Murfreesboro Second Place- Tommy Scruggs, Jr. of Hartsville Third Place- Eileen Stewart of Tennessee Ridge, Tennessee 20) Senior Clogging (Ages 40 & Over): First Place-Sherry Guenther of Monterey Second Place- Tammy Gay Scruggs of Hartsville Third Place- Jeff Yates of Adams, Tennessee 21) Bluegrass Banjo: First Place-Joey Gipson of Manchester Second Place-Kurt Stephenson of Dyersburg Third Place- Daniel Amick of Centerville 22) Junior Fiddlers (Ages 13-39): First Place-Tyler Andal of White House, Tennessee Second Place- Maddie Denton of Murfreesboro Third Place- Ivy Phillips of Chapmansboro, Tennessee 23) Flat Top Guitar: First Place- Daniel Amick of Centerville Second Place- Tyler Andal of Whitehouse Third Place-Rob Pearcy of Smyrna 24) Contest Fiddle (Neil Dudney Award): First Place- Tyler Andal of White House Second Place- Justin Branum of Nashville Third Place- Maddie Denton of Murfreesboro 25) Bluegrass Band: First Place- Mountain Cove Bluegrass Band of Signal Mountain Second Place- Tennessee Bluegrass of Dyersburg Third Place- Bluegrass Militia of Hartsville 26) Senior Fiddlers (Ages 40 & Over): First Place- Gail Johnson of Lavergne Second Place- Billy Brewer of Lyles, Tennessee Third Place- Marcia Denton of Murfreesboro 27) Square Dancing: First Place-Rocky Top Revue of Franklin Second Place- Main Stage Fusion of Springfield Third Place- Harpeth River of Franklin 28. Grand Champion Fiddler and Winner of the Berry C. Williams Memorial Trophy: Tyler Andal from White House, Tennessee 2015 Craft Awards: Larry and Deb Drake of Nashville received the "Best of Show" award for their display of handmade Sterling Silver Gemstone Jewelry. Meanwhile, Fawn Gabel of Gatlinburg was presented the "Best Appalachian Craft" award for her display of Appalachian String Instruments handmade by Danny Williams of Winston Salem, North Carolina. The "Best Newcomer" Award went to Thomas Nunnery of Jena, Louisiana for his hand sculpted bird feeders and wine bottles. Scott Cantrell of Livingston received the "Best Display" award for his chainsaw art. .
Load more

Recommended publications
  • The History and Evolution of Clogging
    The History and Evolution of Clogging An Honors Thesis (HONRS 499) by Lindsay Schultz Thesis Advisor Ball State University Muncie, Indiana Presented: December 2009 Graduation: May 2010 · .::: 'I Abstract Dancing is a wonderful way for people to express themselves. There are so many styles of dance in our world today, and each ofthese dance styles had to evolve from something before it. That is how a new dance is born. Old styles of dance are changed or combined to form something new and different. In order for everyone to appreciate dance, it is important for them to be exposed to many styles of dance and learn how it evolved. This helps people understand why each dance style is special and unique. Clogging is one style of dance that is not as well known in the United States by most people in the general public. This thesis project is made to showcase this wonderful style of dance as well as educate the public about what clogging is and where it came from. I will present the findings from my research about the evolution of clogging, show a video of traditional Irish dancing (which greatly influenced clogging), as well as perform a modem clogging routine I choreographed myself. I want everyone to hear about the history as well as see what clogging looks like today in order to gain a greater appreciation for this special dance style. 2 Acknowledgments -I would like to thank Mr. Greg Lund for working with me as my advisor on this project. He was helpful in providing ideas, research materials, and a place for me to showcase my thesis project.
    [Show full text]
  • Illustrated Flora of East Texas Illustrated Flora of East Texas
    ILLUSTRATED FLORA OF EAST TEXAS ILLUSTRATED FLORA OF EAST TEXAS IS PUBLISHED WITH THE SUPPORT OF: MAJOR BENEFACTORS: DAVID GIBSON AND WILL CRENSHAW DISCOVERY FUND U.S. FISH AND WILDLIFE FOUNDATION (NATIONAL PARK SERVICE, USDA FOREST SERVICE) TEXAS PARKS AND WILDLIFE DEPARTMENT SCOTT AND STUART GENTLING BENEFACTORS: NEW DOROTHEA L. LEONHARDT FOUNDATION (ANDREA C. HARKINS) TEMPLE-INLAND FOUNDATION SUMMERLEE FOUNDATION AMON G. CARTER FOUNDATION ROBERT J. O’KENNON PEG & BEN KEITH DORA & GORDON SYLVESTER DAVID & SUE NIVENS NATIVE PLANT SOCIETY OF TEXAS DAVID & MARGARET BAMBERGER GORDON MAY & KAREN WILLIAMSON JACOB & TERESE HERSHEY FOUNDATION INSTITUTIONAL SUPPORT: AUSTIN COLLEGE BOTANICAL RESEARCH INSTITUTE OF TEXAS SID RICHARDSON CAREER DEVELOPMENT FUND OF AUSTIN COLLEGE II OTHER CONTRIBUTORS: ALLDREDGE, LINDA & JACK HOLLEMAN, W.B. PETRUS, ELAINE J. BATTERBAE, SUSAN ROBERTS HOLT, JEAN & DUNCAN PRITCHETT, MARY H. BECK, NELL HUBER, MARY MAUD PRICE, DIANE BECKELMAN, SARA HUDSON, JIM & YONIE PRUESS, WARREN W. BENDER, LYNNE HULTMARK, GORDON & SARAH ROACH, ELIZABETH M. & ALLEN BIBB, NATHAN & BETTIE HUSTON, MELIA ROEBUCK, RICK & VICKI BOSWORTH, TONY JACOBS, BONNIE & LOUIS ROGNLIE, GLORIA & ERIC BOTTONE, LAURA BURKS JAMES, ROI & DEANNA ROUSH, LUCY BROWN, LARRY E. JEFFORDS, RUSSELL M. ROWE, BRIAN BRUSER, III, MR. & MRS. HENRY JOHN, SUE & PHIL ROZELL, JIMMY BURT, HELEN W. JONES, MARY LOU SANDLIN, MIKE CAMPBELL, KATHERINE & CHARLES KAHLE, GAIL SANDLIN, MR. & MRS. WILLIAM CARR, WILLIAM R. KARGES, JOANN SATTERWHITE, BEN CLARY, KAREN KEITH, ELIZABETH & ERIC SCHOENFELD, CARL COCHRAN, JOYCE LANEY, ELEANOR W. SCHULTZE, BETTY DAHLBERG, WALTER G. LAUGHLIN, DR. JAMES E. SCHULZE, PETER & HELEN DALLAS CHAPTER-NPSOT LECHE, BEVERLY SENNHAUSER, KELLY S. DAMEWOOD, LOGAN & ELEANOR LEWIS, PATRICIA SERLING, STEVEN DAMUTH, STEVEN LIGGIO, JOE SHANNON, LEILA HOUSEMAN DAVIS, ELLEN D.
    [Show full text]
  • Beginning Clogging Level 1
    BEGINNING CLOGGING: LEVEL I Welcome to the Beginning Clogging: Level I Class. Thank you for coming. Our class will be held one hour per week for six weeks. There are eight basic steps in clogging; in this session you will learn four of those eight steps, as well as other pertinent information about clogging. The following pages of this booklet describe clogging "on paper", and will be useful in remembering the steps I teach. Also, you may want to make notes that could be helpful later on. I hope you enjoy the class and thank you again for coming. Kelli McChesney, National Instructor Gainesville, Florida [email protected] http://www.kellimcchesney.com/ A BRIEF HISTORY OF CLOGGING Written and researched by Kelli McChesney Clogging is a folk dance similar to tap and Irish step dancing. It is making rhythmic tapping sounds with the feet. Clogging is said to have originated in the Lancashire regions of England during the Industrial Revolution. Mill workers during this time wore wooden shoes, called "clogs," to protect their feet from the harsh environment. After getting off work, the workers danced on the stone streets in small contests to see who could make the most intricate sounds. Often they tried to imitate the sounds the mill machines made. As the speed of the steps increased, the clogs proved to be dangerous and were replaced with soft leather shoes with hard soles. English copper pennies were then screwed on the heels and toes of the shoes to emphasize the sounds. Eventually, the pennies were replaced with metal "taps." With influences of many European folk dances, clogging has evolved through the years into different styles.
    [Show full text]
  • American Square Dance Vol. 42, No. 6 (June 1987)
    AMERICAN 0 Annual $10.00 SQUARE DANCE Single Copy $1.25 JUNE 1987 36th NATIONAL SQUARE DANCE CONVENTION HOUSTON, TEXAS JUNE 25-27,1987 WAGON WHEEL RECORDS 8459 Edmaru Ave., Whittier CA 90605 (213-693-5976) Vit WAGON WHEEL EASY SINGING CALLS AND CONTRAS Basics 1-25 Suitable for one-night stands and the community square dance program. 45 rpm flip/inst. Calling by Bob Ruff 911 Gentle On my Mind Basics 1-8 918 Glendale Train Basics 1-19 912 Bad Bad Leroy Brown Basics 1-8 919 Big Sombrero Contra Basics 1-19 913 Engine 9 Basics 1-14 921 Shindig In The Barn Basics 1-22 914 Hey Lei Lee, Lei Lee Basics 1-8 922 King Of the Road Basics 1-9 915 If They Could See Me Now Basics 1-17 923 Mississippi Basicsl-25 916 Long Lonesome Highway Basics 1-22 924 Houston Basics 1-17 917 Robinson Crusoe Basics 1-16 929 Shortnin' Contra Basics 1-19 SPECIAL FREE OFFER, No. 1 With your purchase of any of the above we will include an equal number of records with Mainstream basics—FREE. Call or write for a free catalog. INSTRUCTIONAL LP'S FOR SCHOOLS & NEW DANCERS: Calling by BOB RUFF THE FUNDAMENTALS OF SQUARE DANCING, Levels 1,2, & 3. Basics 1-35. These albums are used in school programs in all 50 states and most provinces of Canada. They are used worldwide to give new dancers practice in the basics. SPECIAL FREE OFFER, No. 2 With your purchase of these three albums we will include (FREE) THE FUNDAMENTALS OF SQUARE DANCING Party Series, Level 1, LP 6501 ($9.95 value).
    [Show full text]
  • Allan Friedman, Artistic Director • Deborah Coclanis, Accompanist Women’S Voices Chorus Cheek to Cheek Saturday, May 2, 2009, 2:00 P.M
    Allan Friedman, Artistic Director • Deborah Coclanis, Accompanist Women’s Voices Chorus Cheek to Cheek Saturday, May 2, 2009, 2:00 p.m. Chapel Hill Bible Church, Chapel Hill, North Carolina Allan Friedman, Artistic Director Please turn off your pagers, cell phones, and watch alarms ~Program~ Salmo 150 Ernani Aguiar (b. 1950) Il Ballerino Giovanni Gastoldi (1555-1622) Dancing Scott A. Tucker (b. 1957) To Be Sung on the Water Samuel Barber (1910-1981) Chamber Choir Liebeslieder-Waltzer and Neue Liebeslieder Johannes Brahms (1833-1897) Vögelein, #13 in A-flat Wie des Abends, #4 in F Nein, Geliebter, #13 in E Igraj Kolce Slovenian Folksong, Arr. Jakob Jež (b. 1928) Judy Moore, Soloist Dravidian Dithyramb Victor Paranjoti (1906-1967) Gaurangi Priya Gopal and Anandi Salinas, Bharata-Natyam Dance; Chamber Choir Balalaika Georgy Sviridov (1915-1998) A Rosebud in June Leslie R. Bell (1906-1962) Shady Grove Southern Appalachian Folk Song Arr. Shirley W. McRae Elia Bizzarri and Elizabeth Raines, Cloggers 2 ~15 minute Intermission~ Mouth Music Dolores Keane and John Faulkner Cailyn Pozella, Irish Dance Innoria (Huron Dance Song) Arr. Donald Patriquin (b. 1938) Tximeletak Eva Ugalde (b. 1973) Chamber Choir El Monigote Venezuelan Folk Song Arr. Diana V. Sáez Tango Dada James G. Smith (b. 1935) Chamber Choir Cheek to Cheek Irving Berlin (1888-1989), Arr. Kirby Shaw Oksana Klyuchnyk and Yuriy Simakov, Fox Trot; Allison Mangin and Ashley Oskardmay, Soloists Begin the Beguine Cole Porter (1891-1964) Arr. Wayne Howorth It Don’t Mean A Thing Duke Ellington (1899-1974) Oksana Klyuchnyk and Yuriy Simakov, Quick Step + + + + + + + + + + + + + + + + + + + + + + + About Women’s Voices Chorus Women’s Voices Chorus, Inc.
    [Show full text]
  • A Quartet of Clogging's Top Dancers Take to Social Media with a Series
    The Magazine of Clogging Since 1983 TIMES DOUBLETOEwww.doubletoe.com January 2014 THE METRONOMES A Quartet of Clogging’s Top Dancers Take to Social Media with a Series of Killer Steps DOUBLETOE July/Augustfoot 2010print Clogging GroupJanuary Trips 2014 In This Issue Lee Froehle has been coordinating clogging trips and Ain’tIndex ......................................................................................... That a Trip? 2 tours for more than a decade and has taken her own Editorial “Changing Channels” ...........................................4 This September, I will have the honor of teaching groups to Europe, DisneyIn and This around the IssueU.S. She Calendar of Events ...................................................................6 has also organized Clogging Expos for over 1,000 withVirginia my friend Clogger Shane Dorothy Gruber Stephenson at the 25th ........................ anniversary 8 Index .........................................................................................people in Washington, DC, plus Hawaii. Ireland, 2 onCherryholmes the Renegade Interview Quicksteppers ................................................ of Stuttgart, 14 EditorialScotland “Ain’t and Thatmore. a Trip?”Whether ........................................... you are a small group 2 Germany.Dancers in In Action the days Photo prior Contest to the workshop, .............................. we will23 The Metronomeswanting a fun trip, ................................................................. a cruise for a few families or a 4
    [Show full text]
  • May / June 2014 Double Issue
    The Magazine of Clogging Since 1983 TIMES DOUBLETOEwww.doubletoe.com May/June 2014 Happy Dance The Double Toe Times shares stories of folks who are renewing interest in the flatfoot style of clogging, brave cloggers who are going it alone to travel to workshops, teams rubbing elbows with legends of bluegrass, and pays tribute to a team that taught a president’s daughter to clog and is retiring after sharing clogging in four decades of performances. DOUBLETOE July/Augustfoot 2010print Clogging GroupMay / TripsJune 2014 In This Issue Lee Froehle has been coordinating clogging trips and BookIndex ......................................................................................... Ends 2 tours for more than a decade and has taken her own Editorial “Changing Channels” ...........................................4 In this issue of the Double Toe Times we bid groups to Europe, DisneyIn and This around the IssueU.S. She Calendar of Events ...................................................................6 has also organized Clogging Expos for over 1,000 farewellVirginia toClogger the Little Dorothy Generals Stephenson Cloggers ........................ of Georgia,8 Index .........................................................................................people in Washington, DC, plus Hawaii. Ireland, 2 who are retiring after decades of representing Editorial “Book Ends” ......................................................... 2 Cherryholmes Interview ................................................14 Scotland and more. Whether you are
    [Show full text]
  • The Brainerd Mill and the Tellico Mills: the Development of Water- Milling in the East Tennessee Valley
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 6-1986 The Brainerd Mill and the Tellico Mills: The Development of Water- Milling in the East Tennessee Valley Loretta Ettien Lautzenheiser University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Anthropology Commons Recommended Citation Lautzenheiser, Loretta Ettien, "The Brainerd Mill and the Tellico Mills: The Development of Water-Milling in the East Tennessee Valley. " Master's Thesis, University of Tennessee, 1986. https://trace.tennessee.edu/utk_gradthes/4154 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Loretta Ettien Lautzenheiser entitled "The Brainerd Mill and the Tellico Mills: The Development of Water-Milling in the East Tennessee Valley." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in Anthropology. Charles H. Faulkner, Major Professor We have read this thesis and recommend its acceptance: Jeff Chapman, Benita J. Howell Accepted for the Council: Carolyn
    [Show full text]
  • Folklife Center News Winter 2002 • Volume Xxiv, Number 1
    FOLKLIFE CENTER NEWS WINTER 2002 • VOLUME XXIV, NUMBER 1 American Folklife Center • The Library of Congress BOARD OF TRUSTEES ONLINE INFORMATION RESOURCES Congressional Appointees James F. Hoy, Chair, Kansas The American Folklife Center’s Kay Kaufman Shelemay, Vice-chair, Web site provides full texts of Massachusetts many publications, information Janet Brown, South Dakota about AFC projects, multimedia John Penn Fix III, Washington presentations of selected collec­ Mickey Hart, California tions, links to Web resources on William L. Kinney Jr., South Carolina ethnography, and announcements Judith McCulloh, Illinois of upcoming events. The address Charles E. Trimble, Nebraska for the home page is http://www. The American Folklife Center Presidential Appointees loc.gov/folklife/ An index of the was created in 1976 by the U.S. Maureen P. Cragin site contents is available at http:// Congress to “preserve and present Assistant Secretary for Public and www.loc.gov/folklife/afcindex.html American folklife” through pro­ Intergovernmental Affairs grams of research, documentation, The Web site for The Veterans Department of Veterans Affairs History Project provides an over­ archival preservation, reference ser­ Fran Mainella vice, live performance, exhibition, view of the project, an online “kit” Director, National Park Service publication, and training. The for participants recording oral his­ Sonya E. Medina Center incorporates the Archive of tories of veterans, and a brief pre­ Deputy Director of Projects Folk Culture, which was established sentation of some examples of video- Office of the First Lady in the Music Division of the Library and audio-recordings of veterans’ The White House of Congress in 1928 and is now one stories.
    [Show full text]
  • Expressions 2017 | Allegany College of Maryland
    ALLEGANY COLLEGE ==of== MARYLAND 2017 ALLEGANY COLLEGE of MARYLAND 12401 Willowbrook Road, SE | Cumberland, MD 21502-2596 www.allegany.edu EXPRESSIONS 2017 Cameron Crouse Rachel Ritchey CONTRIBUTORS: Markiee Fike Megan Ruby Rebecca Ford Emily Sausman Vin Foy Kayla Spencer-Garlitz Maria Hite Matt Thomas Olivia Howard Sarah Thomas Elisabeth C. Humberson Savannah Turner Logan Jeffries Cherie Weasenforth Margaret LeMaster Caitlynn Whitecotton Kayla Lloyd Emma Wilson Jeff Martin Shayla Yaeger Alex May Katrina Yetter Derrick Miller Laurinda Yoder Marilyn Peck Chuck Yowell Connell Reese William Ziler Ilyane Rodriguez FACULTY EDITOR: Dr. Ronald Jenkins STUDENT EDITOR: Robert Smith ASSISTANT EDITOR: Heather Lorigan (for poetry) ADVISORS: Arts and Humanities Faculty EDITORIAL BOARD: Carolyn Bond, John Bone, Marsha Clauson, Kathy Condor, Josh Getz, Jim House, Kim Mouse, Robyn Price, Shannon Redman, Jared Ritchey, Michael Shockey, Sandi Stein, Suzanne Stultz, Nick Taylor ARTWORK FEATURED ON FRONT COVER: “Smoke Color” by Vin Foy ARTWORK FEATURED ON BACK COVER: “Trouvaille” by Shayla Yaeger Printed by Morgantown Printing & Binding Spring Semester 2017 © 2017 Student Literary Magazine | Essays, Fiction, Poetry & Artwork TABLE OF CONTENTS Student Editor’s Introduction ..................................................................................................5 Artwork & Photography Smoke Color | Vin Foy................................................................................................Front Cover Maternity | Ilyane Rodriguez ......................................................................................................6
    [Show full text]
  • Download on the ACHF Website: 7
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 American Team Clogging as Pilgrimage and Heritage Ritual James Andrew Howard Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE AMERICAN TEAM CLOGGING AS PILGRIMAGE AND HERITAGE RITUAL By JAMES ANDREW HOWARD A Thesis sub itted to the Depart ent of Dance in partial fulfill ent of the require ents for the degree of Master of Arts Degree Awarded. Spring Se ester, 2001 Copyright © 2001 Ja es Andrew Howard All Rights Reser3ed The me bers of the Co ittee appro3e the Thesis of Ja es Andrew Howard defended on March 30, 2001. _________________________________ Tricia Young Professor Directing Thesis __________________________________ Jennifer At6ins Committee Member __________________________________ Sally So er Co ittee Me ber __________________________________ Patricia Phillips Co ittee Me ber Appro3ed. _____________________________________ Patricia Phillips, Co7Chair, Depart ent of Dance _____________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and appro3ed the abo3e na ed co ittee me bers. ii Dedicated, in lo3ing me ory, to Ryan Lee Marsh (118372008) Than6 you, Ryan, for your encourage ent in this and many other ad3entures. Than6 you for being part of my story. One more thing= iii ACKNOWLEDGEMENTS I would first li6e to than6 my fa ily for being tea cloggers, by association, for o3er 21 years. My grand other, Annie Ruth Howard (Granny Annie, as many clogging friends call her), has been exceptionally supporti3e and significant in my clogging ad3entures, fro the earliest lessons to fa ily su er pilgri ages to Dollywood.
    [Show full text]
  • BASIC CLOGGING TERMINOLOGY All Clogging Steps Are Made up of Some Combination of the Following Basic Movements
    BASIC CLOGGING TERMINOLOGY All clogging steps are made up of some combination of the following basic movements. The movements themselves fall into two groups -Toe Movements and Heel Movements. Each Toe Movement occurs on an upbeat of the music and is followed by a Heel Movement which occurs on the downbeat of the music. The rhythm of the dance is kept by the heel. Anytime the heel is sounded, the knee is flexed and then straightened on the following upbeat, resulting in the characteristic up and down motion of the dancer's body. The word "click" is used in the descriptions below to indicate that a tap has contacted the floor. All clicks should have a sharp, clear sound, not scuffed or muffled. This is the beginning of the traditional drag/slide motion. HEEL MOVEMENTS These fall on the downbeat (or bass beat) of the music (usually on the whole beat ie. 1) HEEL CLICK The weight of the body is already on the ball of the foot when the HEEL movement is done. Quickly lift and snap the heel down, producing a sharp click, and flex the knee downward, distributing the body weight along the entire length of the foot. STEP Place the entire foot flat on the floor, producing a click with the toe tap and the heel tap at the same time and transferring the body weight along the full length of the foot while flexing the knee downward. TOE MOVEMENTS These generally fall on the upbeat of the music (usually on the half beat &) TOE The ball of the foot produces a click while the heel remains out of contact with the floor.
    [Show full text]