Normal Editions Workshop Newsletter, 2009 School of Art Illinois State University, [email protected]
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Awards in the Visual Arts 4 ^'^""'Li
Awards in the Visual Arts 4 ^'^""'li. F36 Digitized by the Internet Archive in 2015 https://archive.org/details/awardsinvisualar04sout Awards in the Visual Arts 4 Awards in the Visual Arts 4 an exhibition of works by recipients of the fourth annual Awards in the Visual Arts Bert Brouwer James Croak John Buck Sidney Goodman JoAnne Carson Jon Imber Peter Charles Luis Jimenez Don Cooper Ana Mendieta 11 May through 23 June 1985 Albright' Knox Art Gallery Buffalo, l^ew York 2 August through 29 September 1985 Southeastern Center for Contemporary Art Winston-Salem, North Carolina 12 December 1985 through 26 January 1986 Institute of Contemporary Art University of Pennsylvania Philadelphia, Pennsylvania 6 Published by the Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, on the occasion of the "Awards in the Visual Arts 4" exhibition which was organized by the Southeastern Center for Contemporary Art. Library of Congress Catalog Card Number: 84-50289 ISBN: 0-9611560-1-5 Copyright 1985 by the Southeastern Center for Contemporary Art, 750 Marguerite Drive, P.O. Box 11927, Winston-Salem, North Carolina 27116-1927. All rights reserved. Catalogue design: Lee Hansley Printing: Wooten Printing Company, Inc. Price: $10 The Awards in the Visual Arts Program is funded by The Equitable Life Assurance Society of the United States, New York, New York; The Rockefeller Foundation, New York, New York; and the National Endowment for the Arts, federal agency, Washington, D.C. The program is administered by the Southeastern Center for Contemporary -
Philanthropy Supports Comprehensive Breast Center at St
FALL 2010 #&5)*43"&-.&%*$"-$&/5&3r45-6,&4)041*5"-r3004&7&-5)041*5"- -0/(*4-"/%$0--&(&)041*5"-r5)&/&8:03,&:&&"3*/'*3."3: Philanthropy Supports Comprehensive Breast Center at St. Luke’s and Roosevelt… page 1 ALSO INSIDE: &MJF)JSTDIGFME(JWFTUP3PPTFWFMU)PTQJUBM&NFSHFODZ%FQBSUNFOUr4-34QSJOH(BMBr%F#BSF (FSJBUSJD'FMMPXTIJQTr1MBOOFE(JGUGSPN+FBO4IBNSPUIr3VCJO'PVOEBUJPO)FMQT.FEJDBM 3FTJEFOUTr3VUI/FSLFO$POUJOVFT'BNJMZT1IJMBOUISPQZr/FX(JGUT'VOE0ODPMPHZ4VQQPSUJWF 4FSWJDFTr,BUF8JDLIBN)POPSFEr/:&&*-BVODIFT4VSHJDBM4VJUF*OJUJBUJWFr4BSOPGGT)POPS (PMEFO"OOJWFSTBSZXJUI1MBOOFE(JGUr1MBOOFE(JWJOH-VODIFPOTr$FOUFSGPS)FBMUIBOE )FBMJOHUI"OOJWFSTBSZr#SFBTU4FSWJDF-VODIFPOr0OHPJOH4VQQPSUPG.VTJD5IFSBQZ Formed in 1997, 01 Continuum Health SLT. UKES'S AND ROOSEVELT Hospitals Partners, Inc. unites six Delivering Quality Care to Breast Cancer Patients • Language distinguished voluntary Services for Patients • Headache Institute Moves into New teaching hospitals: Beth Israel Medical Home • Elie Hirschfeld Supports Emergency Department • Center Petrie Division, Beth Israel Spring Gala • Complementary Therapies in Oncology Unit • Medical Center Kings Highway Division, Kate Wickham Celebrated • Multimedia in the PICU St. Luke’s and Roosevelt Hospitals, Long Island College Hospital and The New 08 York Eye & Ear Infirmary. All of the Continuum hospitals were established THE NEW YORK EYE AND EAR Infirmary more than a century ago by civic-minded Surgical Suite Initiative Launched • Theater Benefit Funds individuals with a shared commitment Pediatric Ophthalmology to improving health and health care for their communities. 09 PLANNED GIVING Joan and Arthur Sarnoff Honor 50th Anniversary For further information regarding gifts to Beth with Planned Gift •Grateful Patient Puts Beth Israel Israel Medical Center, St. Luke’s and Roosevelt in Estate Plans • Planned Giving Luncheons Hospitals, Long Island College Hospital and The New York Eye & Ear Infirmary, please contact: 11 Development Department CONTINUUM Continuum Health Partners, Inc. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected]
1 Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected] Education Feb. 1973 PhD., Institute of Fine Arts, New York University. Thesis: "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes," (Published by Garland, 1977). Adviser: Professor Robert Goldwater. Jan. 1968 M.A., Hunter College, City University of New York. Thesis: "The Portraits of Thomas Eakins: The Elements of Interpretation." Adviser: Professor Leo Steinberg. June 1957 B.A., Stanford University. Major: Modern European Literature Professional Positions 9/1978 – 7/2014 Department of History of Art & Architecture, Boston University: Acting Chair, Spring 2009; Spring 2012. Chair, 1995-97; Professor 1988-2014; Associate Professor, 1978-88 [retired 2014] Other assignments: Adviser to Graduate Students, Boston University Art Gallery, 2010-2011; Director of Graduate Studies, 1993-94; Director, BU Art Gallery, 1980-89; Director, Museum Studies Program, 1980-91 Affiliated Faculty Member: American and New England Studies Program; African American Studies Program April-July 2013 Terra Foundation Visiting Professor, J. F. Kennedy Institute for North American Studies, Freie Universität, Berlin 9/74 - 7/87 Adjunct Curator, 18th- & 19th-C Art, Whitney Museum of Am. Art, NY 6/81 C. V. Whitney Lectureship, Summer Institute of Western American Studies, Buffalo Bill Historical Center, Cody, Wyoming 9/74 - 8/78 Asso. Prof., Fine Arts/Performing Arts, York College, City University of New York, Queens, and PhD Program in Art History, Graduate Center. 1-6/75 Adjunct Asso. Prof. Grad. School of Arts & Science, Columbia Univ. 1/72-9/74 Asso. -
TITLE PAGE.Wpd
Proceedings of BAT GATE DESIGN: A TECHNICAL INTERACTIVE FORUM Held at Red Lion Hotel Austin, Texas March 4-6, 2002 BAT CONSERVATION INTERNATIONAL Edited by: Kimery C. Vories Dianne Throgmorton Proceedings of Bat Gate Design: A Technical Interactive Forum Proceedings of Bat Gate Design: A Technical Interactive Forum held March 4 -6, 2002 at the Red Lion Hotel, Austin, Texas Edited by: Kimery C. Vories Dianne Throgmorton Published by U.S. Department of Interior, Office of Surface Mining, Alton, Illinois and Coal Research Center, Southern Illinois University, Carbondale, Illinois U.S. Department of Interior, Office of Surface Mining, Alton, Illinois Coal Research Center, Southern Illinois University, Carbondale, Illinois Copyright 2002 by the Office of Surface Mining. All rights reserved. Printed in the United States of America 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Bat Gate Design: A Technical Interactive Forum (2002: Austin, Texas) Proceedings of Bat Gate Design: Red Lion Hotel, Austin, Texas, March 4-6, 2002/ edited by Kimery C. Vories, Dianne Throgmorton; sponsored by U.S. Dept. of the Interior, Office of Surface Mining and Fish and Wildlife Service, Bat Conservation International, the National Cave and Karst Management Symposium, USDA Natural Resources Conservation Service, the National Speleological Society, Texas Parks and Wildlife, the Lower Colorado River Authority, the Indiana Karst Conservancy, and Coal Research Center, Southern Illinois University at Carbondale. p. cm. Includes bibliographical references. ISBN 1-885189-05-2 1. Bat ConservationBUnited States Congresses. 2. Bat Gate Design BUnited States Congresses. 3. Cave Management BUnited State Congresses. 4. Strip miningBEnvironmental aspectsBUnited States Congresses. -
CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr. -
Sidney Goodman
SIDNEY GOODMAN EDUCATION Philadelphia College of Art (now University of the Arts), 1954-58 TEACHING Philadelphia College of Art, 1960-78 Pennsylvania Academy of the Fine Arts, 1979 – Present AWARDS AND APPOINTMENTS 1999 Vermont Studio School, Visiting Professor 1998 National Academy of Design, New York, New York, Member East Carolina University, Greenville, Visiting Professor 1996 Art Institute of Boston, Honorary Degree 1991 University of Georgia, Athens, Lamar Dodd Professorial Chair 1987 University of California, Davis, Distinguished Visiting Professor East Carolina University, Greenville, Visiting Professor 1986 Hazlett Memorial Award for Excellence in the Arts: Painting 1985 Southeastern Center for Contemporary Art, Winston-Salem North Carolina, Award in the Visual Arts 1985 Skowhegan School of Painting and Sculpture, Skowhegan, Maine 1979 University of Houston, Visting Artist 1975 The Butler Institute of American Art, Youngstown, Ohio, 39th Annual Midyear Exhibition, First Prize 1974 National Endowment for the Arts Fellowship 1974 The Fellowship of the Pennsylvania Academy of the Fine Arts, Percy M. Owens Memorial for a Distinguished Pennsylvania Artist 1971 Philadelphia College of Art, The Alumni Award 1971 National Academy of Design, New York, First Prize in Painting 1964 John Simon Guggenheim Memorial Foundation Fellowship 1962 Ford Foundation Purchase 1961 Whitney Museum of American Art, New York, Neysa McMein Purchase Award 1961 The Print Club, Philadelphia, Margret Boericke Prize 1958 Philadelphia College of Art, Gimbel Prize in Painting 1957 Yale-Norfolk Fellowship PERMANENT COLLECTIONS Museum of Modern Art, New York, NY Metropolitan Museum of Art, New York, NY Whitney Museum of American Art, New York, NY Hirshhorn Museum and Sculpture Garden, Washington, D.C. -
Universidade Federal Da Bahia Além Do Que Se Ouve
UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO HABILITAÇÃO EM JORNALISMO JULIANA DOS SANTOS RODRIGUES ALÉM DO QUE SE OUVE: SONORIDADES DA MPB NAS DÉCADAS DE 1960, 1970 E 1980 Salvador 2018 JULIANA DOS SANTOS RODRIGUES ALÉM DO QUE SE OUVE: SONORIDADES DA MPB NAS DÉCADAS DE 1960, 1970 E 1980 Memorial descritivo do trabalho de conclusão de curso apresentado como requisito para obtenção de grau em Comunicação com habilitação em Jornalismo, na Faculdade de Comunicação da Universidade Federal da Bahia. Orientador: Prof. Dr. Guilherme Maia de Jesus Salvador 2018 Este trabalho é dedicado a Elis Regina Carvalho Costa (in memoriam), minha grande inspiração na música e na vida. A obra dela foi o meu ponto de partida para esse longo caminho percorrido. AGRADECIMENTOS Aos meus pais, Mário e Cristiane, pela influência no meu gosto por música e pelo apoio quando decidi explorar os caminhos do jornalismo. Ao professor Maurício Tavares, que me levou a descobrir os encantos da linguagem radiofônica. Ao meu orientador, Guilherme Maia, por ser uma inspiração e por participar ativamente da construção desse trabalho, ajudando com bibliografia, entrevistas, recursos tecnológicos e puxões de orelha. A Richard Meyer, por ter me ajudado a definir os quatro pilares que guiaram a elaboração do produto. À 107.5 Educadora FM, por ter me dado régua e compasso, e em especial a Leto Vieira, por me ensinar como chefe e me apoiar como amigo. A Renato Cordeiro e James Martins, pela gentil contribuição para que eu chegasse a entrevistados importantes. A Roberto Menescal e Fernando Moura, que ajudaram a enriquecer esse trabalho não apenas com suas majestosas entrevistas, mas também oferecendo suporte e recursos complementares. -
Redacted -Waterford Steam Electric Station, Unit 3, Revision 309 to Final Safety Analysis Report, Chapter 2, Site Characteristic
WSES-FSAR-UNIT-3 2.2 NEARBY INDUSTRIAL TRANSPORTATION AND MILITARY FACILITIES This section presents the results of a survey of the industrial and transportation facilities, and military installations and operations within the vicinity of Waterford 3. The purpose of the survey is to establish which potential accidents from present industrial, transportation and military facilities should be used for evaluating the design of plant safety related features. All facilities within five miles of the Waterford 3 site are included in this survey. Other facilities beyond this radius are included based on the type of activity and the distance and direction from the site. 2.2.1 LOCATIONS AND ROUTES →(EC-5000082218, R301) Figures 2.2-1 and 2.2-2 are site vicinity maps which show all nearby industrial and transportation facilities. →(EC-39014, R307; LBDCR 15-048, R309) Within five miles of Waterford 3 there are 23 industrial facilities which store or process toxic chemicals. These industrial facilities are shown in Figure 2.2-1 and described in Subsection 2.2.2.1.1 and in Table 2.2-3A. ←(EC-5000082218, R301; EC-39014, R307; LBDCR 15-048, R309) There are no military installations near the Waterford 3 site. The closest military base is the Naval Air Station in Belle Chasse, Louisiana which is approximately 30 miles east-southeast of Waterford 3. There are no training flights or bombing runs associated with this base in the vicinity of the nuclear plant(1) nor is there any unique military aeronautical activity in the area of Waterford 3 that should affect the safety of the plant(2). -
ORGONE - I GET LIFTED B/W IT’S WHAT YOU DO 12” May 8Th STREET DATE: 05/08/2007 Orgone I Get Lifted B/W It’S What You Do 12” (UR12213)
UPC 780661121312 ORGONE - I GET LIFTED B/W IT’S WHAT YOU DO 12” May 8th STREET DATE: 05/08/2007 Orgone I Get Lifted b/w It’s What You Do 12” (UR12213) A. "I Get Lifted” featuring Fanny Franklin - 7:27 NOMO B. "It's What You Do" - 6:15 A1 Rocket #9 (5:45) “I Get Lifted” is a version of the track Harry Wayne Casey (K.C.) A2 Nu Tones (3:45) and Richard Finch (later known in life as KC and the Sunshine Band) produced for George McCrae. Los Angeles vocalist B1 Nu Tones (Matthew Dear remix) (10:42) Fanny Franklin shines on vocals riding an irresistable cosmic- flavored tune that settles nicely somewhere between live This is the first single from MI-based NOMO post-release disco and spacey soul. Franklin has appeared on recordings of their New Tones album. Corresponding live dates will by Dakah and sang alongside Macy Gray. She is the de-facto be announced shortly. Included is an exclusive, Orgone vocalist to appear on tours and as the main vocalist previously-unreleased, cover of a Sun Ra track, "Rocket on the upcoming album. #9." Made with the dancefloor in mind, NOMO's horn On the flip is an instrumental inspired as much by Roy Ayers as Fela “I Get Lifted” is a version of the track Harry The band’s reputation is backed-up by an impressive section and percussion blaze into gear after a noisy Kuti. The sweaty afrobeat work out is buoyed by driving percussion and resume including landing a spot in an Adidas intro' and the track never lets up. -
THE ARCHANGEL FEBRUARY 21, 2021 | FIRST SUNDAY of LENT Welcome!
THE ARCHANGEL FEBRUARY 21, 2021 | FIRST SUNDAY OF LENT Welcome! CLERGY TEAM Fr. Robert J. Grecco Pastor [email protected] Fr. Aleksandr J. Schrenk Parochial Vicar [email protected] In Residence Fr. James McDonough Fr. Jerome Etenduk Fr. Robin Evanish Deacons Dcn. Kevin Lander Dcn. Paul Lim Dcn. Jim Mackin MASS SCHEDULE —registration required — SATURDAY: 4:00 p.m. at SSJ 4:30 p.m. at SEAS SUNDAY: 7:30 a.m. at SMOS 8:00 a.m. at SEAS 9:00 a.m. at SSJ 10:00 a.m. at SMOS 10:30 a.m. at SEAS 11:30 a.m. at SSJ MONDAY: 8:30 a.m. at SSJ 12:00 p.m. at SEAS TUESDAY: 9:00 a.m. at SMOS 12:00 p.m. at SSJ WEDNESDAY: 8:30 a.m. at SSJ 12:00 p.m. at SEAS THURSDAY: 8:30 a.m. at SSJ PARISH ADMINISTRATION CENTER 12:00 p.m. at SEAS 330 3rd Avenue, Carnegie, PA 15106 FRIDAY: 9:00 a.m. at SMOS 412-857-5356 | WWW.STRAPHAELCGS.ORG 12:00 p.m. at SSJ For church locations and staff information, see page 20. St. Elizabeth Ann Seton Church | St. Margaret of Scotland Church | Ss. Simon and Jude Church St. Elizabeth Ann Seton Church | St. Margaret of Scotland Church | Ss. Simon and Jude Church PRAYER & WORSHIP SACRAMENTS MASS SCHEDULE & INTENTIONS FEBRUARY 20/21 | FIRST SUNDAY OF LENT 4:00 p.m. SSJ John Butchko by Martha Kashtock 4:30 p.m. SEAS Mickey Pelle by Joanne DiCesare 7:30 a.m. -
A Racing Certainty Y
Award-winning magazine of the British and International Golf Greenkeepers Association October 2003 - £3.50 A Racing Certainty y Take a look at Nigel Mansell's Golf Course, Woodbury Park, in Devon Finance | Pay Recommendations | Construction Machinery | Saltex Review | Pesticide Legislation See us ALLOW US TO POINT OUT THE LATEST IN NEW TRACTOR TECHNOLOGY. Now you can push a tractor to the limits of performance - just by pushing a button. LoadMatch monitors transmission speed under load to prevent stalling the engine and to maximise tractor performance. (Front loader: You can scoop a full bucket, every time. Mowing: You always have the maxi- mum power on the mower deck with the self adjusting tractor speed to be able to handle 6 different grass conditions). New, electronically activated eHydro transmission reduces pedal effort by up to 70%. MotionMatch lets you match transmission response to the dif- ferent demands of mowing and loading. Cruise control makes work easier than ever. Set the speed you want by just pressing a switch. You can even add a resume, acceleration and deceleration feature, just like your car. SpeedMatch takes "creeper speed" to a new level of precision. Implement attachment? Fast as ever. Reliability: The stuff of legends. Visit your local John Deere dealer. Test drive the 24 kW - 36 kW (32 to 48 hp) 4010 Series and experience technology that cannot only activate your tractor's full capabilities - but your sense of wonder, too. (S3 NOTHING RUNS LIKE A DEERE A guide to Advertisers' Index who's who ADVERTISER TELEPHONE