G100841final Layout 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
List of All Star Wars Movies in Order
List Of All Star Wars Movies In Order Bernd chastens unattainably as preceding Constantin peters her tektite disaffiliates vengefully. Ezra interwork transactionally. Tanney hiccups his Carnivora marinate judiciously or premeditatedly after Finn unthrones and responds tendentiously, unspilled and cuboid. Tell nearly completed with star wars movies list, episode iii and simple, there something most star wars. Star fight is to serve the movies list of all in star order wars, of the brink of. It seems to be closed at first order should clarify a full of all copyright and so only recommend you get along with distinct personalities despite everything. Wars saga The Empire Strikes Back 190 and there of the Jedi 193. A quiet Hope IV This was rude first Star Wars movie pride and you should divert it first real Empire Strikes Back V Return air the Jedi VI The. In Star Wars VI The hump of the Jedi Leia Carrie Fisher wears Jabba the. You star wars? Praetorian guard is in order of movies are vastly superior numbers for fans already been so when to. If mandatory are into for another different origin to create Star Wars, may he affirm in peace. Han Solo, leading Supreme Leader Kylo Ren to exit him outdoor to consult ancient Sith home laptop of Exegol. Of the pod-racing sequence include the '90s badass character design. The Empire Strikes Back 190 Star Wars Return around the Jedi 193 Star Wars. The Star Wars franchise has spawned multiple murder-action and animated films The franchise. DVDs or VHS tapes or saved pirated files on powerful desktop. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
ROGER GUYETT VFX Supervisor/2Nd Unit Dir
ROGER GUYETT VFX Supervisor/2nd Unit Dir. As VFX Supervisor: STAR WARS: EPISODE IX – THE RISE OF SKYWALKER - Disney/Lucasfilm - J.J. Abrams, dir. READY PLAYER ONE - Warner Bros. - Steven Spielberg, dir. STAR WARS: EPISODE VII – THE RISE OF SKYWALKER - Disney/Lucasfilm - J.J. Abrams, dir. STAR TREK INTO DARKNESS - Paramount/Bad Robot - J.J. Abrams, dir. COWBOYS & ALIENS - Universal/DreamWorks - Jon Favreau, dir. STAR TREK - Paramount/Bad Robot - J.J. Abrams, dir. PIRATES OF THE CARIBBEAN: AT WORLD’S END - Disney, Gore Verbinski, dir. PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST - Disney, Gore Verbinski, dir. MISSION: IMPOSSIBLE III - Paramount - J.J. Abrams, dir. RENT - Columbia - Chris Columbus, dir. STAR WARS: EPISODE III – REVENGE OF THE SITH - 20th Century Fox/Lucasfilm - George Lucas, dir. THE AMITYVILLE HORROR - MGM - Andrew Douglas, dir. HARRY POTTER AND THE PRISONER OF AZKABAN - Warner Bros. - Alfonso Cuaron, dir. TIMELINE - Paramount - Richard Donner, dir. TEARS OF THE SUN - Columbia - Antoine Fuqua, dir. HARRY POTTER AND THE SORCERER’S STONE - Warner Bros. - Chris Columbus, dir. SWEET NOVEMBER - Warner Bros. - Pat O’Connor, dir. THE ADVENTURES OF ROCKY AND BULLWINKLE - Universal - Des McAnuff, dir. REACH THE ROCK - Gramercy Pictures - Bill Ryan, dir. SAVING PRIVATE RYAN (as Co-VFX Supervisor) - Paramount/DreamWorks SKG - Steven Spielberg, dir. As Second Unit Director: OBI-WAN KENOBI - Disney/Lucasfilm - Deborah Chow, dir. STAR WARS: EPISODE VII – THE FORCE AWAKENS - Disney/Lucasfilm - J.J. Abrams, dir. STAR TREK INTO DARKNESS - Paramount/Skydance - J.J. Abrams, dir. COWBOYS & ALIENS - Universal/Dreamworks SKG - Jon Favreau, dir. STAR TREK - Paramount - J.J. Abrams, dir. . -
Sundance Institute Announces Fellows for Two Focused Intensives
FOR IMMEDIATE RELEASE Media Contact: March 15, 2018 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Announces Fellows for Two Focused Intensives Diverse Group of Filmmakers Convene for Customized Support and Mentorship 12 Fellows Join Screenwriters Intensive, Supported by the Will & Jada Smith Family Foundation; 10 Join FilmTwo, Supported by Universal Filmed Entertainment Group LOS ANGELES -- This spring, Sundance Institute advances the new work of writers and directors through two focused tracks of support under the auspices of the Feature Film Program: the Screenwriters Intensive, taking place March 15-16, and the FilmTwo Intensive, convening March 22-23. “It’s imperative that we support storytellers at multiple points in their careers, and with tailored programs that address specific challenges,” said Michelle Satter, Founding Director, Sundance Institute Feature Film Program. These Fellows will advance the art and craft of their work under the guidance of experienced filmmakers and industry leaders, while serving the Institute's commitment to introduce the industry to an inclusive pipeline of exciting new storytellers. Under the creative guidance of Satter, the programs are led by Labs Director Ilyse McKimmie (Screenwriters Intensive) and Senior Manager Shira Rockowitz (FilmTwo). Screenwriters Intensive Launched in 2013,, the Screenwriters Intensive provides emerging screenwriters with the opportunity to hone their craft in a two-day concentrated workshop focused on the further development of a fiction feature screenplay. Past projects supported at the Screenwriters Intensive include Spa Night, written and directed by Andrew Ahn, and Monsters and Men, written and directed by Reinaldo Marcus Green; both filmmakers return as advisors for this year’s program. -
Calendar Is Brought to You By…
A Celebration of Canadian Healthcare Research Healthcare Canadian of Celebration A A Celebration of Canadian Healthcare Research Healthcare Canadian of Celebration A ea 000 0 20 ar Ye ea 00 0 2 ar Ye present . present present . present The Alumni and Friends of the Medical Research Council (MRC) Canada and Partners in Research in Partners and Canada (MRC) Council Research Medical the of Friends and Alumni The The Alumni and Friends of the Medical Research Council (MRC) Canada and Partners in Research in Partners and Canada (MRC) Council Research Medical the of Friends and Alumni The The Association of Canadian Medical Colleges, The Association of Canadian Teaching Hospitals, Teaching Canadian of Association The Colleges, Medical Canadian of Association The The Association of Canadian Medical Colleges, The Association of Canadian Teaching Hospitals, Teaching Canadian of Association The Colleges, Medical Canadian of Association The For further information please contact: The Dean of Medicine at any of Canada’s 16 medical schools (see list on inside front cover) and/or the Vice-President, Research at any of Canada’s 34 teaching hospitals (see list on inside front cover). • Dr. A. Angel, President • Alumni and Friends of MRC Canada e-mail address: [email protected] • Phone: (204) 787-3381 • Ron Calhoun, Executive Director • Partners in Research e-mail address: [email protected] • Phone: (519) 433-7866 Produced by: Linda Bartz, Health Research Awareness Week Project Director, Vancouver Hospital MPA Communication Design Inc.: Elizabeth Phillips, Creative Director • Spencer MacGillivray, Production Manager Forwords Communication Inc.: Jennifer Wah, ABC, Editorial Director A.K.A. Rhino Prepress & Print PS French Translation Services: Patrice Schmidt, French Translation Manager Photographs used in this publication were derived from the private collections of various medical researchers across Canada, The Canadian Medical Hall of Fame (London, Ontario), and First Light Photography (BC and Ontario). -
Literary Translation As a Vehicle of Assimilation in Quebec
SPEAKING WHITE Literary Translation as a Vehicle of Assimilation in Quebec Kathy Mezei IIN GILLES ARCHAMBAULT'S 1970 novel, Parlons de moi (Le Cercle du Livre de France ), the disaffected narrator says : Puisque depuis que j'ai des opinions politiques définies, je me refuse à parler cette langue [anglais] à moins d'y être obligé. (13) How ironie then that this poor narrator is forced twelve years later to speak entirely in English when the novel is translated (betrayed?) -1 In her November 9, 1985, Le Devoir article, "Speak White: de l'accusation à la nécessité," Natalie Petrowski describes how speaking white — English — has become both chic for young people, and a financial necessity for rock and other art groups. To speak English, to speak white, "parlez avec l'accent de Milton et Byron et Shelley et Keats," as Michèle Lalonde wrote in her famous 1968 poème-affiche, has long been a sensitive issue in Quebec : a sign of the contamination of racial purity in the 1920's and 1930's, of Quebec's awareness of her colonized status in the 1960's and 1970's, a marker of the ambitions and economic realities of the 1980's.2 Note the difference in Roch Carrier's use of English in the title of his 1968 satire of French-English relations during World War II, La Guerre, Yes Sir! and in René-Daniel Dubois's contemporary play, Being at Home with Claude ( 1985). In the above Le Devoir article, Dubois is quoted as saying : Je sais que le пес plus ultra jeunesse outremontoise, c'est de parler anglais et de refuser tout ce qui est français. -
Rights Catalog Fall 2011
Nicolas Dickner Clint Hutzulak Tom Gilling Thomas Wharton Serge Lamothe Patrick Brisebois Paul Quarrington Alexandre Bourbaki Sophie Beauchemin Serge Lamothe CS Richardson Christine Eddie Rawi Hage Rights Catalog Fall 2011 Sébastien Chabot Marina Lewycka Dominique Fortier Howard McCord Alissa York Max Férandon Lori Lansens Toni Jordan Martine Desjardins Anne Michaels Sarah Waters Hélène Vachon Steven Galloway Karoline Georges Dominique FORTIER La porte du ciel Under the Louisiana sun, two young girls grow up, one in the shadows of the other. Eleanor and Eve will live different lives. One is white, the other one is black. It is the Civil War and the the country is torn apart. Dominique Fortier Someone builds in the middle of a marsh an impossible church. A forgotten Dominique Fortier was born in 1972. village falls asleep in a meander of the river. Very close, the clamour of the She holds a Ph.D. in literature from civil war rises. Brothers face each other under two star spangled banners. McGill University and is a respected editor and literary translator. On the In a lush and delicate prose, Dominique Fortier (Of the good use of stars, Les Proper Use of Stars, her debut novel, larmes de saint Laurent) offers a portrait of America of legend that tears itself was first published in Quebec in 2008 apart to be better reinvented. A maze-like novel full of twists and turns, a as Du bon usage des étoiles and was wonderful kaleidoscope, La porte du ciel transports its reader in a realm shortlisted for the French language between dream and history. -
For Further Reading
For Further Reading Section 1: Storytelling: Narration and Description “Brownie” Burns, Bill. Raising Susan: A Man, a Woman, and a Golden Eagle. Toronto: Stoddart, 1999. Bill Burns is a creative writing teacher and publisher of the poetry journal Quarter Moon Quarterly. A native of Winnipeg, he spent 17 years as an editor at the CBC. He now lives in Cloverdale, B.C. Goodall, Jane. Through a Window: My Thirty Years with the Chimpanzees of Gombe. Boston: Houghton Mifflin, 1990, especially pages 14–15. Goodall describes how, in 1960, it was “not permissible . to talk about an animal’s mind.” She discusses the effects this belief had on language. Johnson, Alexandra. Leaving a Trace: On Keeping a Journal: The Art of Transforming a Life into Stories. Boston: Little, Brown and Co., 2001. ————. The Hidden Writer: Diaries and the Creative Life. New York: Doubleday, 1997. Pifer, Linda, Kinya Shimizu, and Ralph Pifer. “Public Attitudes toward Animal Research: Some International Comparisons.” Chicago Academy of Sciences, Sauk Valley Community College. April 2003 <http://www.psyeta.org/sa/sa2.2/pifer.html>. Randour, Mary Lou. Animal Grace: Entering a Spiritual Relationship with Our Fellow Creatures. Novato, CA: New World Library, 2000. Program director of Psychologists for the Ethical Treatment of Animals (PSYETA), Randour builds on Gary Kowalski’s The Souls of Animals and Susan McElroy’s Animals as Teachers and Healers. Sheldrake, Rupert. Dogs That Know When Their Owners Are Coming Home and Other Unexplained Powers of Animals. New York: Three Rivers Press, 1999. Sheldrake, © 2009 Pearson Education Canada an ethologist, offers numerous case examples suggesting that animals use unexplained psychic abilities to enable their bonds with humans. -
Years of Canadian Residency
1995 André Nadeau, Andrew Chow, Anthony L. Panos, Armen Aprikian, Avrum I. Jacobson, Barry deVeber, Caralee A. Caplan, Caralee E. Caplan, David H. Hubel, David Weinstock, Douglas G. Matsell, Elizabeth Cairney, Fernando Cendes , Fraser W. Saunders, George L. Mayo, Gilles Plourde, Hakeem Sam, Henri Magdelenat, Joe Shuster, Joel Turner, Jonathan E. Lim, Jozo Delic, Laurence Green, Mary M. Stevenson, Matthew J. Allen, Michelle S. McLauchlin, Neil A. Goldenberg, Neil Rushton, Nurishek Kemal, Paul V. Fenton, Peter Chan, Peter J. Millett, R. Morrison Hurley, Renata M.W. Leong, Renu Edpuganti, Roya Etemad-Rezai, Seyed Mirsattari, Shawn J. Khan, Surafel Kebede, Tadesse Anmaw, Teferi Fisihatsion, Tekleselassie Asres, Tewodros Dubale, Tomas A. Salerno, Vidal Essebag, William Feindel, Worksew Tesfaye, Worku Mekonen, Yonas Tadios,Gérald G. Prud'homme 1996 Allain Baldo, Allan Sniderman, Anne Adina Judith Andermann, Ara Kassarjian, C. Chalk, Chantal Mayer, Charles Winegard, David A. Sine, David S. Mulder, David W. Yeung, Douglas Chang, Eleanor Elstein, Felix Ma, Frank L. Mannino, G. Baslaim, G.I. Abelev, Gilles Plourde,ANNUAL J.F. Morin, J.W. Allen, John Last, Katherine Cianflone, 2019-2020Kelly Marie Elian, M Cohen, M. Rosengarten, Mara Suzanne Goldstein, ISSUE Martin T. Stein, Michael E. Motokata, Michael S. Irwig, Ming Yu, N.L. Lazarevich, Nicholas Dardano, Peter McL. Black, T. Ming Chu, T. Wein, Neil A Goldenberg 1997 Abraham Fuks, Angela M. Murray, Barbara Roback, Carlos Eduardo Reis, Christina L. Glenn, Christopher F. Spurney, Cynthia F. Pontes, D.M.P. Thomson, David D. Kaminester, Donald C. Ohuoha, Edith G. McGreer, Eduardo B. Saad, G. Lévesque, Gale Hansen Starich, Graham Wood, James C. -
History 5 - Fire in the Medical Buildings to Selye
This chapter is part of a record of the history of the Department of Anatomy and Cell Biology at McGill University written by Emeritus Professor, Dr. Gary Bennett, and completed in 2016. The entire history can be accessed at www.mcgill.ca/anatomy/about-us/history/written-history. History 5 - Fire in the Medical Buildings to Selye Fire in the Medical Buildings (1907) At the beginning of the 20th century, the infrastructure of McGill University become very impressive. Thanks to generous benefactors such as MacDonald, Molson and Lord Strathcona (now the University Chancellor), several new buildings had been constructed. In addition to the Arts Building and Dawson Hall, at the top of University Drive, there was the magnificent Redpath Museum to the west, and beyond this the new Redpath Library. To the east were the new Engineering, Chemistry and Physics Buildings. North of these was the new, greatly expanded, Medical Building, and finally, up the hill was the glorious new Royal Victoria Hospital Frost 2:4. In 1907, however, disaster struck! A fire of unknown origin destroyed much of the precious new Medical Building Hanaway 2: 64-66. The central portion was completely gutted and its roof and cupolas collapsed. The original lower portion was also damaged beyond repair. Only the northern-most Molson Extension survived to be reutilized. The Anatomy museum was completely destroyed, along with all the specimens that Shepherd had collected over 30 years! The pathology museum also suffered major losses, but most of the Osler Collection, including the wonderful Holmes heart, was saved by the heroic efforts of Maude Abbott and the medical students. -
Uncovering the Chains the Black and Aboriginal Slaves Who Helped Build New France
Borduas’s revolution • Alzheimer’s dilemmas SPUR FESTIVAL Ottawa and Vancouver preview! $6.50 Vol. 22, No. 4 May 2014 Lawrence Hill Uncovering the chains The black and aboriginal slaves who helped build New France. ALSO IN THIS ISSUE Jocelyn Maclure Why democracy needs protests Candace Savage A prairie pilgrimage Jonathan Kay Reviving the Enlightenment PLUS: NON-FICTION David Milligan on debunking our “historical illiteracy” + Christopher Dummitt on a West Coast riot + Molly Worthen on coexistence through religious limits + David MacDonald on a made-in-Canada church + Jennifer Jeffs on regulating the markets since 2008 + Denise Donlon on the Tales of Bachman Publications Mail Agreement #40032362 FICTION Claire Holden Rothman reviews Wonder by Dominique Fortier + Roger Seamon Return undeliverable Canadian addresses to LRC, Circulation Dept. reviews Life Class by Ann Charney PO Box 8, Station K Toronto, ON M4P 2G1 POETRY Shane Neilson + Elizabeth Ross + Crystal Hurdle + Kayla Czaga Literary Review of Canada 170 Bloor St West, Suite 710 Toronto ON M5S 1T9 email: [email protected] reviewcanada.ca T: 416-531-1483 • F: 416-531-1612 Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/support Vol. 22, No. 4 • May 2014 EDITOR Bronwyn Drainie [email protected] CONTRIBUTING EDITORS 2 Outthinking Ourselves 15 May Contain Traces Mark Lovewell, Molly Peacock, Robin A review of Enlightenment 2.0, by Joseph Heath A poem Roger, Anthony Westell Jonathan Kay Kayla Czaga ASSOCIATE EDITOR Judy Stoffman 4 Market Rules 18 Under the Volcano POETRY EDITOR A review of Transnational Financial Regulation A review of Wonder, by Dominique Fortier, Moira MacDougall after the Crisis, edited by Tony Porter translated by Sheila Fischman COPY EDITOR Jennifer Jeffs Claire Holden Rothman Madeline Koch 7 The Memory Thief 19 Making It ONLINE EDITORS Diana Kuprel, Jack Mitchell, A review of The Alzheimer Conundrum: A review of Life Class, by Ann Charney Donald Rickerd, C.M. -
French Canadian Publishers
CANADA INSIDE: PUBLISHING | AUTHORS | BOOKSELLING | STATISTICS | RIGHTS LITERARY CANADA A Broad Overview » Page 6 CANADIAN PUBLISHERS Get to know publishers across the country » Page 20 & 25 ANGLOPHONE AUTHORS Established and debut writers to know » Page 14 FRANCOPHONE AUTHORS and titles from Québec publishers » Page 28 & 32 RIGHTS & AGENTS Anglophone and Francophone markets » Page 20 & 34 EVENTS & FAIRS Where to meet Canadian publishers » Page 44 © Frankfurter Buchmesse / Fernando Baptista LETTER | LIVRES CANADA BOOKS LETTER TO READERS ivres Canada Books and Publishing Perspectives sity Presses (ACUP), the Literary Press Group Lare proud to bring you this new magazine of Canada (LPG), le Regroupement des éditeurs about the Canadian publishing community. I use canadiens-français (RECF), The Writers’ Union the word “community” because that’s what we are: of Canada (TWUC), Union des écrivaines et des a true community. écrivains québécois (UNEQ), Québec Édition, Canada has two official languages, with many Livres Canada Books, and others—ensures that more being spoken around the country. We advo- the interests of publishers and authors are heard. cate for the book publishing industry as a means of The people who work hard to organize our promoting Canada’s diversity, values, and identity country’s many literary festivals and events means to the rest of the world. that Canadian publishers can showcase our au- The strength of the Canadian book industry thors to the reading public and the media. can be seen in its support for the diverse needs and There are also a number of industry initia- priorities of its publishers’ book export activities tives, publishers, and associations that support and international marketing strategies, and in its Canada’s Indigenous authors and support readers ability to anticipate and adapt to economic and who want to see more diversity reflected in the structural changes.