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alumni magazine fall/winter 2010 PLUS Not your typical classroom Pour des enfants plus en santé How going ATTACKING green is transforming ISSUES FROM McGill EVERY ANGLE The storied McGill Debating Union always argues to win—even if it requires taking an uncoventional approach now and then GroupGroup home and auto insurance InsuranceI as simple aass for members of thethe McGillM Alumni Association t need to be complicated. complica As a member of the ion, you deserve – and receive – special care TD Insurancensurance MelMeloche Monnex. First, you enjoy savings throughhrough preferredprefer group rates. JUHDW FRYHUDJH DQG \RX JHW WKWKH ÁHH[[LELOLW\ WR FKRRVH the level of protection thatat suits yyourour nneeds.1 Third, you receive outstandingnding service.service TD Insurance Melochee Monnex ourou goal is to make insurance easy for you to KRRVH \RXU FRYHUDDJJH ZLWK FRQÀGHQFH $IIWWHHUU DOO ZH·YH EHHQ Insurance pprogram recommended by 1186 866 352 6187 Monday to Friday, 8 a.m. to 8 p.m. www.melochemonnex.com/mcgill TD Insurance Meloche Monnex is the trade name of SECURITYYNA NAATTIONAL INSURANCE COMPANY which also underwrites the home and auto insurance program. The program is distributed by Meloche Monnex Insurance and Financial Services Inc. in Quebec and by Meloche Monnex Financial Services Inc. in the rest of Canada. Due to provincial legislation, our auto insurance program is not offered in British Columbia, Manitoba or Saskatchewan. 1 Certain conditions and restrictionsrictions may applyapply. * No purchase required. Contest ends on January 14, 2011. TTootal value of eaceach prize is $30,000 which includes the Honda Insight EX (excluding applicable taxes, preparation and transportation fees) andnd a $3,000 gas voucherr. -
Aesthetic Violence: the Victimisation of Women in the Quebec Novel
AESTHETIC VIOLENCE: THE VICTIMISATION OF WOMEN IN THE QUEBEC NOVEL by JANE LUCINDA TILLEY B.A.(Hons), The University of Southampton, U.K., 1987 M.A., The University of British Columbia, 1989 A THESIS SUBMITI’ED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Department of French) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June 1995 Jane Lucinda Tilley, 1995 ___________ In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of Bntish Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. (Signature) Department of The University of British Columbia Vancouver, Canada Date 22 ‘( (c/s_ DE-6 (2188) 11 Abstract The latent (androcentric) eroticism of rape has been exploited in Western culture, from mythology through to a contemporary entertainment industry founded on a cultural predilection for the representation of violence against women. In literature the figure of Woman as Victim has evolved according to shifting fashions and (male) desires until, in contemporary avant-garde writings, themes of sexual violence perform an intrinsic role in sophisticated textual praxis, Woman’s body becoming the playground for male artistic expression and textual experimentation. -
Rights Catalog Fall 2011
Nicolas Dickner Clint Hutzulak Tom Gilling Thomas Wharton Serge Lamothe Patrick Brisebois Paul Quarrington Alexandre Bourbaki Sophie Beauchemin Serge Lamothe CS Richardson Christine Eddie Rawi Hage Rights Catalog Fall 2011 Sébastien Chabot Marina Lewycka Dominique Fortier Howard McCord Alissa York Max Férandon Lori Lansens Toni Jordan Martine Desjardins Anne Michaels Sarah Waters Hélène Vachon Steven Galloway Karoline Georges Dominique FORTIER La porte du ciel Under the Louisiana sun, two young girls grow up, one in the shadows of the other. Eleanor and Eve will live different lives. One is white, the other one is black. It is the Civil War and the the country is torn apart. Dominique Fortier Someone builds in the middle of a marsh an impossible church. A forgotten Dominique Fortier was born in 1972. village falls asleep in a meander of the river. Very close, the clamour of the She holds a Ph.D. in literature from civil war rises. Brothers face each other under two star spangled banners. McGill University and is a respected editor and literary translator. On the In a lush and delicate prose, Dominique Fortier (Of the good use of stars, Les Proper Use of Stars, her debut novel, larmes de saint Laurent) offers a portrait of America of legend that tears itself was first published in Quebec in 2008 apart to be better reinvented. A maze-like novel full of twists and turns, a as Du bon usage des étoiles and was wonderful kaleidoscope, La porte du ciel transports its reader in a realm shortlisted for the French language between dream and history. -
Uncovering the Chains the Black and Aboriginal Slaves Who Helped Build New France
Borduas’s revolution • Alzheimer’s dilemmas SPUR FESTIVAL Ottawa and Vancouver preview! $6.50 Vol. 22, No. 4 May 2014 Lawrence Hill Uncovering the chains The black and aboriginal slaves who helped build New France. ALSO IN THIS ISSUE Jocelyn Maclure Why democracy needs protests Candace Savage A prairie pilgrimage Jonathan Kay Reviving the Enlightenment PLUS: NON-FICTION David Milligan on debunking our “historical illiteracy” + Christopher Dummitt on a West Coast riot + Molly Worthen on coexistence through religious limits + David MacDonald on a made-in-Canada church + Jennifer Jeffs on regulating the markets since 2008 + Denise Donlon on the Tales of Bachman Publications Mail Agreement #40032362 FICTION Claire Holden Rothman reviews Wonder by Dominique Fortier + Roger Seamon Return undeliverable Canadian addresses to LRC, Circulation Dept. reviews Life Class by Ann Charney PO Box 8, Station K Toronto, ON M4P 2G1 POETRY Shane Neilson + Elizabeth Ross + Crystal Hurdle + Kayla Czaga Literary Review of Canada 170 Bloor St West, Suite 710 Toronto ON M5S 1T9 email: [email protected] reviewcanada.ca T: 416-531-1483 • F: 416-531-1612 Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/support Vol. 22, No. 4 • May 2014 EDITOR Bronwyn Drainie [email protected] CONTRIBUTING EDITORS 2 Outthinking Ourselves 15 May Contain Traces Mark Lovewell, Molly Peacock, Robin A review of Enlightenment 2.0, by Joseph Heath A poem Roger, Anthony Westell Jonathan Kay Kayla Czaga ASSOCIATE EDITOR Judy Stoffman 4 Market Rules 18 Under the Volcano POETRY EDITOR A review of Transnational Financial Regulation A review of Wonder, by Dominique Fortier, Moira MacDougall after the Crisis, edited by Tony Porter translated by Sheila Fischman COPY EDITOR Jennifer Jeffs Claire Holden Rothman Madeline Koch 7 The Memory Thief 19 Making It ONLINE EDITORS Diana Kuprel, Jack Mitchell, A review of The Alzheimer Conundrum: A review of Life Class, by Ann Charney Donald Rickerd, C.M. -
The Road Past Altamont
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 223, Winter 214, Agency & Affect Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Joël Castonguay-Bélanger (Francophone Writing), Stephen Collis (Poetry), Glenn Deer (Reviews), Kathryn Grafton (CanLit Guides), Daniel Laforest (Francophone Writing), Laura Moss (Reviews), Karis Shearer (Reviews) Assistant Editor: Tiffany Johnstone (Reviews) Past Editors: George Woodcock (1959-1977), W. H. New (1977-1995), Eva-Marie Kröller (1995-23), Laurie Ricou (23-27) Editorial Board Heinz Antor University of Cologne Kristina Fagan Bidwell University of Saskatchewan Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Lucie Hotte University of Ottawa Coral Ann Howells University of Reading Smaro Kamboureli University of Toronto Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Herb Wyile Acadia University Editorial Margery Fee Spies in the House of Literary Criticism 6 Articles Ranbir K. -
2010-2011 Annual Report Blue Metropolis Foundation 2 MESSAGE from the CHAIR of the BOARD of DIRECTORS
bluemetropolis.org November 2011 Annual Report 2010-2011 Blue Metropolis Foundation 2 MESSAGE FROM THE CHAIR OF THE BOARD OF DIRECTORS Blue Metropolis is much more than a great literary festival. It is a crucial cultural institution in an ever changing cultural and demographic landscape. And so it is with great pleasure and honour that I chair the Board of Directors of this astonishing organization. Since no individual organization or actor has the resources to singlehandedly produce meaningful change in society, Blue Metropolis Foundation has, since its beginning, forged strong partnerships with a variety of stakeholders in Montreal, Quebec, Canada and internationally. It has maintained these partnerships in 2010-2011, which has been a transitional year for the Foundation. The Board of Directors is proud of, and has supported, several noteworthy achievements: • a successful new-look festival, with a 50 percent increase in ticket sales and over 22,000 visitors in attendance • the development of new and innovative partnerships for our educational programmes and digital ventures • a significant reduction of our fixed costs, including a restructuring of the staff for even better productivity and to begin repaying the accumulated deficit • a bold fundraising campaign resulting in close to $500,000 from private donors Thank you to William St-Hilaire and her team for a successful transition and a memorable Festival. And special thanks to Linda Leith, the remarkable founder of Blue Metropolis, who resigned at the end of 2010. Cameron Charlebois Chair of the Board of Directors Vice President, Real Estate, Quebec Canada Lands Company 3 MESSAGE FROM THE PRESIDENT, GENERAL MANAGER AND ARTISTIC DIRECTOR When I arrived in January, I quickly realized the extent to which the Foundation’s activities are rich and diverse, and that the audiences which benefit from them are extremely varied. -
What Is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada
What is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada Contemporary French and Francophone Cultures, 28 Chapman, What is Québécois Literature.indd 1 30/07/2013 09:16:58 Contemporary French and Francophone Cultures Series Editors EDMUND SMYTH CHARLES FORSDICK Manchester Metropolitan University University of Liverpool Editorial Board JACQUELINE DUTTON LYNN A. HIGGINS MIREILLE ROSELLO University of Melbourne Dartmouth College University of Amsterdam MICHAEL SHERINGHAM DAVID WALKER University of Oxford University of Sheffield This series aims to provide a forum for new research on modern and contem- porary French and francophone cultures and writing. The books published in Contemporary French and Francophone Cultures reflect a wide variety of critical practices and theoretical approaches, in harmony with the intellectual, cultural and social developments which have taken place over the past few decades. All manifestations of contemporary French and francophone culture and expression are considered, including literature, cinema, popular culture, theory. The volumes in the series will participate in the wider debate on key aspects of contemporary culture. Recent titles in the series: 12 Lawrence R. Schehr, French 20 Pim Higginson, The Noir Atlantic: Post-Modern Masculinities: From Chester Himes and the Birth of the Neuromatrices to Seropositivity Francophone African Crime Novel 13 Mireille Rosello, The Reparative in 21 Verena Andermatt Conley, Spatial Narratives: Works of Mourning in Ecologies: Urban -
Everything's on the Table with Our Fall 2017
/ – Everything’s on the table this fall. With over fifty years of irreverent literary history filling the shelves, our dusty old coach house doesn’t readily evoke bright lights and cold stainless steel. But spend some time watching Tony, our Coach House printer, square up a freshly printed press sheet, or take one look at our guillotine cutter, and you might begin to see a little of the surgical side that complements our love of the human and the messy. So, with a nod to the more exacting angels of our nature, this fall we’re putting everything on the table to see what’s inside. Our fall fiction titles artfully dissect questions surrounding creation, ownership, and people in disrepair. Martha Baillie’s If Clara is a compelling exploration of whose voices are heard in the modern din. And the stories in The Doll’s Alphabet , Camilla Grudova’s grotesquely enchanting debut, do more than get under a reader’s skin – they make purposeful incisions. Two new Exploded Views titles certainly add to the series’s reputation for innovative and probing work. In Curry , Naben Ruthnum grapples with the dish in its manifold culinary and cultural varieties, while Kelli María Korducki’s Hard To Do lays bare the surprising, feminist history of breaking up . In poetry, Sina Queyras puts Sylvia Plath’s Ariel , along with her own family baggage, under the knife. Jay Ritchie brings unpar - alleled wit to the everyday in Cheer Up, Jay Ritchie . And, unlike a patient etherized upon a table, Jeramy Dodds’ Drakkar Noir refuses to lie still. -
(12) ABÉCÉDAIRES Prix Molson Du Conseil Des Arts Du Canada Pour L’Ensemble
18,96 mm (0,7465 po) T comme Trivial Trivial rime avec digital – oui, je sais, ce sont des anglicismes, mais j’use ici de licence poétique pour montrer que les deux concepts semblent se compléter. La fragmentation atomique de la bulle informatique dans laquelle nous circulons n’a pas fini de s’agrandir, en une sorte de Big Bang dont nous ignorons s’il conduira à un Big Crunch. Toute résistance est futile et inutile ; il vaut mieux se résigner à une vie heureuse et fragmentée. Herménégilde Chiasson Herménégilde Depuis des années, Herménégilde Chiasson développe, sur le mode fragmenté qu’est l’abécédaire, une réflexion riche sur un ensemble de sujets. Défricheur infatigable, il ne recule devant aucun territoire et se tient à distance des vérités toutes faites. Polémiste, il provoque le débat sur des questions qui dérangent. Livrés en public au fil de diverses rencontres, les abécédaires qui composent cet ouvrage sont ici rassemblés et publiés pour la première fois. Herménégilde Chiasson Poète, dramaturge, artiste visuel et cinéaste, HERMÉNÉGILDE CHIASSON est un créateur prolifique et multidisciplinaire. Sa démarche s’inscrit dans l’affirmation d’une Acadie moderne et contemporaine. Elle lui a valu de nombreux honneurs, dont le (12) ABÉCÉDAIRES Prix Molson du Conseil des Arts du Canada pour l’ensemble de son œuvre. ABÉCÉDAIRES (12) www.prisedeparole.ca parole Prise 27,95 $ deparole Prise de Prise PdP_cAbécédaires_170204.indd 1 17-02-02 13:41 Éditions Prise de parole C.P. 550, Sudbury (Ontario) Canada P3E 4R2 www.prisedeparole.ca Nous reconnaissons l’aide financière du gouvernement du Canada par l’entremise du Fonds du livre du Canada (FLC) et du programme Développement des communautés de langue officielle de Patrimoine canadien, ainsi que du Conseil des Arts du Canada, pour nos activités d’édition. -
Dalrev Vol58 Iss2 Pp329 345.Pdf (4.868Mb)
MartinS. Spigelman "Des Paroles en L'Air": Quebec, Minority Rights and the New Brunswick Schools Question. In 1867 the Acadian population of New Brunswick was drawn against its will into the new Canadian confederation. Once the British North America Act was a "fait accompli", however, the Acadians were hopeful about what they might expect from the new nation and especially from Quebec: Une nouvelle phase de notre existence comme peuple acadian, apparait aujourd'hui, c'est celle de !'union intime qui devra exister entre le Canada - Fran~ais et I'Acadie-Fran~ais . Dorenavant notre sort sera le meme que celui de nos compatriotes ... Soyons done unis et travaillons ensemble a notre propre preservation. ! No longer able to resist confederation, the Acadians hoped some positive good might come from it and expectations were indeed high. The "spirit of confederation", the respect for denominational schools embodied in the constitution, the recognition of the French language might all be ex tended to 1' A cadi e. Leading Quebecois politicians in Ottawa might take the Acadians under their wing and provide not only political support but also that much needed patronage to this subsistentlevel community. The Acadians, culturally strong but numerically weak,2 could possibly even hope for a repeat of the Madawaska experience where there "arrivent continuellement des immigrants canadiens qui renforcent d'annee en annee Ia population fran~;aise. " 3 The Acadians, lacking effective leaders capable of dealing with the larger New Brunswick and Canadian polity, still believed that "out siders" could fight their battles for them. They looked to Quebec for fraternal support in their continuing struggle for survival. -
At a Glance 2012
AT A GLANCE 2012 Action Plan 2007-2017 TALENTS 2012 _ LA PRESSE/RADIO-CANADA PERSONALITIES _ Normand Laprise, Francine Lelièvre, André Dupuy, Luc Du Sault, Benoit Berthiaume, Suzanne Clément, Manon Barbeau, Simple Plan, Patrick Doyon, Stéphane Tétreault, Philippe Falardeau, Martin Petit and Ken Scott, Nathalie Bondil, Jeannot Painchaud, Monique Savoie _ Simple Plan: Personality of the Year _ Philippe Falardeau: Arts and Entertainment Personality _ OPÉRATION PATRIMOINE ARCHITECTURAL DE MONTRÉAL (OPAM) _ Numismatic and Antiquarian Society of Montréal: Ivanhoé Cambridge Award of Excellence _ Groupe Prével and Cardinal-Hardy-Beinhaker, architectes: Prix de la mise en valeur du patrimoine _ Montréal Museum of Fine Arts and Provencher Roy + Associés Architectes: Prix d’intégration architecturale _ Martin, Marcotte-Beinhaker Architectes and St- Denis Thompson: Prix du patrimoine commercial _ BLV consultant and founding president Benoît Le Vergos: Prix de l’artisan _ PRIX DE MONTRÉAL POUR LES ARTS ET LA CULTURE _ Bernard Lamarre: Award of Merit _ Stéphane Gladyszewski for his Corps noir/Empreinte: Art + Emergence Award _ Brigitte Poupart, for her full-length feature film Over My Dead Body: Prix du CALQ à la création artistique de Montréal _ Montréal Museum of Fine Arts: Prix Tourisme Montréal _ Mario Fortin, President-CEO of Cinéma Beaubien: Cultural Manager Award 2012 _ Eastern Bloc: Prix de la relève – Caisse de la culture 2012 _ Eugénie Manseau and Philippe Carreau of Studio Dikini: Phyllis-Lambert Design Montréal Grant _ Émilie Trudel, jeweller: -
DEPARTEMENT DES LETTRES ET COMMUNICATIONS Faculte Des
DEPARTEMENT DES LETTRES ET COMMUNICATIONS Faculte des lettres et sciences humaines Universite de Sherbrooke MEMOIRS DE MAITRISE / MA THESIS A comparative study of secular accounts of the apocalypse in four contemporary novels: - Kurt Vonnegut’sGalapagos, The Road by Cormac McCarthy - Nicolas Dickner’s Tarmac, andLes larmes de saint Laurent by Dominique Fortier. Une etude comparative de la representation seculaire de 1’apocalypse dans quatre romans contemporains: -Galapagos de Kurt Vonnegut etThe Road de Cormac McCarthy - Tarmac Nicolas Dickner et Les larmes de saint Laurent par Dominique Fortier. Par Eric N. Dahl Bachelier es arts, B.A. (Frangais, langue seconde) Darmouth College New Hampshire, United States of America MEMOIRE PRESENTE Pour obtenir LA MAITRISE ES ARTS (LITTERATURE CANADIENNE COMPAREE) Sherbrooke Avril 2013 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94350-2 Our file Notre reference ISBN: 978-0-494-94350-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats.