Explorations in Sights and Sounds
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland, -
English 233: Tradition and Renewal in American Indian Literature
ENGLISH 233 Tradition and Renewal in American Indian Literature COURSE DESCRIPTION English 233 is an introduction to North American Indian verbal art. This course is designed to satisfy the General Education literary studies ("FSLT") requirement. FSLT courses are supposed to concentrate on textual interpretation; they are supposed to prompt you to analyze how meaning is (or, at least, may be) constructed by verbal artists and their audiences. Such courses are also supposed to give significant attention to how texts are created and received, to the historical and cultural contexts in which they are created and received, and to the relationship of texts to one another. In this course you will be doing all these things as you study both oral and written texts representative of emerging Native American literary tradition. You will be introduced to three interrelated kinds of "text": oral texts (in the form of videotapes of live traditional storytelling performances), ethnographic texts (in the form of transcriptions of the sorts of verbal artistry covered above), and "literary" texts (poetry and novels) written by Native Americans within the past 30 years that derive much of their authority from oral tradition. The primary focus of the course will be on analyzing the ways that meaning gets constructed in these oral and print texts. Additionally, in order to remain consistent with the objectives of the FSLT requirement, you will be expected to pay attention to some other matters that these particular texts raise and/or illustrate. These other concerns include (a) the shaping influence of various cultural and historical contexts in which representative Native American works are embedded; (b) the various literary techniques Native American writers use to carry storyteller-audience intersubjectivity over into print texts; and (c) the role that language plays as a generative, reality-inducing force in Native American cultural traditions. -
Honouring Indigenous Writers
Beth Brant/Degonwadonti Bay of Quinte Mohawk Patricia Grace Ngati Toa, Ngati Raukawa, and Te Ati Awa Māori Will Rogers Cherokee Nation Cheryl Savageau Abenaki Queen Lili’uokalani Kanaka Maoli Ray Young Bear Meskwaki Gloria Anzaldúa Chicana Linda Hogan Chickasaw David Cusick Tuscarora Layli Long Soldier Oglala Lakota Bertrand N.O. Walker/Hen-Toh Wyandot Billy-Ray Belcourt Driftpile Cree Nation Louis Owens Choctaw/Cherokee Janet Campbell Hale Coeur d’Alene/Kootenay Tony Birch Koori Molly Spotted Elk Penobscot Elizabeth LaPensée Anishinaabe/Métis/Irish D’Arcy McNickle Flathead/Cree-Métis Gwen Benaway Anishinaabe/Cherokee/Métis Ambelin Kwaymullina Palyku Zitkala-Ša/Gertrude Bonnin Yankton Sioux Nora Marks Dauenhauer Tlingit Gogisgi/Carroll Arnett Cherokee Keri Hulme Kai Tahu Māori Bamewawagezhikaquay/Jane Johnston Schoolcraft Ojibway Rachel Qitsualik Inuit/Scottish/Cree Louis Riel Métis Wendy Rose Hopi/Miwok Mourning Dove/Christine Quintasket Okanagan Elias Boudinot Cherokee Nation Sarah Biscarra-Dilley Barbareno Chumash/Yaqui Kateri Akiwenzie-Damm Anishinaabe Dr. Charles Alexander Eastman/ Ohíye S’a Santee Dakota Witi Ihimaera Māori Esther Berlin Diné Lynn Riggs Cherokee Nation Arigon Starr Kickapoo Dr. Carlos Montezuma/Wassaja Yavapai Marilyn Dumont Cree/Métis Woodrow Wilson Rawls Cherokee Nation Ella Cara Deloria/Aŋpétu Wašté Wiŋ Yankton Dakota LeAnne Howe Choctaw Nation Simon Pokagon Potawatomi Marie Annharte Baker Anishinaabe John Joseph Mathews Osage Gloria Bird Spokane Sherwin Bitsui Diné George Copway/Kahgegagahbowh Mississauga Chantal -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Transcultural Intertextuality: Reading Asian North American Poetry
TRANSCULTURAL INTERTEXTUALITY: READING ASIAN NORTH AMERICAN POETRY by Xiwen Mai A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2010 Doctoral Committee: Associate Professor Susan Y. Najita, Chair Professor Laurence Goldstein Professor Shuen-Fu Lin Associate Professor Sarita See © Xiwen Mai 2010 To My Parents ii Acknowledgements This project would not have been possible without the unwavering support, encouragement, and advice of my dissertation committee. My greatest intellectual debt is to Professor Susan Najita, the chair of my committee. She has not only ushered me through every step of graduate school—from the coursework of the very first semester to the completion of this dissertation—but also challenged me to think deeply about my position as a critic. Her incisive questions and invaluable comments on every draft of my chapters have sharpened my thinking and made this project a better one. Professor Laurence Goldstein has been a thoughtful and thorough reader whose passion for both studying and writing poetry inspires me. For his generous investment in this project‘s development, I owe him more than I can say. I am also fortunate to have Professor Sarita See as a committee member. It was during her seminar on Asian American literary criticism that the thought of studying Asian North American poetry first occurred to me. Our numerous conversations ever since have always brought me a renewed sense of purpose. For her wonderful humor and energy, I will always be grateful. Professor Shuen-Fu Lin has been a great source of inspiration for me as well with his vast and profound knowledge of poetry in both English and Chinese. -
Unbowed, Unbroken, and Unsung: the Unrecognized Contributions of African American Women in Social Movements, Politics, and the Maintenance of Democracy
William & Mary Journal of Race, Gender, and Social Justice Volume 25 (2018-2019) Issue 3 Article 6 April 2019 Unbowed, Unbroken, and Unsung: The Unrecognized Contributions of African American Women in Social Movements, Politics, and the Maintenance of Democracy Patricia A. Broussard Follow this and additional works at: https://scholarship.law.wm.edu/wmjowl Part of the Civil Rights and Discrimination Commons, Law and Gender Commons, and the Law and Race Commons Repository Citation Patricia A. Broussard, Unbowed, Unbroken, and Unsung: The Unrecognized Contributions of African American Women in Social Movements, Politics, and the Maintenance of Democracy, 25 Wm. & Mary J. Women & L. 631 (2019), https://scholarship.law.wm.edu/wmjowl/vol25/iss3/6 Copyright c 2019 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmjowl UNBOWED, UNBROKEN, AND UNSUNG: THE UNRECOGNIZED CONTRIBUTIONS OF AFRICAN AMERICAN WOMEN IN SOCIAL MOVEMENTS, POLITICS, AND THE MAINTENANCE OF DEMOCRACY PATRICIA A. BROUSSARD* You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise.1 INTRODUCTION I. A HISTORY OF BLACK WOMEN’S STRENGTH: EARLY MOVEMENTS A. Revolts, Rebellions, and Resistance II. A HISTORY OF BLACK WOMEN’S STRENGTH: POST-EMANCIPATION AND THE CIVIL RIGHTS MOVEMENT—PART 1 A. Emancipation B. The Civil Rights Movement—Part 1 III. A HISTORY OF BLACK WOMEN’S STRENGTH: THE CIVIL RIGHTS MOVEMENT—PART 2 A. Early Rumblings B. Civil Rights and Black Women Circa 1960 C. Black Women and the Black Power Movement IV. -
He Uses of Humor in Native American and Chicano/A Cultures: an Alternative Study Of
The Uses of Humor in Native American and Chicano/a Cultures: An Alternative Study of Their Literature, Cinema, and Video Games Autora: Tamara Barreiro Neira Tese de doutoramento/ Tesis doctoral/ Doctoral Thesis UDC 2018 Directora e titora: Carolina Núñez Puente Programa de doutoramento en Estudos Ingleses Avanzados: Lingüística, Literatura e Cultura Table of contents Resumo .......................................................................................................................................... 4 Resumen ........................................................................................................................................ 5 Abstract ......................................................................................................................................... 6 Sinopsis ......................................................................................................................................... 7 Introduction ................................................................................................................................. 21 1. Humor and ethnic groups: nonviolent resistance ................................................................ 29 1.1. Exiles in their own land: Chicanos/as and Native Americans ..................................... 29 1.2. Humor: a weapon of mass creation ............................................................................. 37 1.3. Inter-Ethnic Studies: combining forces ...................................................................... -
Case Study: the Montgomery Bus Boycott, 1956
Subject Support History Case study: The Montgomery bus boycott, 1956 Developing the ability to think critically by exploring causation with students Autumn, 2018 Efforts have been made to trace and acknowledge copyright holders. In cases where a copyright has been inadvertently overlooked, the copyright holders are requested to contact [email protected] Note: Every effort has been made to ensure the accuracy of the historical data contained herein. Any inadvertent errors are regretted. © PDST, 2018 1 CONTENTS Page Case Study: The Montgomery bus boycott, 1956 Developing the ability to think critically by exploring causation with students 3 The enquiry-focused approach 3 Linking your work on the case study to the National Literacy and Numeracy Strategy 4 An overview of the case study 5 Glossary of important terms: develop your historical literacy skills 6 Biographical notes 9 Timeline of important developments 16 Bibliography 17 Useful websites 18 The Montgomery bus boycott, 1956: a possible line of enquiry 19 A possible hook 19 Transcript and worksheet 20 Enquiry, Stage 1: Why did Rosa Parks refuse to give up her bus seat on 1 December 1955? 21 Enquiry, Stage 2: Why did Rosa Parks’ refusal to give up her bus seat lead to a bus boycott in Montgomery? 24 Enquiry, Stage 3:Why did the bus boycott in Montgomery become a matter of national controversy? 30 A critical skills exercise 41 Historians’ views on the Montgomery bus boycott 45 Interrogating the historians 46 Your conclusions on the enquiry 47 HIST material (2006) 48 The Montgomery bus boycott: developing the ability to think critically by exploring causation with students In exploring the case study, The Montgomery bus boycott, 1956, students are following a narrative of events. -
African American Women Leaders in the Civil Rights Movement: a Narrative Inquiry Janet Dewart Bell Antioch University - Phd Program in Leadership and Change
Antioch University AURA - Antioch University Repository and Archive Student & Alumni Scholarship, including Dissertations & Theses Dissertations & Theses 2015 African American Women Leaders in the Civil Rights Movement: A Narrative Inquiry Janet Dewart Bell Antioch University - PhD Program in Leadership and Change Follow this and additional works at: https://aura.antioch.edu/etds Part of the African American Studies Commons, American Studies Commons, Civic and Community Engagement Commons, Gender and Sexuality Commons, Inequality and Stratification Commons, Leadership Studies Commons, Politics and Social Change Commons, Race and Ethnicity Commons, United States History Commons, and the Women's History Commons Recommended Citation Bell, Janet Dewart, "African American Women Leaders in the Civil Rights Movement: A Narrative Inquiry" (2015). Dissertations & Theses. 211. https://aura.antioch.edu/etds/211 This Dissertation is brought to you for free and open access by the Student & Alumni Scholarship, including Dissertations & Theses at AURA - Antioch University Repository and Archive. It has been accepted for inclusion in Dissertations & Theses by an authorized administrator of AURA - Antioch University Repository and Archive. For more information, please contact [email protected], [email protected]. AFRICAN AMERICAN WOMEN LEADERS IN THE CIVIL RIGHTS MOVEMENT: A NARRATIVE INQUIRY JANET DEWART BELL A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May, 2015 This is to certify that the Dissertation entitled: AFRICAN AMERICAN WOMEN LEADERS IN THE CIVIL RIGHTS MOVEMENT: A NARRATIVE INQUIRY prepared by Janet Dewart Bell is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change. -
Nothing 5Ut Thetruth
NOTHING 5UT THETRUTH AN ANTHOLOGY or NATIVE AMERICAN LITERATURE John Purdy Western Washington University James Ruppert University of Alaska, Fairbanks SUB Gfittingen 7 214 804 453 2002 A 7912 Prentice Hall Upper Saddle River, New Jersey 07458 CONTENTS Selections by Author x Preface xiv NONPICTION 5 Introduction 1 Susan Perez Castillo, Postmodernism, Native American Literature and the Real: The Silko-Erdrich Controversy 15 Elizabeth Cook-Lynn, (Crow Creek Dakota) The American Indian Fiction Writers: Cosmopolitanism, Nationalism, the Third World, and First Nation Sovereignty 23 Vine Deloria, Jr., (Sioux) Indian Humor 39 Charles Eastman Ohiyesa, (Sioux) The Ghost Dance War 54 Paula Gunn Allen, (Laguna Pueblo, Sioux) The Sacred Hoop: A Contemporary Perspective 62 N. Scott Momaday, (Kiowa) The Man Made of Words 82 David L. Moore, Decolonializing Criticism: Reading Dialectics and Dialogics in Native American Literatures 94 Simon J. Ortiz, (Acoma Pueblo) Towards a National Indian Literature: Cultural Authenticity in Nationalism 120 Carter Revard, (Osage) History, Myth, and Identity Among Osages and Other Peoples 126 Greg Sarris, (Miwok-Pomo) The Woman Who Loved a Snake: Orality in Mabel McKay's Stories 141 Leslie Marmon Silko, (Laguna Pueblo) Language and Literature from a Pueblo Perspective 159 An Old-Time Indian Attack Conducted in Two Parts: Part One— Imitation "Indian" Poems/Part Two—Gary Snyder's Turtle Island 166 Brian Swann, Introduction: Only the Beginning 172 vi Contents TICTION l?0 Sherman Alexie, (Spokane, Coeur d'Alene) The Approximate -
A Place in Space Also by Gary Snyder
flARIN COUNTY FREE LIBRARY 31111015681487 Place in Space Ethics, Aesthetics, and Watersheds $25.00 A Place in Sp Ethics, Aesthetics, and Vv o. ieds New and Selected Prose by Gary Snyder In his introductory note, Pulitzer Prize- winning poet Gary Snyder writes, The ancient Buddhist precept "Cause the least pos- sible harm " and the implicit ecological call to "Let natureflourish"join in a reverencefor human life and then go beyond that to include the rest ofcivi- lization. These essays are Buddhist, poetic, and environmental calls to complex moral thought and action. .. Art, beauty, and craft have always drawn on the self-organizing "wild" side oflan- guage and mind. This new collection brings together twenty-nine essays spanning nearly forty years of Snyder's career, with thirteen essays written since the publication of The Practice ofthe Wild in 1990. Displaying his playful and subtle intellect, these pieces explore our place on earth. Snyder argues that nature is not something apart from us, but intrinsic: our societies and civilizations are "nat- ural constructs." Whether through common language or shared geographical watershed, we are united in community. We must go beyond racial, ethnic, and religious identities to find a shared concern for the same ground that bene- fits humans and nonhumans alike. Snyder argues that this thinking will not make people provincial, but will lead to a new kind of plane- tary and ecological cosmopolir- 'sm. Twenty-five years ago st Earth Day, Gary Snyder's speech in C nd his mani- festo "Four Changes," inch with a new postscript, helped set tru our (CONTIN CK FLAP) f CIVIC CENTER YO DATE DUE 1996 APR 1 9 i i » "iiii l|9b tfBB M ? lifg fr- tDEC l 2 iofr £ '» .