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(12) ABÉCÉDAIRES Prix Molson Du Conseil Des Arts Du Canada Pour L’Ensemble

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(12) ABÉCÉDAIRES Prix Molson Du Conseil Des Arts Du Canada Pour L’Ensemble 18,96 mm (0,7465 po) T comme Trivial Trivial rime avec digital – oui, je sais, ce sont des anglicismes, mais j’use ici de licence poétique pour montrer que les deux concepts semblent se compléter. La fragmentation atomique de la bulle informatique dans laquelle nous circulons n’a pas fini de s’agrandir, en une sorte de Big Bang dont nous ignorons s’il conduira à un Big Crunch. Toute résistance est futile et inutile ; il vaut mieux se résigner à une vie heureuse et fragmentée. Herménégilde Chiasson Herménégilde Depuis des années, Herménégilde Chiasson développe, sur le mode fragmenté qu’est l’abécédaire, une réflexion riche sur un ensemble de sujets. Défricheur infatigable, il ne recule devant aucun territoire et se tient à distance des vérités toutes faites. Polémiste, il provoque le débat sur des questions qui dérangent. Livrés en public au fil de diverses rencontres, les abécédaires qui composent cet ouvrage sont ici rassemblés et publiés pour la première fois. Herménégilde Chiasson Poète, dramaturge, artiste visuel et cinéaste, HERMÉNÉGILDE CHIASSON est un créateur prolifique et multidisciplinaire. Sa démarche s’inscrit dans l’affirmation d’une Acadie moderne et contemporaine. Elle lui a valu de nombreux honneurs, dont le (12) ABÉCÉDAIRES Prix Molson du Conseil des Arts du Canada pour l’ensemble de son œuvre. ABÉCÉDAIRES (12) www.prisedeparole.ca parole Prise 27,95 $ deparole Prise de Prise PdP_cAbécédaires_170204.indd 1 17-02-02 13:41 Éditions Prise de parole C.P. 550, Sudbury (Ontario) Canada P3E 4R2 www.prisedeparole.ca Nous reconnaissons l’aide financière du gouvernement du Canada par l’entremise du Fonds du livre du Canada (FLC) et du programme Développement des communautés de langue officielle de Patrimoine canadien, ainsi que du Conseil des Arts du Canada, pour nos activités d’édition. La maison d’édition remercie le Conseil des Arts de l’Ontario et la Ville du Grand Sudbury de leur appui financier. MEP Abécédaire.indd 2 17-02-03 09:58 (12) abécédaires 12 x 26 = 312 MEP Abécédaire.indd 1 17-02-03 09:58 Du même auteur Poésie Mourir à Scoudouc, Moncton, Éditions Perce-Neige, 2017 [Éditions d’Acadie, 1974]. Autoportrait (douze volumes), Sudbury, Éditions Prise de parole, 2014. Solstices, Sudbury, Éditions Prise de parole, 2009. Béatitudes, Sudbury, Éditions Prise de parole, 2007, prix Champlain. Conversations, Sudbury, Éditions Prise de parole, « BCF », 2006 [1999], prix du Gouverneur général. Parcours, Moncton, Éditions Perce-Neige, 2005. Répertoire, Trois-Rivières, Écrits des Forges / Chaillé-sous-les-Ormeaux (France), Le dé bleu, 2003. L’oiseau tatoué, Montréal, La courte échelle, 2003. Émergences (réédition de Mourir à Scoudouc et Rapport sur l’état de mes illusions), Ottawa, Éditions L’Interligne, « BCF », 2003 [1974] [1976]. Légendes, Québec, Éditions J’ai vu, 2000. Actions, Montréal, Éditions Trait d’union, 2000. Brunante, Montréal, Éditions XYZ, 2000, prix Éloizes. Climats, Moncton, Éditions d’Acadie, 1996. Miniatures, Moncton, Éditions Perce-Neige, 1995, prix de poésie des Terrasses Saint-Sulpice / Estuaire. Vermeer, Moncton, Éditions Perce-Neige / Trois-Rivières, Écrits des Forges, 1992. Existences, Moncton, Éditions Perce-Neige / Trois-Rivières, Écrits des Forges, 1991. Vous, Moncton, Éditions d’Acadie, 1991, prix France-Acadie. Prophéties, Moncton, Éditions Michel Henry, 1986. Rapport sur l’état de mes illusions, Moncton, Éditions d’Acadie, 1976. Théâtre Laurie ou la vie de galerie, Sudbury, Éditions Prise de parole, 2013 [2001]. Pierre, Hélène & Michael suivi de Cap Enragé, Sudbury, Éditions Prise de parole, 2012. Avec Louis-Dominique Lavigne, Le cœur de la tempête, Sudbury, Éditions Prise de parole, 2011. Le Christ est apparu au Gun Club, Sudbury, Éditions Prise de parole, 2005. Aliénor, Moncton, Éditions d’Acadie, 1998. L’exil d’Alexa, Moncton, Éditions Perce-Neige, 1993. En collaboration L’événement Rimbaud, avec Gérald Leblanc et Claude Beausoleil, poésie, Moncton, Éditions Perce-Neige / Trois-Rivières, Écrits des Forges, 1991. Le tapis de Grand-Pré, avec Réjean Aucoin et Jean-Claude Tremblay, illustrateur, Éditions pédagogiques de la Nouvelle-Écosse, 1986, prix France-Acadie. L’antilivre, avec Jacques Savoie et Gilles Savoie, illustrateur, Moncton, Éditions de l’étoile magannée, 1972. MEP Abécédaire.indd 2 17-02-03 09:58 Herménégilde Chiasson (12) abécédaires 12 x 26 = 312 Éditions Prise de parole Sudbury 2017 MEP Abécédaire.indd 3 17-02-03 09:58 Œuvre en première de couverture : Herménégilde Chiasson, Eldorado, huile sur masonite, 2014. Conception de la première de couverture : Olivier Lasser, d’après une idée d’Herménégilde Chiasson. Accompagnement : Stéphane Cormier Révision linguistique : Eva Lavergne, denise truax Correction d’épreuves : Chloé Leduc-Bélanger Mise en page : Alain Mayotte Tous droits de traduction, de reproduction et d’adaptation réservés pour tous pays. Imprimé au Canada. Copyright © Ottawa, 2017 Diffusion au Canada : Dimedia Catalogage avant publication de Bibliothèque et Archives Canada Chiasson, Herménégilde, 1946-, auteur (12) abécédaires / Herménégilde Chiasson. Essais. Publié en formats imprimé(s) et électronique(s). ISBN 978-2-89423-993-3.–ISBN 978-2-89423-994-0 (pdf ).– ISBN 978-2-89423-995-7 (epub) I. Titre. II. Titre : Douze abécédaires. PS8555.H465A728 2016 C844’.54 C2016-906104-3 C2016-906105-1 ISBN 978-2-89423-993-3 (Papier) ISBN 978-2-89423-994-0 (PDF) ISBN 978-2-89423-995-7 (ePub) MEP Abécédaire.indd 4 17-02-03 09:58 MEP Abécédaire.indd 5 17-02-03 09:58 MEP Abécédaire.indd 6 17-02-03 09:58 Préface • Abécédaire des libraires Québec, Musée national des beaux-arts du Québec, 12 septembre 2016 A comme Abécédaire Les abécédaires ont d’abord servi d’ouvrages pédagogiques destinés à nous enseigner le fonctionnement des lettres et leur position dans un cer- tain ordre. Leur association avec des images en a souvent fait des albums de grande qualité. Au fil du temps, ils sont devenus des ouvrages dont la légèreté, l’inventivité et même la beauté nous charment et nous étonnent. B comme Bilingue Le mot bilingue revient sept fois. Il est en deuxième position, derrière le mot Québec, qui lui, revient neuf fois. Mais il faut dire aussi que la lettre B a quand même plus d’occurrences dans le dictionnaire que la lettre Q, ce qui expliquerait la fréquence du mot Québec, qui par ailleurs identifie cette lettre dans l’alphabet international. MEP Abécédaire.indd 7 17-02-03 09:58 8 • (12) abécédaires C comme Contrainte Je suis d’accord avec Paul Valéry quand il dit que l’art naît de contraintes et meurt d’une trop grande liberté. L’utilisation des vingt-six lettres de l’alphabet comme structure organisationnelle m’a fait réaliser à quel point la liberté est beaucoup plus facile. D comme Deleuze Non, je ne suis pas le seul à avoir recours à cette forme de l’abécédaire puisque le genre a aussi intéressé des penseurs aussi célèbres qu’Albert Jacquart ou, surtout, Gilles Deleuze, dont la pensée me rend toujours extrêmement modeste. E comme Ellipse L’abécédaire est une manière elliptique de traiter un sujet, une manière qui convient bien à notre époque pressée où le monde se comprime en capsules toujours plus succinctes. Éternel dilemme entre aller à contre-courant ou suivre le courant. F comme Fragment Peut-être à cause de la poésie, un genre que j’ai beaucoup pratiqué, j’ai tendance à favoriser une écriture de plus en plus fragmentée. Le pro- blème avec ce type d’écriture, c’est qu’il faut s’arrêter quand on aurait envie de poursuivre ou en rajouter quand les idées nous font défaut. G comme Grandiloquence J’ai toujours associé la grandiloquence au discours religieux, dont nous partageons la lointaine arrogance. Un discours majoritaire qui ne tolère pas le compromis. Ce projet des abécédaires s’inscrit dans une sorte de regard minoritaire, le regard de celui qui observe le monde de biais et le « lit » dans les détails. MEP Abécédaire.indd 8 17-02-03 09:58 Préface • Abécédaire des libraires • 9 H comme Histoire Je suis convaincu que ce sont les artistes qui sauvent le monde, au sens où ils lui donnent une mémoire. Mais cette mémoire, même si le mot est du genre féminin, se décline surtout dans le registre masculin. Que serait une histoire écrite au féminin ? Sans doute une chronique plus près du quotidien, qui restituerait l’odeur, la couleur et la saveur du temps qui passe, trois attributs éminemment féminins. I comme Inventaire J’ai une formation en art visuel, et ce n’est pas par accident que je suis devenu écrivain. Par sa faculté de révéler diverses facettes d’un sujet, je ne doute pas que l’abécédaire rejoint le concept de la série, qui, en arts visuels, selon mon ami Serge Murphy, se voudrait la « volonté d’épuiser une idée ». J comme Jeu Il est bien évident que dans la création d’un abécédaire entre toujours en jeu une dimension ludique, et c’est ce à quoi je me suis consciemment appliqué. Être surprenant, concis, précis et, si possible, divertissant. K comme Keynote speaker Les anglophones désignent ainsi un certain type de conférencier, et j’ai souvent été appelé à être keynote speaker, à parler devant des auditoires mixtes, ce qui ajoute une contrainte supplémentaire pour rendre compte d’une situation linguistique liée à la ville, Moncton, à la province, le Nouveau-Brunswick, et au pays, le Canada, où j’habite. De concert avec les Éditions Prise de parole, nous avons voulu tenir compte de cette dimension du projet en publiant certains abécédaires qui intègrent, à plus ou moins grande échelle, des entrées en anglais. MEP Abécédaire.indd 9 17-02-03 09:58 10 • (12) abécédaires L comme Lecture Ce n’est pas à vous que je vais expliquer à quel point la lecture est en train de changer même si, comme l’écriture, elle demeure l’une des grandes forces structurantes de la pensée.
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