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alumni magazine fall/winter 2010 PLUS Not your typical classroom Pour des enfants plus en santé How going ATTACKING green is transforming ISSUES FROM McGill EVERY ANGLE The storied McGill Debating Union always argues to win—even if it requires taking an uncoventional approach now and then GroupGroup home and auto insurance InsuranceI as simple aass for members of thethe McGillM Alumni Association t need to be complicated. complica As a member of the ion, you deserve – and receive – special care TD Insurancensurance MelMeloche Monnex. First, you enjoy savings throughhrough preferredprefer group rates. JUHDW FRYHUDJH DQG \RX JHW WKWKH ÁHH[[LELOLW\ WR FKRRVH the level of protection thatat suits yyourour nneeds.1 Third, you receive outstandingnding service.service TD Insurance Melochee Monnex ourou goal is to make insurance easy for you to KRRVH \RXU FRYHUDDJJH ZLWK FRQÀGHQFH $IIWWHHUU DOO ZH·YH EHHQ Insurance pprogram recommended by 1186 866 352 6187 Monday to Friday, 8 a.m. to 8 p.m. www.melochemonnex.com/mcgill TD Insurance Meloche Monnex is the trade name of SECURITYYNA NAATTIONAL INSURANCE COMPANY which also underwrites the home and auto insurance program. The program is distributed by Meloche Monnex Insurance and Financial Services Inc. in Quebec and by Meloche Monnex Financial Services Inc. in the rest of Canada. Due to provincial legislation, our auto insurance program is not offered in British Columbia, Manitoba or Saskatchewan. 1 Certain conditions and restrictionsrictions may applyapply. * No purchase required. Contest ends on January 14, 2011. TTootal value of eaceach prize is $30,000 which includes the Honda Insight EX (excluding applicable taxes, preparation and transportation fees) andnd a $3,000 gas voucherr. -
Body Doubles: Uncertain Ontologies in Contemporary Experimental Women’S Life Writing
Body Doubles: Uncertain Ontologies in Contemporary Experimental Women’s Life Writing Emma Jenkins A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Arts and Media Faculty of Arts and Social Sciences The University of New South Wales March 2018 Thesis/Dissertation Sheet Surname/Family Name : Jenkins Given Name/s : Emma Abbreviation for degree as give in the University calendar : PhD Faculty : Faculty of Arts and Social Sciences School : School of Arts and Media Body Doubles: Uncertain Ontologies in Contemporary Experimental Women’s Thesis Title : Life Writing Abstract 350 words maximum: (PLEASE TYPE) Contemporary feminist life writing is built on an extraordinary tradition of category-testing experimentation with language and form. The specific textures and individual embodiments of gendered experience have frequently inspired challenges to accepted renditions of canonical genres of ‘the life’. This thesis argues that contemporary women’s life writing continues to interrogate the limits of the discourse and genres of the self by examining three texts by North American feminist authors. These texts are Chris Kraus’s Aliens & Anorexia (2000), Sheila Heti’s How Should A Person Be? (2010), and Maggie Nelson’s The Argonauts (2015). From the 1990s onwards, following the problematisation of the category of ‘woman’ and the ensuing ontological crisis in feminism, metatheoretical women’s life writing has been deployed to explore and manage a set of productive and seemingly irresolvable contradictions around the state of women’s identity. These contradictions manifest in these texts as parataxis, comic inversion, and as the queer strategy to sit ‘athwart’ opposing ideologies rather than ‘against’ them. -
Rights Catalog Fall 2011
Nicolas Dickner Clint Hutzulak Tom Gilling Thomas Wharton Serge Lamothe Patrick Brisebois Paul Quarrington Alexandre Bourbaki Sophie Beauchemin Serge Lamothe CS Richardson Christine Eddie Rawi Hage Rights Catalog Fall 2011 Sébastien Chabot Marina Lewycka Dominique Fortier Howard McCord Alissa York Max Férandon Lori Lansens Toni Jordan Martine Desjardins Anne Michaels Sarah Waters Hélène Vachon Steven Galloway Karoline Georges Dominique FORTIER La porte du ciel Under the Louisiana sun, two young girls grow up, one in the shadows of the other. Eleanor and Eve will live different lives. One is white, the other one is black. It is the Civil War and the the country is torn apart. Dominique Fortier Someone builds in the middle of a marsh an impossible church. A forgotten Dominique Fortier was born in 1972. village falls asleep in a meander of the river. Very close, the clamour of the She holds a Ph.D. in literature from civil war rises. Brothers face each other under two star spangled banners. McGill University and is a respected editor and literary translator. On the In a lush and delicate prose, Dominique Fortier (Of the good use of stars, Les Proper Use of Stars, her debut novel, larmes de saint Laurent) offers a portrait of America of legend that tears itself was first published in Quebec in 2008 apart to be better reinvented. A maze-like novel full of twists and turns, a as Du bon usage des étoiles and was wonderful kaleidoscope, La porte du ciel transports its reader in a realm shortlisted for the French language between dream and history. -
Uncovering the Chains the Black and Aboriginal Slaves Who Helped Build New France
Borduas’s revolution • Alzheimer’s dilemmas SPUR FESTIVAL Ottawa and Vancouver preview! $6.50 Vol. 22, No. 4 May 2014 Lawrence Hill Uncovering the chains The black and aboriginal slaves who helped build New France. ALSO IN THIS ISSUE Jocelyn Maclure Why democracy needs protests Candace Savage A prairie pilgrimage Jonathan Kay Reviving the Enlightenment PLUS: NON-FICTION David Milligan on debunking our “historical illiteracy” + Christopher Dummitt on a West Coast riot + Molly Worthen on coexistence through religious limits + David MacDonald on a made-in-Canada church + Jennifer Jeffs on regulating the markets since 2008 + Denise Donlon on the Tales of Bachman Publications Mail Agreement #40032362 FICTION Claire Holden Rothman reviews Wonder by Dominique Fortier + Roger Seamon Return undeliverable Canadian addresses to LRC, Circulation Dept. reviews Life Class by Ann Charney PO Box 8, Station K Toronto, ON M4P 2G1 POETRY Shane Neilson + Elizabeth Ross + Crystal Hurdle + Kayla Czaga Literary Review of Canada 170 Bloor St West, Suite 710 Toronto ON M5S 1T9 email: [email protected] reviewcanada.ca T: 416-531-1483 • F: 416-531-1612 Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/support Vol. 22, No. 4 • May 2014 EDITOR Bronwyn Drainie [email protected] CONTRIBUTING EDITORS 2 Outthinking Ourselves 15 May Contain Traces Mark Lovewell, Molly Peacock, Robin A review of Enlightenment 2.0, by Joseph Heath A poem Roger, Anthony Westell Jonathan Kay Kayla Czaga ASSOCIATE EDITOR Judy Stoffman 4 Market Rules 18 Under the Volcano POETRY EDITOR A review of Transnational Financial Regulation A review of Wonder, by Dominique Fortier, Moira MacDougall after the Crisis, edited by Tony Porter translated by Sheila Fischman COPY EDITOR Jennifer Jeffs Claire Holden Rothman Madeline Koch 7 The Memory Thief 19 Making It ONLINE EDITORS Diana Kuprel, Jack Mitchell, A review of The Alzheimer Conundrum: A review of Life Class, by Ann Charney Donald Rickerd, C.M. -
The Road Past Altamont
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 223, Winter 214, Agency & Affect Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Joël Castonguay-Bélanger (Francophone Writing), Stephen Collis (Poetry), Glenn Deer (Reviews), Kathryn Grafton (CanLit Guides), Daniel Laforest (Francophone Writing), Laura Moss (Reviews), Karis Shearer (Reviews) Assistant Editor: Tiffany Johnstone (Reviews) Past Editors: George Woodcock (1959-1977), W. H. New (1977-1995), Eva-Marie Kröller (1995-23), Laurie Ricou (23-27) Editorial Board Heinz Antor University of Cologne Kristina Fagan Bidwell University of Saskatchewan Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Lucie Hotte University of Ottawa Coral Ann Howells University of Reading Smaro Kamboureli University of Toronto Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Herb Wyile Acadia University Editorial Margery Fee Spies in the House of Literary Criticism 6 Articles Ranbir K. -
2010-2011 Annual Report Blue Metropolis Foundation 2 MESSAGE from the CHAIR of the BOARD of DIRECTORS
bluemetropolis.org November 2011 Annual Report 2010-2011 Blue Metropolis Foundation 2 MESSAGE FROM THE CHAIR OF THE BOARD OF DIRECTORS Blue Metropolis is much more than a great literary festival. It is a crucial cultural institution in an ever changing cultural and demographic landscape. And so it is with great pleasure and honour that I chair the Board of Directors of this astonishing organization. Since no individual organization or actor has the resources to singlehandedly produce meaningful change in society, Blue Metropolis Foundation has, since its beginning, forged strong partnerships with a variety of stakeholders in Montreal, Quebec, Canada and internationally. It has maintained these partnerships in 2010-2011, which has been a transitional year for the Foundation. The Board of Directors is proud of, and has supported, several noteworthy achievements: • a successful new-look festival, with a 50 percent increase in ticket sales and over 22,000 visitors in attendance • the development of new and innovative partnerships for our educational programmes and digital ventures • a significant reduction of our fixed costs, including a restructuring of the staff for even better productivity and to begin repaying the accumulated deficit • a bold fundraising campaign resulting in close to $500,000 from private donors Thank you to William St-Hilaire and her team for a successful transition and a memorable Festival. And special thanks to Linda Leith, the remarkable founder of Blue Metropolis, who resigned at the end of 2010. Cameron Charlebois Chair of the Board of Directors Vice President, Real Estate, Quebec Canada Lands Company 3 MESSAGE FROM THE PRESIDENT, GENERAL MANAGER AND ARTISTIC DIRECTOR When I arrived in January, I quickly realized the extent to which the Foundation’s activities are rich and diverse, and that the audiences which benefit from them are extremely varied. -
Israel's Religious Awakening
Ira Wells: Michael Ignatieff’s nouveau modesty PAGE 7 $6.50 Vol. 25, No. 9 December 2017 Israel’s Religious Awakening Is the world ready for another theocracy in the Middle East? PATRICK MARTIN ALSO IN THIS ISSUE pasha malla The lie of plagiarism sarah wylie krotz Men with boats ramin jahanbegloo & jalal barzanji Forgiveness and revenge PLUS Kid lit’s subterranean genius + Culinary time travel + The hipster bourgeoisie Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept., PO Box 8, Station K, Toronto, ON M4P 2G1 New from University of Toronto Press Stumbling Giants Transforming Canada’s Banks for the Information Age by Patricia Meredith and Residential Schools and James L. Darroch Reconciliation Stumbling Giants presents a new vision Canada Confronts its History for the Canadian banking industry and a call to action for all stakeholders to by J.R. Miller create a banking system for the twenty- In Residential Schools and first century. Reconciliation, award winning author J. R. Miller tackles institutional responses, including from the federal government and Christian churches, to Canada’s residential school legacy. Canada’s Odyssey A Country Based on Incomplete Conquests Roads to Confederation by Peter H. Russell The Making of Canada, 1867, In Canada’s Odyssey, renowned scholar Volume 1 Peter H. Russell provides an expansive, edited by Jacqueline D. Krikorian, et. al. accessible account of Canadian history In recognition of Canada’s from the pre-Confederation period to sesquicentennial, this two-volume set the present day. brings together previously published scholarship on Confederation into one collection. The Constitution in a Hall of Mirrors Canada at 150 Roads to Confederation by David E. -
Uneasy Portraits 1986 - 2016 (2017)
CHRIS BUCK — BOOKS UNEASY PORTRAITS 1986 - 2016 (2017) UNEASY is a book of Chris Buck’s portraits of the famous from 1986 to 2016. It constructs a road map of contemporary culture, featuring a range of subjects from varied disciplines, including Barack Obama, Lena Dunham, Margaret Atwood, Snoop Dogg, Willie Nelson, Steve Martin, Philip Seymour Hoffman, Jay Z, Cindy Sherman, and Donald Trump. The Stories section of UNEASY features over a hundred behind-the-scenes anecdotes by the photographer. Cover Image, Joaquin Phoenix DETAILS Photographer: Chris Buck Hardcover Publisher: Norman Stuart Publishing Foreword: Sheila Heti 9.5 x 13 inches Release Date: February 2017 338 photographs Design: de.MO 484 pages, 129 stories SUBJECTS John Cale, 1986 Joel-Peter Witkin, 1989 Miss Manners (Judith Martin), 1992 Steve Albini, 1987 William S. Burroughs, 1989 Jeff Buckley, Gary Lucas/Gods & Monsters, 1992 Slow, 1986 Hank Ballard, 1989 Marisa Tomei, 1992 Graham Stewart, 1986 John Kenneth Galbraith, 1990 Quentin Tarantino, 1992 They Might Be Giants, 1986 Hal Hartley, 1989 Errol Morris, 1992 John Lydon, 1986 Adrienne Shelly, 1990 Morrissey, 1992 Hüsker Dü, 1987 Thomas McGuane, 1990 Trent Reznor/Nine Inch Nails, 1992 Pussy Galore, 1988 Spalding Gray, 1990 Frances Ford Coppola, 1992 Harvey Pekar, 1988 Ice-T, 1989 Sally Mann, 1992 Anton Corbijn, 1987 Chuck D, Public Enemy, 1991 Mark Morris, 1992 Mark E. Smith/The Fall, 1986 Cowboy Junkies, 1990 Neil Young, 1992 Volcano Suns, 1988 Richard Linklater, 1991 Conan O’Brien, 1993 Public Enemy, 1988 Carolee Schneemann, -
DEPARTEMENT DES LETTRES ET COMMUNICATIONS Faculte Des
DEPARTEMENT DES LETTRES ET COMMUNICATIONS Faculte des lettres et sciences humaines Universite de Sherbrooke MEMOIRS DE MAITRISE / MA THESIS A comparative study of secular accounts of the apocalypse in four contemporary novels: - Kurt Vonnegut’sGalapagos, The Road by Cormac McCarthy - Nicolas Dickner’s Tarmac, andLes larmes de saint Laurent by Dominique Fortier. Une etude comparative de la representation seculaire de 1’apocalypse dans quatre romans contemporains: -Galapagos de Kurt Vonnegut etThe Road de Cormac McCarthy - Tarmac Nicolas Dickner et Les larmes de saint Laurent par Dominique Fortier. Par Eric N. Dahl Bachelier es arts, B.A. (Frangais, langue seconde) Darmouth College New Hampshire, United States of America MEMOIRE PRESENTE Pour obtenir LA MAITRISE ES ARTS (LITTERATURE CANADIENNE COMPAREE) Sherbrooke Avril 2013 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94350-2 Our file Notre reference ISBN: 978-0-494-94350-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Why Your Next Boss May Be Younger Than You Think
ALUMNI MAGAZINE EDUCATING AFRICA’s NEXT LEADERS LA NOUVELLE MISSION DE JULIE PAYETTE A SEMESTER IN THE EDUCATING RAINFOREST AFRICA’s NEXT LEADERS LA NOUVELLE MISSION DE JULIE PAYETTE A SEMESTER IN THE RAINFOREST GENERATION STARTUP WHY YOUR NEXT BOSS MAY BE YOUNGER THAN YOU THINK SPRING/SUMMER 2014 publications.mcgill.ca/mcgillnews You’ve paid your dues. Start paying less with TD Insurance. You could WIN University graduates can save more. $60,000 cash At TD Insurance, we recognize all the time and effort you to build your put into getting where you are. That’s why, as a McGill University Alumni Association member, you have access to our TD Insurance dream kitchen!* Meloche Monnex program which offers preferred group rates and various additional discounts. You’ll also benefit from our highly personalized service and great protection that suits your needs. Get a quote today and see how much you could save. Request a quote today 1-888-589-5656 melochemonnex.com/mcgillalumni HOME | AUTO | TRAVEL Insurance program recommended by the The TD Insurance Meloche Monnex home and auto insurance program is underwritten by SECURITY NATIONAL INSURANCE COMPANY. The program is distributed by Meloche Monnex Insurance and Financial Services Inc. in Quebec and by Meloche Monnex Financial Services Inc. in the rest of Canada. For Quebec residents: We are located at 50 Place Crémazie, Montreal (Quebec) H2P 1B6. Due to provincial legislation, our auto insurance program is not offered in British Columbia, Manitoba or Saskatchewan. *No purchase is required. There is one (1) prize to be won. The winner may choose between an amount of $60,000 CAD to build a dream kitchen of his/her choosing or $60,000 CAD cash. -
Book*Hug Spring Summer 2018 Catalogue (PDF)
2018publishing the future of literature bookthug.ca Bookthug_Cat_Spr-Sum_18.indd All Pages 2017-11-06 10:50 AM A MESSAGE FROM THE PUBLISHERS Dear Faithful Booksellers and Readers, And now on to some news. By now, you have likely heard that we have decided to make a significant change here at the press. We are going The catalogue you are holding in your hand represents the end of thir- to publish under a new name. Without going into too much detail, teen years of publishing, and the beginning of our fourteenth year. And cultural changes have taken place around a word, and as a result our that is no small feat. There have been various miracles over the years name no longer feels relevant to what we do as publishers. To us this that have allowed us to continue to work as publishers to the point is fascinating: we have always believed that language is not fixed and where BookThug has become a teenager. These include expanding has no centre. So in a way it is fitting that such a thing has happened from a publisher of poetry into a literary publisher that issues books of to our name. We also decided years ago that we would never walk up fiction, nonfiction, poetry and the occational play; having smart edi- the middle of anything, and so are embracing the reality that we have tors and translators who help us choose engaged and challanging con- changed as well. And so, after much consideration, we have decided to temporary books that push the cultural needle; having designers who change our name. -
Erik Rutherford Toronto: a City in Our Image
Erik Rutherford Toronto: a city in our image Here in an Irish pub on the trendy rue Montorgueil, my friends and I have gathered to share a last drink. After seven years in Paris, I am moving back to my native Toronto. In only a few days, in a similar bar on College Street, I will be asked, sincerely or out of courtesy, why I have renounced life in Paris to come to ‘dreary’ Toronto. And yet for my friends here – most of them young expatriates from the U.K., Canada and the U.S. – no such expla- nations are needed. On the contrary, they spend my farewell evening sheepishly justifying their own reasons for staying behind and repeating the refrain: ‘You are right to go.’ Like them, I feel that life will be better in Toronto, not because I have better friends or a better job there, but because the city itself will allow things to happen. Why this sentiment should be so strong, especially when set against Paris, one of the world’s most envied and prestigious cities, has much to do with the very aspect of Toronto that shames many Torontonians: its physical landscape. In Jonathan Raban’s classic study of urban living, Soft City, he says that ‘Cities, unlike villages and small towns, are plastic by nature. We mould them in our images: they, in their turn, shape us by the resistance they offer when we try to impose our own personal form on them.’ Paris strongly resists our attempts to ‘impose.’ As we sit in its cafés, wander its manicured gardens, or stream down its corridor streets from one monument to the next, we bend to its dictates.