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Awards in the Visual Arts 4 ^'^""'Li
Awards in the Visual Arts 4 ^'^""'li. F36 Digitized by the Internet Archive in 2015 https://archive.org/details/awardsinvisualar04sout Awards in the Visual Arts 4 Awards in the Visual Arts 4 an exhibition of works by recipients of the fourth annual Awards in the Visual Arts Bert Brouwer James Croak John Buck Sidney Goodman JoAnne Carson Jon Imber Peter Charles Luis Jimenez Don Cooper Ana Mendieta 11 May through 23 June 1985 Albright' Knox Art Gallery Buffalo, l^ew York 2 August through 29 September 1985 Southeastern Center for Contemporary Art Winston-Salem, North Carolina 12 December 1985 through 26 January 1986 Institute of Contemporary Art University of Pennsylvania Philadelphia, Pennsylvania 6 Published by the Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, on the occasion of the "Awards in the Visual Arts 4" exhibition which was organized by the Southeastern Center for Contemporary Art. Library of Congress Catalog Card Number: 84-50289 ISBN: 0-9611560-1-5 Copyright 1985 by the Southeastern Center for Contemporary Art, 750 Marguerite Drive, P.O. Box 11927, Winston-Salem, North Carolina 27116-1927. All rights reserved. Catalogue design: Lee Hansley Printing: Wooten Printing Company, Inc. Price: $10 The Awards in the Visual Arts Program is funded by The Equitable Life Assurance Society of the United States, New York, New York; The Rockefeller Foundation, New York, New York; and the National Endowment for the Arts, federal agency, Washington, D.C. The program is administered by the Southeastern Center for Contemporary -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected]
1 Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected] Education Feb. 1973 PhD., Institute of Fine Arts, New York University. Thesis: "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes," (Published by Garland, 1977). Adviser: Professor Robert Goldwater. Jan. 1968 M.A., Hunter College, City University of New York. Thesis: "The Portraits of Thomas Eakins: The Elements of Interpretation." Adviser: Professor Leo Steinberg. June 1957 B.A., Stanford University. Major: Modern European Literature Professional Positions 9/1978 – 7/2014 Department of History of Art & Architecture, Boston University: Acting Chair, Spring 2009; Spring 2012. Chair, 1995-97; Professor 1988-2014; Associate Professor, 1978-88 [retired 2014] Other assignments: Adviser to Graduate Students, Boston University Art Gallery, 2010-2011; Director of Graduate Studies, 1993-94; Director, BU Art Gallery, 1980-89; Director, Museum Studies Program, 1980-91 Affiliated Faculty Member: American and New England Studies Program; African American Studies Program April-July 2013 Terra Foundation Visiting Professor, J. F. Kennedy Institute for North American Studies, Freie Universität, Berlin 9/74 - 7/87 Adjunct Curator, 18th- & 19th-C Art, Whitney Museum of Am. Art, NY 6/81 C. V. Whitney Lectureship, Summer Institute of Western American Studies, Buffalo Bill Historical Center, Cody, Wyoming 9/74 - 8/78 Asso. Prof., Fine Arts/Performing Arts, York College, City University of New York, Queens, and PhD Program in Art History, Graduate Center. 1-6/75 Adjunct Asso. Prof. Grad. School of Arts & Science, Columbia Univ. 1/72-9/74 Asso. -
Normal Editions Workshop Newsletter, 2009 School of Art Illinois State University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ISU ReD: Research and eData Illinois State University ISU ReD: Research and eData Normal Editions Workshop Newsletter Art 2009 Normal Editions Workshop Newsletter, 2009 School of Art Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/new Part of the Art and Design Commons Recommended Citation School of Art, "Normal Editions Workshop Newsletter, 2009" (2009). Normal Editions Workshop Newsletter. 19. https://ir.library.illinoisstate.edu/new/19 This Book is brought to you for free and open access by the Art at ISU ReD: Research and eData. It has been accepted for inclusion in Normal Editions Workshop Newsletter by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. NORMAL EDITIONS WORKSHOP Richard Finch, Director and Professor of Art Veda Rives, Associate Director SCHOOL OF ART COLLEGE OF FINE ARTS ILLINOIS STATE UNIVERSITY celebrating over years 30 Center for the Visual Arts Box 5620 Normal, IL 61790-5620 PHONE: 309-438-7530 FAX: 309-438-2215 WEB: http://www.cfa.ilstu.edu/normal_editions/ E-MAIL: [email protected] [email protected] [email protected] FALL 2009 NUMBER 18 Nemean Lion by Rudy Pozzatti The Great Boar by Rudy Pozzatti one-color lithograph, 23 ⅝" x 34 ½ ", 2009 Stymphalian Birds by Rudy Pozzatti one-color lithograph, 25 ⅝" x 33 ¾", 2009 MOMA Library Adds NEW Book one-color lithograph, 25 ⅝" x 33 ¾", 2009 2009 Contract Printi ng Milan Hughston, Chief of Library and grant to NEW for the fi scal year 2010. -
CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr. -
March-April 1991 CAA News
N w···.·.·.'<' 5 Openings onCAA Committees here are numerous openings for CAA members to serve on T the association's committees. Committee members serve for fixed terms of three years; at least one new member rotates onto a committee each year. Each committee is composed of at least three members, and the chair of each committee is ordinarily a member of the CAA Board of Directors. Advocacy Committee: 4 openings. The Advocacy Committee identifies "Tarred and Feathered in Wash. D.C. issues or legislation that would warrant at CAA." Sculpture performance by CAA support, establishes positions on Harold Olejarz at the CAA annual issues affecting the visual arts, and Ph.D., M.A., conference, Washington, D.C., makes those positions public through February 1991 PHOTO: BLAISE TOBIA IN COLLABORATION WITH appropriate means. HAROLD OLEJARZ Education Committee: 3 openings. & M.F.A. The Education Committee reviews career options and development April 1. If you can't meet that date, or if opportunities available to arts gradu Programs you have questions (or if you never ates; maintains an awareness of fine art received a questionnaire), please call and art history programs at the college Virginia Wageman at 212/691-1051. and graduate levels; collects data on CAA's directories are a valuable deparhnents, curriculum, and resources f your school offers a Ph.D. or M.A. resource for students seeking informa such as libraries; and maintains an in art history, or an M.F.A. in studio tion about graduate programs, and it is awareness of art education at the K-12 I art, and you haven't yet responded important that they be as inclusive as level. -
ARTISTS MAKE US WHO WE ARE the ANNUAL REPORT of the PENNSYLVANIA ACADEMY of the FINE ARTS Fiscal Year 2012-13 1 PRESIDENT’S LETTER
ARTISTS MAKE US WHO WE ARE THE ANNUAL REPORT OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS FISCAL YEAR 2012-13 1 PRESIDENT’S LETTER PAFA’s new tagline boldly declares, “We Make Artists.” This is an intentionally provocative statement. One might readily retort, “Aren’t artists born to their calling?” Or, “Don’t artists become artists through a combination of hard work and innate talent?” Well, of course they do. At the same time, PAFA is distinctive among the many art schools across the United States in that we focus on training fine artists, rather than designers. Most art schools today focus on this latter, more apparently utilitarian career training. PAFA still believes passionately in the value of art for art’s sake, art for beauty, art for political expression, art for the betterment of humanity, art as a defin- ing voice in American and world civilization. The students we attract from around the globe benefit from this passion, focus, and expertise, and our Annual Student Exhibition celebrates and affirms their determination to be artists. PAFA is a Museum as well as a School of Fine Arts. So, you may ask, how does the Museum participate in “making artists?” Through its thoughtful selection of artists for exhibition and acquisition, PAFA’s Museum helps to interpret, evaluate, and elevate artists for more attention and acclaim. Reputation is an important part of an artist’s place in the ecosystem of the art world, and PAFA helps to reinforce and build the careers of artists, emerging and established, through its activities. PAFA’s Museum and School also cultivate the creativity of young artists. -
ROBERT THOMAS COZZOLINO [email protected] | 612-870-3130
ROBERT THOMAS COZZOLINO [email protected] | 612-870-3130 EDUCATION 2006 Ph.D University of Wisconsin-Madison Dissertation: “Every picture should be a prayer: the art of Ivan Albright.” 2000 MA Art History, University of Wisconsin-Madison 1994 BA History of Art and Architecture, University of Illinois at Chicago CURRENT PROJECTS Supernatural America: The Paranormal in American Art (curator, catalogue author, 2021) Projects in development on Milton Avery, Gregory Gillespie and Roger Brown. EMPLOYMENT 2016-present Patrick and Aimee Butler Curator of Paintings, Minneapolis Institute of Art 2004-2016 Senior Curator and Evelyn and Will Kaplan Curator of Modern Art, Pennsylvania Academy of the Fine Arts, Philadelphia (PAFA). Hired as Assistant Curator in September 2004; Associate Curator, March 2006; Curator of Modern Art, December 2007; Senior Curator, July 2011; Evelyn and Will Kaplan Curator of Modern Art, November 2014. Left February 2016. Oversaw department and exhibition budgets ranging from $1.5 million to $50,000; supervise 4-6 staff members. EXHIBITIONS CURATED AT MIA 2018-19: New to Mia: Art from Chicago; Without Boundaries: Fiber Sculpture and Paintings by Women with Nicole LaBouff); Kunin Collection Focus: Philadelphia Modernism; Kunin Collection Focus: Bob Thompson; New to Mia: Paintings of all shapes and sizes 2017-18: George Morrison in Focus (with Jill Ahlberg Yohe) 2016-17: American Modernism: Selections from the Kunin Collection (ongoing multi-part series); gradual rehang of modern and American paintings galleries. EXHIBITIONS CURATED AT PAFA 2017: Surrealism and Subversion: The Art of Honoré Sharrer (with Melissa Wolfe). 2016-17: World War I and American Art (with Anne Knutson and David Lubin). -
Jean-Noel Archive.Qxp.Qxp
THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs. -
Download Commencement Program
UNIVERSITY OF THE ARTS 142ND COMMENCEMENT BOARD OF TRUSTEES OFFICERS Jeffrey A. Lutsky, Chairman Brian Effron, Vice Chairman William R. Gast ’68, Secretary Bruce E. Kardon, Treasurer David Yager, ex officio, President and CEO TRUSTEES Judson A. Aaron ’81 Joseph Aristone Ralph Citino Eleanor L. Davis Deanna S. DeCherney ’66 Patricia Fowler UNIVERSITY OF THE ARTS Amy H. Goldman Peter Haas 142ND COMMENCEMENT Nathaniel P. Hamilton Jr., ’07 Seth Lehr Elaine C. Levitt Robert G. Little ’81 Karen Lotman Dr. Noel Mayo ’60 Thomas M. Miles ’75 Ronald Naples Adolf A. Paier Lawrence S. Reichlin Ebonne Ruffins Mark H. Samuels Carole Shanis Stephen Sypherd Raj Tewari Laurie Wagman Harriet G. Weiss LIFE TRUSTEES Ira Brind Sam S. McKeel Commencement Ceremony TRUSTEES EMERITI George A. Beach ’58 SATURDAY, MAY 16, 2020 Sondra Myers Albert E. Wolf FACULTY REPRESENTATIVES Karl Staven Anna Beresin COMMENCEMENT CEREMONY SATURDAY, MAY 16, 2020 Performance Personal Messages—9:30 a.m. “With A Little Help From My Friends” Ceremony—10:00 a.m. University of the Arts School of Music Commencement Ensemble Held virtually at commencement.uarts.edu featuring Graduating Vocal Performance Majors Greetings from Alumni Association Adam Blackstone ’04 (Instrumental Performance) PERSONAL MESSAGES Parents, Professors, Fellow Graduates and Friends Silver Star Outstanding Alumni Awards David Ewing BFA ’68 (Film) Presented by Mike Attie, Assistant Professor CEREMONY Libby Newman BFA ’80 (Printmaking) President’s Opening Remarks Presented by Patty Smith, Professor David Yager, President and CEO Honorary Doctor of Fine Arts Degree “America the Beautiful” Njideka Akunyili Crosby School of Music Faculty Presented by David Yager, President and CEO President’s Address Commencement Address David Yager, President and CEO Njideka Akunyili Crosby Greetings from the Board of Trustees Honorary Doctor of Fine Arts Degree Jeffrey A. -
Download Classroom Presentation
awareness equity understanding connect create tolerance empathy perspective dialogue design agency access visibility change empower voice trust communication Designs for Different Futures Student Design Challenge What would you design that supports and empowers people to bridge a divide? Cricket Shelter Modular Edible Insect Farm, PhoeniX Exoskeleton, designed to help those for raising insects as mini-livestock with mobility disorders walk upright ZXX Typeface, designed so humans can read it, but computers can’t Petit Pli, clothing that Lia, a flushable and grows as a child grows biodegradable pregnancy test Design means to plan or create something with a specific purpose in mind. facilitate make overcome dialogue connections differences encourage encourage movement change increase increase foster access equity empathy increase increase awareness understanding Bridge a divide can mean many things. As you analyze the data in the following graphs, think about times when you have noticed or experienced division. % Very/Fairly divided Three in four Total 76% Serbia 93% people globally Argentina 92% Chile 90% think that their Peru 90% Italy 89% country is Hungary 86% Great Britain 85% divided - Poland 84% United States 84% Serbia seen as Spain 84% Brazil 84% most divided, South Africa 82% Russia 81% Saudi Arabia Germany 81% Belgium 81% least divided Sweden 79% Mexico 78% South Korea 77% Q. Overall, how France 75% Australia 70% divided do you think India 66% your country is these Turkey 65% days? Canada 62% Malaysia 59% Japan 52% China 48% Saudi Arabia 34% Base: 19,428 online adults aged 16 -64 across 27 countries, 26 Jan -9th Feb 2018 BBC Global Survey – A divided world? | April 2018 | Public 2 Question: Overall, how divided do you think your country is these days? All data is taken from a 2018 BBC and Ipsos MORI Social Research Institute online survey of 19,428 adults. -
Download Commencement Program
UNIVERSITY OF THE ARTS 143RD COMMENCEMENT 143 CLASS OF 2021 BOARD OF TRUSTEES OFFICERS Jeffrey A. Lutsky, Chairman Brian Effron, Vice Chairman William R. Gast ’68, Secretary Bruce E. Kardon, Treasurer David Yager, ex officio, President and CEO TRUSTEES Judson A. Aaron ’81 Joseph Aristone Ralph Citino Eleanor L. Davis Deanna S. DeCherney ’66 Patricia Fowler UNIVERSITY OF THE ARTS Travis Gaylord Amy H. Goldman 143RD COMMENCEMENT Peter Haas Nathaniel P. Hamilton Jr. ’07 Seth Lehr Elaine C. Levitt Robert G. Little ’81 Karen Lotman Dr. Noel Mayo ’60 Ronald Naples Adolf A. Paier Lawrence S. Reichlin Ebonne Ruffins Mark H. Samuels Stephen Sypherd Raj Tewari Laurie Wagman Harriet G. Weiss Kenneth Wong LIFE TRUSTEES Ira Brind Sam S. McKeel TRUSTEES EMERITI Commencement Ceremony George A. Beach ’58 Mary Louise Beitzel ’51 SATURDAY, MAY 22, 2021 Sondra Myers Albert E. Wolf FACULTY REPRESENTATIVES Karl Staven Fadi Skeiker (non-voting faculty representative) COMMENCEMENT CEREMONY SATURDAY, MAY 22, 2021 Performance Processional—9:30 a.m. “With A Little Help From My Friends” Ceremony—10:00 a.m. University of the Arts School of Music Commencement Ensemble, Held virtually at commencement.uarts.edu featuring Graduating Vocal Performance Majors Greetings from the Alumni Association Kate Flannery BFA ’87 (Acting) PERSONAL MESSAGES Silver Star Outstanding Alumni Awards Parents, Professors, Fellow Graduates, Staff and Friends Alex Da Corte BFA ’04 (Printmaking) Presented by Sid Sachs, Chief Curator and Director of Exhibitions Osceola Davis-Smith BM/BMED ’70