American Square Dance Vol. 42, No. 6 (June 1987)
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1Guitar PDF Songs Index
Material on Guitar Website Reference Beginning Guitar Music Guitar Cover Beginning Chords Fingerpicking Bass Runs for Guitar Guitar Christmas Song List Guitar Care Guitar PDF Song Index 1/4/2017 Good Reader Web Downloads to Goodreader How to Use Goodreader Downloading Files to the iPad from iTunes Saving Your Internet Passwords Corrected Guitar and PDF 509 Songs 1/4/2017 A Bushel and a Peck Bad Moon Rising A White Sport Coat Ballad of Davy Crockett All I Ask of You Ballad of Green Berets All My Ex’s Live in Texas Battle Hymn of Aging All My Lovin’ Be Our Guest All My Trials Beautiful Brown Eyes Always On My Mind Because of You Am I That Easy to Forget Beep Beep Amanda - bass runs Beer for My Horses + tab Amazing Grace - D Begin the Beguine A America the Beautiful Besame Mucho American Pie Beyond the Reef Amor Big Rock Candy Mountain And I Love Her Blame It On Bossa Nova And I Love You So Blowin’ in the Wind Annie’s Song Blue Bayou April Love Blue Eyes Crying in the Rain - D, C Aquarius Blue Blue Skies Are You Lonesome Tonight Blueberry Hill Around the World in 80 Days Born to Lose As Tears Go By Both Sides Now Ashokan Farewell Breaking Up Is Hard to Do Autumn Leaves Bridge Over Troubled Water Bring Me Sunshine Moon Baby Blue D, A Bright Lights Big City Back Home Again Bus Stop Bad, Bad Leroy Brown By the Time I Get to Phoenix Bye Bye Love Dream A Little Dream of Me Edelweiss Cab Driver Eight Days A Week Can’t Help Falling El Condor Pasa + tab Can’t Smile Without You Elvira D, C, A Careless Love Enjoy Yourself Charade Eres Tu Chinese Happy -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Hallelujah Leonard Cohen
Hallelujah Leonard Cohen I've heard that there’s a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this The fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah x 4 You say I took the name in vain But I don't even know the name And if I did, well really, what's it to you? There's a blaze of light In every word It doesn't matter what you’ve heard The holy or the broken Hallelujah Hallelujah x 4 I did my best, it wasn't much I couldn't feel, so I tried to touch I've told the truth, I didn't come to fool you And even though it all went wrong I stand before the Lord of Song With nothing on my tongue but Hallelujah Hallelujah x 4 "Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a recording by John Cale, which inspired a recording by Jeff Buckley. It has been viewed as a "baseline" for secular hymns. Following its increased popularity after being featured in the film Shrek (2001), many other arrangements have been performed in recordings and in concert, with over 300 versions known. The song has been used in film and television soundtracks and televised talent contests. "Hallelujah" experienced renewed interest following Cohen's death in November 2016 and appeared on many international singles charts, including entering the American Billboard Hot 100 for the first time. -
Sweet Georgia Brown Presents Arranged by Marty Paich
Jazz Lines Publications sweet georgia brown Presents Arranged by marty paich Prepared for Publication by dylan canterbury, Rob duboff, and Jeffrey Sultanof full score jlp-9747 Music by Ben Bernie and Maceo Pinkard Words by Kenneth Casey © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Ella Fitzgerald Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA ella fitzgerald series sweet georgia brown (1966) Ella Fitzgerald Biography: Truly the First Lady of Song, Ella Fitzgerald was one of the greatest singers in American history. As her official website perfectly states, “Her voice was flexible, wide-ranging, accurate, and ageless. She could sing sultry ballads, sweet jazz, and imitate every instrument in an orchestra.” She enthralled audiences all over the world for decades, worked with everyone from Duke, Dizzy, and Count Basie to Nat King Cole and Sinatra, and left a recorded legacy that is second to none. Born Ella Jane Fitzgerald on April 25, 1917 in Newport News, Virginia, Ella endured some rough times as a child. Following the split of her parents, she moved with her mother to Yonkers, NY, and sadly lost her mother at age 15. Fighting poverty, Ella eventually used these difficult times as motiva- tion in life, and continued to harbor dreams of being an entertainer. She made her public singing debut at the Apollo Theater in Harlem on November 21, 1934 at age 17. -
Charles Stephen Hawtrey
Charles Stephen Hawtrey Background Charles was born in a poor part of London in 1925, the eldest of eight children. He was the first born, and the last remaining sibling. Charles started work long before the age of ten to support his family, trying many careers along the way including brick laying, baking, elephant handling at London Zoo, and the British Army. In his early 20’s Charles and favourite brother Ron worked at London airport refuelling planes when Charles developed his desire to learn to fly. Finally earning his pilot’s licence through the help of friends, he took off around the world and flew professionally in distant Canada and Africa. He loved South Africa and enjoyed trying many new careers there where he even ran his own pub for a while in Durban. Charles returned to London where he met his wife to be, Olive, who went on a date with him believing he was the famous radio and future movie star. They married in 1956 and earned a living from many different endeavours including raising pigs which Olive enjoyed before they were ready to start a family. In 1958 Charles and Olive moved to Melbourne as “Ten Pound Poms” on a small ship called Fairsky, to find new career opportunities and a better life. Initially he worked as a bus driver and a car salesman before joining Australian Fixed Trusts where he became their top salesman for a number of years running. Working in this field brought him in contact with many retirees and gave him the idea to start his first small development in Melbourne for the over 50’s. -
June 2013 Issue 83
PRICE $8.25 (INCL GST) JUNE 2013 ISSUE 83 16TH YEAR OF PUBLICATION ESTABLISHED 1998 Changes at Orion – meet Sven Lindblad The new Royal Princess Featuring a comprehensive coverage of Global Cruising for Cruise Passengers, the Trade and the Industry www.cruisingnews.com Editor’s Say the status of efforts to address mechanical failures. • The right to a ship crew that is properly trained in emergency and evacuation procedures. • The right to an emergency power source in the case of a main generator failure. • The right to transportation to the ship’s Cruise Lines International scheduled port of disembarkation or the Association (CLIA) has announced passenger’s home city in the event a cruise that its Board of Directors has is terminated early due to mechanical approved the adoption of a failures. “Cruise Industry Passenger Bill of • The right to lodging if disembarkation and Rights” detailing CLIA members’ an overnight stay in an unscheduled port commitment to the safety, comfort are required when a cruise is terminated THIS ISSUE and care of guests in a number of early due to mechanical failures. Front Cover: CrosiEurope, Orion important areas. • The right to have included on each cruise HIGHLIGHTS “The Cruise Industry Passenger Bill of Rights line’s website a toll-free phone line that Expedition Cruises and Princess Cruises codifies many longstanding practices of can be used for questions or information Voyager Upgrade .................................... P4 CLIA members and goes beyond those to Second Ship to Australia. ...................... P4 concerning any aspect of shipboard further inform cruise guests of the industry’s Quantum of the Seas ............................ -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Arm Aitor MI 48106-1346 USA 313/761-4700 800/521-0600 V,: "he dreamed of dancing with the blue faced people ..." (Hosteen Klah in Paris 1990: 178; photograph by Edward S. Curtis, courtesy of Beautyway). THE YÉ’II BICHEII DANCING OF NIGHTWAY: AN EXAMINATION OF THE ROLE OF DANCE IN A NAVAJO HEALING CEREMONY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Sandra Toni Francis, R.N., B.A., M. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
The History and Evolution of Clogging
The History and Evolution of Clogging An Honors Thesis (HONRS 499) by Lindsay Schultz Thesis Advisor Ball State University Muncie, Indiana Presented: December 2009 Graduation: May 2010 · .::: 'I Abstract Dancing is a wonderful way for people to express themselves. There are so many styles of dance in our world today, and each ofthese dance styles had to evolve from something before it. That is how a new dance is born. Old styles of dance are changed or combined to form something new and different. In order for everyone to appreciate dance, it is important for them to be exposed to many styles of dance and learn how it evolved. This helps people understand why each dance style is special and unique. Clogging is one style of dance that is not as well known in the United States by most people in the general public. This thesis project is made to showcase this wonderful style of dance as well as educate the public about what clogging is and where it came from. I will present the findings from my research about the evolution of clogging, show a video of traditional Irish dancing (which greatly influenced clogging), as well as perform a modem clogging routine I choreographed myself. I want everyone to hear about the history as well as see what clogging looks like today in order to gain a greater appreciation for this special dance style. 2 Acknowledgments -I would like to thank Mr. Greg Lund for working with me as my advisor on this project. He was helpful in providing ideas, research materials, and a place for me to showcase my thesis project. -
Roundalab Golden Classic List for 2005/2006 Phase Ii Choreographer
ROUNDALAB GOLDEN CLASSIC LIST FOR 2005/2006 PHASE II CHOREOGRAPHER SINCE ALL NIGHT JAEB 92/93 ALL SHOOK UP BECKER 01/02 BABY O’MINE FIYALKO 93/94 BIRTH OF THE BLUES +1 PARROTT 93/94 BUFFY METZGER 92/93 CAB DRIVER HALLMAN 04/05 COULD I HAVE THIS DANCE EDDINS 90/91 DANCING SHADOWS ARNFIELD 91/92 DREAMS COME TRUE COOKSEY 01/02 EDELWEISS KULLMAN 01/02 EXCEPT FOR MONDAY HEALEA 05/06 FEELIN’ BARBEE 91/92 FELIZ NAVIDAD+2 TRACY 02/03 FIDDLESTEPPER POLKA BROWN 99/00 FIREMAN TWO STEP+1 EDDINS 96/97 GAMES THAT LOVERS PLAY +1 WOLCOTT 92/93 GOOD OL’ GIRLS+1 EDDINS 91/92 GREEN DOOR PROCTOR 87/88 HOLD ME REILLY 87/88 HOT LIPS HIGHBURGER 87/88 HOUSTON SMITH 92/93 HUSH CROFT/DEZORDO 92/93 IF THE DEVIL DANCED WILHOIT 02/03 JACALYN’S WALTZ WILHOIT 92/93 KING OF THE ROAD MAC DOUGALL/COHEN 99/00 KON TIKI+1 GLAZIER 92/93 LAST CHEATERS WALTZ EDDINS 04/05 LITTLE WHITE MOON WILDER 94/95 MAPLE LEAF RAG KERN 00/01 MARIA+2 WOLCOTT 92/93 MEXICALI ROSE STAPLETON 88/89 (MISS) FRENCHY BROWN TETZLAFF 91/92 MISSION BELL WALTZ METZGER 96/97 MY LOVE+1 PROCTOR 87/88 MY SONG COLLING 00/01 NEAPOLITAN WALTZ HARDIN 91/92 PEARLY SHELLS LATTA 92/93 PIANO ROLL WALTZ GREEN 93/94 ROSES FOR ELIZABETH BLISS 89/90 SAM’S SONG KAMMERER 00/01 SPAGHETTI RAG GNIEWEK 87/88 ST. LOUIS BLUES MUELLER 94/95 STREET FAIR MEROLA 87/88 TAKE ONE STEP LEHNERT 87/88 THAT HAPPY FEELING TENNET 92/93 THERE’S A KIND OF HUSH INOVE 05/06 THIRD MAN THEME+1 REILLY 92/93 TIPS OF MY FINGERS PALMQUIST 89/90 VERY SMOOTH+1 WEISE 89/90 WALK RIGHT BACK MAY 88/89 PHASE III CHOREOGRAPHER SINCE ALICE BLUE GOWN+1 UTLEY -
Alive and Singing the Truth Thomas Palaima Texas Observer | January 11, 2008 | Afterword
Find this article at: https://www.texasobserver.org/2665-alive-and-singing-the-truth/ Alive and Singing the Truth Thomas Palaima Texas Observer | January 11, 2008 | Afterword This is Jimmy's road where Jimmy liked to play. This is Jimmy's grass where Jimmy liked to lay ar ound. This is Jimmy's tree where Jimmy liked to climb, But Jimmy went to war and something changed his mind around. This is the battleground where Jimmy learned to kill. Now Jimmy has a trade and Jimmy knows it well too well. This is Jimmy's grave where Jimmy's body lies When a soldier falls Jimmy's body dies and dies. Well this is Jimmy's road where Jimmy likes to play. This is Jimmy's grass where Jimmy likes to lay around. < -Willie Nelson, "Jimmy's Road" (©July 24, 1968) For America, 1968 was a violent and terrible year. Our troop levels in Vietnam were just below their peak of 543,400. Operation Rolling Thunder had already dropped 864,000 tons of bombs on Vietnam. The January Tet offensive brought the war to the American Embassy in Saigon, and from there into our living rooms. The My Lai Massacre took place on March 16. Eighteen months later, we would begin to learn the horrible things ordinary young American men, turned soldiers, could do under the stress of combat. On April 4, Martin Luther King was assassinated on a hotel balcony in Memphis, Tennessee. Race riots, looting, shooting, and arson, broke out in dozens of major cities. On June 5, Robert Kennedy was assassinated in a Los Angeles hotel. -
Illustrated Flora of East Texas Illustrated Flora of East Texas
ILLUSTRATED FLORA OF EAST TEXAS ILLUSTRATED FLORA OF EAST TEXAS IS PUBLISHED WITH THE SUPPORT OF: MAJOR BENEFACTORS: DAVID GIBSON AND WILL CRENSHAW DISCOVERY FUND U.S. FISH AND WILDLIFE FOUNDATION (NATIONAL PARK SERVICE, USDA FOREST SERVICE) TEXAS PARKS AND WILDLIFE DEPARTMENT SCOTT AND STUART GENTLING BENEFACTORS: NEW DOROTHEA L. LEONHARDT FOUNDATION (ANDREA C. HARKINS) TEMPLE-INLAND FOUNDATION SUMMERLEE FOUNDATION AMON G. CARTER FOUNDATION ROBERT J. O’KENNON PEG & BEN KEITH DORA & GORDON SYLVESTER DAVID & SUE NIVENS NATIVE PLANT SOCIETY OF TEXAS DAVID & MARGARET BAMBERGER GORDON MAY & KAREN WILLIAMSON JACOB & TERESE HERSHEY FOUNDATION INSTITUTIONAL SUPPORT: AUSTIN COLLEGE BOTANICAL RESEARCH INSTITUTE OF TEXAS SID RICHARDSON CAREER DEVELOPMENT FUND OF AUSTIN COLLEGE II OTHER CONTRIBUTORS: ALLDREDGE, LINDA & JACK HOLLEMAN, W.B. PETRUS, ELAINE J. BATTERBAE, SUSAN ROBERTS HOLT, JEAN & DUNCAN PRITCHETT, MARY H. BECK, NELL HUBER, MARY MAUD PRICE, DIANE BECKELMAN, SARA HUDSON, JIM & YONIE PRUESS, WARREN W. BENDER, LYNNE HULTMARK, GORDON & SARAH ROACH, ELIZABETH M. & ALLEN BIBB, NATHAN & BETTIE HUSTON, MELIA ROEBUCK, RICK & VICKI BOSWORTH, TONY JACOBS, BONNIE & LOUIS ROGNLIE, GLORIA & ERIC BOTTONE, LAURA BURKS JAMES, ROI & DEANNA ROUSH, LUCY BROWN, LARRY E. JEFFORDS, RUSSELL M. ROWE, BRIAN BRUSER, III, MR. & MRS. HENRY JOHN, SUE & PHIL ROZELL, JIMMY BURT, HELEN W. JONES, MARY LOU SANDLIN, MIKE CAMPBELL, KATHERINE & CHARLES KAHLE, GAIL SANDLIN, MR. & MRS. WILLIAM CARR, WILLIAM R. KARGES, JOANN SATTERWHITE, BEN CLARY, KAREN KEITH, ELIZABETH & ERIC SCHOENFELD, CARL COCHRAN, JOYCE LANEY, ELEANOR W. SCHULTZE, BETTY DAHLBERG, WALTER G. LAUGHLIN, DR. JAMES E. SCHULZE, PETER & HELEN DALLAS CHAPTER-NPSOT LECHE, BEVERLY SENNHAUSER, KELLY S. DAMEWOOD, LOGAN & ELEANOR LEWIS, PATRICIA SERLING, STEVEN DAMUTH, STEVEN LIGGIO, JOE SHANNON, LEILA HOUSEMAN DAVIS, ELLEN D.