Why Your Next Boss May Be Younger Than You Think
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alumni magazine fall/winter 2010 PLUS Not your typical classroom Pour des enfants plus en santé How going ATTACKING green is transforming ISSUES FROM McGill EVERY ANGLE The storied McGill Debating Union always argues to win—even if it requires taking an uncoventional approach now and then GroupGroup home and auto insurance InsuranceI as simple aass for members of thethe McGillM Alumni Association t need to be complicated. complica As a member of the ion, you deserve – and receive – special care TD Insurancensurance MelMeloche Monnex. First, you enjoy savings throughhrough preferredprefer group rates. JUHDW FRYHUDJH DQG \RX JHW WKWKH ÁHH[[LELOLW\ WR FKRRVH the level of protection thatat suits yyourour nneeds.1 Third, you receive outstandingnding service.service TD Insurance Melochee Monnex ourou goal is to make insurance easy for you to KRRVH \RXU FRYHUDDJJH ZLWK FRQÀGHQFH $IIWWHHUU DOO ZH·YH EHHQ Insurance pprogram recommended by 1186 866 352 6187 Monday to Friday, 8 a.m. to 8 p.m. www.melochemonnex.com/mcgill TD Insurance Meloche Monnex is the trade name of SECURITYYNA NAATTIONAL INSURANCE COMPANY which also underwrites the home and auto insurance program. The program is distributed by Meloche Monnex Insurance and Financial Services Inc. in Quebec and by Meloche Monnex Financial Services Inc. in the rest of Canada. Due to provincial legislation, our auto insurance program is not offered in British Columbia, Manitoba or Saskatchewan. 1 Certain conditions and restrictionsrictions may applyapply. * No purchase required. Contest ends on January 14, 2011. TTootal value of eaceach prize is $30,000 which includes the Honda Insight EX (excluding applicable taxes, preparation and transportation fees) andnd a $3,000 gas voucherr. -
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BERLINALE SPECIAL WATERMARK Jennifer Baichwal Unser Körper besteht zu zwei Dritteln aus Wasser. Zwei Drittel der Erde Kanada 2013 Edward Burtynsky sind vom Urelement bedeckt. Wasser verbindet Menschen, wenn sie 90 Min. · DCP · Farbe · Dokumentarfilm gemeinsam davon trinken, ein heiliges Bad nehmen oder sich die Kraft der Flüsse und Ozeane nutzbar machen. Zwanzig Stationen in zehn Regie, Buch Jennifer Baichwal Ländern verbinden sich in diesem Film zu einem großen Ganzen. Die Regie Edward Burtynsky Kamera Nicholas de Pencier giftigblauen Rinnsale der Ledergerbereien in Bangladesch sind dabei Schnitt Roland Schlimme genauso Teil des einen Wasserkreislaufs wie die unberührten Seen Musik Martin Tielli, Roland Schlimme in Britisch-Kolumbien. Schon immer mussten Menschen die Quellen Produzent Nicholas de Pencier der flüssigen Ressource sichern. Und mittlerweile gefährden sie die- Jim Panou Foto: Jim Panou Foto: Ausführende Produzenten se durch extensive Nutzung nachhaltig. Auf der gewaltigen Baustelle Edward Burtynsky, Daniel Iron Jennifer Baichwal Geboren in Montréal, des chinesischen Xiluodu-Staudamms scheint der Kreislauf des Lebens Kanada. Wuchs in Victoria, British Columbia, vorläufig stillzustehen. Nach MANUFACTURED LANDSCAPES ist dies Produktion auf. Studierte bis 1994 Philosophie und bereits die zweite Zusammenarbeit von Jennifer Baichwal und dem Sixth Wave Productions Theologie an der McGill University, Montréal. Toronto, Kanada Ihr erster abendfüllender Dokumentarfilm Landschaftsfotografen Edward Burtynsky. Dessen analytischer Blick für das Geometrische, oft Monumentale in natürlichen wie menschen- +1 416 5162661 LET IT COME DOWN: THE LIFE OF PAUL [email protected] BOWLES wurde mit einem Emmy als bester gemachten Wasserwelten schafft eine Bilderflut von atemberaubender Kunst-Dokumentarfilm ausgezeichnet. Seit Schönheit. Eine filmische Liebeserklärung und zugleich ein Weckruf. Weltvertrieb 20 Jahren als Regisseurin und Produzentin von eOne Films International Dokumentarfilmen tätig. -
Munk School of Global Affairs & Public Policy
Munk School of Global Affairs & Public Policy Annual Report 2019–20 2 munk school of global affairs & public policy About the Munk School Table of Contents About the Munk School ...................................... 2 Student Programs ..............................................12 Research & Ideas ................................................36 Public Engagement ............................................72 Supporting Excellence ......................................88 Faculty and Academic Directors .......................96 Named Chairs and Professorships....................98 Munk School Fellows .........................................99 Donors ...............................................................101 1 munk school of global affairs & public policy AboutAbout the theMunk Munk School School About the Munk School The Munk School of Global Affairs & Public Policy is a leader in interdisciplinary research, teaching and public engagement. Established in 2010 through a landmark gift by Peter and Melanie Munk, the School is home to more than 50 centres, labs and teaching programs, including the Asian Institute; Centre for European, Russian, and Eurasian Studies; Centre for the Study of the United States; Centre for the Study of Global Japan; Trudeau Centre for Peace, Conflict and Justice and the Citizen Lab. With more than 230 affiliated faculty and more than 1,200 students in our teaching programs — including the professional Master of Global Affairs and Master of Public Policy degrees — the Munk School is known for world-class faculty, research leadership and as a hub for dialogue and debate. Visit munkschool.utoronto.ca to learn more. 2 munk school of global affairs & public policy About the Munk School About the Munk School 3 munk school of global affairs & public policy 2019–20 annual report 3 About the Munk School Our Founding Donors In 2010, Peter and Melanie Munk made a landmark gift to the University of Toronto that established the (then) Munk School of Global Affairs. -
Edward Burtynsky the Human Signature
PRESS RELEASE EDWARD BURTYNSKY 21 Cork Street London W1S 3LZ THE HUMAN SIGNATURE T: 020 7439 7766 [email protected] 17 October - 24 November 2018 www.flowersgallery.com Private View Tuesday 16 October, 6-8PM Flowers Gallery is pleased to announce an exhibition of new work by Edward Burtynsky. These works, created in collaboration with Jennifer Baichwal and Nicholas de Pencier, stem from the artist’s Anthropocene Project, a multidisciplinary investigation into human impact on the planet. The Anthropocene Project debuts this fall with simultaneous museum exhibitions at the Art Gallery of Ontario and the National Gallery of Canada, a feature- length documentary film, and a book. The works on view demonstrate what Burtynsky calls the “indelible human signature” on the planet, caused by incursions into the landscape on an industrial scale. Chronicling the major themes of terraforming and extraction, urbanisation Lithium Mines #1, Salt Flats, Atacama Desert, Chile 2017 and deforestation, Burtynsky conveys the unsettling reality of sweeping resource depletion and extinction. In these photographs, taken from both aerial and subterranean perspectives, and presented at a large scale, the patterns and scars of human-altered landscapes appear to form an abstracted painterly language. From the graduating tonal grids of turquoise and green-gold formed by the expansive lithium extraction ponds on the salt flats of the Atacama desert, to psychedelic fossil-like whorls formed by anthroturbation (human tunnelling) within the potash mines in Russia’s Ural Mountains, they reference the sublime and often surreal qualities of human mark-making. Carrara Marble Quarries #2, shown in the exhibition as a large-scale wall mural, is taken from a frontal perspective of one of the most renowned marble quarries in Carrara, Italy. -
Anthropocene:The Human Epoch
ANTHROPOCENE:THE HUMAN EPOCH A film by Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky Narrated by Alicia Vikander Canada / 2018 / 87 mins / Color / English, Russian, Italian, German, Mandarin, and Cantonese with English subtitles **Official Selection | Toronto International Film Festival** **Official Selection | Sundance Film Festival** **Official Selection | Berlin International Film Festival** Distributor Contact: Chris Wells, [email protected] Publicity Contact: Kara Croke, [email protected] Lauren Schwartz, [email protected] David Ninh, [email protected] Kino Lorber, Inc., 333 West 39th St., Suite 503, New York, NY 10018, (212) 629-6880 Synopsis: A cinematic meditation on humanity’s massive reengineering of the planet, ANTHROPOCENE is a four years in the making feature documentary film from the multiple-award winning team of Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky. Third in a trilogy that includes MANUFACTURED LANDSCAPES (2006) and WATERMARK (2013), the film follows the research of an international body of scientists, the Anthropocene Working Group who, after nearly 10 years of research, are arguing that the evidence shows the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century, as a result of profound and lasting human changes to the Earth. From concrete seawalls in China that now cover 60% of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to metal festivals in the closed city of Norilsk, to the devastated Great Barrier Reef in Australia and massive marble quarries in Carrara, the filmmakers have traversed the globe using high-end production values and state of the art camera techniques to document the evidence and experience of human planetary domination. -
A Zeitgeist Films Release Theatrical Booking Contact: Festival Booking and Publicity Contact
Theatrical Booking Festival Booking and Contact: Publicity Contact: Clemence Taillandier / Zeitgeist Films Nadja Tennstedt / Zeitgeist Films 212-274-1989 x18 212-274-1989 x15 [email protected] [email protected] a zeitgeist films release act of god a film by Jennifer Baichwal Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal’s (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories from around the world—from a former CIA assassin and a French storm chas- er, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster was caught in a terrifying and deadly storm as a teenager, and it has deeply affected both his life and art: “It opened up a whole realm of speculation that I’ve continued to live with ever since.” In his doctor brother’s laboratory, Frith experiments with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, Act of God singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury. DIRECTOR’S NOTES I studied philosophy and theology before turning to documentary and, in some ways, the questions I was drawn to then are the ones I still grapple with now, although in a different context. Two of these, which specifically inform this film, are the relationship between meaning and randomness and the classical problem of evil. -
Rights Catalog Fall 2011
Nicolas Dickner Clint Hutzulak Tom Gilling Thomas Wharton Serge Lamothe Patrick Brisebois Paul Quarrington Alexandre Bourbaki Sophie Beauchemin Serge Lamothe CS Richardson Christine Eddie Rawi Hage Rights Catalog Fall 2011 Sébastien Chabot Marina Lewycka Dominique Fortier Howard McCord Alissa York Max Férandon Lori Lansens Toni Jordan Martine Desjardins Anne Michaels Sarah Waters Hélène Vachon Steven Galloway Karoline Georges Dominique FORTIER La porte du ciel Under the Louisiana sun, two young girls grow up, one in the shadows of the other. Eleanor and Eve will live different lives. One is white, the other one is black. It is the Civil War and the the country is torn apart. Dominique Fortier Someone builds in the middle of a marsh an impossible church. A forgotten Dominique Fortier was born in 1972. village falls asleep in a meander of the river. Very close, the clamour of the She holds a Ph.D. in literature from civil war rises. Brothers face each other under two star spangled banners. McGill University and is a respected editor and literary translator. On the In a lush and delicate prose, Dominique Fortier (Of the good use of stars, Les Proper Use of Stars, her debut novel, larmes de saint Laurent) offers a portrait of America of legend that tears itself was first published in Quebec in 2008 apart to be better reinvented. A maze-like novel full of twists and turns, a as Du bon usage des étoiles and was wonderful kaleidoscope, La porte du ciel transports its reader in a realm shortlisted for the French language between dream and history. -
Proxy Circular
Proxy Circular Our vision. To be the most professional life insurer in the world. MANULIFE FINANCIAL CORPORATION ANNUAL MEETING MAY 3, 2007 THIS DOCUMENT CONTAINS ■ NOTICE OF MEETING ■ PROXY CIRCULAR IMPORTANT INFORMATION FOR SHAREHOLDERS. YOUR PARTICIPATION IS IMPORTANT. PLEASE TAKE A MINUTE TO VOTE. Table of Contents 1 Invitation to Shareholders 2 Notice of Annual Meeting of Shareholders of Manulife Financial Corporation 3 Business of the Annual Meeting 4 Voting Information 7 Nominees for the Board of Directors 13 Board of Directors’ Compensation 15 Report of the Corporate Governance and Nominating Committee 17 Report of the Audit and Risk Management Committee 19 Report of the Conduct Review and Ethics Committee 20 Report of the Management Resources and Compensation Committee 21 Report on Executive Compensation 29 Total Compensation and Performance of Named Executive Officers 32 Statement of Executive Compensation 34 Pension Plans 38 Securities Authorized for Issuance Under Equity Compensation Plans 38 Directors’ and Executive Officers’ Indebtedness 39 Performance Graph 39 Supplemental Shareholder Return 40 Directors’ and Officers’ Insurance 40 Directors’ Approval 40 Additional Information 41 Schedule “A” – Statement of Corporate Governance Practices 45 Schedule “B” – Board of Directors’ Mandate and Board Policies 49 Schedule “C” – Shareholder Proposal Note: Information contained in, or otherwise accessible through, websites mentioned in the Notice of Annual Meeting and Proxy Circular does not form a part of this document. All references in this document to websites are inactive textual references only. 2006 MFC Proxy Circular Invitation to Shareholders Dear Shareholder: On behalf of the Board of Directors, management and employees, we invite our common shareholders to attend the Annual Meeting (the “Meeting”) of Manulife Financial Corporation (the “Company”) on May 3, 2007 at 11:00 a.m. -
Edward Burtynsky
Persmap - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Watermark Een film van Jennifer Balchwal & Edward Burtynsky Hoe vormt water ons en hoe vormen wij water? Dat is het centrale thema in deze documentaire van de Canadese regisseuse Jennifer Baichwal en fotograaf Edward Burtynsky. Na hun succesvolle samenwerking voor MANUFACTERED LANDSCAPES levert het duo opnieuw een pareltje af. Baichwal legt de teisterende schoonheid van water vast in een poëtische reis door tien landen, allen gekenmerkt door hun relatie met water. Genre: documentaire - Speelduur: 92 min - Land: Canada – Releasedatum : 11 september 2014 Distributie: Cinéart --------------------------------------------------------------------------------------------------------------------------- Meer informatie: Distributie Cinéart Publiciteit & Marketing: Noor Pelser / Janneke De Jong Herengracht 328 III 1016 CE Amsterdam Tel: +31 (0)20 5308848 Email: [email protected] / [email protected] Persmap en foto’s staan op: www.cineart.nl/pers (inlog: cineart/wachtwoord: film) - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - email: [email protected] Synopsis Without water we are nothing, the traveller thought. Even an emperor, denied water, would swiftly turn to dust. Water is the real monarch, and we are all its slaves. Salman Rushdie Every living thing requires water. We humans interact with it in a myriad of ways, numerous times a day. But how often do we consider the complexity of that interaction? And, unless confronted by scarcity, when do we meditate on its ubiquity in creating, sustaining and enriching life? Watermark is a feature documentary film that brings together diverse stories from around the globe about our relationship with water: how we are drawn to it, what we learn from it, how we use it and the consequences of that use. -
Uncovering the Chains the Black and Aboriginal Slaves Who Helped Build New France
Borduas’s revolution • Alzheimer’s dilemmas SPUR FESTIVAL Ottawa and Vancouver preview! $6.50 Vol. 22, No. 4 May 2014 Lawrence Hill Uncovering the chains The black and aboriginal slaves who helped build New France. ALSO IN THIS ISSUE Jocelyn Maclure Why democracy needs protests Candace Savage A prairie pilgrimage Jonathan Kay Reviving the Enlightenment PLUS: NON-FICTION David Milligan on debunking our “historical illiteracy” + Christopher Dummitt on a West Coast riot + Molly Worthen on coexistence through religious limits + David MacDonald on a made-in-Canada church + Jennifer Jeffs on regulating the markets since 2008 + Denise Donlon on the Tales of Bachman Publications Mail Agreement #40032362 FICTION Claire Holden Rothman reviews Wonder by Dominique Fortier + Roger Seamon Return undeliverable Canadian addresses to LRC, Circulation Dept. reviews Life Class by Ann Charney PO Box 8, Station K Toronto, ON M4P 2G1 POETRY Shane Neilson + Elizabeth Ross + Crystal Hurdle + Kayla Czaga Literary Review of Canada 170 Bloor St West, Suite 710 Toronto ON M5S 1T9 email: [email protected] reviewcanada.ca T: 416-531-1483 • F: 416-531-1612 Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/support Vol. 22, No. 4 • May 2014 EDITOR Bronwyn Drainie [email protected] CONTRIBUTING EDITORS 2 Outthinking Ourselves 15 May Contain Traces Mark Lovewell, Molly Peacock, Robin A review of Enlightenment 2.0, by Joseph Heath A poem Roger, Anthony Westell Jonathan Kay Kayla Czaga ASSOCIATE EDITOR Judy Stoffman 4 Market Rules 18 Under the Volcano POETRY EDITOR A review of Transnational Financial Regulation A review of Wonder, by Dominique Fortier, Moira MacDougall after the Crisis, edited by Tony Porter translated by Sheila Fischman COPY EDITOR Jennifer Jeffs Claire Holden Rothman Madeline Koch 7 The Memory Thief 19 Making It ONLINE EDITORS Diana Kuprel, Jack Mitchell, A review of The Alzheimer Conundrum: A review of Life Class, by Ann Charney Donald Rickerd, C.M. -
The Road Past Altamont
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 223, Winter 214, Agency & Affect Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Joël Castonguay-Bélanger (Francophone Writing), Stephen Collis (Poetry), Glenn Deer (Reviews), Kathryn Grafton (CanLit Guides), Daniel Laforest (Francophone Writing), Laura Moss (Reviews), Karis Shearer (Reviews) Assistant Editor: Tiffany Johnstone (Reviews) Past Editors: George Woodcock (1959-1977), W. H. New (1977-1995), Eva-Marie Kröller (1995-23), Laurie Ricou (23-27) Editorial Board Heinz Antor University of Cologne Kristina Fagan Bidwell University of Saskatchewan Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Lucie Hotte University of Ottawa Coral Ann Howells University of Reading Smaro Kamboureli University of Toronto Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Herb Wyile Acadia University Editorial Margery Fee Spies in the House of Literary Criticism 6 Articles Ranbir K. -
New Films from Canada March 7 – 10, 2019 Ifc Center, New York
NEW FILMS FROM CANADA MARCH 7 – 10, 2019 IFC CENTER, NEW YORK With the support of CANADA NOW 2019 Look up. Way up. Up above that distant 49th parallel. Soon you will begin to see the swirling illuminations of those northern cinematic lights: Canada Now 2019 is here. Yes, your Canadian neighbours are again coming south, bringing tales of restless youth, ancient indigenous stories of tragedy and healing, compelling personal dramas about reinventing our world with the power of our imaginations, plus a trio of riveting, dramatic documentaries about the global environmental crisis, war crimes in Europe, and the struggle for civil rights in the United States of America. This latest Canada Now selection includes daring and impressive works by both veteran fi lmmakers and new Canadian visions by emerging directorial talents. The 2019 Canada Now showcase celebrates the independent creative spirit that has always been a hallmark of Canadian cinema. Follow us on Facebook at @CanadaNowFilm www.CanadaNowFestival.com CANADA NOW is presented by Telefi lm Canada in partnership with the Consulate General of Canada in New York City and with the support of Air Canada. Directors of the CANADA NOW fi lms will be present at screenings for Q & A. Anthropocene: The Human Epoch THURSDAY, MARCH 7, 7:00 PM FRIDAY, MARCH 8, 7:00 PM ANTHROPOCENE: THE HUMAN EPOCH HUGH HEFNER’S AFTER DARK: Directors: Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky SPEAKING OUT IN AMERICA U.S. Distributor: Kino Lorber in association with Kanopy Director: Brigitte Berman 2018 | 87 MINUTES | ENGLISH 2018 | 101 MINUTES | ENGLISH Four years in the making, Anthropocene: The Human Epoch is a visually arresting From Brigitte Berman, Oscar winning director of Artie Shaw: Time Is All You’ve Got (1985), cinematic rumination on humanity’s recent, rapacious technological transformation of comes this remarkable documentary of one of America’s most influential and controversial the Earth.